The Reconciliation

Mario Duguay

We know that there is energy in all things. And the more condensed these energies are, the slower the energies move. So all matter, from dirt to humans, has a speed associated with it. And the higher we go in our development, the more we are able to relate to the energies at higher speeds, because higher, faster energies are less condensed. So even though we are in a physical body, we are designed, as humans, to connect to the higher energies in life. And higher energies are, by definition, closer to the purer realms of human purpose and causation. (At the end of this post there are instructions and a link to download this recording to your computer.)

Jeane: So, in my dream, one of the things is that sometimes I seem to slip between being the man in the dream, and sometimes the woman. It’s kind of confusing that way. But, initially, when the dream starts out, it’s like in a city like New York where they have a lot of brownstone apartments, and it seems like I have a room on one side of town, but on the other side of town I’m visiting a family.

It’s a Filipino family and they seem to take care of the people that live in that building. And they have a daughter about my age that I’m interested in, and we’re going to go out somewhere, but when we go out into the city I take her into an area of the city that’s opposite of where she lives. But I know she wants to go on her own back to the apartment, but I’m concerned about her getting taken advantage of by someone there. But it’s because she wants to go into that area of the city, I go with her; but then we seem to overshoot the area.

We end up instead on some land that goes out into the water. There’s a whole little village there, but it’s kind of cut off by more water from the area of the city that we wanted to be in. So we try heading in the right direction, but we end up on a log in the river. We kind of get dunked and wet, but then we get the log upright and it feels like we’re almost like wanting to paddle to catch up to a little boat that would take us to the shore, or maybe we’re just going to go there on a log.

That part I wasn’t sure how we did it, but I have the impression that, in that process, we get together. In the next scene in the dream, she’s gone back to visit her family in the city, but now she has a 1-year-old baby with her, a little boy.

Then I’m coming to see the family, but I’m having a little apprehension that they’re going to be upset that I’m the father of the boy, because I think because they’re Filipino or something maybe they see us as not appropriate to get together. Plus we haven’t been married, but we had been someplace where there was some kind of a ceremony. It wasn’t quite a marriage, but it was like some kind of a promise ceremony. That’s all I remember of the dream.

John: So the thing to note in this dream, that every part that you could remember of this dream, had a sadness to it.

And there’s a reason for the sadness, and the sadness is that you’re catching up with a recognition, you’re catching up with a knowing, a knowing that is based upon being able to see how something is in matter, as matter, but as matter in terms of sound.

Everything that you dreamt was a rising up of a vibration, and the recognition of that vibration, this time, was such that you had to look at it and experience it as something that wasn’t a letting go. You had to experience it as a type of manifestation, or flow, or unfoldment. And the reason why this was a manifestation and unfoldment that you could see, in a black-and-white way, in a denser way, is that you’re closing in on an aspect of manifestation that is based on sound.

In other words, when you go about and you see yourself as separate, and you’re functioning in some way that just goes this way and that way, you can look at that as an ambivalency, in an ambivalent state. But when you get to a point when you can’t look at anything ambivalently, because you’re causing it, and you’re causing it based upon a type of catching up with the heartfulness.

And you’re catching up with the heartfulness, but you’re catching up to it as something that is caused by sound. First of all, everything is created out of sound, and when you catch up with the fact that you are playing with sound, on a very, very subtle level, you’re going about and your consciousness is catching up with the recognition of something as sound.

The reason why you can remember a dream is that you can hear it. This is funny. This is really funny what we’re describing here. Is yes, you have the ability to have an inflection of sight that causes you to see the thing, and that is like coming from somewhere now as an aspect of unfoldment that is very, very, very fast – and faster than what you can catch up with. But what you can catch up with, and that you can feel in depth, what touches you, what has a heartfulness, is sound.

Sound has a heartfulness, and sound is what creates in this manifestation, and so the reason why the dream had all these little sensations of pain is because you may not know this, or may not realize this, but you have caught up with it understanding, of a heartfelt understanding, because you’re catching up with the responsibility of sound. Very, very peculiar kind of thing.

What that means is, if you were to take and if you’re able to look at everything in a black-and-white and separate way, you veil your heart from having to experience it, experience the flow of sound. So what is given into life is man’s ability to catch up with a flow and, in that flow, is it’s a water element and that water element, that water element of a flow has behind it the ability to hear the sound of the universe – and when you speed up, that sound rings in your ears.

What you don’t know, or what you’re now coming to know, is that if you really could take in that sound in a way in which you see it for what it is, that that sound is your creative ability. And if you were to peel back just that ringing sound, were to peel that back… in other words, people go on a spiritual path and they get to a point where as you get stiller and stiller and quieter and quieter certain things open up, a certain recognitional vibration permeates through all things, and within that permeating through all things there are qualities of that vibration.

There’s qualities of light, there’s qualities of sound, there’s even a quality of taste. And when you just start looking at the quality of sound, you’re looking at the quality of something that can leave this heart really, really, really sad, really sad.

So let’s say that a person goes about and they take and they do things that completely are unsettled to them, and hurt the heart or whatever, because they’ve gone off askew in terms of their bouncing around – of which they have no idea that they’re bouncing around in terms of flipping sound energy this way and that way. And so they’re exhausted. And so what they do then is they try to go and they have to try to soothe their way out of that.

And so if you can catch up with the idea that sound can soothe you, you can actually take and you can listen to the sound of the universe, so to speak, the sound behind your ears, the sound that you can hear just as an aspect of a quality of stillness. And then you realize that goes nowhere.

You don’t understand it. It goes nowhere. To actually go to where you can catch up then with the inflections of light, of a sight and a light, you come to a point where you can kind of let the sound go for a little bit. It’s there, but you don’t dwell on it. So you actually are going to a type of stillness so that something even faster can happen.

And when you go to a stillness so something even faster can happen, that’s where you get the inflections of light. And that’s where you get the images that are your dream images.

When you’re looking at sound and your perception of the sound is such that it’s just a day-to-day thing, that’s not too bad as a dumbness to carry around, you can handle that. But what if you catch up with the sound where, as you’re going through something in life, what if you suddenly have a light bulb moment, so to speak, where you realize that everything you do, and how you are, is sound oriented. And if you could set aside that sound, you can stop the reverb of a pattern of your beingness. And that we grow by being able to change the note, change the vibration.

Well, initially what happens is this: In your dream, you get to where there’s a part of you that you can’t bring back to this side, but that you can see where maybe you’re a man or a woman, or a this or a that doing this or that or the other, in the dream – but it doesn’t pull through, it doesn’t pull back in terms of what’s going on.

If you get to the point where it pulls back to this side to where, okay, you all of a sudden see what’s going on, that seeing what’s going on has to do with a reconciliation of the energy, a taking account of a responsibility on a vibratory level.

So this whole idea that a human being is something that is causing everything in the environment, and everything in existence, and all to be as it is, when you fall back and feel the vibration of that, when you reconcile that quality, it’s a hard one on the heart.

To download this file, Right Click (for PCs) or Control Click (for Macs) and Save: The Reconciliation

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