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Archive for the ‘Chase Dreams’ Category

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Ivan Terzic

We likely all know that moment when we are doing something really well, doing it naturally and with just-as-needed effort and timing, and then we become conscious of that state of our process and the whole moment is lost – along with our great skill. Well, this dream points out that we can do exactly that same thing in our spiritual journey: as we seek to be in the flow of energies, with our natural grace, it is that moment of the personal thought or idea that will completely disconnect us. But we can learn to separate ourselves less and less. (At the end of this post there are instructions and a link to download this recording to your computer.)

Jeane: So it feels like I work in some kind of a medical center, and you work there, too. But the problem I have is that everything in this medical center is always shifting, and people, and everything you have around you, is represented by these little dots, or little globs, round globs.

Well, the problem is, these globs keep shifting randomly and if three of them are lined up, then everything is fine, you can be working fine, but if a fourth one lines up it wipes out all the others and whatever you’re doing has to start over. It’s very hard to get any work done.

Well, I finally decide that one of the ways around this is I’ve gone and I’ve started studying some Qi Gong with a Qi Gong master who lives down the street. And then I figure out what’s going to help all this is if I can get you to come and take the Qi Gong classes, too. If you’re there, and you’re taking the classes, then for some reason this is going to help fix this alignment problem.

And I take you down to meet with him, but I know this is going to be a real challenge because, while you’re very athletic, learning Qi Gong, or any kind of martial art, is a lot like following dance moves and that’s not your strong suit. So I mention this to him because I don’t want you to get clobbered by any of his students that are over enthusiastic. So we kind of decide what time you can go down there and start learning, and it’s probably better to be in the back row while you’re learning. I think that was when the alarm went off.

John: The first three parts, were something aligned, or something is kind of coming into cohesion, that is the phase in which you are catching up with, instantaneously, as an in-the-moment part of the whole quality of your nature, what it is that is meant to come through you, or meant to be experienced, or you’re meant to feel as a flow in the whole. The fourth part…

Jeane: I just remembered it. In the middle was this dream where it’s like people are trying to capture, or shoot me, and I kind of run away from them by climbing up in these great big huge trees and flying around the tree, or trying to do something where I can stop them, or get them wrapped, or tied up.

John: What you’re doing in that dream, with that part that you call the middle, is what you do as the fourth step in the first dream, and that is you have your understanding, or idea, about what it’s about, and that idea, in terms of what it’s about, is taking what you’re experiencing in a overall way. It’s taking it into some sort of relative context.

In other words, the way that you’re having to go up a tree or whatever the heck it is to escape something, that’s your idea of what is going on, how to relate to that. That’s making it relative. The fourth thing that you come up with, in terms of something that is just hitting you in the present, it’s a kind of completion, but it’s a completion in a relative sense. You don’t want that kind of completion. Where it might have been important at one point in time to understand what was relative in the situation, now that gets in the way because you’re in the absolute of something that is in a moment flux, felt in the bones, that’s flowing through you. You’re not into what that is about.

The fourth is an indulgence. The three are a flow that comes in. The three things are a flow that’s coming in that’s like a guidance, or inner awakening. You’re receptive to those three coming in. The fourth is where you’re trying to pay attention, now, as if you have a right to know what’s going on – and you’re never going to get that to align. In other words, the three are a naturalness, that’s part of what’s meant to be, in terms of yourself, as part of the whole. And the fourth, the fourth is your conclusion about all of that.

Now, ordinarily, in one phase of dreaming, you have the one, two, and three and then the four, which is the completion. This is not a completion, anymore. This is something that has to be dropped as a completion. You just need to keep the in-the-moment stuff in a surrendered, accepting, empty way, not have to contend, not have to take and act like you have a responsibility to have to come to some sort of accord.

And the same thing is true in the other middle dream, where something is coming at you, something is being experienced as coming into your nature, or is affecting your nature, and you are seeing yourself yet in a separateness there and so you’re trying to elude, or escape, that from happening.

And, instead, what you’re to do is to go with what is unfolding there. It is not something that is harmful. It is part of your overall makeup. If you go with that, if you’re okay with that, if you can accept that, if you can surrender to that then you’re not trying to establish some sort of reflective, relative condition.

That reflective relative condition is your idea of how you cope with this other, as if you have to cope with this other. If you’re in the whole all of that’s going to be there. It’s going to be like that. It’s not for you to go deciphering it, and distinguishing it, in some sort of separate capacity because when you do that, then you shut yourself down. You’re not able to be part of the whole.

That’s a good dream. It’s also a dream showing you what you’re struggling with in order to just let something flow. The nature that a human being has to try to find an end result there, or conclusion, a completion or something, when you attempt to do that, that’s when you make it relative. They key is to leave it in the flux of the moment, unfolding and intangible.

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Little Nightmares_20170707234528Okay, we can admit it: it is absolutely a battleground going on in us as we seek to let go of the personal and embrace the universal. It is the known trying to let go into the unknown. This is fundamental to our journey, and the resistance comes because we learned the truth later in life (as a rule), because if we were taught properly as children this process would be much more natural – because it is natural to our design. That’s why it has to be a conscious journey; we won’t get anywhere by luck, or accident. (At the end of this post there are instructions and a link to download this recording to your computer.)

Jeane: In this next dream I seem to be in a building. There’s a man in Middle Eastern robes to one side in the room that we’re in, and he has a daughter about 7 or 8. And I’m in another part of the room and I’m interacting with her sometimes, and I can tell that he disapproves of this, and it’s like I want to get her to come and play, or interact, with us, but I can feel his disapproval because it’s like he doesn’t particularly want her mixing with what’s modern.

And it feels like I’ve also been playing with magic – in this dream, and with the girl. As I go out from the room, however, I discover that we’re under attack by other people and we have to fight them off sometimes using magic and martial arts.

When I go back to the room, because we’re now under assault, it’s like this Middle Eastern man wants to show that he’s resolved with me so it’s like he suddenly drops his robe and he starts dancing with me doing a little Irish jig to show his daughter, I think, that we’re all together now. But, meanwhile, we have to flee a bit because we are being assaulted by all these people from elsewhere.

At first I try to hide myself. I even like run across a rooftop, and I run into a building that’s hidden by a skylight on the rooftop, but one of these invaders who look kind of Mongol-like, you know, sees me and comes up and busts into that room. So all of us eventually end up in a ground-room floor.

And when the invaders come in and surround us, initially we start moving around the room as though we’re harmless. You know, I have a fan and I might use that fan to just fan myself, or dance, or twirl, but in a way, on another level, we’re kind of consolidating ourselves all together, and we’re drawing all the invaders into one room, and giving them a chance to see if they will just back off.

But, you know, they just think they’ve kind of got an easy slaughter here now. So when we see that they haven’t changed their minds we lock the doors of the room, and then we kind of bring out our magic, like what was my fan becomes like a fan with swords on it. And then we proceed to really fight where we had just been dancing around before, you know, to use our magic, then, as well as our fighting ability.

John: So what you’re describing is kind of a whiplash scenario. How you develop a whiplash scenario is if you’re contending with energetics, in terms of inner and outer, and outer and inner, in which there’s kind of a battle between those forces, in which there has been the contractive forces that seem to dominate in the big picture of things.

It seems, however, that you have been observing how to go and contend with this in kind of a simpler way inside of yourself. That’s what I mean by a whiplash scenario, in that you go up to a particular point, then you fall back. And so, initially, it’s like you can expand, and then contract back, then expand even more and then contract even more, things like that, until you can finally break the bubble of the effect.

So, in the first aspect of the dream, you have the part, the little girl, that is something that can open up in a particular way. And that opening up is contradictory to the environmental influence that is upon her, that’s placed upon her. And so you’re working more naturally because you’re working with the feminine principle and with a daughter. You’re working with something that runs almost counter then, to a misguided, or misaligned masculine aspect of the father of this girl, as the dream portrays, that has other ideas in how it is that she’s to be brought up.

So, as that opens up, what that opens up to is that then causes you to confront something even bigger in the collective. When you confront that even bigger in the collective, those domineering forces come out at you in a way that are inclined to try to crush you back even further.

In other words, the initial scenario you kind of energetically zip through, so now you’re hit with a bigger kahuna to kind of try to push you back again. And this time when you’re pushed back into the room, or the inside of yourself, something has taken place in which because there’s a connectivity of things something has taken place in which the guy, the father, has seen something, has got something, has recognized something. Apparently he’s come to appreciate something in terms of how he has observed the daughter, or however you’d say that, because he is no longer opposing you.

And so that gives you an infusion of energy, as a base, that was needed. You know, in other words, you can’t operate in a vacuum or otherwise you’re just whiplashing back and forth. So then when the intruders come into the building, the hope is that they will see, or recognize, or get it in terms of the quality of the energetic being in a state of submissive innocence. Total innocence is total power.

Total innocence creates the mirroring by which something that is out of balance in a denseness is able to see it. It actually absorbs that which is out of balance. It won’t absorb it if it’s all reactive, but it will absorb it if one goes into a certain depth, or heart, of themselves, and is able to hold a quietness, or an innocence. And so that’s what you do, and then that enables you, then, as that other gets weakened, then to rise up and effectuate a change.

So, the schematic of the dreaming, is inner into outer, except what you did is you made a little bit of a battleground out of it all. In other words, first of all you had a part of yourself make a transitioning. In other words, it was the part of yourself in the first dream in which you were looking to expect to see something that would be sitting in a reflective zone, and it was no longer in the reflective zone. It had recognized something and had moved on, and had reached a deeper state – in terms of having realized something more than just the outer. It also had married, or found the inner.

And that is repeated, in the second dream, with regards to the daughter and the father. The father then makes the transition to where he is no longer an obstacle, or a force, that counters something. He becomes somehow, where he had been devil advocating what was happening and questioning and challenging it and being resistant, he becomes something that supports it.

Now, in both dreams, it’s not apparent that he supports it overtly, but he supports it energetically. And in the first dream this is a matter of opening something up as a portrayal of inner into the outer. In the second dream the opening up is by way of the letting go again; and what are you letting go? You’re letting go of the sense identification that is normally associated with reacting to things as they happen in the outer.

And when you react to things that happen in the outer, you empower the outer and you weaken yourself. And when you do that, you get personal, and you shrink. But what you did in the second dream is you didn’t empower the outer, you went innocent, subjective in your nature, so that you didn’t portend any barriers for that which is a misaligned and overly-directed force of outer mannerism. You pulled the plug so that you weren’t conducive to that outer mannerism. In other words, you weren’t letting that outer mannerism dominate, and throw you around, and cause you to react and, as a consequence, you disempowered that as that kind of illusion from working.

So the magic that you did was actually the real use of energy, and not the wrongful use of energy that occurs when what is purported is reflection. In other words, the personal, the degree to which one reacts in a personal way, is a reaction that involves the use of the outer senses in a personal way. And you have to transcend the outer senses, or the noodling around in the outer, which leads to those defense mechanisms, and adhere to something of an inner depth. When you adhere to something as an inner depth that’s the natural transformation, that’s the way that things actually naturally always work.

And I suppose, to the outer, that is used to gauging everything based upon reflection, that would appear to be magic. But the idea of magic would be the goofy concocted notion that you can actually take a reflection of something and make it dance into something that is real. It never has. It’s not an outer speaking to the inner. It’s an inner coming through and flowing through the outer, and the outer always responds reflectively.

And that a human being gets lost in the outer because they relate to the outer through their five senses – as opposed to a type of depth inside of themselves that can come to know the inner flow – because it’s that inner flow that is what is real. And because you identify with that inner, which is real, and are able to absorb, or absolve, or diminish the effect of the outer projection as it comes to try to usurp the inner.

If the outer comes and it dominates in terms of its appearance, and its ways, and its mannerisms, it will dominate only because you give it credence by acting reflectively, and defensively, and in a personal motif; that is what perpetuates the illusion. But when you are subjective and know how to hold the space of an overallness, in terms of a vibration that is coming through life in a destined, or preordained, way, and that it’s not of a reflective collective conditioning of the senses, when you relate to that, that, then supplants or shifts you outside of the realm of a limited, personal, physical existence.

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DreationExperiencing the feeling of being chased by the Mob in a dream is definitely an image that is a huge relief to wake up from. And sometimes, facing what is repressed in us, or letting go of defense mechanisms that we have relied on for our whole lives, can seem to us to be just that dire a situation – a kind of death, actually – and such inner processes can feel that intense to us. But the pain we feel is our resistance. The freedom we gain if we succeed in letting go will feel even better. (At the end of this post there are instructions and a link to download this recording to your computer.)

Jeane: I just remember two short vignettes in terms of my dreams last night. In the first vignette I’m a man, young man, and it’s like I’ve found out that I’ve done something that’s offended a mob boss – who’s after me. So in that dream I’m kind of on the run from the mob boss. That’s all I remember of that.

John: A little bit of the theme of the dreaming had to do with an energetic that involves an opening up to it in order to catch up with something that’s a little amnesic to one’s usual senses in terms of seeing things.

In other words, you’re used to seeing things in terms of an outer motif, and one of the themes of the dream, an aspect or theme of the dream, was to be able to denote, from some way inside of yourself, something that is opening up, that can be seen on the inner but not necessarily the outer.

And so how do you say what it looks like in the outer when you can only see it on the inner? That is the twist that I was thrown. You were thrown the twist of something hitting you on the inner that you weren’t quite ready for on the inner.

Something hit you on the inner. You haven’t described what it is. Something hit you on the inner. It was a bit more than what you’re used to assimilating, or in other words taking in naturally, and so it set in motion, it released pent up energy that needed to proceed or to flow from within.

In other words, there’s such a thing as a quality of an openness that if it reaches a particular stage, or a point, it sets in motion something behind it that then comes rushing out. Now great care is taken that whatever it is that comes rushing out is not something that’s too difficult for a person to assimilate – or at least that’s supposed to be the care that a teacher exudes over a student.

Because if you naturally, or over-the-toppish, stir the Kundalini energy in a way so that it cannot be assimilated, or it creates too much havoc in the person, what happens is it can set them back. You know, there’s instances where it can knock them off their rocker, it can make them insane, maybe more than temporary.

Well, in your particular case, your image, the fact that you’ve upset something, caused a mob boss to come after you, or a sense of that, what you’re describing is that you have unleashed what is normally a pent up quality that you normally don’t face or address because, for whatever reasons, you have your defense mechanisms that have caused it to stay repressed. But you’ve done something and, because the theme of the dreaming had to do with looking and seeing something, I’m inferring that you did something even though you don’t recall what it is that you looked and you saw.

You did something to open up in a particular way, and by opening up in that particular way you created a kind of collateral damage in that this, which is normally something that you keep repressed, and suppressed, and hidden has come out. And so that energetic is something that you have to contend with. And so, because it is something that is a bit unfamiliar to you because you’ve kept it repressed for so long, then it creates this kind of convoluted inflection. Do you see how that is?

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