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Archive for August, 2013

Tiny man entering a mzeAs we begin to shift from our lower-self nature to our higher-self connections, the flood of energies can send us off on personal tangents. When we continue to surrender, not putting our attention on those tangents, or letting them run too far, our lives begin to shift from the microcosmic experience of singular, separate existence, to a higher vibrational level where we can understand how we are part of the macrocosm. (At the end of this post there are instructions and a link to download this recording to your computer.)

Jeane: In my dream, it felt like I wanted to see a certain doctor to clear up a condition and get a vaccination. The doctor is more like a scientist than a doctor, and sometimes you had to jump through all these hoops to get this, and they had decided you didn’t need to do that anymore.

But then I realized, because I had to wait so long to get into this specific doctor, that by the time I did see her it was like I’d already jumped through all those hoops.

And in the meantime I’d even had a second dream, but it was so mild or something I don’t remember it.

John: This reminds me, the pattern of what you’re doing reminds me of when my e-mail broke down, and then when it came up again there was something two weeks later that, had I gotten it at the time, might have fouled something up.

In other words, you’re doing something similar. You’re having a recognition that is occurring over the passage of time. In other words, your usual perception is to expect things to be a certain way, but something has changed, and you’re now able to suddenly relate and be different.

And so whatever it was that occurred was all about causing something to be able to change, so that you wouldn’t be dropping the usual patterns and mannerisms that had predominated over your nature and kept you in some sort of loop or spin.

And so the dream is speaking in regards to whatever all that was, that there’s no way you could tell, or put your finger upon it, as having that effect per se. You just notice that the difference between then, versus the difference now, you relate or respond and perceive and take in and conduct yourself differently.

And so whatever it was, was like kind of a shift, or a step, that’s all worth it. What else was there about it?

Jeane: Well, there was just a dream in there somewhere that got lost because it was so mellow.

John: Well yeah, you probably lost a kind of way or manner to which you can take, like you say, a mellow, or a slower down, or an easier pace about things, which can actually hold you back, even though you don’t realize that it’s holding you back, because dreams per se, for the longest period of time, are influenced by a very large degree by our outer lower-self nature.

In other words, the higher-self memo has to come through the dense nature of physical characteristics and qualities, where we come off of a world that perceives with the mind and works off of the senses, as opposed to this other infinite overall place.

And so as a consequence, when you take and you factor in through all of that, you bring in the input from the inner, it often is taken in in a way that throws you into other tangents of yourself.

One of the biggest tangents that a person gets caught up in is, as you learn to dream, you realize that you have access to this place where the soul moves around and can make itself somehow known, through the limitations of the physical, that the human nature side is to try to stay quiet and asleep and mellow.

And so you can have dreams that are like that, that you can’t remember, and yet leave you kind of feeling in a nice lilt place. That doesn’t mean that that’s necessarily good, it just means that you have made the choice to go at this more amnesic pace.

It’s kind of like a person who comes to the path and the teacher asks them if they’re willing to put up with this, and put up with that, and put up with this, and put up with that, and no, they still would rather do it under their terms, in which you don’t get all torn to pieces by the way you have to contend with the depths of yourself.

And so you have lesser dreams with lesser meanings, and then you have deeper dreams and deeper meanings, and you have to access the part of yourself that still uses the gravity of creation in order to pull it through for blueprint purposes. But you’re accessing part of yourself that really is out there, as opposed to limited by the condensed conditions that can create reflective confusion.

And in that reflective confusion, you then have more of the images that are kind of still largely personified in a microcosmic way, in terms of shadow dynamics and other traits that you have to learn to overcome, or to set aside, or to thread through as part of breaking a type of sound barrier, so to speak, or in other words, breaking the barrier between two levels of vibrational existence.

For the longest time you put up with that, so this little lesser kind of dream, I’m starting to know I have those, too, and they can dominate one’s attention. In other words, there’s a discernment that develops in your sleep where you come to accept that they’re okay, to not have to note that particular thing in some sort of retentive way, because it seems so imminently important to some manner of your senses that’s still moving around, and therefore then you can have a huge, deeper realization.

And so the essence of the dream that you had, your main dream, had to do with being able to take stock and note of the fact that, for reasons that are hard to explain, you have over a certain passage of time – based upon having to go through something – suddenly are able to see yourself as having made a shift into a way of relating that is different than you how you would have been relating ordinarily, previous to this happening.

And so to a sense-oriented nature, you would like it to be a little more retentive and it’s not. I mean, it’s just that way. It’s a shift.

To download this file, Right Click (for PCs) or Control Click (for Macs) and Save: A Break in the Barrier

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Ad-InfinitumBeing in the world but not of it is a state of consciousness. It speaks of a relationship where we, as humans, are connected to the deeper self, and able to be a conduit for what is higher. This requires that our own biases are not introduced into the equation – we allow the higher to manifest into the world as a service into creation. (At the end of this post there are instructions and a link to download this recording to your computer.)

Jeane: So in this next dream, it’s like I’ve been traveling with some people and we’re stopping at a lodge for a night, and we’re in a great big truck, like the type that hauls produce or things, you know, whatever you call those trucks, and we want to find the right place to park. 

Well, the problem we’re having is that we have to get customs to agree. It almost feels like these are French customs or something, that it’s okay to park our truck and to be at this lodge that we want to stay at, and they seem to want some paper that I’m not sure they know what it is. 

I’m not sure we know what it is. We pull out what we have. Then I have this idea, if we just find the right place to park they’ll just kind of chill out. So we go over to park the truck and now the dilemma we have is that it feels like when the guys first want to park the truck, I realize that they’re trying to park it someplace where other trucks unload, so you have to find a place to park the truck which is a long enough parking place for the truck, but isn’t someplace where they unload.

And so I’m trying to show them where that is.

John: This part again is more information, or livability mannerisms, in terms of how it is that you sustain or maintain yourself in the outer, that in every place, and in every scenario, and in every scene in the outer, there is something going on, and that you have to know where the empty space is that you can be in, where it’s okay.

Because everything is filled up with energy, and you have things doing this, and you have things doing that, and you can’t just arbitrarily decide to park and unload, or be whoever it is, and whatever it is that you still see yourself as being.

Because whatever place you pick is going to be a place where something else is going on, something else is being unloaded, or is still being flushed through, that still hasn’t run its course, is still in process.

So this is a dream that has a humor to it, in that whatever that place is going to be, is going to have to be an emptiness, or a nothingness, because there’s always something going on everywhere.

And you’re going to have to be able to be in life, in terms of whatever it is that’s going on, but yet still be able to occupy a space without being seen, or without having an effect that takes and disrupts the cadence – to what is here at its level of evolvement.

These are dreams that… you’re doing pretty good in doing these dreams because they’re showing kind of an unfoldment, or naturalness, that’s important and is taking into account how to be here, and also be most effectual, because you’re not just a run amok, you’re not just coming across with an appearance that takes and effects other things from being able to happen.

It’s kind of nice. You gave a pretty good progress report.

To download this file, Right Click (for PCs) or Control Click (for Macs) and Save: How To Be Here

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spirit-disguiseAs Jeane’s dream images continue, she is shown the subtlety involved with an inner evolution, where we begin to take responsibility for how things affect us, and our affect on everything else. It is a gradual unfolding, and elevation, as we begin to connect to the Wholeness. (At the end of this post there are instructions and a link to download this recording to your computer.)

Jeane: In this next dream it feels like I’m supposed to make a music video. Well, the area in which I have to make a music video is almost like this narrow, moving sidewalk almost that goes through a building. 

It’s kind of like a cross between a nightclub and a gym, and the people in this are kind of rough, like the guys look like a cross between a bodybuilder and a biker, and the women are kind of tough looking, too; they get up on some things where maybe they dance. 

Well, I’ve gotten this kind of gruff biker type who’s pretty big. He’s going to carry me through this narrow, moving sidewalk, all the way down to where the band is and back. And as he carries me, I have this long flowing scarf I’m wearing that billows around us in a certain pattern, and I think the colors and patterns and movement of the scarf, with the music, are what will make the music video.

So whichever way he moves me, and the scarf then moves around us, will make the visual image for the video. I’m not 100% sure how this is going to work out, and neither is he, but it’s like it’s what we can do, and so we do that.

And then it feels like at the end I can kind of observe him, that he goes back and he actually lives with maybe this young French couple who are still kind of trying to make ends meet, so they make pots of vegetable stew and stuff like that. And given that the video’s okay, then they’ll have more to throw in the pot, so to speak.

John: Yeah, this is an interesting dream from the standpoint that you are realizing that the part, and what it is, is important for you to live – in relationship to other things that exist in the outer, because you can’t reject things – as was indicated in the first dream – in the outer, because everything has an aliveness.

But it also has its moment in time, in which it comes into its own consciousness, and so if you, in the understanding of this, stand out too much, then that can hurt things, that can burn things, or blow the cover of something that needs to develop more slowly and more subtly.

So, you have learned how to take and shape shift or change the appearance, disguise, run a disguise, which basically means that you’re able to live in the outer, according to the way the outer is seen. But the real you isn’t seen, because for the real you to come out, then that would create a problem in terms of the parts and bits and pieces of the Wholeness of life, that a part of you, that’s in a different phase of evolvement, that is not going to understand, it’s not going to get it, and that there would be a reaction.

And such a reaction would limit the possibilities and potentiality of what can occur. So you have to know how to conduct yourself in a way so that that trait can discreetly evolve. What was the end of it again?

Jeane: There was like a French couple he was living with. You know how you’re kind of still trying to make ends meet, you just have big stews, vegetable stews and stuff.

John: Ahhh, and the reason for all of this is so that something more can happen. In other words, if you take and you stand out to such a degree, so that you’re an open book, and then you just exist on this one level only, in other words, you present yourself on a particular level and people either accept it or they don’t accept it, and so you create a certain discordance and that limits what you can do potentially.

So you have to know what is appropriate and what isn’t appropriate. This is showing you a way of recognizing a certain graciousness, and humbleness, that you have to carry yourself with, as opposed to images in which it all hangs out. And things tend to all hang out if there needs to be a certain element of being recognized, or you have a certain ego that has to be patted on the back or seen, and that then gets in the way of how things suddenly evolve. This goes along with the first dream, which has to do with a shift.

The first area started with the seed thought of a development that’s important to be able to flush things through, to get them out of the system of things, as you develop a certain strength and integrity, so that you can come to know deeper parts of yourself.

And then once you come to know those deeper parts of yourself, then you have to be careful what it is that you chop off, or cut off, because it’s all an aliveness. It all has a physicality. It all has a skin or something.

You come to know that all of that breaks into something that is part of God, that is real, that may have been too much at some given point in time. To the degree to which you come to understand that, is the degree to which you come to understand your own limits, in terms of how it is that you exist – so that you can enhance things unfolding in the greatest possible way, in other words, the stew of life.

And to do that you have to recognize how to conduct yourself, so that you’re just not all out there like an open book, that you have a certain disguise, so to speak. In other words, for those who can see you, they can see you, and for those who can’t, they can’t.

And in that way you can work with a greater range, in terms of the energetics of the Whole. You can take more of the levels into account, which is important to do, and that’s why you’re here, is to be able to make that energetic connection.

To download this file, Right Click (for PCs) or Control Click (for Macs) and Save: A Certain Disguise

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