All humans are capable of creating, of taking one thing or a number of things and reconfiguring them, or inventing something totally new. We understand how that works with physical elements, but it is also true in the energetic aspects of life. We can elevate energy, which has the effect of changing it. An example would be to bring kindness and compassion into a terrible situation. And this process is a great service to the universe and something we are uniquely qualified to do. (At the end of this post there are instructions and a link to download this recording to your computer.)
Jeane: So my dreams last night seemed to be influenced by the movie that we’d watched, Empire, which includes about the music industry and how intense the music is there, and how intense everything else is.
It felt like I had been to a party where I had been listening to music and observing that whole intense scene. And then, as I leave the party, somebody comes by who feels like maybe he was my probation officer, so, initially, I’m almost trying to avoid him.
But then I follow him and I go to his apartment, but it’s almost like we have to go up the side of the building. And then I look over the edge of a building, and down, and then there’s a doorway that you kind of crawl down to, and someone from inside the apartment opens up that door, and you kind of swing in.
It was a woman. And then when I spend some time in that little apartment, there were plants, a cactus, different kinds of plants all around the apartment near the windows. And before I leave what I want is a cutting, but I don’t take the cutting from the original plant, the woman there actually has the original plant, but from a plant that came from the original plant, I take a cutting that I want to take home.
And then, as I go on in the dream, it feels like I’m continuing to observe the sound, and the effect of the sound, and what the sound does, working with that kind of music and that sound. I remember there’s one scene where I seem to be with our friend, and that there were three things in front of us that produce sound, they look like they were brass or something. And, as it vibrates and stuff sometimes it shifts to where it produces water instead of sound.
And it’s like I’m telling him that rather than staying in a sound business, or music business, that he should be getting into water, or even coffee, but I think it’s water, I feel like he should be getting into selling waters, that that would be better for him.
And it feels like that’s what more a part of the dream was at some point, too, is that when you took that vibration, what did it turn into? And there were other things that it turned into, than just the music, that seemed like were better.
John: So what you were doing is you were kind of showing that sound could be used to produce something other than what he was used to producing. And what you were also doing is you were finding that, going within, you could find other plants that you could take a cutting of, that was different than what currently existed.
The theme of the dreaming is about a type of shifting that’s necessary, for now, that is required to be made, or needs to be made, in order to break free of some paradigm that has existed for a long, long, long time. And maybe thousands of years this paradigm has existed. And so this dream has you sitting in a scenario in which you are taking the scenario, reaching within, or finding within the scenario something different, like a cutting from a plant. And you’re getting more specific, too, in that you’re pointing out that you’re working with sound.
In other words, the whole thing triggers as an aspect of sound, which means that it triggers as an aspect of how manifestation is. And you’re finding that you’re to work with it differently than is customarily done. In other words, there’s the established way and you’re discovering that something about that can result in a different kind of flow, or unfoldment.
The theme of the dreaming was about shifting, the theme of the dreaming was about actually transcending into something different. The effect of the movie was to create this kind of violent recognition. It’s like a violent recognition where you take and you shake off the shackles of kind of a pattern or mannerism that had predominated in order to experience, to go into, something so much more.
And the shackles of the mannerism of what had existed, your dream doesn’t portray any aspect of time other than it shows that you somehow go in to a different modality, and in that modality you come back with the cutting, or something different, as if able to bring something from one side across to the other, this cutting.
And it seems to repeat again by pointing out that it all started with an understanding of a quality of having to break in a new kind of sound mannerism, which is like taking the premise of an understanding that the world’s created out of sound – and finding a different octave of the sound, or a different way that the sound could be. And to find a different way in which the sound can be is the same thing as shifting your consciousness to something different, or more, or opening up in a whole other way that it hasn’t opened up before.
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