Isn’t it interesting how we act differently around certain people? We’ll think to ourselves “that person commands respect.” How does a person do that? It is possible because they have made certain choices, and upheld certain principles, in a repetitive way, such that the energies of those qualities have come to live with them in their aura. It is the energetic radiation that we sense, without knowing it, and it makes us behave differently around them. So, what do we want to uphold in our life, and what radiation do we want to carry? (At the end of this post there are instructions and a link to download this recording to your computer.)
Jeane: Well I seem to have just one main dream that kind of would repeat, and what happened was last night I was reading a bit, and then I fell asleep without meditating. So, in the dream, I’m in a room with Mark Cuban, and other people like that; it’s like I want some kind of a transfer.
I sit in a certain area and I’m getting a transfer, you know, through the brain, of certain energy. But I keep thinking that it would be better if I’d either meditated, or I’m in the meditation chair, it was okay to get this download. But I feel like there’s a problem with getting the download in the space where I am.
So then sometimes the download stops, or there’s some static that comes in. I’m trying to look at what the issue is. And so in that way the dream kind of repeats on and off. I’m kind of looking at what is the problem, when you haven’t meditated, with this transfer of energy, and finally I feel like the problem is that there’s increased static. It’s not going to be as stable a download as if I were in a meditation chair, in another space. It doesn’t work as well. That was all.
John: What you’re dealing with is the principle by which everything is a vibration, and that vibration reduces and concretizes into an aspected way of being. You’re having to notice how this principle plays out. The subject is one of magnetization. What is magnetization, and how does that correlate to sound and light? But you’re not correlating it yet to sound and light, you’re looking at it strictly as magnetization.
And so had you meditated you would have found a spatiality upon which something is able to lose its linear magnetism. In other words, the principle of magnetization is opposite what we think that it is. A person goes around and they relate to things in a congregated way, in other words, the way something is concretized. They relate to that image of that, and each person is affected by the images around them, and so their attention is drawn to that as a focus of what is going on – and that’s what holds onto and supports the concretized world, and that’s what makes it loud.
And people respond to that in a knee-jerk fashion, and so when you’re responding like that, and you’re projecting like that, you often think that you’re magnetized, but that is not actual real magnetization. Just like when you were taking and noticing that you’re affected by the energetics, or the vibrations, around you, and then you realize that there was something askew or amiss in that because, had you meditated, you would’ve been in a different spatiality, and that different spatiality would’ve been more meaningful.
And, in the outer, people understand magnetization based upon what directly affects them. And, then, as you develop, you come to recognize that you’re thrown around by what directly affects you, so you attempt to work with the magnetization that has to do with the greater orientation, or spatiality. And all the time you’re playing within the domain of something that is still one of sound, and sound that is concretized.
People understand magnetism from the standpoint that if something needs to happen they have to act on it, they have to make their position understood, and that’s usually spoken, or that is usually acted out. And then a person comes to understand a greater spatiality about themselves when they learn to sit with their thoughts a bit, even though they are still going on. So they are still concretizing, but maybe not so loudly.
And then a person comes to realize that if they can get outside of the thoughts, and stop the thoughts, they can have an access to a greater spatiality yet further. And eventually, potentially, break into the essence, the essence being the light and the sound before it has become concretized. But all of it has to do with an understanding of what you hold onto, and the average person, in their insecurity, has to go around, and be thrown around by, the world of their senses that holds onto the idea of the way they portray themselves, and they feel that they have to portray themselves in a way that is heard. And that way that they see that is heard has to do with presence, and that presence has to do with their concept of what magnetism is – and so they go around and they accentuate that.
Not only do they accentuate it, but they have every reason to believe that that’s the way to do it because in this plane of existence people noodle around with practices that seek to accentuate that magnetism – as if that’s the real thing.
You have to catch up with the essence that is a light and sound beyond the motions and the movement. You have to be working with light and sound. And if you’re not, and you’re working with creating a reflection that has a density to it, that creates your conceptualization of magnetization accentuated in a plane of sound, then that becomes a type of spiritual illusion.
The idea of shifting things, the idea of understanding how things shift, was rather interestingly portrayed in that movie we watched, Out of Time.
In that movie it actually spoke of, and portrayed, actual tools, that actually do work. In other words, if you change your mood, if you change your focus and attention, you can actually cause an effect in terms of the way the magnetism of something works. And you can do that within the collective, up to, and including, certain parameters.
It was basically a movie that took time and space and put it into a different paradigm, and it put it into a different paradigm based upon stripping out the self-conscious aspects, and providing one with a degree of letting go, played with the magnetism of things.
It also introduced another principle. The other principle was to watch your breath, or to pay attention to every little thing that you do, and appreciate it, as a meaningfulness, in terms of an inner essence. In other words, when you go through a day go through the day, and then go through the day again, but this time pay attention to what’s going on as you go through the day – as opposed to being on kind of a robotic pattern that has to do with collective consciousness unfolding.
And a person sitting with just their senses as an orientation to the concretized sound effect of how life is created, and thus realize that there is something behind all of that as a kind of liquid light, or sound, that, as you see that, you see it in a different paradigm.
Very complicated subject, because as a first go on this what you’re basically dealing with is the breaking up of the physicality of things. This is how you break it up, is you start to orient yourself slightly differently. You come to look at magnetism slightly differently. You come to recognize that you’re playing with concretized sound, and that sound and light actually are fluid.
You come to realize that they change, that something changes, that there are principles in which the light is impacted; it’s impacted by changes in the collective consciousness just by the bringing in of a new soul, or a change of the life force, and it can change very subtly.
To download this file, Right Click (for PCs) or Control Click (for Macs) and Save: Something Fluid