We have spoken before about water images and fish images as being representative of the unconscious. Sometimes it can be a small body of water, or an ocean, or a small fish or a big fish. Here we see a human-sized fish that’s following our dreamer around and trying to communicate with her. And, as you might expect, that makes her a little uncomfortable. Sometimes dreams try to communicate subtly through their symbolism, and sometimes the symbolism jumps out of the water as a huge fish and flat-out says it’s trying to communicate. (At the end of this post there are instructions and a link to download this recording to your computer.)
Jeane: Okay, in the second dream, I’m living with a group of people and at one point I leave the house and I discover there’s been a huge snowstorm. And I’m trying to make it down the hill and back in a snowstorm.
At one point it feels like I even really slide and come right to an edge where I could go over, but I seem to stop, and I’m studying out how to go down and around. Then it feels like I’ve come back and I’ve gotten my sister and we’ve left, but when we want to make our way back what’s happened is we’re kind of almost like flowing uphill, and everything around us is in upheaval.
Whole buildings have just kind of either fallen, or gone up in the air and turned over, or whatever’s going on, and what used to be the road that we took downhill it’s become all like a muddy river almost, and we’re trying to make our way kind of against the current and getting back.
And there’s even things that look like alligators on the side and underwater, or you think like they can be after you, but they don’t seem to bother us. So we make it back towards where we’re going, and I’m even going somewhere towards work, and someone notices these big fish in the water to the side. And there very unusual fish with kind of tentacles a little bit like catfish, and someone had once said there were no big fish in that water, and I’m thinking, well, you know, these look as big as a person.
But then one comes out on land and I see that there’s something actually like they’re actually manmade on some level, or alien. There’s kind of a plate near the back of their head that’s almost like you feel like they’ve been manmade or manufactured in some way, but they’re also intelligent. It’s like they try to communicate with us, and so we hurry off to work. And I start hiding from the boss that I even see or knew anything about the fish, but I break something so he knows I was in the room overhearing a conversation he was having about them, I think, but I try to act like it was the cleaning lady that dropped something on the floor and not myself and my sister or whoever I’m with.
And then to make our way back but, when I leave work to make my way back now, these alien fish-like people, I guess is what they are, are trying to communicate with me all the time and following me around or showing up where I am, and it’s like I’m a little freaked out by it. I don’t know quite what to make about it, that they’re doing this, because I don’t know what they are or what they’re about yet.
John: You’re using an image to try to portray how the breath works, and in the out-breath you come down and, when you hit the interval to where the out-breath turns to the in-breath it’s like being on the edge of a cliff in that you’re at the furthest point, so to speak, from the crown, and it seems that in this particular zone where you don’t have a lot going on for yourself in the outer, because you’re at this edge, nor do you have the inner on the return working, that you could’ve cracked up. You could’ve gone into a state of despair; but you didn’t. You didn’t go over the edge.
And so then you made the return back, and you’re making the return back, something comes out or opens up for you, and it’s these fish, and these fish have a kind of consciousness. In other words, who would guess that in the like in-breath coming back, going back to where you belong to a home, going back, that there would be such amazing consciousness.
And each time come to realize more and more of an intertwined linkage, or awareness, of what was opening up inside at some depth inside of yourself that is represented by these fish that are attempting to get your attention.
So you’re portraying the path. In other words, the first time you had to be rescued by kind of a grace because you were really under blizzard conditions, and you couldn’t see your way, and it was only fortuitous that something kind of worked out. And then the next time you started to recognize all of the plight of things that were there. And the third time you started to realize that there’s an awareness that is trying to get your attention.
What you’re basically describing is the awakening of the soul inside of yourself, in other words, the overallness of that. You’re portraying it just as if you’re discovering, as if you’re going through the various levels from beginning to end, like a one, two, three, three breaths, with the third breath getting to the point that you have a sense that what no one believed was possible is possible. It’s big, it’s there, it looks a little scary, but it’s trying to get your attention.
The fourth would be more of an aspect of completion then, because you would be allowing and accepting yourself to be carried away in that condition. And if you were to allow yourself to be caught up and carried away in that condition, what you would find would happen is that everything that you would be doing would all have to be oriented towards this quality of illumination – which means that you would be outside of the physical, outside of the emotion of things that tries to sort something out with the heart. You would be taking everything that is happening to you into this other zone, into this part of higher self. In other words, you’d be awakening to that realization that that’s what you really are all about.
Instead of quite coming to that full recognition, you came up to the point where you were aware that the consciousness is huge and that it was trying to get your attention, and that it was a little unnerving, and shocking, to see that it was like that. You got up to that particular point.
The next step after that would be to accept and be able to take and go into that. The problem that exists when you come up to this particular point where you now have to accept and go into that, is that as long as you’re still kind of in awe of it, or noticing that something like that kind of exists on the other side, you’re still in a position that is relatable to the lower-self elements of things where delirium exists, and where you can delude yourself.
But when you get to the point where something like that otherness takes over, so that everything about you is in conjunction with the soul of the whole, then whatever it is that happens in the physical, or in the outer, however it is that you are affected then, you have to take that affect and flip it as if, in order to see what it really is about in terms of something on the soul level.
Now when you start to function like that, you’re not going to make a lot of sense to a lot of people because people are still caught in their mind and their senses, and they’re going to have to perceive things in terms of how those things correlate or relate to them. And you’re not going to be effective like you might have been before when you are caught in belief systems. You’re not going to be effective at upholding the various stories, the storybook nature that people have, and that you have.
It gets to the point where even the physical ailments of yourself are not like physical ailments anymore, they also somehow or another have a meaningfulness in terms of the world soul. In other words, whenever you’re going through something that is affecting you physically, where most people would be dwelling upon their aches and pains, you would be inclined to look at that in terms of what is this about on the other side. How do I take and turn this into the big picture?
It’s a whole different frame of reference that almost looks crazy to a person who’s caught in the physical, because it’s almost like a type of denial from the perspective of something that’s caught in the physical, and it even can look like a denial to yourself because you are in the physical and you’re going to have these aches and pains, but these aches and pains and mannerisms to which you’re perturbed and upset, you kind of come to recognize that they point to something else and that something else that they point to is outside of a personal mannerism that you have been accustomed to seeing yourself under. They point to something in which you subtract yourself out and you start to see this being about the whole, or the soul, about everything that exists, and everything kind of goes into that as a quality of what’s really going on.
To download this file, Right Click (for PCs) or Control Click (for Macs) and Save: Trying to Communicate