Spiritual development is not all about high connections and the beauty of oneness. To experience those states, we must roll up our sleeves and do the work of letting go of the lower parts of ourself that inhibit the higher parts from being free. In dream images, as in our daily life, we are constantly being shown those aspects of us that need attention, or consciousness, to set them free. So the question becomes, what are the events in my life, and my reactions to them, telling me about where I am in my journey? (At the end of this post there are instructions and a link to download this recording to your computer.)
Jeane: In my first dream it feels like I’ve gone to the apartment of someone that looks like my friend, to visit, and it feels like while we’re visiting some other people arrive – and I don’t want to be seen. It’s three women, I think. And so I seem to shift from one room to the other trying to like just leave one room before they come into it.
And so it’s like when one would come in to one room, I would just have stepped out of that room and I might see the back of somebody else, because there’s three of them, into another room, to see where they’ve gone.
I guess because there’s three of them, and there’s an upstairs and a downstairs, I think they do see me, and it feels like, because they saw me, then the scene shifts.
It’s like I had visited for awhile, and then I was going to be moving somewhere, or going on somewhere, but because I’d been seen then I suddenly see myself just forward in time a little bit, in this apartment with a man. And it feels like we have a small space and we have two or three little kids, and I’m spending a lot of time just trying to keep things picked up, and the things in the closet straight, because there’s not very much room with three little kids and two adults living in a small apartment.
And then it seems to shift into another dream where it’s like I’m traveling somewhere and I’ve stopped briefly at a small house. It kind of looks like a very western house, and there’s this Native American man there, and there’s a small group of us that were traveling. And we go sit around a table in his house and it’s like he’s going to read some kind of cards that tell people things. It’s not Tarot cards, but it’s some kind of similar cards that the Native Americans have that they can tell you things about yourself, or the future.
But I don’t want him to read my cards, and he doesn’t want to read my cards, either. We’re real leery of each other, so we’re kind of like almost trying to keep a distance from each other, but, in the process of getting up and moving around, it’s like I take a seat where I’m somewhat in front of some cards that have already been tossed down – so it’s almost like the cards themselves may show you something at this point, whether you want them to be read or not. And that was that dream.
And then there was one final little dream that I remember where I’m in a household, and we’re going to be going on, but it feels like either I or one of the people I’m with have something like a boil on their left leg. And it’s been partially picked at or something, and I know we’re going to have to move on, and I feel like somebody tried to lance it, but they didn’t do a good job of it, and I’m really annoyed because I want us to move on.
But I feel like they either should’ve left it alone, or they should’ve lanced it so it could heal up properly. Instead it’s like they’re trying to close it up when it’s only half drained, and I know that won’t really work. I mean that’s not what you do. I think that was when I woke up.
John: You’re describing scenario after scenario in which you’re finding yourself in a set condition, and in need of trying to cause that set condition to free up, or to be more fluid. Because the way the set condition is, it’s a composite, it’s an environmental composite which you’re not in sync with as a flow.
In other words, it starts off in which you can be with something like XX who has a set way that you have an idea of how to accommodate, in spite of its conditions, but you don’t really allow yourself to truly be seen, or take in, or take something in in that scenario, which means that there is something on a molecular level, or outer level, that you know to be out of sync, but you are not contending with it. You’re not properly dealing with it. You’re not listening to it. You’re not allowing yourself to come to grips with how that energetic actually is.
Every modality, or spatiality, that you find yourself in, is talking to you, in a reflective revelational way. And, in that scenario, there is something that is stifled. And so you change that stifling, you shape that stifling, so to speak, or shift that stifling into something that is also mundane, where you’re going through the motions of just living in life – and there’s no meaning in that, there’s no flow. There is still something that is pent up.
Again, it’s all about allowing something to come out into the open as a kind of free flow. Whatever it is that’s happening is out of sync, on a revelational level, with what needs to unfold. See, the outer world is… when you are affected by the thought-upon-thought molecular makeup and structure of things all around you, how the movement of that is, is actually revealing. It’s actually revelational. If you can let go of that and be free of that, there is something that can open up, otherwise it is shaped and depicts what you have designed for yourself.
And so the final image of the boil means you can’t sit in something that you know is untenable, especially when you know that it’s untenable and that there is something that you can do about it. In other words, that image had an answer to it. The other images did not have an answer to it. They all were images that had to do with maintaining some sort of stifled, shutting-down condition.
It’s as if the dream was about seeing something, but it was about how do you see something? In other words, there is a seeing something that has to do with sight, and it’s not about the seeing of that which has to do with sight. It’s about the seeing of something which has to do with a natural knowingness, and it’s a type of natural knowingness that has to do with a proper listening.
There was a reason why you didn’t want to be seen by these other three women that were in the equation. What was that? What was that reason? What is there about the sensation of that scenario that caused you to feel impinged? Because your idea of moving on wasn’t moving on because you were poisoned, or inflicted, by the tone, by some tone yet. In other words, you just shifted that vibration, into a parallel family setting, in which everything was mundane, as well. In other words, you didn’t break free of it. You couldn’t break free of it.
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