In this series of dreams, our story from yesterday (see A Sleeping Giant) continues to unfold. What has been awakened is now a teenage boy and the dreamer is trying to integrate that new energy into the wholeness of herself. But, as the images proceed, we can see that there is an inner aspect that is resisting this change, and doing so by isolating itself. We see this in the outer when it is difficult to integrate groups of people, and we experience it on the inner level as we try to integrate more and more of our totality. (At the end of this post there are instructions and a link to download this recording to your computer.)
Jeane: So, in this next little vignette, I seem to be sitting in kind of an old-fashioned kind of darker room, you know like with dark furniture, and the lighting’s not real bright, and I’m contemplating something. There’s a teenage boy there with me, and there’s some men standing not too far away.
And I’m aware that I’ve gotten this boy that he’d apparently been at some point isolated on an island, but now he’s with me. And I realize that the men in a sense are wondering kind of what use he is, but I’m aware that he was isolated on an island maybe that Amelia Earhart had crashed on, and that he’s probably a descendant of hers.
And so, at some point, if somebody weds him or something, the children could carry on that line – and that there’s a lot of value in that. And I realize that they’re not even at this point in time thinking of that.
John: See, you’ve created an interesting circle of which, like life has this way of revolving, always revolving back to a same sameness. But what you have, in terms of the big picture, is intertwined, but what you have in terms of the perspective around you is they don’t see the big picture.
In other words, they see something that is different and, therefore, different because of its mannerism of isolation, and so it tends to be not accepted, or not taken into a proper recognition, and therefore an unfoldment is inhibited.
Now you are looking at this from the standpoint of a wholeness. Some part of you inside of the matrix of all of this can look at what would be a wholeness where things go awry, and astray, but eventually cycle back because they have in the essence of their nature that which is redeeming. And, at any given point of a process, if just looked at that given point and not able to take into account the fullness of what is intended and meant to be, you’re going to have attitudes, and mannerisms, and bifurcated impressions that are shallow.
It’s because no one can see how the beginning and the end are one and the same. Instead there is the recognition, or the seeing, of the diversity and diversities that are trying to be accepted, and that a human being who is looking at the diversity only of their own face, or self image of things, is going to see nothing but diversity around. And so nothing can really unfold, or be shaped, or intertwined when you have this kind of constant pigeonholed… well, it’s a judgement and definition, and when you have that, things aren’t allowed to evolve.
Jeane: In the next little vignette, I’m sitting again in kind of a darker, older room on a couch. There’s a couple animals off to the side I don’t see clearly, but there’s a coffee table and kind of a small dog, a little puppy, right in front of me, and I have something fluffy in my hand, it’s kind of red I think. I toss it and he’ll go racing across the room and pick it up and bring it back to me.
I mean I think there’s another couple of animals in the room, but I don’t see them clearly. Obviously they’re not puppies even if they are dogs, and so I’m having a lot of fun with this, you know. And it feels like the men who are like the authority in the other dream are in a room behind me, because I’m sitting on a couch and two or three times I’m just taking this and I toss it across the room and the dog goes racing after it, you know, and runs back to me with it, you know. It’s really kind of a fun energy, and for some reason I’m equating this with some kind of energy my grandmother had.
John: So what you’re doing is, the first two images and dreams, actually kind of leave one’s self in a kind of a predicament because even though you have a sense of how something is to come together, what you’re seeing around you is something that overweights the situation. In other words, the environment of this big guy is such that he can’t be accommodated as things are.
And in the second dream, this perspective is limited and thus there is no acceptance, no joy, no flow. And the third dream is a breakthrough from all of that. In other words, you can have the setness off to one side, the guys or whatever that are sitting there, but what’s happening in front of you is going properly back and forth. There’s a cohesion.
The dog represents a joy and a friend, and he’s eager to go back and forth fetching things and bringing it back, and fetching things and bringing it back. Within that whole mannerism is a completion. Now the tone or the mood of the guy sitting somewhere off in the distance, does not have that, but what’s being brought in to the atmosphere is this vibe that has to do with this going back and forth and the joy of the dog fetching things – and that there is a complete circle that is being made.
The guy sitting off to one side will be sitting in some sort of tone, or mood, that will be keeping him stale, and stuck, and tranced out, but you don’t have that with this dog and this flow and all of this going back and forth. You have something that’s very fluid, and that is the atmosphere, that is being reflected as a solution to a need.
Jeane: Then as I was waking up it’s like I had this last image where it felt like that it was at a point where the boy from before is maybe now at an age where he can have children, but we seem to have to go to court to get permission for that, because those other guys are trying to block it.
And so I’m going to go to court with him, to represent him, but then I glance over and I see that those men from before, they have this white convertible and I even see them taking some big long rifles out of their trunk. I’m wondering how this is going to work out in court, because I’m not really an attorney, and they look kind of high powered to me. And I’m wondering if we’ll have an attorney to represent us. This is just kind of a domestic issue, you know. This kid wants to go forward. Maybe the judge can just handle this, but I don’t know. I’m kind of shocked to see these guys with their rifles and everything.
John: So this is what tends to evolve whenever something is pushed in a way, or something goes to a point that, is too much. In other words, out of the prior dream you have the guy sitting off to one side in his grumpy motif, kind of putting up with but not really accepting the play that’s going on near him in which the dog is going back and forth fetching things, and there’s kind of a free flow and a joy and a play that exists there.
But, you know, he just can’t get out of his awkwardness that he is carrying, in terms of how he feels and sees himself, so as a consequence that sort of demeanor, if it’s not penetrated, has step-back blowback effects, which is what is portrayed in your final image, in which it fights that kind of fluidity, it fights that kind of flow, it’s threatened by that sort of thing, it loves and needs to hold onto its idea of the status quo.
And this is the conundrum that we have in the outer world these days. We sit and try to reflect and represent a difference, which is a vibratory difference, that is hard for people to recognize and to see, and only some can see it, but if you’re not careful, and you’re too obvious with it, you invoke the status quo defensiveness that tries to maintain the patterns in life, the patterns of denseness in life, that aren’t working. In other words, it’s almost like it’s content and wants to stay with the devil it knows, as opposed to what might be different, which it has no confidence or trust in accepting.
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