No Relief

The image of taking a vacation can imply the same thing in a dream that it does in real life: it’s an opportunity to let go of all the things that are pulling us this way and that way. So, in this dream, the desire to let go amplifies the problem being faced, in that there is a stalker, or the potential for someone to be assaulted, so the dreamer must become a detective to sort this all out. Of course, this isn’t the movies, so sometimes the case isn’t solved in the end, which means there will likely be more dreams that address the specific issue from a different angle.  (This post was originally published in November 2019.)

Jeane: In this dream I’m a woman detective, but I’m going to be going on leave shortly. And I’ve been investigating the case of a woman who was either assaulted, or afraid she’s going to be assaulted.

And it’s kind of sensitive because it’s possible that there’s either a police officer, or someone associated with a police officer, involved in the stalking, or the assault; we don’t know for sure yet.

John: Which basically means a quality in your nature, you’re like a detective, and you’re getting ready to leave the equation of things. But, before you can leave, you’re noticing that you’re having to contend with an energetic in which there is an imbalance that, in the dream, is like a stalker or an assault kind of energy, but, in reality, in the overall, it’s a vibration that you’re not able to drop, that you haven’t dropped.

And so whenever you try to leave, to go on vacation or whatever, you want to put aside all the things that are in the way, and what you’re finding in terms of what you have to set aside is you carry a synaptic energy, pent up; things can be pent up both positively and negatively. Pent up is a type of imagination about something that one would like to do that’s wonderful, or the opposite of that is equally possible, and confusing, from a reflective standpoint. And there can be something pent up that has to do with the vibration of being stalked or assaulted.

This is just another wrinkle in this kind of way of being, that you’re still trying to set aside, or let go of, so that you can go on vacation, or so that you can go somewhere. In other words, this is something you still hold; it’s still a synaptic energy in your nature.

Jeane: So, because we don’t know who the person is that stalked her, or assaulted her, or wants to, and because it even maybe someone associated with a policeman, or a policeman, I have to be careful with what I do with the evidence on the case that I’ve been gathering.

So there is one policeman, or detective, and he actually has a roommate or somebody that shares an office with him or something, that is one of the people that’s on my list, that I’m suspicious of. I’m not even not suspicious of him, the detective, actually. And then there is a policeman that may be used to date this woman that I really am suspicious of.

I have some direct evidence that’s not enough evidence yet to really identify the person. Now that I just will be keeping concealed. My concern is I want her to be safe while I’m gone, or I want the information that could lead to capturing someone, if they do approach her while I’m gone, available to somebody else.

And I want the information given to someone so that she’ll be kind of watched over, protected, and they’ll be keeping their eye out for what the problem might be while I’m gone. And I’m giving a copy of that to this one detective that, even though I’m kind of suspicious of his roommate, I can tell him who else I’m suspicious of, and he’ll keep an eye out while I’m gone.

John: So what you’re dealing with there, is you’re dealing with kind of a yo-yoing that you’re doing in the unfoldment process, in which you’ve gotten to a particular point in which you’re able to reveal, or release, information – up to a point. But the other part still is sitting in a state of distrust, or still hasn’t sorted something out, or come to a succinct conclusion.

And so you’re going to be holding on to that when you go on vacation. So you’re going to set it in motion. You’re going to be passing it forward. In other words, it’s something yet to unfold.

The thing that’s not being recognized here is that there is something that continues to keep continuing and never, never stops. You’re never really truly able to go on vacation because you’re shifting the responsibilities, and you’re shifting the information. You’re packaging it different this way, and different that way. And so you’re having to take note of what that really does feel like, but it’s not making a big shift.

Jeane: Once I’ve got all the material together I have to walk to the office of this policeman I’m leaving the material with, and that involves my leaving the building. Then I have to walk down this corridor that’s actually outside; it’s suddenly like there’s woods there. And there’s a big wolf that’s been running wild.

So he comes near me first to see if he can scare me off. But I pause for a minute, but then I keep on walking. And while I’m doing that, this big bird – I thought it was like a bluejay but it lost a feather off to my right. When it falls down that feather is about as big as an eagle’s feather, but it’s all blue. Part of me wants to go and investigate the feather, but the wolf has run over there, and it’s a pretty big wolf. So I have to just, you know, let that go, and go on down.

And it feels like that lets me in the back area where either the detective lives, or works, that I’m going to leave the material with. So I outline what I want him to do to keep an eye on things. And

then I leave. Then I wake up.

John: You kept playing with the same mind that has the problem. You never did let go of the problem, just kept moving around from left hand to right hand. And so when you wake up, you’re lying to yourself in terms of any relief that you might feel that you have, because if you look real carefully you’ll realize that there really isn’t any relief, it’s just been postponed, or suspended. You’re still carrying all of that.

And so the theme of the dreaming is, and the big question that has come up, is there anything that can be done, or anywhere to go, in a world, and in a schematic, in which nothing can be shifted?

What you’re doing is that you’re going through these antics where you’re not really shifting anything, you’re just moving things around. Even rationally speaking you have to know that that doesn’t solve anything; that just passes the buck, postpones it. It doesn’t work that way. That isn’t what one is trying to do; that isn’t what’s important.

Your dream seems to be indicating that eventually what you’re doing there is going to become frustrating. Eventually what you’re doing is going to become something that will be unbearable. Eventually what you’re doing there is going to become something that, no matter what you do, and how you do it, you’re still not letting go.

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Hidden Treasures

mandala_by_hadasoIn these two dreams, Jeane is discovering hidden aspects of her self that are a help to her on her journey. Our spiritual journeys are just like the many great stories and fables: sometimes magical things happen, sometimes it seems there are insurmountable odds. But just as in the stories, what we need is available to us, it’s inside us now if we have the need to make the discovery. (At the end of this post there are instructions and a link to download this recording to your computer.) This post was originally published in November 2015.

Jeane: I just had parts of two dreams that I remember.

In the first dream it feels like I’ve gone to a house that’s a little bit more in the country. When I go in the house they have a big dog in the yard that’s a little intimidating, so I stay in the house and keep the dog out in the yard.

But it feels like before long the feeling I have is that what the dog’s actually doing is it’s kind of protecting me from another big dog that’s out there and I’ve made friends with it – so I can approach the house and I’m not afraid of the dog anymore.

That’s the impressions I remember from that first dream.

John: So it’s a dream about yourself going outside of your limits, or of your conceptual limits, from an environment that you’re normally in, into another place that involves you having to confront something that, to begin with, you’re not sure about how that fits in. And in taking and contending with that you find out that it’s a friend, it’s a part of yourself that’s hidden, that’s unknown, but it is actually a part that you have to access, that you have to come to grips with.

You wouldn’t have been able to get to this other place – that is also you – if you didn’t avail yourself of this friend. And when you finally realize the importance of that, you realize that there are still other forces because you’ve extended yourself outside of your comfort zones, you’ve expanded your consciousness, and there are still other things that appear to be a bit much that could interfere with your well being – and they also are shaped and placed in a mannerism as something that you will have to overcome. They’re dogs, and dogs symbolically are our friends, even though it’s something that you haven’t yet learned how to awaken.

Jeane: In the next dream it’s like you and I had gone by some place like a smaller town and a county courthouse or something, and you had borrowed something from somebody there that like was a box full of mementos or something from a county. I wish I could remember more details, but it was something like that.

We’ve gone back and we’re standing around with some other people and we’re just picking up a few things that we have that we brought back in our pickup, or whatever we had, and everybody is kind of glossing over this one picture in a frame, but I pick it up and I blow away the dust and I see the picture is of like an old time miner or something, and then down by his feet maybe like a pick axe and a hat. But I look more closely at the hat in the picture and it’s kind of a dimensional picture and I blow the dust off of it and I realize it’s actually carved out of a gold coin and inscribed.

You see it’s not just a photograph or a carving, that it’s actually made out of gold once you blow the dust off and then you can read the inscription. And then you mention to me that that was one of the things that we had borrowed that we’re going to have to be returning to the place in the country. And I’m just really interested because it kind of caught my eye because everyone thought it was kind of worthless, but it was actually made out of gold and was rather interesting.

And then I’m looking through other things in a trunk that I kind of even feel some of them go back to Native Americans, but I’m a little concerned because in looking through it I’ve disturbed the order in which it was kind of laid or packed in the trunk and I’m not sure how easily it’s going to be to kind of fit everything back in in the right way. That’s all I really pulled out of that dream.

John: This is a dream in which what you’re doing is you’re feeling inside of yourself a suspense, or kind of a way of something that’s coming, or awakening, that’s impending in other words to open up.

Initially you see it in bits and pieces and flashes much like one comes to have dreams that they don’t know necessarily what they mean. But eventually it’s an accumulative process that over a course of time what seemed to be fairly insignificant and meaningless becomes something that has a completeness about it, that becomes something that you find is a true treasure.

This then takes you to realizing that the journey that you’re on is like that. Before this all kind of happened casually, in other words where something was deemed not all that significant and kind of worthless but there was an inner suspense inside of yourself that helped trigger this meandering towards something like this that can open up for you. And then all of a sudden now it has, and it has a huge meaningfulness, a completeness to it. It has a viability in and of itself.

This creates, then, a change of focus so to speak in which you now find yourself purposely looking for more. And the dream is saying, don’t lose the wonderful sensation of how the other just opened up and caught you and swept you in – in kind of a natural way. Because when you actually go out there and try to pick up the pieces for yourself, and go into the hidden treasures of things, you have a tendency to get this stuff skewered every which way and not know how to access it in a manner, and in an order, and in a sequence that is important.

The dream in and of itself is telling you, the fact that you can see that you can get something discombobulated in terms of going into the chest of things that is there to be found and reached, and it’s only possible because you did get to the gold coin, and that just acts as the catalyst to more and more and more of this.

But now that you know that you’re in a process that’s more and more and more, you have to listen more attentively inside of yourself to make sure that it unfolds in a way that touches the heart. And when you do that, then that makes sure that it unfolds in a way that doesn’t get out of order, or discombobulated, and cause you to go off on some spiritual tangent or mannerism that’s not in keeping with the process.

And there is a great tendency for that to happen once you suddenly get the memo of what it’s like and what it’s about. Then you can tend to turn your attention towards that and try to help it along – and that can create a problem.

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Holding True

kelpies-6We may not think of ourselves as powerful, but we all are. And we are at our most powerful when we gather ourselves into an inner agreement about our purpose and direction in life. And, if that purpose and direction coincides with the purpose and direction of the universe itself, then the power can be almost infinite. Conversely, all the things that distract us, or consume us, in personal tangents, weaken us, making us even more vulnerable to the randomness of this world. This is our conscious choice, and we need to reaffirm it to the whole of ourselves every day. (At the end of this post there are instructions and a link to download this recording to your computer.) This post was originally published in December 2019.

Jeane: I really just remember my last dream. And, in that dream, I seem to have this horse and it’s a really large horse, like a draft horse, or a war horse; they’re quite big, dark horse. With me, it’s quite mellow, but I practically have to have a ladder to get up on it.

And there’s apparently two ways you can get a ride with it, one is by undoing some kind of a combination lock. And I’m not really clear on the other way, it’s some way I call the horse, I think. But there are these other people around me, and it’s like these men and they’re trying to get a ride on the horse. But to me, like it’s my horse, I don’t see that they should get a ride on it.

I tell them how they can get rides on horses. And meanwhile, I’m kind of like pulling the horse to me because I don’t really want them to get a ride on it. And that’s all I really remember.

John: So the sense is the horse is really big and hard to get up on? So offsetting that sense is that there’s a bunch of others that are making it more confusing because they’re clamoring to get on it? In other words, you’re trying to tell them so that they’ll go off and find their own horse?

Well, it’s a dream that has to do with drawing a power of energy unto yourself, which to do that involves bringing about the energetic inflections, or the components, or parts, of yourself, that are a bit in a disarray, and to bring those parts and those components all to one place so that you have the steadiness, that you have the composure, so that you have the focus to be able to be effective in the surroundings of the world.

Why is this so important? Well, everything is set against you in the outer, because manifestation is the reflection of all of the collective thoughts that are then having to act themselves out in the outer. And all of that which takes up your attention, which grabs your attention, and can impact you, if you are in any way, shape, or form seeing yourself in some sort of vibrational weakened state, reacting, or carrying yourself in some aspect or nuance. Then those vibrations, the collective vibrations, will affect you and will hold you in their trance – the trance being the mother Maya of things, or manifestation.

And so you need to keep holding true to the stillness and the quality of the power inside of yourself, which actually is a stillness and a knowingness. You need to hold to that in order to bring into the equation of a loci play, where all around there are things abstracting your presence, to bring that in in order to be whole, in order to own your own power.

So it’s a dream about owning your own power, and you own your own power in order to be able to be in the world, but not part of it. But if you don’t own your own power, then you’re affected by all of the little things that go this way, and that way, affect things in their fashion in a discombobulated or misaligned way.

And that is accentuated because you have the collective forces of the outer making the outer into a kind of quasi-reflective aliveness that will grab your attention, that will distract you, from the wholeness simply because you have to hold onto, and sustain, for all parts of yourself, the inner power.

We see to be theming in the subject matter of what manifestation really is, in terms of it has a lot to do with, and it essentially is, the vibration that rises up out of a stillness, having to have a life of its own, or live itself out, and it can’t sit in the stillness of its beingness, of its overall oneness, or one beingness.

And when it cannot be that way, then it flickers this way and that way, and has its way, in terms of how we are, and it has its way through the entrancement of the reflections – that we buy into because we don’t hold onto that essence upon which there is the total stillness that lies outside of this loci world of vibratory magnetism.

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