Archive for December, 2019

r4G3We could say that any understanding of the universe, and its greater purposes, is on a need-to-know basis. First, we can see clearly that flora and fauna are not trying to solve the meaning of life – they live life. But we humans are different, and we are designed and coded to seek to understand our purpose. That is the journey we are meant to make. And, if we make that journey as a service to what created us, rather than an ego boost, we will attract and connect to the intelligences that will show us the way forward. In this way, the universe is a system that rewards those who choose to be part of its plan and unfolding. (At the end of this post there are instructions and a link to download this recording to your computer.)

John: Now I tell a long story. I have this really long story about this. It’s a nice little dream story.

In this dream, I am the new guy in town. My reputation of what I am supposed to be, or represent, seems to proceed me. And so, in this town, there’s the town folk and hidden in the woodwork of things are all kinds of bugs, animal-like bugs that almost have a human quality aliveness to them.

And they’re all dormant. They’re all hanging back. They’re not being bugs, in other words. Let’s put it this way: not only are they acting real good, but you don’t even notice them. And the locals in this town are having an election, and, because somehow or another there’s some expectation about me, part of this election has to do with being able to stand up in the front and sing.

So everyone is there. And their expectations in regards to me are way out there, as I am now supposed to, so to speak, sing. And however it is I sing, supposedly indicates something. And so before going out there, it’s like I go through, inside of myself, what it is that I could possibly sing. There’s all kinds of possibilities, but I’m not really sure, so I just kind of leave it be. And I figure, okay, I’ll do it spontaneously.

So when it’s my turn to sing, I can’t think of a single one. And so I fall back onto some little simple, trite, ditty. And I sing: “This little light of mine, I’m going to let it shine.” Kind of an old, old song.

It is a song that I was compelled to sing long ago. This is a flashback now. I was compelled to sing this song, long ago, when I was coming to the process, and I came before a teacher, and the teacher, because he excelled in this particular area himself of being able to feel the vibrations through music and sound in the airwaves, he made everybody sing a song.

And so when it came to be my turn, that was the song I sang. And, when I was through, I looked at the teacher and he had tears in his eyes. And, of course, when I sang I closed my eyes and did the best I could, which wasn’t my thing. And so I see the tears in his eyes, and I go: how did I do? Then I said, “Was it that bad?” And he said, “Yes.”

But he saw what he saw that caused him to have tears in his eyes. And if that were a qualification for anything, in terms of how it needed to be, it certainly didn’t seem to affect what he did because I was selected, and initiated, by him, into the secretive techniques of Raj yoga.

So now it’s as if everything has come full circle. I’m up there and can feel the expectation – only this time it’s reversed. There’s the expectation placed upon me that is so loud that my mind goes blank. So I sing this little song, and I even forget the words. It’s kind of like in the design that it’s hidden like that.

And when I am done, chaos goes rampant. All the bugs and wood cutters come out and start acting up. Up until that point in time they were staying in their shells, and they’re hidden. So, as I’m walking along and all of this is going on, I see the sneer of one of these bugs – who sees no reason to not be just outright brazen, because obviously there was an apprehension of what I was about, and now they have seen that I’m not a threat to them.

You might say that we’re in a situation, in the world there, in this town, in which everything is flushed out into the open. I go up to this guy, kind of grab hold of him, and say, “Are you sure you know what you are doing? You expected me to be able to sing, or to come across in a particular way. What was the upside for me to come across that way? Do you really think that is the only song I knew? A trite, simple song, sung in a simpleton way?”

Meaning: I knew Leela long ago, that’s the divine play. And one of the outer conduct practices, that I came to ponder and look at, had to do with how you handle things as they were occurring in the outer.

It is said that there are three ways to deal with a problem in manifestation. The first way is you see the problem before it affects things and you take steps to deal in advance with the problem, so that it never really becomes that big of an issue.

The second is you deal with the problem while it is happening, and that’s where half of the people can see it, and half of the people can’t.

And the third is you wait to where everybody can see it. Other words, you notice the problem, you could do something about it, but no, you go stupid. You step back. You do nothing. You wait. Eventually the problem gets so bad that even those that are the most unsophisticated and immature, everyone, sees the problem. It stinks up the whole place.

When the rot is so great, and so widespread, that everyone gets it, you act, and you act with precision. No one questions whether your actions are right or wrong, because everyone knows what the problem is. And so when something is, then, effectuating itself upon whatever the issue is, they don’t sit and throw arrows and barbs at you because they are disgusted already in terms of the fact that this is such a problem.

They all can now see it because it’s as if the veils, that we’ve put in place in relationship to things, have been lifted. And then the consciousness comes into life as it is needed. That is a consciousness of awakening that is hidden, so to speak, by the Creator, purposely. The quality opens up from the top down, not from the bottom up. Meaning when it’s from the top down there are veils in place that kind of keep things that way.

We do not know how to see beyond the obvious. Everything that is rubbed in our faces is taken to be real. So, as a humanity, we have forgotten what divine revelation is about. The one being, of which we are all part, is an essence embedded within each of us.

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swad4If we are looking for a job, we are usually hired to fill the need of some corporate situation; i.e., we are the answer to that need. So, when we ask ourselves the question: why am I here?, we can say the same thing. We are the answer to a need of the universe at this time. We may not know exactly what that means, or entails, but, if we stay open in our lives, we will listen to the urges and feel the nudges that can take us to where we need to be – and are meant to be. (At the end of this post there are instructions and a link to download this recording to your computer.)

Jeane: So this is going on, with its complexities, because sometimes you don’t move all in one direction, you can go other directions. But sometimes, as I said, you don’t move or get involved at all. And then just about near the end of the day, when I think it’s time to go home, I notice my dad has gone into it looks like an agency that has a casting call for people for parts. And that’s what it feels like sometimes we’re doing is it’s like we get calls for things.

So I’m surprised to see dad do that. So I want to make sure what that agency’s like, and then I suddenly hear that that agency, if you go in there and you get a call, you don’t get to go home or anything, they just send you right off. And apparently they picked dad as one of the people, they’re going to be sending him to Japan.

Well, even though the agency maybe is closed, but I walk through the door and they seem to let me, and whoever’s ever with me, in. I guess they’ll talk to us for some parts they have, too. It gives me a second to just check in with dad. But he says he’s always wanted to revisit Japan.

But I noticed somebody that’s with that group, they kind of fall down a hill as they’re taking them down to put them on a bus or something. A few people go over to help him. I’m not sure about it, but I realize I just have to respect that if he wants to go to Japan, but I’m still interested in checking out what’s happening with the agency. So I’m staying in the waiting room to see if I get a call to check them out. Anyway, that was when I woke up.

John: So your dad in this example represents the higher self, represents an energy coming into life, that in the totality of whatever it is that is needing to wake up in life has no idea what that is, necessarily, other than the fact that he is coming into life.

So, he goes to an agency to see what what it is that is there for him, and he has his ideas about how to act out, perhaps, but when he goes into the agency none of that works out quite like he might have imagined. Because it is recognized, and he has to recognize, that he has chosen to come to the agency to be placed, in life, not according to his personal predilections, but in relationship to whatever the need might be.

Now, deep down, his needs is the agency’s need, he just doesn’t know that. And so, when he comes to the agency, the need is for him to go and awaken something in the east. In other words, to open something up so that something more can transpire.

So all of that is part of you, and you see this going on, and you have your focus and attention on things that have to do with your dad, the nobility of something that is necessary and needed in life. And so you yourself are sitting there saying, okay, my turn. In other words, you get the hint – aha – you’re looking to follow traditional things as well.

So let’s put that in relationship to three ways of acting. There are those those that come into life and try to figure out what their piece of the action is. And so they’re trying to look and see what’s going on, and how they can carve that out – uniquely for themselves – in the most personal way. In other words, they think that they’re acting on the problem before it had become a problem, that way they are able to act in the hiddenness as if they’re hiding a piece of the action, and being able to develop a personal.

And then there are those who come into life and they’re not necessarily sure what they want to do. But as they look around, and are affected by the ups and downs of things happening in manifestation, they figure out a way of acting in accordance with that. Those can be interesting and very good people, but their appeal, in terms of their attention, only goes so far. It is only something that is recognized and seen by those who have the same similitude with them, that function in life in that same regard.

Then there’s a third type that comes down into life, and this third type is purposely veiled, so that they don’t even know they’re in an amnesia. And they’re wandering around, pondering how it is that they’re supposed to be. And, as circumstances would have it, something is pent up inside of them. Something is latent.

So when they go into the agency of things they get sent, or commissioned, to do this, that, or the other only to find out that what awakens there is something that isn’t what they, deep down, find that they really kind of would have liked to have done. They just didn’t quite get it at the time that they came down. They didn’t realize that there was that importance, latent and hidden.

And so, when they act, they are acting in the midst of things that is already all askew, and all astir. They’ve come down to the agency, and instead of having their idea of how to contend with things, the overall effect of it all is already in full swing. And so they get placed where they’re neither east nor west, where they take in the beginning and the end, simultaneously, and that’s what they really wanted to do all along.

And that is what is going on in life right now, in terms of how things are shifting. That’s how the shift is occurring. And that’s why hardly anybody notices it, or sees it, because they’re inclined to work in either the first way, or the second way.

The first way is the most personal, that’s where you are carving out your piece of the action. The second way is in-between, where you’re doing your concept of spiritual things. You have your idea of why you came here, and what you’re going to do, and what you’re not going to do – and so you’re bicycling about.

And the third way is, deep down, you really don’t want any of it; you want something else. But you don’t know what it is that you want. And so that pent-up quality, then, is something that shakes, and comes in, whether you want to call it a type of longing, however you want to call it, and, as a result, what ends up opening up is something that can effectually do the work. And it is hidden, and it is protected. And when it surfaces and gets placed, it is what you really wanted to do and didn’t know it.

To download this file, Right Click (for PCs) or Control Click (for Macs) and Save: The Agency

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i00esWe all have psychologies that may cause us to say or do certain things, that, afterward, we may regret as being out of character. But we often do such things to create a desired effect: to impress others, or to make someone like us, or to draw attention to ourselves. These moments illustrate what it is to move outside of who we are – and the more we know who we are, the less this happens. To be centered in ourselves, and choosing who we are, and what we want to be like, means we act from inside ourselves in whatever we do on the outside. (At the end of this post there are instructions and a link to download this recording to your computer.

Jeane: I had one dream that evolved into another, or went on, I guess I should say. And the first dream, my memory of it is like I with other people. And then sometimes we’re chosen to do certain things.

But it’s like if you’re chosen to do something, you might suddenly find yourself in Florida, being active in some way. But other times the trick is to know not to go anywhere, and just to stay still in one place. And then it feels like you’re more centralized.

And much of the dream seems to be kind of making these decisions between when you act, and when you just kind of are quiet, or you step aside. And that evolves into a dream where this is all going on….

John: That actually is the theme. And so what you’re saying is that you’re presented with the situation in which you decide when it is that you take action, in relationship to something in the world, in terms of the environment that you find yourself in.

Do you stay in one place, or do you come out and go to Florida or something? Sometimes you may go somewhere, sometimes you may stay still.

So, let me just throw the seed thought in before you tell your dream. What if there are three ways of making a decision? What if one way is to be really bright, and you can see a problem before it has really gotten into manifestation. Let’s say you can see it, you can see it before it’s constellated into the environment.

And so you can act pre the fact, and you can go and deal with it so it never does go anywhere, never does come out. You can act ahead of time; you can pre-strike it, so to speak.

And then, what if there is another way, in which the problem is there, it’s happening, and your intelligence is such that you now see it, and you act upon it. And you act upon it as it’s a problem in a steady, consistent way.

And then, what if there is a way in which a problem comes up, and you ignore it? You ignore it because, even though you get it, and maybe four or five people around you – out of ten – get it. There’s still four or five others that don’t quite really get it, that still don’t quite see it.

So you let it be. And you let it be. And it gets worse, and worse, and worse, and worse, until it gets so bad, until it stinks up the place so bad that everybody gets it. Everybody is sitting agitated by it. And that is when you act.

So there are three ways of acting. Only you reduced it into a decision of: do you go somewhere, do you go to Florida, or do you stay where you’re at?

To download this file, Right Click (for PCs) or Control Click (for Macs) and Save: Go or Stay?

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