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Archive for the ‘Symbols: Animals’ Category

kelpies-6We may not think of ourselves as powerful, but we all are. And we are at our most powerful when we gather ourselves into an inner agreement about our purpose and direction in life. And, if that purpose and direction coincides with the purpose and direction of the universe itself, then the power can be almost infinite. Conversely, all the things that distract us, or consume us, in personal tangents, weaken us, making us even more vulnerable to the randomness of this world. This is our conscious choice, and we need to reaffirm it to the whole of ourselves every day. (At the end of this post there are instructions and a link to download this recording to your computer.)

Jeane: I really just remember my last dream. And, in that dream, I seem to have this horse and it’s a really large horse, like a draft horse, or a war horse; they’re quite big, dark horse. With me, it’s quite mellow, but I practically have to have a ladder to get up on it.

And there’s apparently two ways you can get a ride with it, one is by undoing some kind of a combination lock. And I’m not really clear on the other way, it’s some way I call the horse, I think. But there are these other people around me, and it’s like these men and they’re trying to get a ride on the horse. But to me, like it’s my horse, I don’t see that they should get a ride on it.

I tell them how they can get rides on horses. And meanwhile, I’m kind of like pulling the horse to me because I don’t really want them to get a ride on it. And that’s all I really remember.

John: So the sense is the horse is really big and hard to get up on? So offsetting that sense is that there’s a bunch of others that are making it more confusing because they’re clamoring to get on it? In other words, you’re trying to tell them so that they’ll go off and find their own horse?

Well, it’s a dream that has to do with drawing a power of energy unto yourself, which to do that involves bringing about the energetic inflections, or the components, or parts, of yourself, that are a bit in a disarray, and to bring those parts and those components all to one place so that you have the steadiness, that you have the composure, so that you have the focus to be able to be effective in the surroundings of the world.

Why is this so important? Well, everything is set against you in the outer, because manifestation is the reflection of all of the collective thoughts that are then having to act themselves out in the outer. And all of that which takes up your attention, which grabs your attention, and can impact you, if you are in any way, shape, or form seeing yourself in some sort of vibrational weakened state, reacting, or carrying yourself in some aspect or nuance. Then those vibrations, the collective vibrations, will affect you and will hold you in their trance – the trance being the mother Maya of things, or manifestation.

And so you need to keep holding true to the stillness and the quality of the power inside of yourself, which actually is a stillness and a knowingness. You need to hold to that in order to bring into the equation of a loci play, where all around there are things abstracting your presence, to bring that in in order to be whole, in order to own your own power.

So it’s a dream about owning your own power, and you own your own power in order to be able to be in the world, but not part of it. But if you don’t own your own power, then you’re affected by all of the little things that go this way, and that way, affect things in their fashion in a discombobulated or misaligned way.

And that is accentuated because you have the collective forces of the outer making the outer into a kind of quasi-reflective aliveness that will grab your attention, that will distract you, from the wholeness simply because you have to hold onto, and sustain, for all parts of yourself, the inner power.

We see to be theming in the subject matter of what manifestation really is, in terms of it has a lot to do with, and it essentially is, the vibration that rises up out of a stillness, having to have a life of its own, or live itself out, and it can’t sit in the stillness of its beingness, of its overall oneness, or one beingness.

And when it cannot be that way, then it flickers this way and that way, and has its way, in terms of how we are, and it has its way through the entrancement of the reflections – that we buy into because we don’t hold onto that essence upon which there is the total stillness that lies outside of this loci world of vibratory magnetism.

To download this file, Right Click (for PCs) or Control Click (for Macs) and Save: Holding True

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The image of taking a vacation can imply the same thing in a dream that it does in real life: it’s an opportunity to let go of all the things that are pulling us this way and that way. So, in this dream, the desire to let go amplifies the problem being faced, in that there is a stalker, or the potential for someone to be assaulted, so the dreamer must become a detective to sort this all out. Of course, this isn’t the movies, so sometimes the case isn’t solved in the end, which means there will likely be more dreams that address the specific issue from a different angle. (At the end of this post there are instructions and a link to download this recording to your computer.)

Jeane: In this dream I’m a woman detective, but I’m going to be going on leave shortly. And I’ve been investigating the case of a woman who was either assaulted, or afraid she’s going to be assaulted.

And it’s kind of sensitive because it’s possible that there’s either a police officer, or someone associated with a police officer, involved in the stalking, or the assault; we don’t know for sure yet.

John: Which basically means a quality in your nature, you’re like a detective, and you’re getting ready to leave the equation of things. But, before you can leave, you’re noticing that you’re having to contend with an energetic in which there is an imbalance that, in the dream, is like a stalker or an assault kind of energy, but, in reality, in the overall, it’s a vibration that you’re not able to drop, that you haven’t dropped.

And so whenever you try to leave, to go on vacation or whatever, you want to put aside all the things that are in the way, and what you’re finding in terms of what you have to set aside is you carry a synaptic energy, pent up; things can be pent up both positively and negatively. Pent up is a type of imagination about something that one would like to do that’s wonderful, or the opposite of that is equally possible, and confusing, from a reflective standpoint. And there can be something pent up that has to do with the vibration of being stalked or assaulted.

This is just another wrinkle in this kind of way of being, that you’re still trying to set aside, or let go of, so that you can go on vacation, or so that you can go somewhere. In other words, this is something you still hold; it’s still a synaptic energy in your nature.

Jeane: So, because we don’t know who the person is that stalked her, or assaulted her, or wants to, and because it even maybe someone associated with a policeman, or a policeman, I have to be careful with what I do with the evidence on the case that I’ve been gathering.

So there is one policeman, or detective, and he actually has a roommate or somebody that shares an office with him or something, that is one of the people that’s on my list, that I’m suspicious of. I’m not even not suspicious of him, the detective, actually. And then there is a policeman that may be used to date this woman that I really am suspicious of.

I have some direct evidence that’s not enough evidence yet to really identify the person. Now that I just will be keeping concealed. My concern is I want her to be safe while I’m gone, or I want the information that could lead to capturing someone, if they do approach her while I’m gone, available to somebody else.

And I want the information given to someone so that she’ll be kind of watched over, protected, and they’ll be keeping their eye out for what the problem might be while I’m gone. And I’m giving a copy of that to this one detective that, even though I’m kind of suspicious of his roommate, I can tell him who else I’m suspicious of, and he’ll keep an eye out while I’m gone.

John: So what you’re dealing with there, is you’re dealing with kind of a yo-yoing that you’re doing in the unfoldment process, in which you’ve gotten to a particular point in which you’re able to reveal, or release, information – up to a point. But the other part still is sitting in a state of distrust, or still hasn’t sorted something out, or come to a succinct conclusion.

And so you’re going to be holding on to that when you go on vacation. So you’re going to set it in motion. You’re going to be passing it forward. In other words, it’s something yet to unfold.

The thing that’s not being recognized here is that there is something that continues to keep continuing and never, never stops. You’re never really truly able to go on vacation because you’re shifting the responsibilities, and you’re shifting the information. You’re packaging it different this way, and different that way. And so you’re having to take note of what that really does feel like, but it’s not making a big shift.

Jeane: Once I’ve got all the material together I have to walk to the office of this policeman I’m leaving the material with, and that involves my leaving the building. Then I have to walk down this corridor that’s actually outside; it’s suddenly like there’s woods there. And there’s a big wolf that’s been running wild.

So he comes near me first to see if he can scare me off. But I pause for a minute, but then I keep on walking. And while I’m doing that, this big bird – I thought it was like a bluejay but it lost a feather off to my right. When it falls down that feather is about as big as an eagle’s feather, but it’s all blue. Part of me wants to go and investigate the feather, but the wolf has run over there, and it’s a pretty big wolf. So I have to just, you know, let that go, and go on down.

And it feels like that lets me in the back area where either the detective lives, or works, that I’m going to leave the material with. So I outline what I want him to do to keep an eye on things. And

then I leave. Then I wake up.

John: You kept playing with the same mind that has the problem. You never did let go of the problem, just kept moving around from left hand to right hand. And so when you wake up, you’re lying to yourself in terms of any relief that you might feel that you have, because if you look real carefully you’ll realize that there really isn’t any relief, it’s just been postponed, or suspended. You’re still carrying all of that.

And so the theme of the dreaming is, and the big question that has come up, is there anything that can be done, or anywhere to go, in a world, and in a schematic, in which nothing can be shifted?

What you’re doing is that you’re going through these antics where you’re not really shifting anything, you’re just moving things around. Even rationally speaking you have to know that that doesn’t solve anything; that just passes the buck, postpones it. It doesn’t work that way. That isn’t what one is trying to do; that isn’t what’s important.

Your dream seems to be indicating that eventually what you’re doing there is going to become frustrating. Eventually what you’re doing is going to become something that will be unbearable. Eventually what you’re doing there is going to become something that, no matter what you do, and how you do it, you’re still not letting go.

To download this file, Right Click (for PCs) or Control Click (for Macs) and Save: No Relief

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2014+12eyeWe have come to understand that we are not one, singular being, and that there isn’t a specific person in charge of this life. If there were, decisions would be made once and that would be the end of it. But we vary, we lose our passion, we get talked out of things by the different lives in us that have their own agendas. On our journey we are trying to bring all those lives into a higher agreement, an agreement that we are, first and foremost, here for a purpose. Sometimes these agreements take compromise, as seen in this dream, where a process of back and forth implies that an issue is being evaluated by the many inner lives. (At the end of this post there are instructions and a link to download this recording to your computer.)

Jeane: So I don’t remember enough of the details of my dream, except that it was another dream where I was going back and forth, and back and forth, and somebody else wanting to do what I did. But I remember that sometimes, in going back and forth, people were people and sometimes they were penguins, you know. So I remember that part, because I like how penguins look.

But I just don’t remember the details of what I was going back and forth, and back and forth, doing.

John: Well, the theme of the dreaming had to do… See, I don’t know if this is what this means, but I know what the theme of the dreaming was last night, and it had to do with having to confront, or contend, with a mannerism in one’s nature that one leans on – even though maybe one doesn’t show it, or hides it, or knows better, but still leans on it in some capacity.

So it’s possible you were going back and forth and back and forth, in relationship to some quality of your nature that is… well, it’s just something that doesn’t need to be there. I mean it prevents you from going to a deeper depth inside of yourself.

So you’re going back and forth and back and forth as if this points out to yourself, by seeing this, that you carry a particular trait, that you’re leaning on, that veils you from a greater letting go. I mean the deeper underlying theme is to get to kind of an emptiness, or a stillness, and so if there’s something that one is still having to contend with in some fashion, even if it’s something that you know about but still is there, thus going back and forth, and back and forth, as if that is going to help matters.

And so the imagery of what a penguin can mean in relationship to this is, if one knew what the issue was, or could get a sense of something more, then one would get a sense of what the symbolism of a penguin is in relationship to this quality of having to contend with the noticeability of some aspect.

And what this aspect will be doing is it’ll be affecting the way you are feeling yourself. So when you’re truly still it doesn’t mean you’re ignorant, or stupid, or amnesic even. You can be totally still, and yet in complete awareness. You just don’t have this something else that’s standing in the way at the same time, as well, that you have screened out as an aspect. You can have that set aside, too. You don’t need any piecemeal component.

You can be in a stillness that is able to take in everything, and have a connectivity and intertwining with everything, because you’ve been able to disappear yourself. So you’re going back and forth, back and forth. You must be still fumbling with something that you can’t quite let go of, in the way that you would like to let go of it, and so you’re looking and looking and back and forth and back and forth.

And then the penguin would be some sort of symbolic hint about a trait, or quality, that you associate, your psyche associates symbolically, to help you tune into this kind of inner memo.

To download this file, Right Click (for PCs) or Control Click (for Macs) and Save: Looking and Looking

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