In Jeane’s second dream of the night (see An Insatiable Motion), the image moves from an external view of separate containers on a ship, to a more personal view of wearing layers of clothing. In both images, she is dealing with the subtleties of moving from a separated view of the multiple aspects of life, to finding the connections of everything, or, as shown in the image, an outfit that works for every occasion. (At the end of this post there are instructions and a link to download this recording to your computer.)
Jeane: So in this next dream, it feels like a woman has taken me into a clothing store. It’s a very upscale clothing store. I mean, there are some people that are modeling certain outfits, and the thing about these clothes is they’re very high quality, but they’re also layered clothes, and so we’re trying to find myself one or two outfits that will actually be multiple outfits because you wear one under the other, or over the other, layer them in certain ways.
And I’m kind of observing a few things on the outfits, most of which are black-and-white, or black or white, and trying to see if I have the right outfit that can be the most versatile for me. And when I look down, I notice that like the under layer that peeks through everything else is a certain shade of kind of that lemon-lime green, and it even has like some leather parts to it.
And then the pants that are worn over this, when they puddle down to the floor, they spread out around my foot that almost makes it look like little black scales that go out in kind of an interesting pattern. But I realize that maybe it’s going to be difficult to walk with. It might look okay if we went dancing somewhere.
But then I have outfits that can go over the top, which maybe could be worn on their own as a dress, and it feels like maybe there’s something that’s blue, besides just the black-and-white I might be interested in.
But then I’m discussing with her – it’s like I feel a little short on time – and whether or not this outfit that I’ve put together so far can work, because I’m worried about how it kind of drags on the floor with that kind of strange pattern, whether there’s time to go into another part of the store and start over, whether I just have to kind of pick up one or two things and see if they make a properly layered outfit.
It feels like I’m just trying to kind of consider and get all of that right in a fairly limited period of time.
John: The fairly limited period of time is always this compelled nature to try to get the various levels. And it’s interesting, you’re repeating the first dream with this dream, because now what you’ve done is, instead of trying to function as a container ship that works on all the different places and ports and levels of things in life, you now have taken this layering on literally, in terms of how you put on an attire. And you’re working from the top down instead of the bottom up.
In other words, you start at the high end, and then you come all the way down and through and the inner most garment is green, right? Kind of a yellow-green, which means that it’s lower self in life. Well, lower self is kind of… actually yellow is one of the first three chakras, and green is the heart, and green is the deepest of all colors, and it is part of creation. It is enmeshed through the levels and layers of everything in creation.
And so you’re figuring out how to layer everything on, properly layered on means that you then have yourself in a scenario in which you can go any place you want to go, because you can always be properly dressed by taking off a layer if necessary.
And this is like a higher self understanding that’s peeking through, because you start in the high end store with the layering, which means you’re finding the most regal of outer garments, which is a type of innerness and paradox, to put on, that this continues on through all the way to all of the different levels.
And so it’s another way of kind of expressing and denoting a container energy in terms of how we function in terms of the outer, because we see the outer in such a differentiated way, and you have a dream in which you perceive it like this and you keep working at this in an ever subtler way of dealing with it, in other words top-end down.
In other words, it’s almost like the more layers you figure out how to put on, to accommodate all that could possibly be, or change, the better that condition in your overallness will be. And as in the first dream, your sort of compelled nature to function as an opening up vessel that can hold all of the states, that can hold a given condition and all of the levels there too, has just one dilemma, has the same dilemma.
And that’s the dilemma that everything is still currently separated, as if from layer to layer, level to level, vessel to vessel, and that, where this needs to go if it’s going to reach the nothingness and the emptiness is that they all have to be one and the same, the end present at the beginning, or otherwise the beginning will be one layer and the end will be another layer of something.
Actually, all the layers intertwine. They all are reflective of each other in some degree. It’s just a variance in terms of the way the states are. And by state in this particular case, I’m meaning something like on a sensation level would be based upon temperature, but on a speed level, or energy level, it would be based upon different gradients of expansion contraction, or contraction to expansion, which is different degrees of speed.
And something that is the densest and slowest is the most carnal and the most linear, and is conceivably an even lower speed, and there’s even more raw energy tied into that and you have to own that.
And something that is more transcendent in energy is a faster speed, more off the ground, looks at things in a different context and state at this level of expressiveness, but is not as tied and as connected then. It’s closer to where the superiors world would be, of things, within yourself so it’s not as directly connected.
In other words, it works more subtly and it’s a speed that’s harder to sustain in relationship to an awareness of the density. And thus these are the layers from dense to subtle like that, and ultimately all of these layers, in order for there to be a true oneness, and a true Wholeness, and a true container that contains everything in the universe, have to twine together, intermesh, as one.
And that you’re still depicting it as having its differentiated quality nature. And it’s amazing how you do that. I mean, you differentiate that as a kind of embodiment energy. I mean, putting clothes on is an embodiment energy, or a container, or a vessel of a type of knowingness, which is subjective inside of one’s self under certain conditions of weather, if you’re talking about it in the outer environment, as if there are these different levels.
And yet, ultimately, in order for there to be a nothingness, it all comes together. It’s a little bit like the Star Trek movie in which things got so speeded up that all there was was flickers of light, and if you could slow it down and slow it down instead of it being a buzz you can actually reduce it to something that could be intelligently heard, and then eventually even seen. But otherwise it was just a flicker of something going so fast that you couldn’t intelligibly pull it out.
Well, it’s like layering again, layering this time in terms of levels of speed. And just like you have light as one speed, and sound as another speed, and you have creation, which is the lower speed in which something is constellated as something that’s visible and touchable, but actually within that is so much empty space that you don’t grasp or you don’t see, given the condition or level or layered nature that you are carrying in a particular lower energy state.
In a higher energy state you would get to a point where you’d realize there really isn’t anything there. It just gets to a point of pure vibration or essence.
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