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Archive for the ‘Snakes’ Category

aura_luceWhen we begin a spiritual journey, it can be seen as a type of reaching up, a way to rise above the planetary aspects (personal) to the more universal view of things (in service to something higher). But, at a certain level of development, that changes. That’s when we become a conduit for higher energies into this planetary world. And that is a very great service, to give access, because what is given access can then reach everyone else we come in contact with. This is one of the unique possibilities of our human design, and it brings new possibilities to the situation.  (At the end of this post there are instructions and a link to download this recording to your computer.)

Jeane: Well, in this next dream, it’s like I’ve gone into an office where I’m going to see a client. I’m going to be counseling. It feels like I’m kind of new to the office.

I have like a cubical, where there’s a lot of light, where I’ll be taking someone in and counseling. and then over to my left there’s a couch there, that’s just in the office area, where people can come and sit. And there’s a rather graceful looking woman reclining on that.

Behind there are three desks where various clerical, or secretarial staff, will keep things organized are sitting. And I’m walking around at this point in time, I don’t have a client yet, looking for paperwork, and looking for the paperwork history on the client I’m going to be seeing in a while, and just trying to get myself organized because it feels like I’m new to this office.

And then one of the gals tells me that my client’s here, but, just as I go to get my client and bring her in the room, I suddenly notice again, but more markedly now, this rather gracious lady that’s reclining on the couch. And I’m suddenly wondering: was she a client that had come, that I was supposed to see before this lady, and no one announced her? Or was someone supposed to be seeing her, and no one noticed she was there?

I can’t counsel one person with another person right there in the room that hasn’t been taken care of. And I suddenly look at one of the secretaries, who’s looking like, well, maybe they did forget to do something like tell me a client was there, or find whoever was supposed to see her.

The lady herself is very quiet and gracious and doesn’t seem to be worried about anything, but I’m suddenly kind of thrown off a bit because how did we all not, you know, take this into account or something? I’m kind of suddenly in a little bit of Limbo. I’m hoping I didn’t forget, you know, and if the secretary forgot I guess she’ll handle it, but it’s just kind of a feeling of being a little thrown off by that.

John: The thing about this woman is she’s completely relaxed and composed; you don’t see anything wrong with her. That’s the dilemma, all right. That pulls it together in relationship to my dreams. That’s why I was about to say, and said at the very beginning, that the nature of this kind of dreaming is that you almost wonder if you’re losing your mind because you start to perceive things in a slightly different context.

Previously our dreaming has been such in which we have to always denote where we come from, meaning, you know, that we’re grounded in a particular way and have to go through issues in life. And that we need to work off our edges, and everything else, in terms of the conditions in our environment.

And that, as we do that, we become more and more conscious in a functional way, having worked with As Above, So Below kind of a way, in which there is that balance and contrast, in that one is like Yin Yang, one supports the other.

But, in your first image, you took and you extricated yourself into a station in which you were able to relate, or project, across to others. You’ve gathered up all of your belongings, as best you can, in order to do that, and you’ve opened up a whole new can of worms in that process because you’re no longer working things out in terms of having to scramble in terms of the complexities of pressure in the outer.

You’re, instead, sitting in a position that has an effect that projects out, and that’s why it had the image. As you were telling it I was just looking at this image of a spiral going laterally. I couldn’t believe that that you’d be telling this, and I was just staring at this thing going laterally, like a spiral notebook going laterally. So then when you talk about the snakes and the snakes, and the image of a snake is part of the Kundalini going up, and the snakes are eating themselves; they’re crawling on the floor. So they’re being held by their tails and their heads are down on the ground.

But it’s a reversal, isn’t it? In other words, the snake climbs and goes up, and this is off the ground, held by the tail. In other words, the whole idea is the struggle in life is a little different now, in that you have something that you have to convey or relate. Can you bring it through? Can you bring it down?

It’s not a question of sorting things out anymore. It’s a question of causing; it’s a question of relating in a way that effectuates others who are still seeking and searching to figure something out. In other words, you’re in the band. You’re pulled into the band, and you had to gather up your belongings, and you’re spiraling sideways which means that whatever you do it effectuates something in a downward way.

Your change, and how you have to take something into account, is in relationship to that kind of flow now, or effect. In other words, you’re affected by how it is that others are able to relate in terms of how you are able to be.

So this is further accentuated with the client that sits in the office, that’s the sum total of an aspect of yourself. In other words, when a psychologist is working with the client they’re actually working with parts of themselves, and yet the client sitting in your office is complete and content and whole in and of herself. And yet you still have the sense that you have to bring something down into others, but you’re shown that the quality of yourself is meant to hold a particular space.

In other words, you don’t have the Kundalini energy with the snake going up. You have the energy of the snake coming down, and you are sitting in a position with the spirals going laterally with the snake coming down. In terms of your setting, your setting is something in which the client that is sitting there is complete and whole, the client is yourself. Because it is said that, as a general rule, psychologists are psychologists because they’re on a path to discover something about themselves.

I mean that’s like an outer change. I think we shift and we change as we go about living in different environments. I think you shift and you change when you go to a program, and that for awhile things can be haywire, in terms of what you’re doing just before you go to a program, because there’s a sense in the ethers that a change is afoot. It’s almost like one’s shifting. Around here you may have a sense of responsibilities and this, that, and the other that’s quite contractive, and now all of a sudden you’re seeing yourself as having to hold a particular kind of position, or presence, or a way of being, and relate from there – as opposed to struggling to sort things out, climbing properly with the Kundalini energy you’re dealing with the depths of yourself in terms of the heights of something.

Instead it’s like you’re in an expanse that’s somewhere else, and now having to take and function from that expanse, in a more whole way, in relationship to an environment. You don’t go down into such an environment and try to sort yourself out in relationship to that environment. You instead go down into that environment as an effect.

In other words, your being is that of having a particular kind of effect upon life. And how that effect resonates back, is now what you contend with in terms of your way of being – as opposed to getting into the predicaments and having to sort out the complexities, and then contending with that from kind of like above/below, below/above kind of condition. Now you’re more in a level, or station, or something, a kind of quality station able to relate downward. That’s a lot like a teacher does.

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Nothing-beIt’s not uncommon to find oneself going to a certain place, or event, for the first time, and feeling that the clothes we have are all wrong or inappropriate. In the dream world, that feeling is expanded to show a lack of preparation, or a type of unreadiness, for what we are dealing with. In a sense, we are unable to “wear” what we are processing, or unable to own the energies at play, as we may be able to do after dealing with something dozens of times. Yet this is how we grow in our capabilities, even if there is an awkward phase. (At the end of this post there are instructions and a link to download this recording to your computer.)

Jeane: So, in one dream, it’s like I’m at a party, and there’s a group performing. They’re like a band or something, singers. And then they seem to be pulling people towards the front of the room, and one of them pulls me up to the front.

It feels like two of us have been selected to go with them, on a picnic, maybe even pulled on stage. And I kind of feel like a fish out of water because I’m not sure why I was chosen. I feel like other people there know the songs, or they’re more clued in with what’s going on with the whole scene, whereas I’m not. So it’s feeling kind of awkward for me.

But it feels like there’s two of us they’ve selected that will go. I think the other person they selected too is wearing a kind of rose-colored outfit. Then, because we’re going to be going before long, we’re in an apartment-type setting where all of this was taking place, and before we go to the party like I have a feeling I need to get some more clothes or something.

I go into the room next door. It’s actually the room of this woman who has a little boy, and she’s gone into the bathroom and left me with a little boy who’s kind of climbing all over everything, including everything in the closet, and pulling out clothes. And I’m looking at things in the closet and trying to see if I brought any clothes with me; I maybe need a pair of jeans or something to wear to the concert, or wherever we’re going next with the band, and I can’t seem to find the right clothes. Plus the boy is like climbing all over everything and kind of disrupting it, so I’m looking to her when she comes out, because I’m trying to figure out if I’m going to have time to go somewhere and get the clothes, or if there are some clothes here I don’t know about.

And then it feels like there’s just a slight shift in the dream, and I’m standing around watching everyone. And I look down at our feet, and at her feet, and at the feet of the other people in the room are these snakes. And I think they’re holding the snakes by the tail, but the snakes are crawling on the ground. But they’re not paying enough attention to their snakes. I’m kind of just trying to stay out of the way of the snakes. Some of them are very flat looking and some are a little more round.

All the people around me, everyone but me. And they’re just barely holding them. They’re supposed to be watching them, but it’s like they’re talking and milling around, and so they’re not noticing enough what their snakes are doing. And so I see one snake go over and swallow the head of this other snake of the person next to me, and pretty soon three snakes seem to have gotten themselves in some kind of a configuration like that.

And when the owners finally start paying attention to them and pull them apart, one snake maybe even lost its head, you know, and so I’m kind of appalled by that that all these people weren’t watching what their snakes were doing, you know.

John: What we’re going through is hard to keep one’s sanity, and the reason is because there’s kind of like a shift that’s occurring, and it’s a shift that one’s got to be careful because you have to be inclusive. You have to be able to take into account everything that’s happening on all levels.

And the shift that is having you being pulled up on stage is something that is kind of like distancing you from everyone else that’s, you know, just in society. And it’s like when that sort of thing happens you tend to struggle to have the clothes and the things that you need with you. You tend to develop that balance from having been grounded down into the outer of life.

And yet you’re shifting, and what this shifting looks like when you were describing it, is it’s like the Kundalini energy of the snake is a spiral going up, but that’s not the energy in this particular case. It’s an energy going around and around on a particular level.

And so when you were being pulled up into the band, it looked a little bit like the spiral binding of a notebook that’s flat, that goes straight across. And so then when you’re dealing with the energetic of that, you’re dealing with the energetic of something that is, from a relatability standpoint, the consciousness is expanded.

You didn’t bring the clothes that you needed to bring with you to be able to contend with that. In other words, you’re perceiving yourself as having taken a step, outside of the way things are in the environment that you had been in, and it’s almost as if maybe deep down you have a sense that going to Vegas puts you in another plane, or another world. I haven’t looked at it like that, but it kind of does because this is contractive and that is expansive. Is that going to be too expansive? Did you have another dream?

Jeane: Yes.

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ReachingWell, there it’s been said: we humans spend our lives trying to create our own narrow band of reality, one that collects all the bits that we enjoy and value, and that deletes or suppresses all that we would rather not deal with or be part of. Would it surprise any of us to realize it (the universe) doesn’t really work that way? To become part of it is to embrace all of it, without see-sawing emotionally. (At the end of this post there are instructions and a link to download this recording to your computer.)

Jeane: Then I have a dream, I’m not sure of the sequence of the next two dreams, but I think I have a dream in which I go into this building and there are some people in it that seem Middle Eastern.

Even though it’s inside a building I go into a room and what I have to do is to relate to animals. The first thing is one of the men has a really large horse that is kind of resting. You know, it’s not like standing up, it’s resting on the floor, and I have to go over and make friends with the horse. It doesn’t have a bridle on it, or anything. I go over and the horse almost has to show me how to relate to it before it stands up and everything.

And then I go over to the other side of the room and the people there have these snakes that are wound all around their bodies, and I have to let those snakes kind of come and crawl over me – and I don’t like that much. There must be six of them or so, you know like wrap around your neck and in your hair.

I really don’t like the experience, and one snake goes to bite a fly so I almost wonder if it kind of bit me, too, and so I don’t tolerate that quite as well, but it seems to be like something that I have to do.

John: The theme is to look at both sides of equations. And so when your consciousness develops you have to be able to look at the other side of the equation as well, and bring the harmony into the other side of the equation at the same time – even if it’s something that is radically different than, let’s say, the psyche of your nature. You still have to be able to see the harmony and the disharmony.

That’s kind of in keeping more with my dream than your dream, but the process is the same in that your first dream you had to look at the two options so that you don’t get black-and-white and locked into one, and get caught in something that throws an imbalance. You have to look at how both sides feel. And, in this dream, the step that is taken is that it is now pushed forward into a greater unfolding consciousness.

In other words, with the horse you’re catching up with power, and then when you catch up with power that invokes and brings in other things that normally you wouldn’t have to contend with, which is the kundalini energy, the snakes and all of that sort of stuff that crawl around and whatnot. And you now have to contend with that.

But if you didn’t bring in the power, you wouldn’t be bringing in the kundalini energy, which is an aspect of the power that causes something more to open up in relationship to what is going on in terms of how you’re unfolding. You have to unfold with both parts, and although you might want to relate to something being, say, more power, but then that comes with the territory of this other that can throw you around a bit, which is the kundalini energy.

So, in one sense then, what this dream is doing is it’s again showing degrees to going up involves the same degree of having to go down – and you have to be willing to tackle each. You can’t just segregate out, and pinpoint out, what it is that you feel, and design, and choose because if you do that then you distort yourself, and you don’t really properly let go into a wholeness, and an overallness, in which everything has to be left empty, and open, and free.

And in order to do that in life, you have to do that with yourself, and you have to do that with your consciousness as it opens up as well. You have to know how to, in other words, take in all of the components that come with the territory of however it is that you are unfolding. It’s not a cherry-picked game, you know, a wholeness involves… the word wholeness a kind of an overallness, a totality, an intertwining. And this is why there are such problems in the world is that people, left to their own cognition, they can steer their lives to where they get just what they think that they want streamlined to unfold, and then they reject whatever else there is going on – as if that somehow or another is extraneous.

The problem that comes up is that as you open up certain things come up in terms of your synaptic nature and such that may not have been in the equation of your life before. They come up automatically, and you just can’t rudely annihilate that sort of thing. So much involves a polarity, and that’s why the word grounding is so important. And an aspect of the grounding is to have to contend with all of the other kinds of variables that just naturally come through, or crop up, or enter into your way of being when you take a certain kind of step forward. It’s in both directions, so to speak.

And when you’re really talking both directions, this is actually a subject of inner and outer, too. It’s just like in the process of the breath: you can’t have just an in-breath going home, so to speak, and not have an out-breath coming back down. The equations of the breath, the in-breath and the out-breath, they are balanced in terms of each other, which is another way of saying that it all shows up in the breath, but it’s another way of saying that what unfolds is a steady pulling together of inner and outer into one.

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