Archive for the ‘Inner / Outer’ Category


Aron Bourke

Where does the future come from? How does it get here? It is very simple to believe that time just unfolds and what we do in the meantime brings about the future. But if you believe that the universe has a purpose, then the future can only arrive in one way: it comes down to us from higher realms. It doesn’t come in the form of a modern design, but in the form of new energies that bring new possibilities. Those new possibilities are translated through life, from inner into outer, and the future appears before us in manifestation. (At the end of this post there are instructions and a link to download this recording to your computer.)

Jeane: The thing last night is I didn’t pull out my dreams, but it felt like I dreamt all the time and the dreams seemed to have a theme of like almost like being in a race, you know, like a foot race. And going somewhere and feeling like I’m getting ahead of something, you know, and it felt like it had that theme a lot, but I don’t remember details.

John: One of the themes that existed, that reverbed a lot, was there’s a pace, for me it was like 15, and that pace would be what you might consider ordinarily, in kind of an outer motif way of looking at things, to get by just fine. But that motif can’t possibly hold its own with anything.

And then there’s a pace, it’s a speeded up pace that’s 25, and that’s a speeded up pace that you can’t sustain, something about your physical nature is going to have a hard time sustaining that pace. That’s where you tend to be too over the top or something. You don’t contain the energy right.

Well, that pace is just good enough to hold a status quo in the outer. In other words, be between on the inner, between the inner and the outer, in other words not necessarily thrown around, but able to catch up with things. You have to go faster than that, even 25, in order to be in a place in which you’re able to touch something before it was born, in other words, a quietness, or a stillness that is not yet in manifestation. So yes, that was part of the themeing was the speed

So, you know, there is a whole thing of a suspense that’s building and, therefore, you would have the reverb, kind of a pace, or a speed.

So in my meditation dream, I did something a little different because there is something about the way the energy is here. So the scenario and general dream observation is I kind of point out that I’m in upper India. The dreams that I have been having going into this adventure indicates that the outer is on a destructive course; it can’t shift, the most rationally, conscious actions have been steadily backfiring.

Yet still, in the dreaming, I see myself trying to persevere as if something is possible, but no evidence whatsoever, of course, of that, and that’s because again there’s that speeding up that’s necessary, that gets you outside of time. And over and over what I see as a result of inner awareness effects do not have a noticeably meaningful effect upon the whole. In other words, my experiences inside don’t quite do what is necessary to effect the whole in a consequential way.

In other words, why is that? I say this because the evidence is obvious. In the outer, everything keeps getting worse and worse. I’m trying the same old inner-into-outer approach again knowing that the overall effect, if the pattern holds true, will be that the direness of an unfolding situation will just keep getting worse and worse, and that I am only affecting infinitesimal aspects on the margin, but not having a prevailing effect that is significant or meaningful or even observable in relationship to the overall where the transformation intertwining is needed.

And then I go through what is called a section that I call “suddenly I get it.” What I see is an answer to everything I observe in the outer. In other words, the fact that every effect is insignificant, every effect in the outer is insignificant. From this way of looking at it it’s insignificant. It’s insignificant because it’s as if the flow is unable to make a dent or change anything.

This has to do with the way something is designed. It is known that this is a period in time when a new design is possible. This is a period in time when the old ways are dead, so the observation is this: everything is breaking down in the outer because that is how the future was shaped and visualized to be long, long, long ago. And so for a person to come now and have a sense of the future, and try to impose the sense of the future, when you’re living in a time when something has already been designed to be this way, is fighting something. In other words, that which we are living now, as the dreamed, it has a vibration about it. But the future does not have a vibration, and that’s to be written yet.

So in order to connect properly, a different relationship is needed. As the table continues to be set by a decision that is destined, in other words, everything in the manifestation is destined, what is needed now is for the future, from this point in time, to be imaged within. So what we’re talking about is an aspect of dealing with time. I’m still seeing it in a way that creates confusion because you’re still thinking of time as time.

To do this a human being has reached to a different relationship with time. The inner-into-outer pinging that goes up against a prophesied design is not the answer. I mean that’s still working with vibrations and these vibrations are, so to speak, in the same motif or mind that created all of this.

The answer is to dream the future dream with time being the future, not the present. In the present the vibrations of inner into outer that were dreamt long ago are playing out as scripted and we are all caught in the collective inner effect. What I keep trying to say is this: the effect of the vibration in life predominates as intended. The present is prophesied and designed and that is not where my attention is needed. My attention is needed in a stillness in which manifestation’s future design and prophecy is not a given. It is not a given because the potential rising from the ashes of what is meant to be now has yet to be designed.

In other words, this is an awkward way of trying to say that the future comes into the present, even though that’s not quite right either in terms of how the mind sees things. In other words, you work with a stillness and out of the stillness something rises to the surface, and then that becomes manifestation. Consciousness needs to be upon the stillness of what is to be designed for the future, experienced upon an unconstellated level. To fight the outer with the current inner unfolding vibrations is going up against destiny. I do not have that right.

This aspect of the way of God is ordained. The will of God, not yet formed, to be constellated out of the stillness of a nothingness is utilizing what you call a quality of time that we can’t put our finger upon now in which there’s a revealing therein, a kind of so-called unknown sign of spirit made flesh as the new dream. Upon this level of beingness there is only beginning/end essence that is one and the same with the nothing but nothingness.

The closest the mind can come to portraying the principle is in making a rather abstract and confusing statement that the future needs to be brought into the present, so 1,000 years from now those living then will be experiencing the dream through them. As for our consciousness now, we are the notions of an inner omniscience in manifestation. The inner omniscience has been carefully designed into flesh as a creative essence, and when we don’t like it what we’re trying to do here is affect the outer with the same inner mind that created it – instead of taking the next step upon a deeper inner stillness level requiring formulation.

As I am writing this up, the dogs outside are barking even though it is nearly 2 a.m. in the morning, the fleas in my bed are biting, this is a scenario that is befitting. If you get angry or upset then you’ll miss something because behind all of that there’s a game going on. You have to dance outside of your set modality, which raises the question: for the caravan to move, for the future to evolve, where is the dream?

In the present, the dogs are barking and the fleas are biting. To say the same thing all over using other words, what is needed is a stillness outside of a predesigned manifestation. At this time, we are the dreamed. The dreamed and the dreamer must find each other again. The dreamed is a vibration made flesh. The dreamer’s home is in the emptiness stillness before time began, or begins.

So then that raises the sequence of questions: who is the dreamer? And what is a dream? Is the dreamer conscious in a physical here and now? Is the dream in the here and now? What would happen if the dreamer woke up the dream? For this to be so, can there be a dreamer and a dreamed within time as we know it? If so, would that be a phase before we were vibrationally born as manifestation?

In other words, we’re talking about a different aspect of time. The old dream has its moments but is unable to shift collective vibrating conditions. Those constructs are preordained and designed to die now – so why mess and try to futter with it? And, of course, you could take this to questions about all ideas about trying to establish peace or to try to do anything. Instead we’re here to dream the dream, so to speak, as a stillness, because if you catch up with something on a vibratory level it’s always going to have its hiccup, it’s always going to break down in some capacity. And you can get clearer and clearer with it maybe, to a certain level of refinement, but it is always going to break down because it’s designed to break down now – so why do we beat ourself up then?

We’re here for the next step, and that’s kind of outside of time. It’s hard to describe because how do you describe something in which you’re so used to having to look at everything as time? How do you describe a nothingness, or a stillness, in which there is no vibration? How do you get beyond the principle of dharma that the Buddhists have? You know, where each person takes and is what they are based upon something that has come alive or awakened in terms of their soul expression? We have to go beyond that because then that still is caught in the design of things. We have to go beyond that in order to create the new dream.

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imag933es copyNature is a great teacher for a human, but humans also have a higher calling than anything we see in the natural world. In this dream progression, we can see the context of becoming more natural, but that’s not the end of the journey. The next dream shows that there is higher learning to be found, and higher “mountains” to be climbed for a human. What nature can show us is how to be in the flow of life, yet at the higher, human level. (At the end of this post there are instructions and a link to download this recording to your computer.)

Jeane: I just remember my first and my last dream. I’m like watching a heard of animals run across a plain, and I’m with some people that want to be able to approach the animals, but they don’t seem to be able to because of something in their mannerism.

But I go over to the animals and, as I get closer to the herd, the herd kind of stops, and I realize that this is a mixture of animals, like there might be like a baby moose running alongside an ape. I mean it’s just not like a normal herd at all. And, as I’ve gotten closer, they’ve all suddenly stopped and even though they make me a little nervous I walk really close.

And they let me walk right up to where I’m just a few feet from one of them, and they just kind of all look me in the eye, and then they start running on. I go back to where the other people were. That was that dream.

John: This is an image more of how the natural world is, you know, from the standpoint of how it reveals itself in nature as an unfoldment. And it’s an approach that can be taken by those on a spiritual path, in which the way that one looks at the outer has a quality of inner appreciation – but it isn’t tangible as an inner into outer flow.

In other words, it hasn’t gotten to the point where the inner into the outer flow is so subtly invoked that you’re able to be there in it, almost as if under orders, or in keeping with the design. Instead, this sort of perspective, or attention in terms of one’s self, like I mentioned is more in a nature. And you can get very, very close to things in terms of one’s perception through the unfoldment and reflection of nature, but it still has more of an outer context about it – so it’s limited in terms of how far it can go.

Jeane: The last dream I have, I had been going to the university and I must have been like at graduate school or close to graduating or something, and so there was a class in a science building I wanted to take but it’s not really my major, so I’d just gotten permission from the professor to sit in on it. But with that kind of participation you don’t really go that often, or participate that much.

So that didn’t work out that well, but it gave me a taste for it or something. It’s like I wanted to do more of that, so I thought about it, and maybe I’m not even going to be at school full-time next semester. I’ve already got my degree or something. I decide that there was something about that science class that interested me, so I want to go back and take one the next semester, but this time I want to officially audit it. I still don’t particularly want a grade or anything, but I’m going to actually go pay to take the class and audit.

And then I go and there’s a new professor who’s young, and the first thing he does when we get to class is he takes us out on a field trip. And when we go out on the field trip we get to a place where we’re kind of hiking or going around this kind of interesting structure, and he and the class go one way and kind of get ahead of me, so I decide to go on a shortcut. It’s like around a plateau but it’s also involved a little bit of climbing. And so I do that, and then I’m suddenly climbing on this tall structure where they are. It’s like rocks and it gets a little precarious, but I see how I can get over to them.

But in order to do that, I kind of climb up to where I’m at a place where I’m on the very top of a rock and I can feel my fear of heights kind of kicking in. I know I have to kind of overcome that a bit, and there’s a girl in the class that indicates to me how I can jump down on one other rock and I do that. And then she tells me to get down from there. She’ll just kind of tell me where the footholds are, as I kind of go over the edge but the first one I put my foot on actually is loose and it falls away. So I move over and I have to kind of figure out how to climb down, and it feels like as I’ve climbed down a ways I suddenly see that there’s a house there in this rock.

I realize one could get down and out through the house, so I go in the door of the house and she and a couple people from the class follow me. And then I realize there’s a couple dogs that are loose. Maybe they were almost going to be walked, and they’re on their lead, but they want to rush out the door if we get out the door. And I see that there’s an owner of the house in a room. There’s kind of like a door you can see through, but she seems to be busy a little bit.

But we’re kind of rushing past that room and kind of creeping down the stairs, and go out the door, but then the other people with me it’s almost like they start to let the dogs out, so I have to gather up the dogs and put them back in the house. And then once I do that, it feels like we can get out. That was that dream.

John: The theme of the dreaming last night was presenting three ways in which a person relates in a context of themselves. You’re communicating it in a reverse order. You’re going one, two, and three, with the third being the highest starting with one, which is the lowest. And I’m going one, two, three with the one being the highest, the second being the next, and the third being one in which there is more of an archetypal influence as opposed to a proper consciousness.

Your first example that was in your first dream had to do with an approach that worked with an archetypal influence of trying to get closer to what was going on in a natural way – and that can be sacrificial. In other words, it’s not loud in the archetypes, because it’s kind of collaging the archetypes a bit, but it’s not a kind of dynamic that is truly free in terms of the depth of an individual that is more in keeping with the quietness.

In your case, I can’t really say and put my finger on which of the four primary archetypes it is that’s going on in terms of how you’re trying to get close to something, because you don’t portray the vibration of the archetype loudly enough in that dream scenario.

And then in the second dream, you go from the second aspect into a third aspect, and the second aspect is you start off more as a watcher. I hadn’t thought that about that trait, the trait that stands back and observes and denotes, and somehow or another holds a sense and a space. And then from that you access the stillness and quietness of what is meant to be, kind of as an aspected knowingness.

In other words, you’re working with a house in the rock, and a flow that flows and awakens and comes through in that regard. And the more masculine way of describing that then, is that you’re catching up with something that is a greater stillness being brought through you, almost as a kind of future carried into the present.

And that is in keeping and is catching up with the design that is meant to be. You know, you may have little octaves to it, but you are not at odds, or where you have a tendency to be at odds, with the unfolding, the general unfolding design, because you will be knowing it somehow as an aspect of that kind of higher-self consciousness, or greater stillness within, catching up with what is even deeper, more deeply imbedded.

With the watcher you’re looking at what is unfolding in life, and you’re still at a point of looking at the level of an inner into outer, and at tuning yourself with your focus and attention by perceiving what it is that is going on. In other words, the watcher denotes what is going on, doesn’t take and guess or conclude one way or another. He just notes what is going on in terms of the inner flowing into the outer.

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ima097gesDo our dreams reflect our life, or does our life reflect our dreams. You could say the scenarios of both types of stories unfold in ways that help us grow, and provide opportunities for us to get what we need to learn or understand. And in that process, what we generate from within ourselves is usually a form of creating a release of something that we already have in us as a capability, but it just needs the circumstance and effort to release it. (At the end of this post there are instructions and a link to download this recording to your computer.)

Jeane: I just remember the one dream. In this dream I’m with a man, I’ve like traveled with him to somewhere in the south where his family lives where we’re staying at a house where his brother is.

I don’t remember as much about that, except sometimes going into a room that we stayed in and at some point it dawns on me that while I’m thinking about, you know, when we’re going to leave and come back where I live and everything, that he really wants us to stay and live down there. And, although I don’t particularly want to do that, and he hasn’t really talked about any of the details of it yet, I’m trying to figure out what to do about that because it’s like if he’s staying there I have to figure out, even if I wanted to leave, you know, how to get back, which means I probably need to go get a job or something, or maybe I need to go get a job anyway, if I’m going to stay there.

I have a feeling I don’t really want to live there a long time, and maybe his thought is we’d be living with his brother or his family, too, and I’m not awfully happy with that thought. But I decide, you know, maybe I need to go look around and see about a job.

It feels like I go down to this resort and I look around, and I see it’s a resort that has a couple levels to it. And this town has one main street where everything happens and maybe it’s along a river or something and it’s southern, and when I go into this motel I go downstairs in the motel where people stay, and then upstairs there’s lots of activity and I notice that they serve them cookies in some of the areas at night, too, although some of the cookies are burnt because I go and look at them.

And I run into somebody that I used to know and, as part of her work there at the motel, she sometimes gives massages to people that are staying there. And I’m thinking, well, I could do that. You know, I have some experience with massage, but not a lot. But it doesn’t really require a professional, and I seem to be kind of heavyset in this dream, and I’m looking around at what I’m wearing, and I’m wondering what other things I could do, and I think about maybe some of the agencies in town, and what experience do I have that would translate? Because I don’t necessarily have any of my credentials and stuff with me, but I do have experience.

And I look at some of the people that are staying at the hotel, I finally go and find the people that are running it, and we start having a dialogue about what I might be able to do. And I realize that they like that I’d grown up in a family business because that means that maybe I’d be trustworthy around handling the money, or at least know what’s involved, that you have to do a lot of multitasking. That’s about all I remember. It wasn’t a very exciting dream.

John: Well, two-thirds of the dream was the endeavor to try to figure out how to take something that needed to awaken, and bring it through.

And the first part of the dream had to do with it being imbedded in kind of needing to somehow or another find a means of being able to release. And so when you have that sense, the feminine has that sense, it needs to reach a point whereby something processes, or comes out, or flows as a type of coming out.

In other words, the feminine nature seeks something all the time as kind of a latent quality knowing that it has to connect, or be connected, in life by way of something that comes up from the depths of itself and flows. In other words, it’s meant to be a container energy that is in flow, or in harmony, with the outer.

If that nature is required to sit in an unfulfilled capacity, deep down inside it is always looking for a means to find a release whereby something then is able to go back, or plug in. The sensation is an in-breath sensation, an in-breath sensation that is held in check by basically a dullness or something, that exists in the nature of living in an illusionary state. The Kundalini energy of something at a depth with inside, that goes through that dilemma, involves the energy having to rise up, having to be released, so to speak, from its imbedded state in manifestation.

That’s the nature, and that’s the means of the feminine flow – and that’s an in-breath. And prior to hitting that, you were hitting a state in which there was a type of frustration at the beginning of the dream because something more needed to happen, and then you spent the rest of the dream figuring out how to create that release.

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