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crackIf we think about a life in service to something higher – which is fundamental to religions and spiritual paths – we usually call up in our minds the selflessness of people such as Mother Teresa. But, as this dream points out, it doesn’t have to look like that at all. In this image we see that the privacy of the person is gone, that everything being done is seen, on an energetic level, and that there is a contract and responsibility in that relationship. Honoring that contract is what service to something higher is all about. (At the end of this post there are instructions and a link to download this recording to your computer.)

Jeane: The only thing I remember of my dreams was seeing something like a black panther run across my vision. Then I was awake for a lot of the night. And then I had this dream where you and I were living in England, or someplace. There were a few other people that were staying with us, and some young men, and we’d recently gotten a puppy.

In addition to the puppy I think at least one of the other people had a little dog, and then there was a third little dog that was around. At one point, I went and crawled out a window that led to a ledge that was outside, and then the ledge had like two levels, and you had gone out with me.

Then you crawled onto a part of the ledge that was hard to reach, and you said that you were feeling so desperate that the only thing that was keeping you going was the puppy. And you were thinking you had to go somewhere, or go travel. And I wondered if you wanted me to go with you, but you didn’t want me to – so I was a little depressed about that. So I go back in.

Then there’s a series of things that happen. When I first go back in I go and someone else has come that has some new puppies, so all the dogs are playing together in the living room. So I’ve gone in and I’m with them, and with the guys, and playing with the dogs and the puppies. One of the people that lives with us is going to go take the dogs for a walk.

Then I’m also looking for some laundry to do, and I go into a bathroom and I realize that the window is covered with these kind of blue papers. One of them has fallen apart and I realize I can see into the window of our neighbor’s place. They’re kind of trying to cover up how they can see into ours, but then I realize I’m in the wrong room. I’m in the laundry room instead of the bathroom, that I’m a level down further than I thought I was.

Then I go back into the living room again. And a couple of Middle Eastern relatives, women, come. They come and they must have been celebrating something, like one of the girls must have had a special birthday, or event, and she’s pressing some gifts upon this girl. And they were like an engraved, it almost looked like a platinum bracelet with engraved scenes on it, and two or three other things. And then the girl had also given a gift back to her mother, or whoever else was with them.

And I was kind of studying that out, looking at what had been engraved, or carved, or given. And then I looked around for you, and I went back out; there was someone else sitting where you had been – I didn’t know where you had gone to.

John: The image of the cat running across has to do with something that has been brought to your attention. It’s like a quick glimpse. It’s not like it’s something that’s sustainable. It’s more inflective. By sustainable, I mean it’s not sustainable at this point in time. It’s more inflective. It’s more of a coming through.

An image of a black cat is a change agent kind of thing that is intended and meant to be. It can create a reaction but, even if it does create a reaction, it doesn’t change the fact of what occurred.

And then, the out-on-the-ledge business and the puppy, what that has to do with is the recognition of a quality that goes back and takes something that was inflected as a mere glimpse, progresses it forward to where it is close, like a puppy, that it is at hand to be dealt with. And that to do this requires a certain resolve, and commitment, and one has to make that commitment or they start losing a certain connection.

Which is another way of saying that things have built up in a roundabout way to the point where the reflections in the outer, that had been something that one contended with indifferently, we’ll say, are now reflections that behind those reflections is something meaningful in which one has to tie, or connect, into in terms of their being.

That requires one to align, or to contend, with a certain side of themselves. To do so, because there is a real sadness that prevails when one carries on, or conducts themselves, in a way that keeps this sort of thing in a kind of pacified state.

What that image is about in terms of the laundry room, in terms of the public area, is that what is at hand has an effect that is like a mirroring that goes both ways, with inner to outer, and outer to inner. And that there comes a point to where one’s life is no longer a type of privacy, where you have to contend with the neurosis sides of this, that, or the other of one’s nature, like one would in a bathroom you know, taking care of business kind of thing.

There comes a point in time when you’re kind of out in the open in relationship to things that are all around you, you know visually, in other words, there’s no barriers. You see, they see, it all sees. And when it’s like that, then the quality of a natural knowingness of an openness is there to take in, to be able to behold.

The fact that one dreams every night, you could even correlate that to the laundry room kind of thing, because there is a visual that’s working both ways. That’s also an image that proceeds as a flow from both a kind of light rising down to touch light, or in other words something can see in. And then light rising up to touch light, which is a seeing without; and that’s meant to be kept open.

And when it’s open it enables things to be readily there, which is the image in which there’s a mother, or? It enables that which is kind of out of reach, ordinarily out of reach, in terms of a quality of coming through awareness, it enables that to just be there. It’s just naturally there.

So you put the whole thing together and what you have is you have kind of a shock effect that relates to the fact that there is something more going on than meets the eye: the black cat. Then there’s the having to contend with the idea of whether one is going to be able to meet the challenge of what is presented, and to do so is to relate to the friendly side of yourself, not to the sides of yourself that have to contend with this, and contend with that, in which there’s still some sort of sorting out to do.

You’re working with the inner friend, and to do that you have to completely commit. You have to go out on a ledge. You have to allow things to flow. Well, when you allow things to flow, that allowing of things to flow means that you have to be in a dynamic that is different than what you’re used to being in, in which you have to be like in the laundry room where you’re seen and also see. In other words, you don’t hide, you allow everything to affect you, to touch you.

And when it’s like that, that keeps you in connection to all parts of yourself that are in the wholeness. And the Middle Eastern shows the extending out quality, expansive taking in quality, is there – and, of course, that all works in cohesiveness. There is something about that that all fits, that all comes together. And so the sum total of all of that is your oneness, is the intended oneness on a soul level of your being.

So it starts off with a flicker, and goes from a flicker to a commitment, from a commitment to a surrender, and then from a surrender to an emptiness, to an overallness. Quite a progressed dream.

To download this file, Right Click (for PCs) or Control Click (for Macs) and Save: Progressing Forward

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rubik-fig9In this dream imagery we have a wonderful example of how the unconscious uses things we know from everyday life to tell us a story. And in this story we have an effort to make coffee – to release something from its confined state. And we have cats and dogs with their different natures, and we have water and milk with their different natures. And each of these elements holds a certain energetic essence that we can understand and relate to, which is how all dream images are used in the effort of our higher systems to speak to us in ways that we already understand. In fact, each person dreams in their own vocabulary of references and meanings. (At the end of this post there are instructions and a link to download this recording to your computer.)

Jeane: I had a dream in which I seem to be working in a somewhat confined, felt almost like underground, space, or at least a confined space with other people. It felt like there was an overseer somewhere.

It’s like we were assembling all the ingredients for something. It might have been something as simple as coffee, but we only had the dry ingredients. And there would be times when we would try to introduce a wet ingredient, but milk didn’t work. And if cats came around the whole process didn’t work at all.

But if dogs came around, it didn’t seem to make a difference. But mainly there were two things I was doing, one was I was trying to find a way we could assemble and introduce at some point a wet ingredient, and that was just not getting it right yet, although if you had a wet ingredient water was going to work better than milk at this point in time.

And the other thing that seemed to be going on is, on another level, I seemed to be searching for someone that I used to know. It was a woman that had actually been in a relationship with another woman I knew, and I could find the one woman, but I couldn’t locate what had happened to her friend.

So I was just struggling to try to get the whole process to work at all, once you introduced the final ingredients, or something, or how you could do that. And so it was like the two themes kind of got intertwined. But that was about all I could remember from it.

John: Well, what’s striking here is, cats didn’t work in the scenario because cats are precocious, and dogs are considered the friend. In other words, the dog takes and relates to what you want or need as your friend. It supports you. But cats are precocious; you have to win them over.

And water works better than milk. Water again is more general. Milk is more specific. Water is colorless. Has a more translucent, colorless quality to it. Milk has a distinction in which there’s an effect. Milk is often associated with a type of purity effect, but it’s a designed purity effect. Water doesn’t have any of that to it. It leaves everything as is. It’s more of an invisible overallness.

So you kind of have to figure out how those two uses of energy apply. A cat that is precocious is more raw energy than a dog that subordinates, and is your friend, and goes along with however it is that it’s trained to be. A cat, you can’t abuse a cat or it’ll go wild, more raw energy.

And milk, in relationship to water, milk I suppose can be a belief, or spiritual quality, when water leaves everything in its overallness. It doesn’t try to distinguish or anything. So water works better than milk, and dogs work better than cats.

And so this is all done in relationship to trying to jumpstart yourself, in other words, to try to heighten something, to speed something up. And so you’re not yet able to figure out how to make it fluid, so you’re settling with just trying to get the components together for something that can then take a step forward or be speeded up.

And, energetically, you’re looking at a conduciveness, so the conduciveness you’re looking at you’re not able to get it to flow. It’s almost like you know part of it, but you’re still sorting out the other part. In other words, in my opinion, I think you’re right that water works better than milk because water is neutral, and something that’s neutral doesn’t go off and perhaps go into any kind of tangential way, even if that tangential way leads to a greater purity or something, it leaves everything alone. It’s neutral.

And when it comes to speeding something up, you have to have a neutral approach or otherwise you’re going to disturb. You have to be very neutral in your nature or you’ll disturb, you’ll impose. But when it comes to cats and dogs, yes, you can be friendly, but you can also be precocious. If you’re friendly you can make yourself more acceptable and you can get closer to the situation, but do you limit yourself in some way by doing that?

And yet a cat can’t get necessarily closer to the situation unless it’s on its own terms. It is a raw energy that has to be pacified. That’s a tougher call because, in the short run, the friendly energy works better. It leads to more openness and helps facilitate the free flow. However, the cat energy is an interesting energy in that it is actually more contractive because it is pushing off, and yet when it is able to let go it has a more soothing, rather than obedient, effect upon things. It can have a more soothing effect. It purrs and everything. It gets into a nice lilt.

A dog always stays at a point of attention in a subservient way. A cat, when it’s in its raw energy state, is more precocious, and then when it chooses to intertwine it can let go and go into this interesting purring state that’s very, very soothing. So in the long run if you can work with the raw energy, the cat energy, you can accomplish more.

And so what you’re trying to do is you’re working with this in terms of the schematic of speeding something up – in order to see. So you’re using the comparison between a cat and a dog and water and milk. Now water’s more important to the overall, for coffee, and for releasing what’s necessary to be released, for purposes of something working as an aspect that speeds things up. And if you’re just doing this in a literal way, you can do it faster with dog energy, with friendly energy. But if you’re trying to do this to a greater depth, and you’re trying to have a greater depth with it you would need more of the cat energy, the raw energy that gets to a purring which reaches the soothing quality state.

So in the long run it’s better if this opens up before it seals, or becomes effectuated, in your nature. It’s better if you can open up to the cat energy in the process, along with the water. In the short run, for expediency purposes, the other works and the cat energy and the water can appear to oppose each other, initially. In the long run however this leads to something that’s a better end result.

Well, you’re not there with that better end result, and there is something about the friendliness of the dog that must bother you in some capacity because you’re not doing it. You’re still trying to figure out the best way of doing it. A cat energy is going to enjoy a dark area better than a dog energy. Yes, you would need the dog energy to try to get close enough, to create a friendly enough atmosphere, to figure out what the components needed to be to be put together.

But in terms of the actual release of the energy, of the qualities of something that speeded something up and can facilitate a greater seeing, the cat energy would then come into play. You would have to use both. So that means in terms of the water you’d have to actually use both, too, because the milk’s going to be important in the end, like a cream, to finish the coffee.

So you’re going to need water to begin with, you’re going to need dog energy to begin with, but then for the depth you’re going to need the cat and the milk. And in terms of the expediency of something, if you try to do it with just dog and water you can only go to a certain depth, to a certain point. To go to a greater depth you need to utilize the milk and the cat.

Some part of you knows that, or you wouldn’t have created that contrast to try to unfold. You created that contrast in order to better understand an intertwining – because everything is correlated, and when you live in a dense outer world you tend to look at this looking like that, and that looking like that, and you don’t necessarily see the correlations. And therefore you keep things distinct, and then as part of a process of an energetic release that is all pervasive in things, it has to be an energetic that’s composed out of everything in the environment. It can’t be an energetic that goes back and forth.

And, of course, there are qualities of things like the milk that gets ingested and turned into a product, a byproduct of all of that, which has healing capacities, nurturing capacities. In other words, you have to work with all of the components, some that are just generic like water, and then others that are refined like milk.

And a human being needs to find acceptance in order to function, which is a dog energy, but comes to realize that there is something so much more that can be found in a more soothing way, even though it may not look like it, when you work with the precociousness of a raw energy like a cat. So you’re sorting out animal energy, which is an interesting feature of the feminine nature.

To download this file, Right Click (for PCs) or Control Click (for Macs) and Save: Creating a Contrast

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Male274If we want to talk about wholeness, or oneness, everything has to be included. In these dream images we see a young child being ignored, and acting unruly because of it. Why? Because on an inner level, this aspect of the dreamer cannot be ignored, it is part of the whole of her. In the next scene, that same energy has turned into a powerful lion that the dreamer is trying to befriend. Such a process can be understood as an inner healing, as we become inclusive of more and more of the whole of ourselves. (At the end of this post there are instructions and a link to download this recording to your computer.)

Jeane: The only thing I remember from my first dream is that I’d gotten in this black car. I’d driven somewhere. I wanted to park and get out.

There was another man there, and then there was a little kid in the backseat. And I wanted the kid to stay in the car. And I know that the place I was at was at this village in Canada, that I dream about a lot, because I know the village really well.

But I’m having trouble because the kid’s trying to crawl out the window in the back or, you know, I’m having trouble communicating with the kid they need to stay with the car while I go do something with this guy. That’s all I really remember out of that first dream, and it was a black car.

John: The dream is talking about some part of yourself that’s repressed in a way that you don’t understand, or know what it’s all about, and that you have mannerisms, or notions, or belief systems, or some idea of what it is that you should be doing, or need to be doing, that you are using as a reason, that you’re engaging in, and that this is covering up or keeping that other expression from coming through, and coming out, that is a part of you. And it’s clamoring to come through, it’s clamoring to awaken, it’s clamoring to come out.

Jeane: In the next dream I seem to go into a room that’s like a small room and, near the back wall of the room, there’s like a toilet that you can sit on, that sometimes you just go sit on. And it’s right next to a bed that’s almost like a motel bed.

And on the bed is a big lion, great big lion, lying down or half sitting up like lions do. When I come in and out of this room I seem to go over and I sit down on the toilet, because that seems to be the only seat in the room, and it’s like I’m trying to work out my relationship with this lion.

It’s like I will have my hand even, you know, around its, you know, face or, at one point, I’ve done something where I feel like maybe it’s going to bite me, so I’ve been scratching its neck to kind of heal that a bit.


And that’s all I really remember about that dream. I would come in and out of the room, and I would be draping myself around the lion, and trying to work out a relationship there.

John: This dream is as if it’s progressing the prior dream, in which it’s taking and realizing the sense of inner power, or presence, or being that you need to catch up with has to do with understanding, or coming to grips with, or taking on the essence of this lion nature.

It’s very similar to the first dream except that, in this dream, you have progressed that dream in that you are looking to come to grips with what this lion quality is all about. In the first dream, instead of the lion quality being like a lion, the lion quality was revealed to be some sort of tender, young, repressed, innocent, and unknown quality of yourself – that you weren’t giving the proper time of day or attention to. And, instead, had other things that you felt had to be done, and this was causing you to go away from the vehicle of your beingness.

Okay, so that was like the opening salvo, and so that has a whole remiss, and ignorant, and innocent remiss built into it. It’s not like you realized that what you were doing was inappropriate, in terms of the wholeness, in terms of how the fact that you were leaving something off to one side behind and attempting to walk away from the vehicle of your beingness, for some reason or another, that you still rationalized.

You progressed that to where now you’re having to take into account, whatever the journeys and such that you’ve done, have caused you to catch up with the fact that you have to take into account this whole greater other dimension that you now see to have a power about it, a regality about it, a nobleness about it, that needs to be related to.

It’s interesting. You take a dream that’s kind of got a shattered motif to it, and then you come out of that to a deeper realization. Because it’s a bit of a shattered motif when you leave some part of yourself off to one side and go off on a tangent.

You tend to be slighting your own being, but you did it in kind of an ignorant way. I mean it was a black car and whatnot. You didn’t quite realize that you couldn’t be faulted for what you were doing. It was like a deviation that you went through that has led you to recognizing what it is that’s important to be connected to and merged to.

To download this file, Right Click (for PCs) or Control Click (for Macs) and Save: A Sense of Power

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