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Archive for the ‘Masculine / Feminine’ Category

DapyTEdWkAAtYGWWe may have noticed that there is a timing to everything. Sometimes a chance meeting, or a casual comment, is exactly what we need at the time to trigger the next thing that needs to happen. Other times we want something now, but, in some mysterious way, we aren’t yet ready for it. And then when it eventually happens we can see why it took so long. This is all part of being in, and allowing for, the flow of life. When we force or fight it is when we set in motion things that may take us away from our original intention. (At the end of this post there are instructions and a link to download this recording to your computer.)

Jeane: All I really remember of the dreaming is that I was working on getting the sequencing right. In other words, I was trying to fix one thing that had three parts to it, and then fix the second thing. But I keep having to take a step back and redo it, because I would tend to get the order in which I had to heal things, or fix them, backwards a bit when you had to heal the thing with three components before you healed the next thing. And I would have it backwards, so I would keep going back and redoing it.

John: Well, that was actually an aspect of the theme of the dreaming and, for some reason, we had to go through and experience the vibration of what it’s like to be out of twang in some fashion. And, being out of twang in some fashion, this causes a result that doesn’t align what is necessary, or needs to align, in terms of an unfoldment of inner and outer.

Because in the dream it seemed like what was askew was a sense of timing, and timing is an aspect of masculine, kind of a masculine side of the consciousness. The feminine side is they know how to take and unfold something into life, but the timing has to be right.

So we dreamt this in what appears to be an interesting theme, in which introducing inner into outer is the subject matter, bringing something through, but the limitations of the feminine is portrayed in terms of the aspect of timing in which there’s something in which one is struggling to make up, or compensate for, because it’s off.

And in the masculine it’s an issue of bringing something through in an overall way, in a complete and overall way, which is a matter of grounding, which is a matter of hearing it correctly in a earthy way, that being the hearing of it correctly, being kind of a condition, a watery condition.

The loudness of something, in terms of when it’s loudly heard, needs to be sure that the timing is correct. The hearing of something needs to make sure that it coincides with the earthy in a way that flows, which is a watery effect.

So I’m finding myself pondering this because when I’m looking at trying to put this together in terms of the fact that you did something with the limitation of the feminine requiring a timing, you being in the physical, and the timing being something in the masculine. And I did something as a hearing, which is a quality of flow, which is more in an area of the feminine, which is more watery of a quality in nature. Interesting.

To download this file, Right Click (for PCs) or Control Click (for Macs) and Save: In Sequence

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angelicpairWhen there is sex in a dream, or a marriage in a dream, it suggests the close interconnection between two parts of our inner self. It doesn’t matter if the dream characters look like people we know in real life, our unconscious is just using them as a representation, and to make a deeper point. In fact, the further removed our character is from the sex scene, as in this case where the dreamer is observing a woman unknown to her, that distance is a clue to how far apart these inner lives still are. And the point of such a dream scene is to bring the two inner parts together – if we can remove our resistance from the situation. (At the end of this post there are instructions and a link to download this recording to your computer.)

Jeane: In my second dream I seem to have two houses. And in one house, it’s more like a little split level summer house, a little flimsy, and I’ve gone from the main house where I am over to the second house and I’ve gone into the basement, which is like a recreation room, and my old trainer, Anthony, is there and it feels like I’m thinking about getting back into training.

And then there’s a woman and her son there, as well, and he’s mostly working with them. Occasionally I go over to him, but I’m not really dressed right and I’m not quite yet into what I should do yet. I can’t figure it out, plus the lighting in the building is really dim so I can’t see really well.

And at some point I leave and they’re still there working out. And then I come back, and it’s even darker out when I come back, and I go down into the basement.

John: So what you’re describing right now is a quality in which Anthony represents the masculine, or a macho, and that this is a quality… and that house is like a summer house? Is the other house more of an all-year house or something?

Jeane: Yeah, the other house is where I really hang out.

John: Year-round right?

Jeane: Yeah.

John: And so something that’s in the sun, the sun represents the masculine symbolically, and something that’s like that is like kind of a fair weather kind of thing. And at that point in time things are done, activity occurs, masculine macho activity occurs, and you, in relationship to that house, are something that is getting worked upon.

In other words, it’s like you can get beyond your moods, you can feel better about yourself when you walk, when you work out, when you exercise, and the process that pushes for that sort of thing is a masculine process. That’s why you see women for example that take and try to join a guy’s world, and start putting on feminine suits, and whatnot, that they become very linear in their nature and they drop a certain feminine quality, and a certain mannerism, by which they can approach themselves from within, or as an awakening sensibility that can rise up from a depth inside of themselves having been touched by things of the masculine. Instead they’re now trying to be in that area, unnaturally, and it doesn’t quite look right and you can see how their feminine nature suffers from it.

So what you’re doing is, is you’re doing a parallel dream that has some similarity to the other dream before, only this time the masculine side is portrayed as this flimsy house with the macho protective workout, and the guy that pushes something. And what he represents is like a will that then has its effect upon the subjective side of yourself, the manifestation quality of yourself.

So you’ve gone over to this house – which is what you were trying to do in the dream, the other dream. You were trying your best to try to figure out how, on the other side of the bed, to get all of that stuff to come together. So now you’re back over, only this time it’s in the flimsy house. It’s the weaker part of yourself that you’re trying to catch up with, and you’re trying to see how to handle yourself, what that is all about.

But where your main residence is, because the feminine is creation, your main residence is not by and large there. In other words, this is the weaker side and, of course, like we tried to describe in the other, this is the side that brings in the out-breath, and brings in the sight, and seeks to do things that cause an awakening that then seems to engage, subjectively. And the key is to pull the two together so that you have a full breath. You’re trying to do this dream again, you’re trying to do the first dream, and you’re making a parallel of a kind of same way approach in this dream.

Jeane: So I’ve gone downstairs, and I discover that Anthony’s like pulled down a bed that I guess was down there and he must have made love with the woman. They’re still lying in the bed. I don’t want to wake them up, but I can’t quite leave the room because I’ve kind of fallen down on some blankets that were on the floor and got my feet tangled up in them.


So I’m trying to be quiet, but they’re half awake. He’s saying something to her. So then I go upstairs after I get myself untangled. I go upstairs and there’s hardly any light in this place, so it’s hard for me to find my way around, but I think the woman comes up and is starting to do some laundry and I’m kind of nearby just observing. It’s almost like there’s so little light that even though I’m there in that house where they are that I’m somewhat invisible.

John: So the last part you’re doing is you’re watching all of this, you’re trying to watch how it is that this whole process quickens something, touches something, what that effect is all about because a part of you is the watcher watching another part of yourself that’s affected by Anthony, in terms of this being the other woman that Anthony’s macho, strong, masculine, out-breath features, or mannerisms, or nature is exuding its, you might say, magnetic out-breath effect upon an innerness that wants to come out, that is waking up. But it’s waking up as an in-breath in a subjective way. In other words, you’re just staring and looking at the effect of the masculine and its play upon life in this other flimsy house.

So what you did is, from the first dream, where you had an understanding of how something was opening up subjectively, or rising up from a quality of manifestation, back towards the crown, you didn’t have to go back through that, apparently that part’s pretty well understood. You’re still coming to grips with understanding how the out-breath quality, the will, works. I mean you didn’t make any headway trying to reconcile the two in the first dream, so because that’s the issue at hand and not the other, the other completed. The in-breath area has no problems.

And that’s the nature of how we wake up. In other words, if we’re willing to face the stuff that goes on inside of us, and are sincere in wanting to understand it, we get information that’s provided to us as an inner coming into outer. And so you went into the inner coming into outer, which means you went across the street where that’s the zone where something is happening on a masculine oriented and dominated level.

To download this file, Right Click (for PCs) or Control Click (for Macs) and Save: The Weaker Side

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68617We have said that the universe is incomplete: it’s not finished. But part of what it is doing as it unfolds is seeking completeness. Things that are matter seek to return to energy; energy seeks to be released in matter, and humans awaken to their purpose and make their journey back home. So the process happens at the universal level, the human level, and even at the level of the breath: breathe in, breathe out, a full cycle. This is the process that we are trying to join – at a higher level than the physical, because that won’t last forever. (At the end of this post there are instructions and a link to download this recording to your computer.)

Jeane: In my main dream I’m sleeping, and I’m in this bed, and I’m coughing and it’s like I can see that there’s like four balls that represent the pillow on my side, and there’s four balls that represent the pillow on your side, or circles, whatever they are.

There’s a certain way that I can cough that causes these balls or circles to kind of collapse into each other, and pull together. And I can do that on my side of the bed. I kind of get that to happen, and that’s what’s supposed to happen, but I just can’t quite seem to get it to happen with the fourth and on your side of the bed; the pillow that represents your side of the bed.

And I’m trying and I’m trying, because sometimes I have to start over on my side if I can’t get it to do it on your side. And I’m trying and I’m trying, but I just can’t seem to get that last step to pull where things kind of collapse in a way where they pull together. I can only seem to do it on half.

John: So what you’re doing is you’re trying to access a level, or a part, of yourself. In other words, instead of talking in it as levels, you have to talk in it as masculine and feminine. And instead of talking it as masculine/feminine, you can even talk about it as in-breath or out-breath.

And so from an in-breath standpoint, which is the feminine breath, it’s where something is accessed. It’s where something seeks to go home as an in-breath. It’s where something rises up to free itself from the chains of physical limitation – meaning a type of subjective clarity. That is working, and is reached fairly naturally.

However, the pulling down of the sight and the will, the recognition of what is, from a seeing level, meant to happen, designed to happen, as an inner into outer or out-breath will, that’s the part you’re still trying to bring clarity to. In other words, a part of you is functioning from a part of yourself in manifestation going back to the crown or, in other words, a type of rising up to touch light.

But that whole kind of connection, which is moving towards bliss, which is what is accentuated, when the in-breath turns to the out-breath, that whole aspect is fairly unconscious – meaning it’s subjective, meaning that it’s not something you put your finger on, and you can image it, but you don’t necessarily understand, even though it is a completeness in and of itself.

Credit tends to be given to the seeing of things, and you’re in a zone in which there is something going on that is right, okay, in the unfolding, in the awakening, but it’s a subjective awakening. It’s very much like the feminine nature can tell when something is true or not true, but may not be able to then turn around and explain it back, because it doesn’t have the faculties of a type of clarity that catches up with things quite that way. Yet it knows it and can feel it in its body, so to speak, a body that is correlated to the physical nature of all of life, to manifestation.

The masculine has a problem in that area or, I should say, rather than calling it the masculine, the out-breath has a problem in that area because the out-breath has struggled to come and become grounded, and in touch, with the creation. And, if it can do so, if it can come all the way down and through, it can bring in the divine light or the will. It can bring it straight through, and in a knowable and more visible way, that then is embraced by the feminine, that then renders the effect as an in-breath, as a carrying back.

So the full effect is kind of like a will, or an impulse, or a design coming down and manifesting itself as creation, and then the recognized acknowledgement of what has happened, when it isn’t lost because it’s gone so far away from the so-called home at the crown, is reconciled as the in-breath goes back.

So what you did is you imaged this as a kind of in-breath. Your dream kind of portrays the dynamic that the in-breath goes through as a function of itself, in that it pulls together a completeness from within. So the two pillows on each side make a completeness. When they come and work together it’s the full breath.

The pillows that are on your side, that represent the in-breath, the half of it now, find their completion when there is the catching up with the four balls that’s within them; which means then that the in-breath finds its completion as it goes back to home, goes back to the top. That’s the symbol. That’s the image.

And as far as this being a totally effective cycle of creation, and manifestation, from beginning to end and back to beginning, and it all being a type of pure energy or something, nothing going on just one image to the other, I mean flip sides of the same coin, above and below, in terms of that you don’t have the direction of the will, the above coming down, and you don’t have the access to that. You’re not in touch with that.

You’re in touch, however, with what is waking up, or a part that is then rising up and going back and handing back to the top as a means of facilitating what needs to be recognized, and seen, as a hearing and seeing from the top. But you don’t have the perception of the sight from the top coming down into manifestation that starts the whole process off, because it’s not outer to inner, it’s not the progression. The progression starts from inner into outer, and you don’t have the start. You don’t have the inner into outer. If you could pull that together then you would be in touch with seeing the pure light. Instead you bring it back. You bring something that awakens and inflects. You bring it back.

So what you have is only the one half. You have the rising up of what has been absorbed, the awakening of what has been absorbed. So what you’re trying to do is, if you can find the masculine side of yourself, with the feminine side activated, you will have made the full circle, the full breath.

To download this file, Right Click (for PCs) or Control Click (for Macs) and Save: The Full Circle

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