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25262976 - yin yang humanWe are all the characters in our dreams, males, females, the young and the old. Or, in this case, the naked and the clothed. And these interactions speak of the relationships between different aspects of our inner life, always with the goal in mind to find a connection and a flow. Yet here, what is expressed in an unvarnished way by the masculine, proves too much for the feminine to handle. So there is work to be done on both sides to bring them together in a workable way. (At the end of this post there are instructions and a link to download this recording to your computer.)

John: It starts off, in the meditation dream, where I have a lot of frustration and struggle to contend with. That’s my way of saying that I reverbed, and I reverbed, and I reverbed in terms of trying to cause something very simple to be obviously known.

Because, in the dream, I have the assignment of revealing an inner invisible substance to an outer that requires proof in a tangible way; in other words with the ordinary senses. And there is a lot of frustration because there is nothing I can do to make this as visible, to those in the outer, as it is to me as an inner vibrational presence.

So what is going on is, I have caught up with a subtle vibration that I am able to tell affects the outer in a profound way. I notice this so much, vibrationally, that for me this is like a seeing. For others, that I am trying to make this known to, because they aren’t experiencing the vibration resonating within themselves, like I do, their visibility is kind of in a dense, or black-and-white way, and, as a result, this leaves me at a loss in revealing to them this ever-present way. In other words, it’s a flow, its ever-present way.

So then, when I come to bed, I come out of where I am staying. In my dream now, it’s like there’s a place next to something that’s like a quaint café. And in this quaint café there’s a proprietor, a woman proprietor. And when I come out of the house I just walk 40, 50 feet or something, along the sidewalk, and then there’s something in the middle of the fence area, along the sidewalk, before I walk up. And there’s actually a little outer area there where, you know, you have tables where you can eat outside on a deck, and stuff like cafés have, and she’s out there doing something with the tables to get them ready, and she hasn’t yet opened for the day.

So I come up along the side near the bottom, about the middle area of the fence area, and suddenly I realize I’m naked, which is the case that happens when I’m carrying an energy that is out of place in the ordinary sense of reality. The naked condition is over and over again. I see it as okay, and I act as if it’s okay, but once in a while I realize, you know, I’ve got to quit acting like everybody has to accept this.

So, as I come around the corner to where she’s at, kind of crept right up on her, and then I shield myself against a wall there because, all of sudden, I realize I’m naked and I’ve got to be careful how I come across, I ask if it is too early. She is mumbling to herself, and the inference has to do with something somewhere else bothering her.

As she sees me, she says, “I am so upset.” I say, “Did I do something to make you upset?” Deep down I know it is something else, but that’s just being polite. And then there is a sudden jump up energetic pulsation through my body, because I actually know that this has to do with her not being able to take in a certain flow that’s meant to come through, in an inner way. But I can’t tell her that. And, in this particular case, it has to do with somewhere, or something else, or however. And all the time know that her upsetness has to do with something she’s identifying somewhere else, yet I find it to be a curiosity, in a revealing sort of way, which requires me to be a support.

She says, “I will be right back,” as she has to contend with something bothering her inside, and has to go somewhere else to deal with it, because she was actually kind of going a little catatonic mumbling away to herself as she was cleaning the tables up.

So what is going on is, in this dream, although I am acting nonchalant, even though this doesn’t make sense to others, I am moving about in sync with an energetic, that is afoot in life, affecting others who are not able to sort it out. To me it is more visible. To them it is a frustration and discombobulation.

Until it is processed through, I just need to hold an empty space as this is the only way I know to support those who are going through things in the outer – unaware of a vibrational effect that is an inner unfoldment process affecting them from within.

Until there is a stop to let go; in other words, you have to quit the doingness. You have to kind of find that you have nothing that you absolutely have to do, because we fill every second in the outer with things that we have to do, and that prevents us from catching up with this flow, which comes from an emptiness. So until there is a stop, to let a flush-through to a shift in beingness occur, I and others who act this way are running from an inner awakening.

In other words, you’re acting on your frustration as a blockage, as a denial, as a veil that keeps you too busy to notice within. The answer is to let it flow, and accept the effect. And, when you do that, that’s when something intangible can happen. That’s when it’s a type of stillness in which there is a light substance now, that works, or help from wherever at a depth with wherever.

That’s just how it is until there is a full stop to face the energetic. Or, in other words, are you really facing the energetic? To a large degree, we face energetics by trying to understand that; that’s what psychology’s all about, to try to go back to where maybe it came from. But a higher octave of that is you just let the inner come into the outer, and the transitional shift is no longer kept at bay then.

So, what I’m describing is the way the inner higher-self vibratoriness makes its secret substance noticeable to our outerness of self. We must stop our doing in order to accept the vibrational impact; in order for the vibrational effect to make itself known from the greater emptiness space of our overall beingness. Only when we are still can our overall vibrational aliveness and beingness settle, as an insightfulness from within, into the manifestedness of a self in the outer.

So, as an observation, whenever you come across someone who’s acting really, really busy and all of that stuff, and doesn’t have time to pause for a split second, is constantly a go, go, go, go, that is a type of person who is keeping the inner from touching the outer.

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screen-closeupAre we ever truly ourselves? This dream looks at the subtlety of the mechanisms we use in dealing with life, in the sense that we’ll filter the way we are to accommodate the feelings of others, or speak differently because of the expectations of others, or even change our opinions because we’re hoping for a certain outcome. All these subtle maneuvers take us away from our natural state, and our natural ability to respond. And we can’t really be in the flow of things, if we are not being natural to ourselves. (At the end of this post there are instructions and a link to download this recording to your computer.)

Jeane: So I just remember one dream that kept repeating, in a way. It’s like I was observing life in North Korea. Because the dictator wanted to control everything, it felt like there was this woman that kind of wanted to… I don’t know if she became a chicken, or she was cooking chicken, but it was like you didn’t want the dictator to know if you got a chicken that was like a certain weight, or anything.

And I was kind of showing them how to hide that by chopping apricots up when you cooked the thighs of the chicken, or something, that you could kind of hide it in there. It was almost like she was the chicken and, you know, when she was cooked you could hide the apricots in the legs and not show that you had gotten a chicken that was as fat as maybe what the dictator would have. Because if he thought anyone had something that was better than what he had, then he would kind of come down on them. So I was trying to show them how to conceal that. But then the dream just kept repeating.

John: So what’s going on in this dream, that’s repeating, is you’re trying to get beyond this aspect of what’s called a frustration, or it’s a tension, or a reactive anxiety.

And you’re trying to look at a particular quality of this frustration, tension, or anxiety, a particular way in which it inflects, as an effect, that is your particular dilemma, or mannerism, by which you prevent, or keep, a certain quality of the secret substance that permeates through everything in the outer – or the inner coming into the outer – that keeps that from happening.

And when you feel a little tension, or a little frustration, in this case it’s like a chicken, or it’s like a type of fear. In other words, it’s a qualm. It’s a qualm of some sort that keeps this from being brought directly through.

In other words, this is all in keeping with the subject matter of: how do you work with things that are subtler, and subtler? And what you have is you have, for example, in the outer you just have the outer as a kind of density. And you relate to that outer density in terms of how you see things with the five senses. And the way you see things with the five senses is caught in this motif of seeing matter as matter – and staying strictly on that level.

But there is matter in sound, and there’s matter in light, and that the level of bringing inner into outer involves having to incorporate a bringing together of the sight of light into matter.

Now that sounds very, very strange. Well, because it’s a different kind of sight that we’re talking about. In other words, when you feel a vibration, something is going on in the outer and there is a way that it is. And then, on a vibrational level, you denote something more, you can denote whether something is a little this way, or a little that way.

Well, you denote it by a type of sight, but it’s not a type of sight, per se, of the senses. It’s a type of sight of a higher-self light of sight. So, in other words, if you’re in a room and you see something in the environment, in terms of the way something is, that causes you to hold back, or to measure what you say, or however that is, because you can sense something more than what’s apparent on the surface, and you can see the degree to which somebody can hear something, or recognize something, or you see what’s going on in a deeper way of something moving around in the nature, or the atmosphere – that’s a type of sight.

It’s a vibratory type of sight. Now what keeps this vibratory type of sight from becoming a substance, per se, in other words going into matter, making it manifest, is whenever you have any kind of friction, and we’re talking about a kind of friction that has to do with fear, that has to do with anger, that has to do with frustration, that has to do with things that have a denser mannerism about them.

So what your dream was doing, is your dream is reverbing back and forth, and back and forth, to try to see how it was possible to have a condition in the overall. And you were setting it up in a scenario in which, if you were to have this condition in the overall, you would have to have this condition in a way so that it didn’t cause a disturbance – because you were in North Korea. And whatever it is that you were able to have in that density had to be done in such a way so that it wouldn’t draw a type of attention that would cause it to appear that you were usurping the powers that be.

So what’s the powers that be, when you’re talking about the outer? It’s the density of things. And so the powers that be in the density of things is the idea, and the understanding, of what’s going on. What brings the inner into the outer is that you have to have that spatiality inside of yourself in order for it to occur in the outer. And, as you embody that and carry that inside yourself, that becomes the atmosphere all around you, as well. But, to the degree to which you’re responding, or reacting, to some heebie-jeebie, or frustration, or mannerism like that, some qualm, is the degree to which you blot that out.

Now why is it that that blots it out? Well, it blots it out because it slows it down. It slows it down in keeping with the density of things, and when something is slowed down in keeping with the density of things, it then goes back to the modality of the physical, and the senses, and the lower-self senses. And so you lose the secret substance that goes at a faster speed, that actually is a type of substance. In other words, all aspects of density have a terminal nature to them. They exist, for only so long, before they crumble back to dust.

Everything is that way in the outer. And on levels of light there’s a terminality, too, but it’s a long, long, long one because that’s such a subtle substance that it’s not like you actually see it, but yes, you kind of do by being able to experience it from within, vibrationally enough, that it’s like a type of seeing because it just permeates through.

Your complexity in the dream was, as something is coming through, to what degree does it need to be kept, held, or maintained, or protected in a particular way, in terms of yourself? And you’re using, as your screening mechanism, a type of fear, a type of chicken, a type of presentation, orientation that reverbs. The reason why it reverbed and reverbed is, by bringing that into the equation, you brought in something that kept it from just naturally being.

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137539-WhateverThe word “whatever,” as it is mostly used today, has an apathetic sense to it, as in, “I don’t care.” But if we want to be with the flow of life, it is not a bad word to ponder. What is it about us that lets us expect events to unfold a certain way, or to work out to our advantage, or that situations should resolve themselves, to be tied up into neat little bows, for us to put on a shelf? The human is meant to process energy, and we should be more interested in the way we are able to do that effectively, as opposed to worrying about what that particular energy is. (At the end of this post there are instructions and a link to download this recording to your computer.)

John: Now let’s see if this sleep dream works.

In this dream my friend, Cole, brought his favorite music to a shindig, that is like a place where people have gathered, where you come down a hill to it. And, for some reason, the music, which Cole’s very good at picking stuff and doing stuff; he’s got a very soft nature, but this music is not working.

And it’s made most evident in that there are two brothers, who are there, and one of them was okay, and the other one was really moping about. And, the next thing you know, they’re both moping. One brother finally wins out, or bums out, the other, as it comes to light that they have both lost their father.

The thing that stands out about them is they each have a big nose, and the one who finally bums out the other brother, has a nose that’s so big you kind of park it on the edge of the table, just kind of sits down on the table, and the music doesn’t seem to change this tone.

And so, not knowing what to do, I’m realizing that none of this is working. I mean people are gathered and there’s this, that, and the other, but nothing is working. And then there’s this bummed-out quality that’s prevailing.

I leave, and I go up the hill, and I have a cart. I come across or have a cart that is full to the brim. It’s like a rectangular cart that is full to brim with music, but it’s kind of a light tan music, and it’s not popular. It’s not the music that you’d be inclined to pick, conceptually speaking. It’s not the good quality, meaningful stuff that Cole has. It’s all-over-the-place kind of music. And what this music is like is this whole cart is just piled right to the brim, and what you see when you look down is little pieces of shale rock piled right to the brim – and that’s the music, which is way different.

So I take and I push this cart down this hill, being very, very careful, because it could get out of control, because it’s a lot of weight, it’s a plum full cart. And then I wonder, am I going to be able to push it up the hill? And there’s no guarantee, as I’m doing this, that this music will catch on but, you know, what’s there isn’t working. Things are still bummed out.

So the meaning is, the theme last night was about letting go of a set focus and mannerism, and, in doing so, like you did see with the Joan Rivers and all of that stuff and learn how to spin it, you may have started with an idea of this, that, or the other, but before it was over with you reached a fluidity within that cut through the prevailing nuances.

So in this first dream, this had to do with a fluidity that was reached when no concepts existed about how to be, when it came with a due process. In the second dream, I am shown that the best intentions, these days, do not make an intended difference.

The reason is because an indulgence exists in which opinions prevail, and there is a sticking of one’s nose into what is going on, either one way, or the other, as far as opinions go. Therefore, you’re not taking in the wholeness.

So the second dream suggests that set mannerisms need to be set aside, and appreciation found, from just letting go. To quit doing things spiritual even, like Cole’s thing was like a spiritual approach, but, you know, it’s not going to change the indulgences of things that are off on one side.

You’ve got to learn to be able to take any old thing, whatever is going on. You take any old music. I mean how can I even tell anybody that? Just as well be here, as anywhere else, when the shit hits the fan. And let go to it, and come to know that you can find an okayness, no matter what is going on. It’s all a way of letting go. It may not be an end all, but it will be better than something definitional. That is the dream. I am willing to give this a try, even if it doesn’t work.

And the deeper meaning is, a nature capable of letting things be, no matter how dense they seem, is a letting go that has the potential of opening up something not heretofore possible given the prevailing barriers.

Why does that work? We have become so twisted with spiritual illusions, and blows from a dense outer, that we do not have a good idea anymore of how to proceed. We have developed adabs and practices that, instead of getting us properly into life, are leaving us opinionated and/or aloof. Consequently, as in the first dream, just when we feel and know it somewhere deep within, we go off on a tangent with what we think works. So that was the theme.

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