Archive for April, 2015

mandala1How many times, in waking life, have we felt something was missing, or something could be improved? Every day, most likely. But from a dream perspective, and from a universal energetic perspective, in any given moment each of us will fall into one of two roles: we are either supportive of what is naturally trying to happen or unfold, or we are disruptive of it by creating separation. And, in a sense, a spiritual journey is just the way to learn how to choose, more and more, to be in support of the universal. (At the end of this post there are instructions and a link to download this recording to your computer.)

Jeane: And then the next dream it’s like I’m at this place where a wedding is going to take place, and everybody feels somewhat like they’re from another country, either South America or the Middle East, and they’re all very formally dressed; the women all have poufy dresses on.

And it’s like when we go in we’re going to sit in these semicircular high risers that kind of start high and go down low until they are at the place where the ceremony takes place. So you go in and you sit. It’s almost more like how you sit at a basketball game, it’s that type of seats, and then they go down right to the floor to where the ceremony’s going to be.

Beforehand I’m looking at everybody and all the relatives and the people kind of amassed and the way they’re dressed kind of similarly. And I’m walking around with several people, including a woman that I recognize that wants to get married, but I don’t even know if she would know the person she was marrying. I’m discouraging it a little bit. I don’t understand quite the push for that.

But when we get down to the front she does something where then she does get grabbed by a man, whoever this man is, and then she’s going to marry him. And I see actually she’s okay with that.

But then I turn around and I notice where I’m standing near the front, so I might be blocking a view so I let some people kind of grab me and sit down kind of nestled in with them so that I’m just part of the group now.

And then I just have to kind of get comfortable because you have to push all of these dresses and things aside because everyone is dressed so formally, and kind of nestle in just to be part of watching what’s going on.

John: So you’re there, where there’s actually going to be a wedding, right?

Jeane: Yeah.

John: And what you’re describing is a condition of not being able to accept all of the pieces and components of all of that. In other words, you’re acting up.

When you come to a wedding, there’s a tone. The wedding includes all of the elements on both sides. In other words, it’s kind of a wholeness that’s been formulated as the expression for the wedding even, and it’s an expression of a completion, of a type of awakening—a completion and an awakening—and you have to stop all doingness, you just have to take and everyone applies a common attention as a type of support and oneness to the unfoldment of that process.

What you’re doing is you are undermining that process when you’re still looking at this from the standpoint of “something is needed,” you know, or that you want something. If you can sit there and sustain and uphold that whole overall process, what you’re doing is you’re supporting an image of something, an image, a reflective image of something, that has a joy to it, that has the support of all of the components, so to speak, in other words on both sides of the family.

As a theme begins, so it ends, and so if you’re at something like this in which you are, because you are in life, you are in creation. And if you’re continually trying to do something to try to make what you feel needs to come together – because when you see something, when you experience something, it sets in motion your own sense of inadequacy, rather than being in support of the whole, that is a misalignment.

Acting like that, conducting yourself like that, it’s not something the masculine is inclined to do. That’s something the feminine is inclined to do. In other words, you need to pay attention or recognize the flow, the energetic unfoldment, the music, so to speak, of the situation. Because within that music of the situation is a cadence, is an energetic, that pulls things together, that support something more so that things can become anew, afresh, so a new beginning can occur.

That’s what a wedding is and just being able to take, and sit, and observe music at the very beginning, like you were doing, leads to this kind of cadence. However, in this dream, you’re proceeding to act up and carry on yet. And if you would sit and catch up with the flow, and support the flow, then you would be at a point where you would be able to do what you’re meant to be able to do: you would be part of the process of something, a new unfolding. You’d be part of that.

Instead you are kind of in a position of—well, you’re veiling yourself from it. You’re keeping yourself from catching up with the sight of that. It’s a very interesting dream because I notice, for example, I decided to just take last night and pay attention to the real loud vibration of the music sound that resonates in my ears, and just let go of any tone, or mood, or mannerisms, or thoughts or whatever it might be, or concerns, or however it is that I might have, and just go into that as a type of music soothingness.

And when I did that, I realized that there is a spatiality there, that’s outside of time and space, that one can catch up with, or one can be in, in which everything is okay. When you drop that is when you have the barriers, and the gaps, and the confusion. And that’s when you could come out and you can look around and you can see where things are misaligned, or not acting up, or not coming together. But they do come together in that vibration just like the music at your beginning.

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alignedEverything communicates, as John says here in this analysis of Jeane’s dream. And so it does, if we are able to translate what is being communicated. Even so, our systems know a lot more than we do when using just our brains – though we can train ourselves to be more conscious about our greater connective abilities – and they are always trying to find balance, equilibrium, and flow. Just like the universe itself does. If we tune ourselves to that, we become part of it’s flow. (At the end of this post there are instructions and a link to download this recording to your computer.)

Jeane: The only thing I remember about my first dream is it was like I was watching a musical that was being produced, and just following it along. And I don’t remember any details of it really, just watching that musical being produced.

In my second dream, it’s like I’m somewhere where there’s going to be a wedding and people have gathered and they almost seem Middle Eastern but they are all wearing kind of poufy dresses, the women, and the men are dressed a little formally.

John: What you’re doing when you’re watching the musical being produced is it’s through music that sometimes information can come through, or a vibration, or an energetic can come through, that soothes, or opens up, or creates the ability to kind of get yourself in balance, or back into a state of equilibrium or something.

And the reason why it works like that, there’s the quality of the music of sound itself that’s in creation, and then there’s the quality of something that comes through the music, that is within the music somehow or another, that is bringing in information.

Through the calming and the soothing, deeper within all of that is a type of information. The reason why I say it’s information is because the reason why it soothes is it retains some aspect of one’s nature that’s in a kind of awkward, or disturbed, state. And when that nature is tamed, when something is soothed, then the expression can unfold.

So, you’re watching the music, beholding it as a type of seeing. In other words, it’s like the feminine role in this is first of all, it takes in, it finds the cadence of how it wants to feel everything in its world – that’s like a music.

And once it finds the cadence of how something feels, it can tell whether something is off or not. In other words, everything communicates in this way, just like it’s music, and it can then change or shape or rearrange if the situation calls for it. It can give something at that point in time to cause something to come together.

In other words, to be able to make a change that is meaningful. When you’re just sitting and watching music, what you’re doing is you are, in some subtle way, you are getting the information, so to speak, through this cadence and balance and way of knowing. It is helping you to align to your being. And when you’re aligned then you can do things, then you can make things happen.

Music works in that kind of magical way. There’s something in the masculine in the music, and then there’s something about how the feminine gets to a point of joy and cadence in her world that then opens up her ability to create.

This actually, a little bitty subtle thing like that, leads to a bigger image, in terms of what co-creation is all about. In other words, co-creation, what’s the co? You know, if we’re all God, what’s the co?

Well, when the masculine quality has the something to become clear. The feminine nature, through how she is able to feel things, is able then to effectuate the change. The feminine nature trying to do it on her own, is caught in moods and distortions in the environment, misaligned. Once she gets it, she knows, as if it’s already naturally within – and within just something like music, that can happen.

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HigherSelfBeing late for something, missing a connection, forgetting to do something, or even being chased by a monster – or any scary image – these are all dream elements that show different aspects of our inner life trying to make connections. And, once a connection is made, something new becomes possible because new energy is available. These moments are exploring the areas, and the ways, we still resist, and often fear, opening up to our natural self.  (At the end of this post there are instructions and a link to download this recording to your computer.)

John: So, I keep having this recurring dream in terms of the masculine’s quality or role of having to have an understanding or a sight about how and what something is able, or meant, to be.

And so, in this dream, I’ve gone to a college campus. I’m apparently a student. I enrolled for classes and I have a dorm room. And on the first night I was there, I think I showered up at night because it was easier to do it that way because I discover suddenly, that when Monday rolls around, and I’m to get up—and I guess that’s probably when classes begin—to shower that morning now, I will have to go down to where others are at, walk through an area where others are at, so I don’t do that. I procrastinate and I don’t do that.

And as a result of not getting into a proper flow, or timing, I suddenly get this sinking sensation while I’m asleep, because in my lucid dreaming, I realize the whole day’s gone by and I completely forgot I needed to go to classes. I got off on a bad foot to begin with, and forgot about the classes.

And so the dilemma I have is, as I wake up, I’m concerned, before I realize where I’m at when I wake up, I’m concerned that I’m going to have trouble determining where the classes are at, or what they are, plus I do not know if I can make up for the time I lost. And I don’t know anybody either, you know. I haven’t made any contacts. That’s another problem.

And the meaning of this is, I’m trying to get comfortable with a space that I am able to feel from within, but because I’m out of sync with the timing I am not with the program. This dream is kind of identifying how I’m sensing things. I know that something is afoot, or is about to be afoot, but I don’t know quite when. And I’m guessing at the timing and wigging myself out because I’m not in sync with it.

What the dream is actually saying, on an even deeper level, is this sort of mannerism is interrupting, or getting in the way of, an unfoldment. Because as long as I carry on like this—herky-jerking about reactively, or questioning the sequencing—as long as I’m out of sync, I’m out of the connection, too. I lose the connection that is important, that one is able to naturally find themselves in.

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