What gives rise to us, the masculine and feminine rays of creation, is ancient. It is one of the engines that has powered the interaction of thing to thing. As separate beings, we each have different roles to play, yet we also have both of these ancient aspects within us. This means we also know them, and what they are meant to be used for. We may have lost this understanding, but it is still within us. (At the end of this post there are instructions and a link to download this recording to your computer.)
John: Perhaps the better way to recognize how this all works naturally is that, to the feminine quality of life, it is actually the obligation of the seed thought of the masculine to give to the feminine. When the feminine insists upon being included, or become made a part of that, it actually is a type of feminine control that tends to cause it to be excluded. Because the true masculine unfoldment process knows that this is its orders to be like this, if you wanted to call it orders, it’s a naturalness for it to need to want to be like this.
The feminine should not go around acting like it’s in a lesser modality of needing to be included because that can lead to it having to do this, that, or the other in order to keep a state of attention.
Well, you see this happening all the time, this quality characteristic happening all the time, as a type of demeaning of the feminine to itself – in the outer. The idea that she should have done something more, or something like that, and doesn’t realize that the principle to which she effuses naturally gives something into life. And it doesn’t mean that life is a candy machine that automatically responds – because the overallness is huge. And the letting-go place that you’re coming from requires a particular quality of purity for it to unfold.
It’s a type of negotiating, or doing this step for that, or however it is. It’s easy to rationalize that. And when you do, you sell yourself short. And that’s kind of an example, too. And so, your dream is if there was like a schematic or a theme, a statement to be made in terms of a general overall way of describing what you’re doing, you’re doing something that involves, underneath all of this, a type of polishing. And you’re not polishing if you sit in a hoping-to-be included kind of way.
And you’re not polishing if what you’re doing is done for the purposes of expectation. You have to do the polishing, or the quality of how it is that you are, for the sake of getting closer to, vibrationally, something more, that is always wanting, and has the need, to naturally be there.
You don’t look at the masculine quality as the seed of things, separate from that which pulls to that. If you do, then some part of you pents up, in some fashion, in an unnatural way. You come to hear the naturalness of both sides – and that’s what pulls both together.
Very complicated dream, actually. But it was in keeping with kind of the theme. The theme had to do with kind of like a process of opening up; an orientational process of opening up, and how you’re supposed to kind of hear that process. And you don’t hear it in terms of a this to that, kind of thing. It’s how you hear the process.
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