Author: d2k

No Relief

~ d2k ~ 1 Comment

The image of taking a vacation can imply the same thing in a dream that it does in real life: it’s an opportunity to let go of all the things that are pulling us this way and that way. So, in this dream, the desire to let go amplifies the problem being faced, in that there is a stalker, or the potential for someone to be assaulted, so the dreamer must become a detective to sort this all out. Of course, this isn’t the movies, so sometimes the case isn’t solved in the end, which means there will likely be more dreams that address the specific issue from a different angle.  (This post was originally published in November 2019.)

Jeane: In this dream I’m a woman detective, but I’m going to be going on leave shortly. And I’ve been investigating the case of a woman who was either assaulted, or afraid she’s going to be assaulted.

And it’s kind of sensitive because it’s possible that there’s either a police officer, or someone associated with a police officer, involved in the stalking, or the assault; we don’t know for sure yet.

John: Which basically means a quality in your nature, you’re like a detective, and you’re getting ready to leave the equation of things. But, before you can leave, you’re noticing that you’re having to contend with an energetic in which there is an imbalance that, in the dream, is like a stalker or an assault kind of energy, but, in reality, in the overall, it’s a vibration that you’re not able to drop, that you haven’t dropped.

And so whenever you try to leave, to go on vacation or whatever, you want to put aside all the things that are in the way, and what you’re finding in terms of what you have to set aside is you carry a synaptic energy, pent up; things can be pent up both positively and negatively. Pent up is a type of imagination about something that one would like to do that’s wonderful, or the opposite of that is equally possible, and confusing, from a reflective standpoint. And there can be something pent up that has to do with the vibration of being stalked or assaulted.

This is just another wrinkle in this kind of way of being, that you’re still trying to set aside, or let go of, so that you can go on vacation, or so that you can go somewhere. In other words, this is something you still hold; it’s still a synaptic energy in your nature.

Jeane: So, because we don’t know who the person is that stalked her, or assaulted her, or wants to, and because it even maybe someone associated with a policeman, or a policeman, I have to be careful with what I do with the evidence on the case that I’ve been gathering.

So there is one policeman, or detective, and he actually has a roommate or somebody that shares an office with him or something, that is one of the people that’s on my list, that I’m suspicious of. I’m not even not suspicious of him, the detective, actually. And then there is a policeman that may be used to date this woman that I really am suspicious of.

I have some direct evidence that’s not enough evidence yet to really identify the person. Now that I just will be keeping concealed. My concern is I want her to be safe while I’m gone, or I want the information that could lead to capturing someone, if they do approach her while I’m gone, available to somebody else.

And I want the information given to someone so that she’ll be kind of watched over, protected, and they’ll be keeping their eye out for what the problem might be while I’m gone. And I’m giving a copy of that to this one detective that, even though I’m kind of suspicious of his roommate, I can tell him who else I’m suspicious of, and he’ll keep an eye out while I’m gone.

John: So what you’re dealing with there, is you’re dealing with kind of a yo-yoing that you’re doing in the unfoldment process, in which you’ve gotten to a particular point in which you’re able to reveal, or release, information – up to a point. But the other part still is sitting in a state of distrust, or still hasn’t sorted something out, or come to a succinct conclusion.

And so you’re going to be holding on to that when you go on vacation. So you’re going to set it in motion. You’re going to be passing it forward. In other words, it’s something yet to unfold.

The thing that’s not being recognized here is that there is something that continues to keep continuing and never, never stops. You’re never really truly able to go on vacation because you’re shifting the responsibilities, and you’re shifting the information. You’re packaging it different this way, and different that way. And so you’re having to take note of what that really does feel like, but it’s not making a big shift.

Jeane: Once I’ve got all the material together I have to walk to the office of this policeman I’m leaving the material with, and that involves my leaving the building. Then I have to walk down this corridor that’s actually outside; it’s suddenly like there’s woods there. And there’s a big wolf that’s been running wild.

So he comes near me first to see if he can scare me off. But I pause for a minute, but then I keep on walking. And while I’m doing that, this big bird – I thought it was like a bluejay but it lost a feather off to my right. When it falls down that feather is about as big as an eagle’s feather, but it’s all blue. Part of me wants to go and investigate the feather, but the wolf has run over there, and it’s a pretty big wolf. So I have to just, you know, let that go, and go on down.

And it feels like that lets me in the back area where either the detective lives, or works, that I’m going to leave the material with. So I outline what I want him to do to keep an eye on things. And

then I leave. Then I wake up.

John: You kept playing with the same mind that has the problem. You never did let go of the problem, just kept moving around from left hand to right hand. And so when you wake up, you’re lying to yourself in terms of any relief that you might feel that you have, because if you look real carefully you’ll realize that there really isn’t any relief, it’s just been postponed, or suspended. You’re still carrying all of that.

And so the theme of the dreaming is, and the big question that has come up, is there anything that can be done, or anywhere to go, in a world, and in a schematic, in which nothing can be shifted?

What you’re doing is that you’re going through these antics where you’re not really shifting anything, you’re just moving things around. Even rationally speaking you have to know that that doesn’t solve anything; that just passes the buck, postpones it. It doesn’t work that way. That isn’t what one is trying to do; that isn’t what’s important.

Your dream seems to be indicating that eventually what you’re doing there is going to become frustrating. Eventually what you’re doing is going to become something that will be unbearable. Eventually what you’re doing there is going to become something that, no matter what you do, and how you do it, you’re still not letting go.

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Journeying

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We can view the image of going back and forth from different levels. We could see it as the concept of reincarnation. We could apply it to the idea that we connect with higher energies and bring them through into life, into the physical. But a key element of this type of journeying is the repetition of it, and we know that when we do things repetitively we learn more and more each time. We hone and we refine; we get better at everything we do repetitively. And this is the nature of our development. (This post was originally published in April 2021.)

Jeane: In my first dream, which I don’t remember that much detail of, but it lasted a lot of the night, just seem to be involved in watching, or discussing, or paying attention to some kind of a Qi Gong class. So I kind of remember some of the faces and the people in there who were all part of this class, but I don’t remember anything else. I don’t remember any theme, particularly, except I just knew it did have to do with the Qi Gong and something I was studying. 

The second dream, though, was kind of an odd little dream. It was like, in that dream, there are a number of us that I don’t know if we lived, or if we’re visiting somewhere, and we were having to go between three little villages, I guess they were, or towns, something like that. And you had these little, they’re almost like little putt-putts that went between each town – like you see in India.

I would give people rides. It’s like I didn’t really quite have a group or a home of my own, or a group that I went and did things with, it was just my group. So I would give other people rides to town and back. And I suddenly found, I was discussing it with someone that was someone that I’d known for years and years, I was telling them it was kind of interesting because you couldn’t take more than three people. 

The first time maybe I only took two people – and they were strangers. But then the next time when I’m coming back and forth, it’s like I pick up these people, I would drop maybe two of them off in one town, and the other in the third town. And then I’d let them know when I was coming back, and, more often than not, maybe some of the same people wanted a ride back, so you got to know them a little bit. 

And I did this several times, and I figured out this is actually kind of fun taking people back and forth because you kind of got to know them a little, you knew you were gonna have someone that came back with you. Or sometimes you picked up somebody else you didn’t know. And this was kind of an interesting thing that was going on, and I was enjoying it when I woke up.

John: The thing about what you were dreaming about is you were deducing what it was like, in terms of the vibration of the dojo, you were deducing what it is in the dojo that is magnetically fascinating to you. 

And what you were noticing is that you are capable of learning tools and techniques, or being around a vibration, that can transport things back and forth, that can affect people in a back and forth way. And you’re finding that this is very intriguing and interesting. And it’s in that fascination that you’re drawn to wanting to know more about it, and do more of this sort of thing. 

And it’s the same kind of fascination that they all have. There’s one word that describes what that is that it’s able to do that, it’s dispassionate. In other words, it used the magnetic energy almost in a reverse polarity. In other words, everyone goes around and they feel some sort of passionate energy. But what this is, it has accentuated, it uses focus, it has a certain courage, and what was the other word? Intensity, maybe. 

And what it does is it involves this energetic in a utilized, dispassionate way. You really do have to read the very first Don Juan book because this is what he’s doing. He is journeying, and taking people on the journey. And, in taking them on the journey, they are learning how to take others, how to affect others. 

It’s an interesting science when it’s done with a dispassionate nature, and it’s actually an accentuation of the third eye. And it’s not a heartfelt energy. When you have a heartfelt energy, you have to contend with the angelic quality of an in-breath. There’s a certain weakness in that. And maintaining the warrior quality of a vibration, and able to then be dispassionate, you develop a chi, you hold the chi that – I don’t believe you take this with you. I think this is an energy that circulates on the physical plane. 

One needs to really look at this in relationship to hungry ghost vibrations. What’s different about this is it has the dispassionate quality to it so that it isn’t as confused as the hungry ghost energy, per se. It functions on more levels. In other words, the human being might have his five senses, one of the things that really, really limits what a person can do is the quality of the in-breath, the angelic side of things. Very little is accomplished by those who dwell on bringing that through. 

And people who develop this side aren’t necessarily fighters. So that whatever your position is in life, nothing overcomes this position that you’re able to adopt and take because you have accentuated the dispassionate nature. And, therefore, de-magnetize the effect of gravity upon you so that you can travel, and that you can cause others – see this is what you were dreaming – you can cause others, you can affect others, in this very same way. Very shamanistically oriented.

The Relief

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Who will save us? We will; each individual saving themselves, at first. Which is good news because it means we don’t have to wait any longer for everything to change. We can begin now. The human design and the planet we are born on are everything we need to succeed. All we lack is the passion, the desire, and the trust that it can be done, and that we can do it. The journey requires such passion, desire, and trust because everything else will appear to be against our success, so we need the strength to keep ourselves moving forward. And it begins with the understanding that there truly is more to life than the way we live today, and, in fact, that truth is undeniable. (This post was originally published in May 2019.)

John: My sleep dream kind of goes through this in a very peculiar way. In the dream, hope and relief was promised, but I didn’t get the memo. I haven’t caught up with what that means. I make the best of where I’m at because I haven’t gotten the memo about anything, so I’m just blindly going through life not knowing any better about how things could be different.

And then I come to learn that someone was supposed to relieve me of this ordeal by now, but didn’t show up. It’s like they forgot. So I went through the worst imaginable, not knowing any better, and somehow I seem to still be alive.

So, in the dream, the sensation is that of being immersed in sound, as if sound is a problem here that is too much to contend with. So, in the dream, this is sound that gets in every pore of my being. It blocks out the light so much so that I don’t know that there is such a thing, or that there is a difference. It’s like a purgatory. It is like I am bathed in it.

In the dream I come out of what I voluntarily went into, in other words, I didn’t know any better, and it’s like going into the bath of it all. It’s like one great big tub of things, and creatures of every way, shape, and form are falling off me, coming out of my pores, from my breath. I appear to be as toxic as a person could ever possibly be. I hadn’t noticed that you could see this.

Every out-breath is just, oh my gosh, fog, and this, that, and the other. I mean I woke up as if I should be struggling for breath, it was so overwhelming, all of this toxicity dangling, and crawling, and creatures every which way. And see, the thing of it is, these creatures were like a bifurcation of an immensity of sound, is what they were. They were an immensity of sound. That’s a strange image, wasn’t it?

And so now I find myself almost like in some sort of state of redemption, or something, or some sort of state of something. I’m before those who just look as if unable to believe what they are looking at, and that’s when I find out that something was supposed to have come to my rescue, but forgot.

So, as I’m standing there, or as I’m there, it’s like a quick accounting is being made, and it’s almost as if what got forgot, and who forgot, and what’s to be done? And so those who have the responsibility are called out, as if they are all restaurant chefs, they’re all cooks, to a process of some sort, and these cooks all cook in different ways. It’s like, what cook was supposed to have dealt with this, that didn’t? And one of them, one of the newer cooks that kind of wasn’t as sophisticated as the old cooks, it turns out that this cook was the one that forgot, or let me go too long.

So it is decided that I’ve been ignored so long that I’ve been ignored in a wrongful way, too much, in other words. I was never meant to devolve to this point. So, to make amends, tomorrow this person who let me go into such dire straights is to come over and tap dance on my table. And I am told that they will use their own shoes.

Now the image I have is they’re going to somehow take these shoes off and tap them on the table. They can’t possibly get up on the table themselves, or at least I wasn’t thinking that. And just as I am considering this to be a bit over-the-top ridiculous, I am told it isn’t all absurd. At one point the person actually dances with a partner, and, in it, is the hope and relief that is revealed.

So the meaning is, in my meditation dream, and sleep dream, denseness that is all-pervasive is represented. First of all, it’s represented as a condition of sound, and there is no visible light in a condition of sound, because the sound is like all-consuming, and infectiously consuming.

So in the sleep dream the sound is reduced into all of its compositeness, and it’s as if it’s all germs and viruses of every way, shape, and form that consume the body and my being. And it is a wonder that I’m even alive. The contamination is so great that I suppose there would be a way of looking at me and saying that I am rotting, but don’t know it.

In this dream I am shown that when the moment of redemption arrives, and no one knows when that is to be, that is when there is hope on the horizon. That is when I’m able to dance the inner dance. That is when I am able to be relieved of a nearly unimaginable affliction, an affliction state so out of it that it is good I had been amnesic, not knowing any better. Ignorance somehow was my redeeming quality. And, in the end, I am able to give all of this affliction up.

The relief, to begin with, seems a bit silly because I have been in such distress for so long I don’t know any better, but there comes a point where I am able to shift into the inner exquisiteness that is possible – instead of the outer appearances, that are more dire than I know.

Because I reach a point in which I let go and leave the direness behind, the reflection that unfolds is able to touch outer life as a mirroring, an effect that transformatively goes into the outer, and awakens, redemptively, a deep within wholeness from within the denseness of manifestation.

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