Inside Step

tha00Everything we see in the universe is constantly trying to improve, and to refine, according to its design possibility. For example, a bird will keep trying to build a better nest, adapting to environmental circumstances. And a neuron will always try to respond more quickly, firing off faster than the last time. Incrementally, everything refines in this way. The human also plays a role in the refinement of the universe, by trying to energetically improve what it comes in contact with (this service is a choice for the human). In return for this service, the universe refines the human individually, and, over time, the species. (At the end of this post there are instructions and a link to download this recording to your computer.)

Jeane: Well, I feel like, again, I had a long dream with parts of it repeating. This time I was able to pull out just the end of it. And at the end of this dream, I seem to be studying this little pattern in the ground. And it’s a pattern formed by some bones. And it’s like if I can solve this pattern, I can solve a crime.

And the bones are associated also with a horse that I ride, it’s this big dapple gray horse. As I come back and forth on this ranch, and I kept studying the pattern, it’s like nobody can really figure out what the pattern of this bone means. So it feels like the crime is going to go unsolved.

And then one time I come back and my horse isn’t there, and then people come riding into the ranch on the horses. And the foreman of the ranch had given my horse to this other woman to ride, and I’m just furious because, for one thing, they’ve overridden the horse. For another thing, other people really aren’t supposed to ride that horse, let alone not treat it well. And I recognize the foreman’s up to something.

Not that you can prove anything, but I get so mad I tell them that if that ever happens again, I’ll not only take my horse, also my third to the ranch to some outside interest, I’m just really furious. And I’ve taken the horse aside to groom him because it’s been overworked.

And then I’m studying the pattern of those bones on the ground again, trying to figure them out. It’s like I think the horse has some clue to them, but of course the horse can’t talk. And now it feels like I’m up against the foreman of the ranch, in some ways, but I’m still trying to figure out what happened. Anyway, I get so frustrated, I wake up.

John: So what you’re talking about, the theme of the dreaming, is what enables one to understand what this means. And the theme of the dreaming has to do with a process that works with mirroring the stillness.

In other words, you don’t just go into a stillness and leave everything behind. You go into a stillness for purposes of creating a mirroring in the outer. That’s how you bring the stillness back into the outer. In other words, you don’t take and get engaged in some bifurcation or another in the outer, as something that is real. You don’t go deviating into that and trying to make something out of it – unless you’re capable of using yourself as an example to create the mirroring to something more.

That’s why I believe that a lot of conduct that a teacher does is about where they take and they act this way and they act that way, none of it is done in a seriousness where they’re bifurcated and actually vested in that sort of thing. Just like when you look at it this way, when you’re looking at things like this, can you pull that out? Or are you to buy into it?

So if you have students who are all caught in their own things, and they’re going back and forth with their own things, and you’re trying to get them to see that there’s something more by all these different practices that you have, that enable them to kind of let go of that and inflect back to the stillness, the fact that you see them caught up in this and caught up in that, one of the ways in which to help the student is to be able to take on whatever it is as their deviations, to absorb the deviations, so to speak, to free them up so that they can experience the stillness.

That’s a step in the path. Now if you don’t know how to do that particular step on the path where you can actually take on an individual’s karma, so to speak, where you can take it into yourself and then feed it back to them, if you’re not able to do that, then there is another way. And that way is where you take and you create a side schematic and you go and you play act in that side schematic in full drama way, as if that’s important. And you have to sell that lock, stock, and barrel as a parallel, as a tandem, to what the student is actually doing in all of their bifurcated ways. You have to sell this bifurcated way that is something that is like a good intent portentiousness from the teacher. You have to sell it in such a way so that it really does look like that’s what it is.

But you, as the teacher, hold a space of stillness, so that as this other occurs, the student catches up with the stillness and not the abstraction. If they catch up with the abstraction and get all lost and mired in that, then what can be done? I mean, they were getting lost and mired in their own bifurcations, anyway, and this is a manufactured bifurcation, a Layla sort of thing, that is there for them to progress.

The reason why I say this is, this is what you did in your dream. So what you did is you had a horse, which meant that you took and you rode an action of power in and over a schematic in the outer. And, in doing so, you observed, you looked down upon the way the bones of things were laid out. You didn’t necessarily buy into the bones of things, you just looked at the bones.

And what made you mad was, instead of getting it, they tried to jump the power point that had to do with the ability that you had to take, and show, and reveal, and cause them to look at the bones of things. In other words, one of the steps in the path, or a big step in the path, is to get into the stillness. And you get into the stillness by catching up with the full kundalini energy. And you get into the full kundalini energy on the other side, as well as on this side.

And when you have the full kundalini energy taken in to yourself, you then are able to go out in the midst of the bones, the bones in this case are the symbolic that represents the way everything is all this way and that way. And how it is that you move about in relationship to that is as a type of mirroring, that what feeds back from that is what others can come to recognize in terms of catching up and taking a step inside of themselves; important motion, or movement, inside of themselves that brings them forward.

So, the misuse of kundalini energy, of which one-third is on this side and two-thirds are on the other side, is when a person takes and gets caught up in things in the outer. If a person takes and gets caught up with things in the outer, and fails to see what that mirrors, that the outer is a mirroring to a stillness that’s within, to where the kundalini energy is in this whole different modality, and in the outer it is askew and astir. If a person is not able to recognize that and instead has to buy into the power, which means ride the horse, your threat is, okay, then to hell with you – because that isn’t what the outer is about.

See what you’re dreaming also is a schematic, is that you’re traveling in the principle of what’s called “in God,” so that what reflects out of you, in terms of the things that you may see yourself doing, you are just doing those things, you’re not doing those things from the standpoint that you buy into them, lock, stock, and barrel, and, therefore, have to go backwards inside of yourself to free yourself up, meaning that you have to step away from those things, and use those things symbolically to understand that there’s a depth of stillness behind all of this. That the understanding of a dream, and of those actions, per se, has to do with going backwards into the stillness.

Now, this is a dream, which is saying that the actions and the conduct that you’re doing is just abstractive. It’s not something that you are caught up in; you are able to ride the power wave of the kundalini energy, in the outer, in front of all the bones of things. And anyone who understands who you really are is to see the stillness, in that, that you mirror. You’re doing it for purposes of mirroring, reflectively mirroring. You catch up with the stillness and then you bring it back into life by going into things, whatever you go into in the outer, but you go into them not because it’s something that have to do, or need to do, or caught up in having to do, you go into them because you just happen to go into them. And, as you go into them, you are in a whole other space and depth inside of yourself.

So you mirror from whatever it is that you go into – something of a divine letting go, something of the stillness – for those who are ready to see this in a revelational way. If they don’t see it in a revelational way, and they instead seem to look at what you’re doing and seem to think that they need to get even more caught up in that, then they’re violating, then they’re misusing that magnetic one-third of the kundalini energy that’s in life.

And so, your point is, if that’s all that a person is capable of doing, if no one’s able to get the inner hint to the stillness, then you’re going to sell the darn place, which is a way of saying you’re going to leave Dodge. You’re going to go away from manifestation. Now you’re never really going to do this. Instead, you are going to be doing whatever you’re doing in the outer, and for those who can see they can see, for those that can’t see, then something gets lost. In other words, the whole principle of manifestation is for God to be able to see and hear Himself.

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