The image of taking a vacation can imply the same thing in a dream that it does in real life: it’s an opportunity to let go of all the things that are pulling us this way and that way. So, in this dream, the desire to let go amplifies the problem being faced, in that there is a stalker, or the potential for someone to be assaulted, so the dreamer must become a detective to sort this all out. Of course, this isn’t the movies, so sometimes the case isn’t solved in the end, which means there will likely be more dreams that address the specific issue from a different angle. (At the end of this post there are instructions and a link to download this recording to your computer.)
Jeane: In this dream I’m a woman detective, but I’m going to be going on leave shortly. And I’ve been investigating the case of a woman who was either assaulted, or afraid she’s going to be assaulted.
And it’s kind of sensitive because it’s possible that there’s either a police officer, or someone associated with a police officer, involved in the stalking, or the assault; we don’t know for sure yet.
John: Which basically means a quality in your nature, you’re like a detective, and you’re getting ready to leave the equation of things. But, before you can leave, you’re noticing that you’re having to contend with an energetic in which there is an imbalance that, in the dream, is like a stalker or an assault kind of energy, but, in reality, in the overall, it’s a vibration that you’re not able to drop, that you haven’t dropped.
And so whenever you try to leave, to go on vacation or whatever, you want to put aside all the things that are in the way, and what you’re finding in terms of what you have to set aside is you carry a synaptic energy, pent up; things can be pent up both positively and negatively. Pent up is a type of imagination about something that one would like to do that’s wonderful, or the opposite of that is equally possible, and confusing, from a reflective standpoint. And there can be something pent up that has to do with the vibration of being stalked or assaulted.
This is just another wrinkle in this kind of way of being, that you’re still trying to set aside, or let go of, so that you can go on vacation, or so that you can go somewhere. In other words, this is something you still hold; it’s still a synaptic energy in your nature.
Jeane: So, because we don’t know who the person is that stalked her, or assaulted her, or wants to, and because it even maybe someone associated with a policeman, or a policeman, I have to be careful with what I do with the evidence on the case that I’ve been gathering.
So there is one policeman, or detective, and he actually has a roommate or somebody that shares an office with him or something, that is one of the people that’s on my list, that I’m suspicious of. I’m not even not suspicious of him, the detective, actually. And then there is a policeman that may be used to date this woman that I really am suspicious of.
I have some direct evidence that’s not enough evidence yet to really identify the person. Now that I just will be keeping concealed. My concern is I want her to be safe while I’m gone, or I want the information that could lead to capturing someone, if they do approach her while I’m gone, available to somebody else.
And I want the information given to someone so that she’ll be kind of watched over, protected, and they’ll be keeping their eye out for what the problem might be while I’m gone. And I’m giving a copy of that to this one detective that, even though I’m kind of suspicious of his roommate, I can tell him who else I’m suspicious of, and he’ll keep an eye out while I’m gone.
John: So what you’re dealing with there, is you’re dealing with kind of a yo-yoing that you’re doing in the unfoldment process, in which you’ve gotten to a particular point in which you’re able to reveal, or release, information – up to a point. But the other part still is sitting in a state of distrust, or still hasn’t sorted something out, or come to a succinct conclusion.
And so you’re going to be holding on to that when you go on vacation. So you’re going to set it in motion. You’re going to be passing it forward. In other words, it’s something yet to unfold.
The thing that’s not being recognized here is that there is something that continues to keep continuing and never, never stops. You’re never really truly able to go on vacation because you’re shifting the responsibilities, and you’re shifting the information. You’re packaging it different this way, and different that way. And so you’re having to take note of what that really does feel like, but it’s not making a big shift.
Jeane: Once I’ve got all the material together I have to walk to the office of this policeman I’m leaving the material with, and that involves my leaving the building. Then I have to walk down this corridor that’s actually outside; it’s suddenly like there’s woods there. And there’s a big wolf that’s been running wild.
So he comes near me first to see if he can scare me off. But I pause for a minute, but then I keep on walking. And while I’m doing that, this big bird – I thought it was like a bluejay but it lost a feather off to my right. When it falls down that feather is about as big as an eagle’s feather, but it’s all blue. Part of me wants to go and investigate the feather, but the wolf has run over there, and it’s a pretty big wolf. So I have to just, you know, let that go, and go on down.
And it feels like that lets me in the back area where either the detective lives, or works, that I’m going to leave the material with. So I outline what I want him to do to keep an eye on things. And
then I leave. Then I wake up.
John: You kept playing with the same mind that has the problem. You never did let go of the problem, just kept moving around from left hand to right hand. And so when you wake up, you’re lying to yourself in terms of any relief that you might feel that you have, because if you look real carefully you’ll realize that there really isn’t any relief, it’s just been postponed, or suspended. You’re still carrying all of that.
And so the theme of the dreaming is, and the big question that has come up, is there anything that can be done, or anywhere to go, in a world, and in a schematic, in which nothing can be shifted?
What you’re doing is that you’re going through these antics where you’re not really shifting anything, you’re just moving things around. Even rationally speaking you have to know that that doesn’t solve anything; that just passes the buck, postpones it. It doesn’t work that way. That isn’t what one is trying to do; that isn’t what’s important.
Your dream seems to be indicating that eventually what you’re doing there is going to become frustrating. Eventually what you’re doing is going to become something that will be unbearable. Eventually what you’re doing there is going to become something that, no matter what you do, and how you do it, you’re still not letting go.
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