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Archive for June, 2015

5521We often go through our day reacting to things that we encounter. It can be a type of defense mechanism – in a sense, when we react, we deflect what is coming at us. That means it doesn’t really land deeply in us. Said another way, we don’t really take it in. And that’s okay when we’re talking about the mundane aspects of daily life (chores, bills, etc.), but what happens when something much greater comes to us energetically? If we just reflect back everything indiscriminately, we can filter out even what we are seeking. (At the end of this post there are instructions and a link to download this recording to your computer.)

John: Is this kind of something that’s a precursor to the change that’s unfolding? In other words that something is shifting and that the orientation that we have is entirely different?

I was also looking at what it takes now to communicate and relate. I mean we’re used to talking with people that in the past you could talk and listen to someone that spoke in a very streamlined way, never laughed, and you would focus and you would come to understand what they were talking about.

Nowadays half of the communication is based on the laughter because somehow or another the laughter creates a letting go shift that isn’t otherwise possible. And so it caused me to ponder even that.

It caused me to ponder from the standpoint of how the in-breath works. When something touches you as a result of something coming into life, you know as an energetic coming down and through, as that hits your nature and you suddenly get something, there’s kind of an in-breath. And within that can be a chuckle or a laugh, as opposed to shock. And if you have the little chuckle or little laugh, you have the letting go. If you don’t have the little chuckle or little laugh, then you’re not able to quite breathe right and it leaves you a little stunned.

So what is that in-breath? It’s breathing in liquid light. It’s breathing in liquid light. The way it works is something like this. So, as I’m talking, let’s say I say something that resonates well with you. And as it resonates well with you, let’s say you never heard of it before so you’re not quite sure how to take it, and you have a little more breath in your nature than going, ahh, like breathing in like a lightbulb moment. Instead you kind of sit with it in a stillness. That stillness is a breathing in of that light. And then what that means for you is based upon having breathed that in.

That is what is different now and it’s the subtle thing that is different that no one is noticing. Like if you’re talking to the ladies and you’re bringing up something and they’re getting excited about what they’re hearing, if you notice closely, if you watch them closely, you’ll notice that the appreciation they’re getting has to do with something about the in-breath. In other words, you may be presenting something that’s tweaking something, that’s causing something to open up, and their ability to grasp it, or to own it, or to get close to it has to do with breathing it in.

It’s the in-breath and as a consequence even the teacher’s been teaching this as a technique now. In other words, the technique would go something like this: He would go ha, ha, ha laughing really loud. And then he’d say, okay, now do it quietly and you can feel that gurgitating inside. And then he would say, now breathe it in, now take it back in, breathe it in with the in-breath – and that’s where the aliveness is at, that’s where the change is at, that’s where the shift is at, that’s where the intertwining is at. You have let go by doing that.

Do you notice how your insight and your clarity is accentuated when you take and as you’re coming to appreciate something it’s almost as if you sweep it back in with your breath, as opposed to having to act it out in terms of thoughts? In others words, just a slight difference isn’t it?

You’re used to acting it out. In other words, if something happens and it gets your attention and you get all speeded up then, for most people, that then means that that quickens something and it invokes a response coming back from them.

Often times, let’s say if you’re with the ladies and an idea comes across and everybody wants to talk at once, and yet better than everybody talking at once, if the person can go quiet they can breathe in and breathe in the essence, breathe in and get it – or they can act out with the mental. And when they act out with the mental it dissipates it, it burns it up. It will go flat. You won’t be stroking the heart.

And the reason why it works like that is that the mental faculties that are designed to work in terms of coping and fumbling about with the reflective outer, it’s denser, and the heart is quieter, and the heart is subtler. And so when something happens in an etheric way, like something coming down and through from inner into outer, as that affects the outer, the breathing in that you need to be able to do to catch up and own that, that in-breath, is like breathing in the ethers of that energetic light, or liquid light.

And you come to know something by that process, as opposed to the need to ask questions, or go through and respond synaptically, as opposed to watching how all of this is a knowingness natural to yourself – if you breathe it in.

That’s why it is said, for example, that if you have a burning question and you’re sitting in front of a teacher, it’s best if you can hold that burning question without it affecting your ability to sit still it will infuse itself and you will breathe in your answer. Or it will seem as if the teacher somehow or another answered your question, you will suddenly get it. It’s kind of like you draw the need to know.

So what you’ve done is you’ve reoriented how things work. Well, I shouldn’t say you reoriented. It is that you went to the finer blueprint of it. And the finer blueprint of it is something is coming into life and, instead of reacting and being affected by that in terms of how whatever it is that’s different is exploding on the scene of the outer, instead of responding to that like that, you somehow or another recognize that something is different and instead of trying to relate to it in just the outer context, you breathe in this change agent coming down through.

You breathe it in, and then you’re at ease with it, then you’re quiet with it. And now you’re in a position to facilitate the inner flow. You’re there as opposed to being part of the problem of acting up and responding in the outer.

To download this file, Right Click (for PCs) or Control Click (for Macs) and Save: The Finer Blueprint

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Piercing-the-Veil-1If everything we see is merely the reflection, or representation, of something happening in the energy realms, wouldn’t we be a lot closer to knowing what is going on by understanding what is happening behind the physical scenarios? For example, if we hear an idea, what if, instead on examining the idea, we examine where the idea came from? Or if we think, not who wrote that book or made that movie, but what wrote that book and what made that movie? If we begin to explore these unseen realms, we may begin to see more clearly. (At the end of this post there are instructions and a link to download this recording to your computer.)

John: What I am noticing and dreaming about lately, and I’m having to sort it out because it’s not a high-energized kind of thing, because what’s happening is I’m having to notice that my actions and activities in the outer I’m having to look at them all in terms of what’s going on behind that.

And so I’m finding myself watching myself tell whatever stories, or explain whatever I’m explaining in terms of however it is that I’m dealing with something. I find myself listening as if I’m asking the question: what’s behind that? What’s the subtle thing that’s in motion behind all of that, that’s trying to make itself known? And that however it is that I’m conducting myself in the outer is the best that I’m able to do by some sort of reflective recognition – and, of course, I don’t make the identification.

I don’t notice that, I mean you don’t notice that right away. I mean little by little I guess you kind of start to notice it because you realize that, when you’re relating to someone, you’re always trying to touch something other than the subject matter, you’re always trying to get in a little note or quality in edgewise. But I hadn’t taken and stopped and looked at everything about myself and realized that behind that is something noodling around.

In other words, I hadn’t sat and dwelled with that. And then after having some dreams that showed that it was like that, then I was presented with dreaming about trying to do something that I was familiar with 20 years ago, or 10 years ago or whatever, and finding out that it doesn’t work that way anymore.

In other words I don’t get the kind of benefit that I’m accustomed to getting out of something like that in the past. Let’s say it was a game of ping-pong, table tennis, or could it be a game of chess in which it’s really, really competitive. One person’s going to get defeated, going to get crushed in some fashion.

And so I go back in a dream to play the game according to some memory that I have about it, you know, in terms of how it was that I did this in the past. And I don’t find it to be that way anymore. There’s something entirely different about it, and my interest needs to be in terms of what is different about it because that is what is considered of importance, that is real now, in terms of the energetic.

And so if it’s a competitive game, that whole dueling competitiveness is shifted out of it. Instead there is a greater dynamic in play. And so I can’t help but notice, as much as I would like to stay perhaps in this mode of heavy focus concentration competitiveness, people walk away from me because it’s not done that way anymore.

And so then if I quit trying to do that, and allow myself to be quiet, then they’ll explain to me the new setup. And so what I’m seeing from this is this quality in which something is coming into life, and it comes into life when you let go of kind of a perspective or mannerism that you’re used to holding out on in kind of a loud capacity way; you know that you’re familiar with, in terms of patterns, and memories, and upbringing, whatever it might be.

If you can just let go of that, then something in a greater overall is presented and it always has to do with intertwining, working in correlation to a greater whole, and it has to do with presenting something from behind the game itself.

In other words, there’s the activity, but then there’s something else that you’re hearing. In other words, you may act and express something in the outer, but that acting and expressing something in the outer is tied, really directly tied, to hearing something else as the main dictate.

It’s loaded with hints. What I mean by hints is the subject matter is not what was going on. The subject matter that I’m portraying is something that I went through, but vibrationally behind that is something keener, that’s more in tune with what’s important in an overall consequence of life.

And everything’s done in relationship to a bigger picture. In other words, like in my dream I couldn’t play ping-pong like I’m used to playing ping-pong because there was a different overallness about it that was now present in terms of how the game unfolded. It didn’t have that other intensity to it anymore.

And when that other intensity was there, then the recognition of something subtler, and quieter, would otherwise be lost – if the intensity was there.

To download this file, Right Click (for PCs) or Control Click (for Macs) and Save: Behind the Game

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atomBeing in manifestation, or creation, or the physical realms is not random or a mistake. It is not something to be denied or discarded. It is the place where we are meant to, and designed to, make our journey back to what created us. Being in manifestation makes something possible that isn’t possible in the purely energetic realms. That makes it important what we experience and what we do while we’re here. (At the end of this post there are instructions and a link to download this recording to your computer.)

John: There’s actually a whole discussion in Sufism, as if there’s a good, better, and best, as to what is the purer state, or something. Is it the Yogi who is totally realized and connected to the heightened awareness, the inner sight, that hands you back to God, so to speak. And also, then, because he’s totally linked with that, he’s just following orders, just being how he has to be. Is it that?

Or is it the student, who doesn’t have the ability to access that sight, who is caught in the parameters of something that has been changed a little bit, so that the light has been turned to sound, so to speak, so that you’re on a whole another kind of wavelength, but it is all in that wavelength but it’s dumbed down, or has a denseness to it, that comes across as something you have to transcend in terms of how most people are inclined to see it.

What role does that have to play? And because we’re in creation, we can’t be where we’re not. That’s why a teacher will say don’t try to do anything spiritual, because you don’t know what you’re doing. But if you’re sitting in creation and you access the energetics of that, a teacher will say, well, in creation, you can kind of see the coattails of God, behind the curtain, so to speak, as the curtain moves a little bit.

But in the transcendent overallness, there’s no way that you have the ability to access that. And the teacher characterizes this by saying that the masculine element, which is the spirit energy of something that comes down like an out-breath from a depth within, we’ll even say, or however you’d say it, from on high. All of that is a bit too transcendent, and so it’s off the ground.

And that the feminine sitting in creation with this whole other quality taken and thrown at her in a way so that it then is slowed down into an unconsciousness, a subjectiveness, that sits as sound, we’ll say, as opposed to the light, is whole.

So, you have the masculine light, or qualities that bring in the seed thought, with the feminine naturalness, and you put the two together, and it results in something else. Now, each are inclined to want to go off on their own little tangent, because the feminine wants the security of the space that it’s sitting in.

And the masculine wants the understanding and the power and control, and so then goes off and tries to heighten the focus and attention that works with the momentum to get what it wants. And yet, as shown in this dream, there are limitations in either direction.

This expert that has access to all of this inner acuity, to which I’m going to have trouble accessing and can warm up to it to a certain degree because it’s pent up inside. I’m always going to fall back from that acuity and degree that I can access inside, because I too am caught in the weight and the mannerism of a sound-created manifestation.

Yet, if I take and accept that, and go along with that, and work all of that into the flux, then very peculiar things can happen. That focus and attention gets lost in a baffling because it is following just a particular scientific wavelength.

And so I’m hitting the ball with my hand (see The Next Step in Consciousness), instead of with a paddle or a racket or something, the ball goes across, it has strange English, it doesn’t bounce forward or something as you would expect under a normal flow that he’s accustomed to, the opponent, and this is a very strange opponent.

To begin with, the opponent was both masculine and feminine, but then he got changed, so he was just masculine. And so when I hit the ball, and I’m hitting it with kind of a feminine mannerism to his masculine state, he doesn’t know how to respond. He steps up then, as if that’s going to help, but this time the ball bounces.

And I’m just as baffled as he is. I’m just seeing this, you know, in the same sort of amazement. The ball bounces and it bounces back! It bounces away. It bounces even more forward. It doesn’t even bounce up. It jerks backwards. And I’m so baffled by this, I suppose that’s why I’m starting to try to even evaluate what the playing surface is like. Is it folded? Is it rippled? I don’t know how to explain it.

But even though it’s doing it because I don’t understand it, all I understand is I’m warming up with him to try to access. I’m coming close to him, getting into his energetic nature, to try to then awaken and quicken that part inside of myself. To then think that I’m going to be playing with him, on his level? Well, I’m not going to be very good at it because he is afar.

That gets us back to this whole story. Which is greater, the Yogi or the student? The student who takes and accesses something inside and honors that, and follows that, that isn’t under orders, is said to be something that is more amazing than the teacher. Because that’s unexpected, unpredictable, and there’s no way to account for that. And that, as an aspect of consciousness, that creates an amazement, that is just, there’s no way it can be seen on the inner level.

And yet it is an aspect that, in the wonder of how manifestation is created, that is whole and complete in and of itself, is a way of catching up with something, that in terms of the beingness of our nature, that’s on an inner level, that it is able to cause it to take another step. It enables it to get closer. Or otherwise, it is inclined to sit in this freer zone, but it still is not the epicenter or wholeness or oneness of it all. It requires something in manifestation to catch the zone.

Within the zone of manifestation, you have lots of examples. You have Michael Jordan, for example, that can just go on this blitz and be making shot after shot falling backwards, hooking it, doing whatever he wants to do. Once he’s in the zone, the ball goes in.

And you have the zone in everything. You have the zone in pitching, you have the zone in lots of sports, you have the zone even in terms of the way the intuition works. The intuition will hit and can hit into a zone, and this zone was obvious in my dream. I mean, I’m sitting there doing my best to try to do it one way and, because I’m including the manifestation that I’m in which has me dumbed down and slowed down, I’m working with an aspect of that, that I’m bringing into the equation, too. And what occurs is completely much, much more than something that’s just sight, focus, attention, and flow and speed. I’ve added a whole other level that throws all of this into another loop.

And so this is a dream that’s pointing out the importance of manifestation. I just have this ability to note something in terms of manifestation that works for me. Although if left to my predilections, I want to play the game like he plays the game because this is what I really deeply remember in terms of the transcendent side of myself. But I’ve been forced to swallow this whole manifestation thing, and there is something to it.

To download this file, Right Click (for PCs) or Control Click (for Macs) and Save: Finding the Zone

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