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Archive for the ‘Horses’ Category

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Basia

Whenever we reach for new heights, there is always something that will resist us. Perhaps it comes in the form of people who don’t believe, or in the form of rules that make the path harder, or in the form of financial stress. It may seem like it’s the way of the world – and it is. Energetically, a force moving in one direction will always attract a force that resists its movement. The harder we push, the harder the resistance will come. That’s why wise people speak of taking on our biggest challenges quietly, without fanfare or grand pronouncements. That way, we don’t attract the resistance until we have the strength in ourselves to overcome it. (At the end of this post there are instructions and a link to download this recording to your computer.)

Jeane: So I only remember my last dream, and there’s only parts of it that I pulled out. In this dream it feels like I’m accompanying a group of some other people. It feels like they’re younger people, and I’m accompanying them on horseback to this place way high in the mountains. A.nd these are mountains like the Himalayas.

And when we go there, it’s like the people can see you coming for a day or two, and it’s very rugged and remote. And there are ways of shifting in this process, both before you get there, and when you get there; they help you get there, and I can’t remember all those ways clearly. Some had to do with sound, some had to do with some symbols, I really can’t remember, and I can’t remember the third way, but I was aware of them in the dream.

Well, we get there. I kind of look around. It really is a really old, very remote place high in the mountains, and then it feels as though I’m made aware of the ways that people shift, or can know things there.

And then I’m suddenly back where we started, and someone is telling me that the people in the mountains have summoned for me to go there on my own, now, not to go with a whole caravan. And I know that they’ll see me coming for several days, particularly the man that wants to see me. And I’m thinking through the two or three choices you have on how you can shift, as you work with whatever it is that takes you there. And I’m going over those.

I don’t remember them enough to describe them clearly enough. I remember one had to do with sound, and one had to do with symbols, and I don’t remember what the third one was. And because they can see you coming for a couple days as you come, if they don’t want you to come they can block that. So I’m going over all these things in my mind as I get ready to go back on my own.

John: What you’re pointing out, what that dream is, it’s a dream in terms of the use of power, and the use of sight, and the use of clarity, the use of sound. The dream is portraying that you need to be able to hold a space, inside of yourself, so that the outer doesn’t see you coming. In other words, the power that you have inside is not something that can be just treated in a willy-nilly fashion, thrown out there, in terms of what you see and what you know, because everything in the outer causes a thought process, the mind and senses, to get engaged.

And so, if you make yourself obvious and apparent, to the mind sense outer, whereby it sees you coming, sees the nature of something that is a presence, or a power, and can see it coming – it can block it, which is an interesting time to bring the subject up. Where they can see what’s coming, and throwing everything out into the open, and when things are thrown out into the open then nothing can really unfold because they can see you coming.

In other words, when things are thrown out in the open in that fashion, because you have the power, which is the horse, but it’s out in the open, and from afar it can be seen coming. And not only is the horse out in the open, but the horse is scaling the unimaginable heights, the Himalayas.

So it’s a horse of power, going into the sacred land – but it is going into it in such a way so that it is obvious that that’s what it’s doing, and all can see what it is doing, and so a resistance can be established to stop it.

And so the scenario, you might say, is that in the seeing of what is unfolding… Actually, I was taking it in the negative. In the positive, it is this. In the positive, first of all, in your dream, the thing that is powerful, and the thing that is sacred, is yourself. You have the horse, and you are high in the Himalayas, or high in the sacred mountain, sacred of sacred mountains. And when you’re like that, with the power and high in the sacred mountains, whatever you come across you can expose. It can be seen.

It is known. As the little ruminations of things happen, it’s all seen as coming. It stands out in the open. In other words, your power, presence, and high in the mountains, the sacred mountains, that force of nature is such that it causes everything to be known.

And the negative side of it, in the application of life, is attempts are made to block it. But, can they block that? Because what is seen coming can be seen in both directions, just like they can see you as a force of nature that can come, and simultaneously you can see yourself, as well, and what it is that you have to go through.

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king-adSometimes, as we near the very thing we want, we can then feel the greatest urge to run away. Because what we are heading for has power in it, and, as we get closer to the power, we begin to see and understand what that power will require of us, and what we will have to give up, and what we will have to do, and how we will have to be, to hold on to such power. Ultimately, if we stay with it, it will be the best trade-off imaginable – the best deal in the universe, in fact – yet we will still experience fear as we let go to it more and more. (At the end of this post there are instructions and a link to download this recording to your computer.)

Jeane: In the dream that I remember, I seem like I’m in my 20s or something, and I’m traveling with a troop of people that travel by horseback and with tents. It’s like there’s a king or someone who’s in charge, and I share a tent, but sleeping on separate cots with a woman and another man who, it feels like there’s something they want from me, but as long as I can kind of sleep in my separate cot, and a I have a certain protection from the king, it’s like they can’t take it yet.

So I’m always kind of on the lookout because as long as I can kind of keep that little bit of distance it feels like whatever I have is more protected. And I did have at least one special horse also, and it’s like the king needs me in whatever conflict it is that he has going on so, I have a certain amount of protection although I have to be really careful to make sure they don’t try to creep into my bed at night, or something, because there’s something that they want to steal.

And then it feels like after some significant battle, where everything is a little more relaxed, I have this feeling that, you know, in this more relaxed state like the king might kind of back off, and maybe whatever they want to do that they might get away with it.

So I manage to sneak off. I go down a trail that they don’t notice. It’s more deserted, and not many people traveling on it, but in order to really get away so that they don’t notice, it’s like I have to leave my favorite horse behind.

And there’s another horse that I take, that I travel with, and after going on this kind of odd, more deserted trail, then I also go down a different direction, and I have something with me that seems to mow; I pretend almost like I’m mowing a trail with some kind of a mower but, of course, I’m not really mowing the way you would if you were clearing a whole trail. I’m just doing one single patch down to get as far as I can from where they are so I can make a getaway.

The only thing I’m sad about is it feels like I have to leave the horse that I would usually ride behind because, if I had taken that horse, they would have noticed me. So I have another horse, or another vehicle with me, to make my getaway. That’s all I really remember of the dreaming.

John: Well, the setting you’re in is a setting that, if you were able to truly accept it, and see it for all that it is, is a setting in which there’s a wholeness. In other words, you’re traveling under the sphere of power, under the protection of power. And power is energy, and energy is light, and light is clarity. And you have the auspices that come from the top down.

In other words, the whole caravan of things, the whole movement, the whole action is under the guidance of the king. However, for whatever particular reason, there is something about you that doesn’t quite get the significance of the spatiality that you’re in. And you feel that you have some personal prerogatives that you can turn to, that you can place at your disposal, and, when you do that, you break the overallness that you’re in – which is easy to do because you’re not truly getting it.

In other words, you have little aspects that are still rising up inside of you to give you an opinion about this, and an opinion about that. So you’re not really realizing the fullness, or the wholeness, or the oneness. And so, to the degree that you go out and try to create your own thread, or make your own path, you give up on power.

You lose the pristine fine line of the connection, which is represented by your special horse, and you have to go off in ways that still have a certain power to them, but they’re of a more limited, personal, and designed capacity. And that sort of thing keeps you in an amnesia, or distant, from how it is that you could be.

In other words, it’s like the position you’re in, in the setting of the dream, has a potentiality about it – if you could let go and just fully take it in, knowing that you are part of all of that in every aspect and regard and, therefore, the aliveness, the action of that, is complete in and of itself. If you were able to truly note that as your beingness, that is connected to an inner knowingness, and therefore you are okay with the exclusive oneness and overallness, everything would be fine.

But for whatever reason that memo isn’t quite all there, isn’t loud enough, and so you go off on your own and create veils as you follow your own personal prerogative. But,,, there’s still the thread of a horse in that sense and there’s always the possibility of backtracking your steps because you are making an extension, or a spoke, that extends off. And so it’s not like you can really get away. You’re just extending outwardly, which is not like you can actually really get away.

In other words, you could backtrack that spoke to where you come to know the true inner action of your beingness, and/or it’s like something could happen yet to where it could still stalk, or haunt, you because it’s not like you have your favorite horse. You’ve left the favorite horse back there, so it’s not like what you have can actually go very far, or go very fast.

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iesIf you’ve ever tried to drive with a full cup of coffee you will understand this dream, because, when you try to do that, you suddenly become aware of a hundred bumps on the road that you were never aware existed. For the purposes of the dream, the dreamer is trying to keep an innerness intact, but everything around it, front and back, is trying to disrupt that inner state, all while the inner state is trying to impose itself on the outer situations. This is the struggle of trying to bring our inner life into the everyday of what we do. (At the end of this post there are instructions and a link to download this recording to your computer.)

Jeane: My earliest dreams seemed to be more about almost like just forms, and it was like they come together and they shift. I can’t remember that much more about them. It wasn’t like anything was happening as far as people. It just was forms and shifting.

In the second dream, it’s like I’m looking for someone, and I go into an old theater building. I have to go down into the basement and through this kind of maze of rooms, and then I keep going past people but I can’t find the person that I want. I come out the other side, and I decide I have to go over to the next town.

And so I hitch up a horse to a wagon, a horse and a buggy kind of arrangement, and I head over there. And I have somebody else with me now, but then I get distracted, or not distracted, I’m going there, but there’s a man that is behind me that’s trying to pass me, also with a horse and buggy, but he’s trying to make his horse go too fast, and is kind of in that sense abusing the horse.

So I’m trying to get my wagon to block that so that he can’t go so fast that he wears out his horse, or abuses it. And then there’s another horse and buggy that comes in front of me which means I have to slow down a bit, too. That’s okay because I’m trying to get the guy behind me to slow down and even to get him to stop and ride with us, or go at a different pace, because his pace is way off in terms of how he’s pushing the horse. That’s all I remember. It was just a night when the dreams were kind of jumbled.

John: The theme of the dreaming had to do with being able to pull and integrate into a wholeness, into a oneness, all aspects of inner into outer, and the outer effect being recognized as a quality coming from an innerness.

And when you were like looking at that, or contending with that, or in the swirl of something like that not having pulled it through with a clear-cut understanding of where this was all at, what it all meant because you were, in terms of the fact that to properly do this you have to let go of everything, and you weren’t able to let go of everything, because you were affected by the horse, meaning a sense of power in the buggy or whatever, you know one behind going at a peculiar pace, one in front going at a faster pace, you in the middle. In other words, whatever all that dynamic was, and how you were having to cope and relate back and forth to the tug-o-war of something like that, you were not sorting out what that really meant. However, it is better, that’s a better image than sitting completely in an amnesia as if there’s nothing going on.

That image of being kind of in-between things, and frustrated by being in-between things, and it’s almost as if when you’re in that it’s a frustration that seems to have an outer vibrational effect because the buggy in the front’s not acting right in relationship to the buggy in the back.

Take that image, add this following image to it. Let’s say you have a house, and the house has an outer area that is exposed to the public. In other words, it’s what the public can see. The public can’t see the inner sanctums of the house.

So if you have a family in the house that’s protected because something sits in this outer area and is able to contend with the forces of things in this zone in the outer part of the house, and is able to somehow or another sustain its ability to do that, that means that on the deepest of the inner levels everything can appear to be okay.

But what if that outer level gets broken into from the collective on the outer, of which something can be sitting in that outer room that is all properly barricaded and whatnot, and protected, so that the innerness is secluded from it from happening?

See, you with the carriage with something in the back and something in the front, you are in that outer room. Now if the outer room breaks down… First of all, what is this outer room? What is this carriage that is caught by something in the front and something in the back? Essentially this is a zone that you could describe as a place where the dynamic is being played out between the forces of vibration and energy that have penetrated the lower levels of the inner plane, in other words, because you can have a place of a greater quietness.

Now what’s happening, the mistake that’s being made in consciousness, is that a person can go into this place, can be really soothed in this place, and can thereby pull themselves into this greater level or degree of isolation, or a greater inner level. Yet you’re still going to have this outer level, of which there’s an innerness having penetrated it, that is able to keep things hidden. If it’s effective enough it can keep things hidden. So you can have the buggy that’s not right in the front, and you’ve got something pushing from the back, and sitting in between you have an energetic that holds the line.

These shapes all have to come together, and so you have that as your schematic, and then you go into a dream in which what you have as a consequence is this area in-between in which there is a dynamic going on so that the buggy in the front and the buggy in the back, there’s kind of a veiling as a result of the buggy in the middle.

So this leads to a confusion. See, where your dream left off is you saw what it’s like to be in this in-between, but your image wasn’t enough to show that this in-between is a lot like an extension to a house, an extension that is out there in which if anything goes on it goes on against this extension, this kind of zone, and that on the inner of that even is a quietness, is a peace.

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