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Archive for December, 2013

spiritual-connection-katelynn-johnston-aThis dream shows the progression from the prior dream (see Taking It To The Top), where Jeane risks an energetic connection she has only a tenuous grasp upon. In this way, she finds herself slipping into a fractured state, where a sense of Wholeness and flow devolve into separation and confusion. This image provides a template for the struggles all seekers face in their journey to let go of the personal involvement in the material world. (At the end of this post there are instructions and a link to download this recording to your computer.)

Jeane: You’re with me again in this last dream I had right before I woke up, and it’s like we’re in a wooded area, but we’ve been searching through a, it almost looks more like a hunting lodge, but there’s gambling that goes on in this place.

And I guess we’ve decided that we will gamble a little, and a lady has come and made change for me and then there’s some confusion about whether she’d given me $5 too much when she gave me change back. 

That makes me look through my purse, and then I realize that in my purse my money is divided, and maybe I have it divided between some money that was ours, and some money that was mine. And so I’m able to show her that actually she gave me back the right change, the extra $5 actually belonged in the little wallet I had in there, which was my money, which was separate. 

And then you and I’ve stopped actually at some, they’re like slot machines, but they’re actually out in the forest – because this whole casino is out in the woods – and I think you’re playing one of the slot machines and I’m at another. 

They’re a little distance apart and I’m looking at whether I want to put in a whole $20, or I still want to… I look in the bottom of my purse and there’s a whole bunch of quarters, but I don’t seem to want to spend those, but I come back to the quarters because I realize that if I put $20 in, that will probably be about the time that you decided that you don’t want to gamble anymore.

So I’m probably better off if I take the quarters because I can put them in one at a time, although that’s not really the way I would prefer to do it. 

Then I’ve walked a little bit away and there’s suddenly this girl that’s standing there preaching, and she’s standing in front of a glass case in which there’s a carving of a statue and then right beside her is a carving of one of the religious figures, Joseph or Jesus as a child, but it makes it a little difficult to gamble with her right there – like I’m almost looking for a different place to go because in some ways I feel like she’s kind of like the front man for a preacher that I wouldn’t trust, even though she’s sincere in her own way. But then it makes it a little hard to gamble in that presence.

John: Well the dream starts off where you’re taking this quality that you found, in other words you have to go back to the prior dream, and in the prior dream you’ve reached a particular quality inside that can be projected, and lived, and reflected in a particular way.

And now you’ve turned around and you’ve decided to gamble with it. And what gambling with something does is it fractures you, and that is shown in the image that you have your monies all kept in different compartments. And once it’s kept in different compartments, it’s hard to understand how to sort out.

Once you start keeping it in different compartments you lose a certain focus, a certain thread to things, thus you don’t know timing very well anymore to things, either. Everything gets a little more baffling, and a little more confusing, and you tend to go off in kind of a wayward way – as if you’re now having to ponder and think: do you do this, or do you do that, in relationship to the amount of money, the change, when do you stop, all of that sort of thing?

In other words, you’re in a delirium because you have actually lost the importance of the vibration. It’s gone away from you. And thus, when you come to something that is more pristine, that is holding a note or quality, even if it isn’t holding the note very well, it’s still better than the condition you’re in, and that becomes like a type of embarrassment.

Having to hold the note, not getting caught up in what is thrown at you, around you, that everybody else is doing. They’re gambling away and, thus, they’re losing their ability to sort things out. In other words, you don’t do that, everyone else does that. You do that, you suffer a price, you lose the recognition of that which is meaningful, and even the proper understanding of that which is meaningful because you get skewered. Very interesting dream.

So your whole dream sequence took you to, first of all having to find that one, single important thing to do, of which all other things fall away, and that one thing then can project itself out into life – right from the top, like through the White House as a dynamic, and that one thing is your friend.

But if you go away from that, and think that you can play games with that, gamble and fool around with that, get into other deviations, you then unscramble yourself and, as a consequence then, the delirium that you create is such that you don’t even notice the degree to which your energy has been compromised – until you run into a reflection of something that holds a cadence, or a note, that is more pristine than the position and the shape that you’ve allowed yourself to have fallen into.

And that’s when you can hopefully… that’s when you recognize what you’ve done to yourself. You don’t recognize what you’ve done to yourself when you’ve deviated, because you go off in mental tangents, and hold the thought process of those mental tangents, instead of the heart process.

But at some particular point that becomes fairly empty and dry, but you don’t even notice that until you’re in the face of something that holds the quality differently, holds it with a mannerism that’s pristine. Quite a dream, huh?

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mandala1Jeane dreams of being in the White House with Jackie Kennedy. What does such a scenario say, in terms of what she is sorting out on an inner level? As John describes it, the energy Jeane is searching for in the first image is taken on and, in shifting to the next scene, we see how she is trying to maintain a focus on holding that energy as the most important aspect, as a way to let the process permeate into life – from inner into outer. (At the end of this post there are instructions and a link to download this recording to your computer.)

Jeane: Well the very earliest dream it feels like I’m searching for something, looking for an energy, some kind of a circular energy. So it’s like I go to various rooms looking for this. 

I go to one room and I open up the door and it feels like the energy is a little too yellow or something, so maybe you subtract one of them from the equation, because I shut the door. It’s an energy that’s going around in a circle in there. 

Then I seem to keep looking, and I know that I’m at a department store at one point looking, and I’m looking in terms of it’s almost like trying to find the right scarf, or the right material for something.

And then there’s like a switch, and I’m investigating now, but there’s still the sense that I’m looking for something. I’m investigating. I’ve actually gone to the White House. Jackie Kennedy is there and like her husband’s been killed and she’s still living there. And I’ve gone to the White House to install two machines because I realize she’s been trying to spy in some way, and I’m going to put two spy machines in there.

And I’m kind of lecturing her that she can’t tamper with them because it’s like I feel like she’s been trying to do it on her own and it’s messing things up. She can’t touch them, or maybe I’ll take away her dog. I can’t figure what else to say. 

Then I seem to leave the dream with the White House.

John: So, you’re using the first dream, where you’re looking for a bunch of circular energy, you’re using that as the template.

In other words, that sets the tone, or the note, of a certain attention that you are going to be applying. In other words, it’s just like if you hear a particular note, and anything else that’s a little off in relationship to that note, once you’ve found that, you can kind of denote other things around you as to whether they are properly aligned, or in a natural order, or not.

This would be something that would be difficult for the masculine to say and do because it tends to try to prioritize things, and in that regard that’s bad. But when you’re taking and you’re looking at an overall cadence and vibrational energy that you’re going to be holding onto, and sustaining, and supporting, that’s not linear, that’s like being in the cadence of your own Wholeness.

And once you find that cadence, you then can put yourself, and find yourself, in being able to direct or shape how something is meant to be. In other words, you find yourself in the White House, right? And the White House is a place where things are supposedly directed, and you find yourself trying to direct something in terms of Jackie Onassis.

And she’s a person whose presence in the White House stood out with a certain degree of dynamic independent flare and everyone took note of that. You, in terms of your relationship with her, are directing that she has to maintain that a particular way. She has to be true to something in a particular way, in terms of how she carries herself, because she’s storing something, which means she carries herself, and that if she doesn’t do that she loses the friend, the dogs are the friend, right?

She loses the friend, which is another way of saying she loses herself. This is a type of thing that has a fine line, a very, very, very fine line to it. If you weren’t dealing with the one note, or particular note, that is important in which all other notes or qualities fall apart or get you nowhere, in other words if there are 100 different things to do and you’re talking about the one thing that needs to be paid attention to, and the other 99 things aren’t what are important but just this one thing.

If this was associated as a dream that related to the 99 things, in terms of how to try to take and approach something, you’d have a problem here. This would be a contractive and limiting dream. But this isn’t a contractive and limiting dream because the thing had to do with the swirling note that you had to find, which you knew was important. 

And then the importance of that, in terms of what it really was, was portrayed in the fact that you took it all the way to the top and you instilled this note as a quality that then could permeate out and, if it wasn’t retained, and if it didn’t get permeated out in the way that it was meant to be permeated out, then you would lose something valuable.

So once you find it you understand, then, how it’s to be lived, and you hold yourself to that kind of livable accountability. 

Isn’t that interesting?

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the_light_between_past_and_future_by_mjmaverick-d52grwhIn pondering the possible scenarios for the future, as described in A Clean Transformation, John continues the imagery to find himself in a place that is familiar, yet whose time has ended. In looking at how to proceed, it seems that he has to relinquish his place, or what he holds on to, and walk forward into the new. The analysis ends with a fascinating description of being on two levels of being at once, with each level experiencing a different world. (At the end of this post there are instructions and a link to download this recording to your computer.)

John: I don’t realize this until I put both dreams together, but just as a preface to it, I dream of the bygone era. And then I dream of the end of that era where something then is handed off to what needs to proceed forward.

So in the bygone era, I go way back in time to where I was the bus driver. And it’s all I can do to handle this bus as it’s driving to a campus, and it’s going up a one-lane road and there are trees on both sides. It’s a mountainous pass – it’s kind of treacherous.

And there’s a campus located back in there that very few people ever come to, no traffic comes out of this area, even though I am concerned: what would I do if there was another vehicle coming from the other direction, because it’s all I can do to navigate up this road? 

It’s kind of a steep, windy road, and it’s a little precarious and it’s not like things are well manicured for vehicular purposes. And so I come into the area where this campus is to be, and the next thing you know, I’ve driven up on this high knoll. And the knoll is kind of like you go up and in the very front I’m blocked off. It just kind of stops, or at least there are trees that hit there, in what I thought should still be the road, that blocked the bus.

So as I stop the bus up here, I can’t go forward. I see some mineralization and a cliff and mostly the trees are the first obstruction. There’s no way I could drive through. And I look out, and I’m supposedly in the campus, but I don’t see any buildings. I see some students, others in the area, not many but some, and I saw some as I came up the last stretch of the road, but I don’t see any campus buildings. 

And so I’m pondering whether I need to reposition the bus. Well, it’s one thing to drive up a slope, it’s another thing to back down it. Your brakes could give out and be a heck of a mess. So I realize, well, it feels like I’m in the center of what is to be the campus, so I open the doors and let everybody out.

In the next dream, I’m again going up a trail or a road, it’s more like a trail, and I’m by myself and, at one point, I pass through this area that is very, very familiar to me. I see the same knoll where it looks so familiar to me. It was like I had parked a bus there a long time ago, where I had brought in students.

And now what exists there, and built all around the knoll and at the top of the knoll, are old campus buildings no longer in use, very, very old, obsolete. It looks familiar to me even though it doesn’t quite dawn on me in the dream. 

A part of me wants to stop and go and explore the one building that’s right where the bus had been, not even realizing yet in this dream that the bus had been there. It just seems to ring some sort of old memory.

But I can’t stop. I’m in a hurry. I have to go somewhere. I have to get to a place. And I’m in such a hurry that I’m inconvenienced when others are in front of me, and I race around them whenever there’s the opportunity, a little bit rude even. And I get all the way, almost to the front where there’s only one more person in front of me, and that person is a woman by herself.

And I’m glad that she’s someone ahead of me because I can no longer see what the trail or the road is that I’m supposed to be following. I’m following it by sense now. And so I come around into an opening, an opening similar to the opening that had existed, except there was the knoll and everything that is past this bygone era of buildings, campus buildings, and there’s a desk there, or a table there. Nothing else is there. 

There’s a woman sitting at the table. I go up there, and I’m kind of like checked into the place, so to speak, and handed something that is going to be part of whatever my presentation will be, my ending presentation, because what I am doing is I’m giving up my seat. I’m giving up my seat to a replacement and, even though I see no structures or buildings or anything around I’m moving on, I’m being replaced, and I’m eagerly replacing myself, giving my seat up. 

It must be real early in the morning or something because I’m told that the breakfast is $23, and I think: outrageous! I wake up and haven’t yet made up my mind as to whether or not I could stand going through paying the $23 for breakfast here, or whether I’ll go back to those old campus buildings, or whatever that town kind of thing is that’s off in the distance, not visible where I’m at, but I can walk there and get a decent breakfast for a reasonable price. 

So little bit on that first thing that I did. I can’t imagine how in the physical world that this can actually happen. What I mean by “actually happen” is that everything gets busted up to such a degree that there are no options, versus the idea that there’s a grace or something that can exist that can keep things from being completely, totally, no-way-out kind of thing.

Because deep down I know that if it doesn’t come to pass – meaning everything gets wiped out -that the suffering will not end because people will continue to go out and grab onto those extraneous aspects, and that will then continue the control, manipulations, and abuse over the masses – or the average person.

In other words, things will just keep shifting from one form to another instead of recognizing that you have to let go, and be empty, because this is how it is: The concept of ego over spirit will be retained, in this way, by this aspect of manifestation. The inner won’t come into the outer. The dominance of the physical will be louder.

So, I guess the question I have is this, if manifestation, which we know as physical creation, is to be sustained, how do you not have a manipulative power and control effect in some way or another in life?

And then the second question to that would be, if you do have this power and control effect that still creates the suffering, and the misery, and the afflictions, and the anger, and the self-deviations and all, where is the universal humility if a degree of abomination is yet condoned?

Or, a big “or,” if the levels are to be retained between the inner essence and dense outer, then time will have to remain so that which is left behind in manifestation is able to, in its fullness of time, catch up with what is intended, in terms of choice, or the grace that is latent therein, to let go and go from illusion into Wholeness?

So, what’s happening is this is like still trying to bifurcate the two on the spot. There are pros and cons to how to do that. I mean, do you leave something that still noodles on, and manifestation still continues, but it still then has the mannerisms?

And then, of course, a very slight meaning of the dream that had to do with the bus, what I am describing is a journey to a place that is dynamic and alive, but not in a way that I comfortably understand.

See, when you’re the precursor of the new era, which was the old era in this case in this dream, something had to work through me from the other side because I never really understood and I did not really catch up with the pure light or anything in that thing. And so it was like when I let the students out there at the top it was a sense that I did because I couldn’t really back down without endangering something because the brakes could probably give out.

It’s one thing to drive up, and another thing to back down a steep incline, and I couldn’t go forward and yet I knew I was in the center of something. And when I arrive I have no choice, in other words, but to surrender and accept what lies before me, or lies within me.

In the second dream, after having walked up this trail and everything, what is going on needs to be probably first of all talked about a bit because, in the prior dream where I take a bus full of students to a campus that was way back at some point in time then, and the place has changed, a lot has elapsed. A very old campus building is located at the spot where my bus had been long ago and, when my bus was parked there the campus hadn’t yet, or the era of time there, hadn’t yet been established.

The building on the spot where the bus stopped has served its purpose for a long time. The building is reflective of a prior bygone era, but in this second dream where I’m on foot going back somewhere, going back and then replacing, I’m on foot. I pass through that old campus setting; go beyond it to the other side greeted by a woman at a table with nothing else around.

She informs me that I’ve come to give up my seat for a big ceremony, or a big event, that I’ve raced here to just to give up my seat to a replacement.

The meaning of the dreams is the dreams are of two different points in time. In the bus dream, I am still following the thread of an evolvement. I am part of creating a new era at that time.

In this dream, that era has ended. That which was constructed to facilitate what was important then, is now obsolete. I still have lingering memories that go back to the inception and unfoldment of this era, in the shaping and all of that of this era of time, which has run its course, all of which is soon to change.

I’m handing off my seat to a replacement who is to go forward anew. This suggests that I have released my ties to the past and am eager, because I raced and passed and everything else, eager to experience something anew.

In this dream I see myself relinquishing the last of my ties to a bygone era so something new can be designed. I see myself as letting go of the ties to a bygone area that I helped design. My replacement, who shall work through me as I am to be somewhere else, another level or whatever because I’m leaving, is to do the designing of that which is to go forward.

So what are these two dreams suggesting? They’re suggesting that I was part of the design of a bygone era that has now run its course, and I am here to witness the coming to an end and the beginning of the new era. That’s what’s going on now.

In witnessing this, I am letting go of how it is that I have been holding on to that state, meaning the state that currently exists, and when I let go, I leave. A replacement takes my seat. In other words, it’s like “replacement” means a part of you dies to this world, and that you then function more and more on the other side.

It is this replacement, the part of me that doesn’t quite see the pure light, but has the right focus and attention, who designs the new era. My role, this other aspect of me that is part of the old bygone era as a foot soldier then, is from another level.

I will no longer be directly in creation. I will be working from the other side, inflecting the vibration, hints and such, from within, to the physical foot soldier of myself in manifestation. What manifestation is to be designed to look like in the future will be physically experienced by this aspect of myself on this level that is in creation.

My effect will be from the other side, and the replacement will have the direct physical sensations and perceptions to sort out upon this level.

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