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An Odd Sensation

The idea of bringing everything together, inside, faces the same problem as it might on the outside: what if it doesn’t fit, or if it doesn’t feel right? If we are a oneness, how could this be? Well, this is where the work of letting go of biases and defense mechanisms can be applied, because these additions cause friction to the process, and, to be in a flow requires that we be as frictionless as possible. (At the end of this post there are instructions and a link to download this recording to your computer.)

Jeane: I did that thing again where I’m doing something that feels very spread spectrum. like it seems to be covering a lot of distance. And it’s some kind of work with energy. But I wake up and you’re not in the bed, and then I lose the dream. And then I have a later dream.

John: So, what that is it’s just denoting that you’re on the in-breath aspect of yourself, which is trying to come to grips with how to see yourself in a spaciousness. 

Usually, a person doesn’t use the in-breath, or note that the in-breath is like that, because it’s too expansive or something. And so, in order to make their world cope for them, they have to look at themselves, or see themselves, as something that comes down, that has an energetic, that compacts, has an orientation in other words, an unfoldment in the out-breath. 

But to be in the in-breath, when you don’t have things sorted out, and where you can’t quite pull a cognition together, that’s an unusual state. And it’s an unusual state that I’ve found leaves one sensationally; on a sensation function, kind of in a sensation delirium. It’s a sensation delirium because you can’t find your modality, or your place, or your scope, in terms of what it is that you’re meant to grasp, or own, in that spaciality. 

And so you’re constantly trying to, well, push to an extreme that causes some people to go a little insane. And it’s unpredictable. And it doesn’t accept; that aspect has a trait about it, where it just doesn’t accept hardly anything that is presented to it. 

Because in this spaciality, the positive side of it, is that it always has a sense that something isn’t quite right because where it deludes itself is when it gets into a compactness where it could take and think that it is accentuating something important. But when it’s trying to scope out a greater spaciality, it has a dilemma. And so that’s a very odd sensation to have to be in. But it’s part of the in-breath.

To download this file, Right Click (for PCs) or Control Click (for Macs) and Save: An Odd Sensation

What Unfolds

There are many ways to think about being in a flow. Sometimes it means we don’t intrude upon, or impose our energetic print on, something – while it is unfolding. In other words, we don’t determine the unfolding for something else. Yet, other times, we can be in the flow by doing what is energetically urged upon us, or made possible, in a given moment. The skill is in knowing how to read the energies. (At the end of this post there are instructions and a link to download this recording to your computer.)

John: This is a very bizarre sleep dream, but it does make sense. In the dream, I’m in a room and have work to do with a person who is intense in his nature, intense with a certain focus, because he’s got an agenda to get it done; that kind of intensity. And thus, he’s pulling that out of me. 

At this time, I don’t realize there are three other beds in there, actually there are four beds, but there are three others, and three of those beds, the people that are there are under the covers, you don’t even know that they’re there. At this time, I don’t even know that they’re there, all I notice is the guy in the fourth bed is sitting up and he is trying to direct the energy however he wants to direct it, and doesn’t like the intensity by which whatever’s going on, so he turns the TV on. 

Now, this is like a college room or something. And he’s a new guy. And then there are three others that are also new, but brand, brand new. And he’s new. And we’re the old timers. So because he doesn’t like what we’re doing, he turns on the TV. And I know from a depth inside that what Robert and I are doing needs to unfold and that this is the time for that to happen. 

So I hold the focus. And in holding the focus, I go over and turn the TV off. I’m not sure if this is going to start a fight, or a bigger problem, or not. What this does is it sets in motion something in which these other three get up. I didn’t even realize that they were there. In my case, I don’t foresee a problem, or I’m not going to allow myself to see it as a problem, what I did, because I trust in the flow, and am maintaining this flow, to follow it to wherever it goes – because it’s what’s in the atmosphere. And the other, that equivocated, is a misalignment. That other that equivocated is basically a very powerful force. 

Suddenly, to my surprise, those, like I say, in the other beds, who have come to this campus, and we’re really groggy and went to sleep, one of them is a woman. And for some reason I greet her with a hug, and her chin hits my shoulder and lipstick gets on my shirt. She suggests several ways to get it out, and I realize she has to do it her way. 

So I say to her, so I guess what you’re trying to tell me is I should just take off the shirt, give it to you, and see what happens. In other words, she does whatever she does to get the lipstick out. In other words, this is an approach that’s working with the energetics in all regards, which I have to go along with because they’re important to the flow of life. 

And the meaning is, and we should put it together, that to begin with what jars or sets in motion something is like a mannerism. And the mannerism can have a kind of alpha quality to it, like my reaction to things is a bit alpha. But the truer influence is deep within myself. And deep within myself is kind of an inner history to all that exists. 

To recognize and accept the inner focus needing to come out, while at the same time accommodating others in life, does not get in the way of what is intended. You step back and watch to see what is intended. In other words, you don’t go out there and try to impose something and fight something. And what unfolds is just there to be beheld. Such watching is a letting go so that what is meant to unfold finds the flow – which is what you pointed out, it finds a flow and runs its course.

To download this file, Right Click (for PCs) or Control Click (for Macs) and Save: What Unfolds

Vibrational Destiny

We have seen the ripples in a pond spread out in expanding circles. They will continue to flow outward until the energy of the instigating effect has been expended. We have also seen that if those ripples meet a rock, or some other interference, the interference creates a crosstalk pattern. And, if there are a number of interferences, the pattern quickly becomes chaotic. We can imagine ourselves in the same way: when we interact in life, do we cause an interference, or do we allow things to unfold naturally? (At the end of this post there are instructions and a link to download this recording to your computer.)

John: The theming of the dreaming was set forth fairly clearly in the dream world, in which it begins with me being at a gathering and noticing that this particular gathering, or party, or get together carries a predominant theme, and this theme projects into life. 

It’s kind of like dreaming. When you have a dream, you go through states, and those states then project, just like the theme of the dreaming last night, and something one had to understand to understand the dream, that state has a projected vibration. 

And if you can read that projected vibration, that is a flow and an unfoldment that is true – and something that a person needs to be able to accommodate, go along with. It doesn’t mean it’s necessarily true, it doesn’t mean it’s necessarily bad, it’s just the way something is undulating. 

So you could say that the scenario for the meditation dream being like it was had to do with the surrounding, last night, in which the vibration was what set the tone for the state. By going along with the vibe, I found myself drilling down into it in terms of the vibration. And, in doing so, I noticed that I had a dexterity, and it had a destiny, that I was able to accept or denote. It’s not, again, a question of judgment. 

And I couldn’t denote it on the energetic that it was on, plus the sense of other levels as well – even though I don’t understand where all these other levels go. To be able to go into that is to be able to follow an energetic, like in a kind of fascinating, perceptive way. It’s like watching. 

And, at the same time, not only just watching it, but taking it in. You can’t really watch something and take it in if you fight it in some regard. So you just kind of go along with it. I noticed that there was something like this in the wind when I first walked in. 

And so that was the setting, along with certain others that were there that were able to naturally free flow. Other than that there was a particular vibratory motif. I also noticed that the atmosphere had an energetic agenda. They may not have known what their agenda was, but I knew what the agenda was right away, I could see it, because I could understand how the energy was meant to unfold. 

Because I, being an empty free flow, can just kind of correlate and relate, and then step back, just kind of tweak the energy and then step back. You just tweak it in a particular way, you could say, from a roundabout way of looking, that the energetic business in such a vibratoriness, already predominated but had yet to unfold. 

Like a dream, this was an energetic state to be read. To not read it would have resulted in a missing out on what was going on in the atmosphere of the place. To have projected a value this way or that would have been inappropriate. 

To be able to free flow without having to cut through anything, and to leave it all as is, was the opportunity for a wonderful dance as presented therein. This is what it is like to be able to be still, within, the result being a free flow able to see the design. The designing was according to the prevailing projection and its need. 

And of course, in your particular case, what you saw is that’s how something runs its course, comes to an end. Otherwise, it continues to just sit in the atmosphere and doesn’t unfold so that it can be absorbed, or whatever, or run its course. And therefore you have a continuing mayhem, or at least a kind of mayhem in which there’s no intertwining. There wasn’t the usual heart suffering in doing something like this, or in being this kind of way, because I’m not connected to either of that. I can relate to all of that without having to be touched.

To download this file, Right Click (for PCs) or Control Click (for Macs) and Save: Vibrational Destiny