To carry a tiny person in one’s pocket, in a dream, and protect them as one moves about, is a good illustration that we are all the characters in our dreams. Because we know this is not a real life image – it’s not someone that is known in the outer world. It is a character that represents a still vulnerable aspect of the dreamer, and it is important for the waking self to provide the safety that is needed. (At the end of this post there are instructions and a link to download this recording to your computer.)
Jeane: So, in the next dream, I’m traveling, walking actually, it feels like to get to where I’m going, and there’s a place where I’m going to stay for a few days. And, as I approach this place, and I can look down, I see several structures. There must be like a gateway when you go in.
And it’s like, if you’re traveling, then they’ll assign you to where you stay for the night. And I’m going to be staying, I think, in building D maybe. And I look down, and I see that the main people that live there, that run things, they live in something that used to be a building that belonged to the Hearsts, it’s almost like a Hearst Castle, but they’ve gone a little bit to ruin – but it’s still quite elaborate.
And then beyond it are three more institutional-looking buildings that are a little more identical, and those are buildings B, C, and D. And I’m looking at how rugged this little wooden path is that goes, and how much further it is than I had thought it would be. So I’m kind of taking a breath because this just going to spend a few nights somewhere is turning out to be a bit more challenging than I realized.
But then as I pass through, it must be the building of the family that’s running things, I don’t remember all of the exchanges that happen, but somewhere in there they have a younger sister. And she seems to compress herself into something that’s only about so many inches big. And she’s compressed in the middle of it, and I stick it in the pocket of my dress, and she’s hidden, then, and travels with me as I go to where I’m going.
And I’m kind of weaving in and out among a lot of the people there, including she has a number of brothers and mostly sisters, and her mother. The others seem like normal, except they seem to be running things and they seem to have some magic about them. And so you’re kind of trying to stay hidden in their presence, and I’m definitely hiding her.
As we travel about, it’s like I do have some interactions, but I don’t recall a lot them. And definitely I avoid the mother because the mother has this kind of long black hair and you can be a little scared of her. I even feel like that girl I’ve got in my skirt is hiding from the mother. But after we’ve gone so far out, and then we seem to be coming back because of something that’s going to happen, then I feel like there’s a ceremony we all need to perform in. And for that, I’m going to have to wake her up and feed her. And then it’ll become obvious that I have her.
But I have to wait until the right time to feed her, and wake her up, and bring her out, and she has to want to come out, too, and then she can take part in this dance, or ceremony, but it might even become a battle – you don’t know which – it just has all different kinds of feelings about it.
So then I reveal, first to one of her sisters where she’s at, and I think she comes out. I remember seeing the mother in the line there somewhere, too, whatever was occurring. And I think that was when I woke up.
John: What you’re doing is something that is a positive subrogation of energy. Most people, when they subrogate energy, they get lost in the subrogation.
So what do I mean by that? Well, usually, in life, people are overwhelmed by things that are in front of them, by the appearance of things in front of them. In other words, they’re overwhelmed by how they have to live, and what kind of job they have to have, and all of the little nuances that just go along with basic human existence.
And let’s say that that is a .7. And then from .7 to 1.2, what opens up for you is the recognition that this is something that has a certain wealth effect to it. In other words, it’s a hidden energy. It’s the Hearst family; the Hearst family has a wealth over all kinds of things. And so what that is, is we’re talking a .7 to 1.2, that’s in the out-breath. There’s something coming down into life.
You don’t necessarily bring it down into life, instead, you come to recognize that there’s something deeper in that process of an awareness that is important. In other words, you see all the outer nuances of power and wealth and stuff like that, just like you can see all of the outer factors and features of a lifestyle that people have, and how they can be more or less caught up in that.
But you come to know that there is a greater meaningfulness behind it, which is that the greatest saint could have also become the greatest dictator, or something. Just like Siddhartha, the prophecy of Siddhartha, was he could either become a very great king, or a very great saint. And he left his kingdom when he realized there was more going on than what was being carefully spooned out to him.
So in this .7 to 1.2 side of yourself, you have this hidden essence, some part of you actually knows that there’s something more to all of this, within the family of wealth and such, there are the more grown-up aspects of things. In other words, they’re not small like this one little thing is.
What is most precious, what’s the secret substance to all of this, is maintaining the recognition of this thing that is most, most precious inside, which is this little, little thing that you hide in the folds of the dress that you wear. And you carry that, you hold that, that’s a quality that you maintain inside of yourself in spite of the fact that you’re in the .7 to 1.2 out-breath coming down.
The day arrives, however, when something switches, and you start to go in, go up. And when you start to do the in-breath, it causes then something to become pulled more together, more made known. You’re going into the angelic side of yourself where you experience this part of yourself more out in the open. You can show the other parts of yourself how they can see, and come to know, this little part hidden inside.
So what you’ve done is you have conquered the two components, the two flip-side components that are identical – meaning between the high in the breath in-breath, but you’ve started with the high in the breath, coming down, out-breath.
Somehow, when you put this together with your first dream, there is the recognition that in order for all of this to be understood, in terms of a greater history of your beingness, that has pent-up qualities, is that you have to give something to the masculine in order to be able to bring this thing down into a point where you catch up with these hidden elements of the two flip sides of yourself.
When you’re able to bring a clarity, like from the first dream, to the situation, which is where you give something to the masculine which is the clarity aspect. And when you give that something to the masculine it causes a shift to somewhere else. That shift to somewhere else, that’s revealed in this dream, is that you’re now able to introduce to a greater overallness of your being.
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