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Archive for the ‘Snakes’ Category

How can we choose the best route to take if we don’t know where we are going? Sometimes, our dreams will point out to us the fact that we are trying to make things happen in our life, or in the outer world, when we haven’t really thought through in detail what we want the outcome to be. The physical happens after the energy is created (it can be no other way). So, to get somewhere, we need to be specific about generating the energy of the thing we are aiming toward – otherwise obstacles arise that force us to become more clear. (At the end of this post there are instructions and a link to download this recording to your computer.)

Jeane: Then I have like two more short dreams. And in one of them, again, I seem to be with a group of people that we’re not at home, we’re in the mountains, and we want to travel to where our home will be.

But I start leading the group and, at first, I think it’s going to be easy to get there, but a whole family has joined us that I don’t even know. So now there’s too many people because no one’s going to pick us up and give us a ride. So I tend to think that maybe one of the ways we can get home is by water. 

So we go down to the river, which is a pretty big river. And we start to wade in, but then I see this big rattlesnake come by in the water. And somebody tells me it’s like that time of the year, when it’s warm enough, the rattlesnakes are all going into the water. And I see one of our group who’s even waded in a little ways distance and the snake comes up and even seems to grab her toe, although it doesn’t really bite her. 

It’s just kind of a caution to me, then, that the river’s not the way to go. So then I get everybody together, and I tell them we’re probably going to have to start hiking along a roadway, but we need to split up because, as a big group, we’re not going to get a ride – which means that everybody has to decide where it is they’re going, because we’re not all going to the same place. Like I might be going to Washington, I’m not sure what I decided, but somebody else is going to Washington D.C. And I don’t know where’s the right place for a few of the others. So I kind of tell them, before we start hiking, they have to decide where it is they’re going. And that was that dream.

John: So what this dream is doing is it’s giving you information in terms of why it is, because your dream format is like 1, 2, 3 or something like that, maybe four even, but you haven’t done the last dream to see if it’s a four. But the first step is the recognition that you can flip back to a remembrance, that’s in kind of a sweet spot zone that you can flow at, that in such a dream, you do at ease without much resistance. 

Then, in the second dream, it’s like something cautions the unfoldment – so that it is regulated, so to speak, it doesn’t come just straight away, it has to be handled with care. 

And then the third dream points out, so to speak, kind of the difference between the first and the second has to do with the type of unconsciousness. And that it then provides an answer to that unconsciousness in that you have to have a focus and attention that is clear-cut, in terms of how you hold a spaciality.

In other words, yes, one’s in the maze and in the collective of everything, but, within all of that is a pulling together of incarnate energies to be able to discern, to function, with a succinctness because, as a general collective, and a collective that hasn’t sorted itself out in terms of how it can function as a collective, there needs to be a zooming in, a catching up with the uniqueness of a flow that has a way of unfolding in this direction, or that direction. 

So that quality of zooming in is… in other words, this dream is tending to take the first dream and the second dream and showing you why there is a difference between how, on an innermost level, you have a type of free-flow that, in application, has a sense of regulation about that is the direct consequence, or result, of not having a focus that is able to slice through the collective malaise.

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rattlesnake-1A scene filled with large rattlesnakes would be the stuff of nightmares for most people. In a dream, it can stand in as an analogy for all the things in the world that are venomous to us, that can make us sick, or even kill us, meaning any enticement or distraction that draws our attention away from our human purpose. And we may think that human purpose is something for others to worry about and pursue, it’s really everyone’s problem because every generation we get further and further away from our truth, to the point where the species as a whole is in danger of losing its universal support. (At the end of this post there are instructions and a link to download this recording to your computer.)

Jeane: Well, the first dream I remember, it’s like I’m in a room but it must lead out into the desert because there’s all these rattlesnakes everywhere, and some of them were big, and they strike at things.

And it feels like we collect the snake venom or the snakes, or something like that, and it even has to do with collateral or income. It’s like the initial part of the dream I don’t remember as much what it related to because I just seem to be studying how people did that, and how you had to be really careful because the snakes can sometimes jump way up in the air and you can get bitten.

And then after I’ve studied that out a bit, it feels like this man comes. He’s from Mexico and he’s got a native background, and he takes me elsewhere, and I figure out that he’s actually a real rattlesnake hunter. It’s more like we were just coping with the snakes we saw. I’m trying to understand how they interacted with things, but he takes me out and then he takes me into a building, but this building seems to open up into like a desert-type environment – and it’s where all the snakes live. And as I look around, even though it’s a little bit dimly lit, I see there’s big snakes everywhere.

And there’s also these little things that crawl on the ground that look like kind of pale frogs. I never can quite see exactly what they look like. They seem to accompany the snakes, and I think that maybe they’re a food that the snakes have, but I can’t see them clearly enough. But I think of them as some kind of toad, or frog.

And then I find out this guide, who’s taken me, he belongs to a certain tribe from Mexico. He’s like a professional snake hunter, and then he even shows me he has a dog with him, and he’s got the dog all wrapped up with a coat to protect it from getting struck by the snakes. And it’s a Doberman.

And then he’s dressing up for us to go out and collect whatever we need to collect in this kind of desert of snakes, like he’s putting some kind of cover over his shoes, because they’re kind of like the shoes you see native Americans wear that are like moccasins that lace up the leg a bit. But then he’s covering that with something that would protect him from snake bites, and he’s putting on what looks almost like a fireman’s uniform, in a way, because it protects you from snake bites. And then we’re going to go out to collect something. So I’m curious about this, but also a little leery of the snakes.

And then I see that where he’s gone out into this desert that seems to be inside a room, and what he’s brought back are these bones that look like carvings of people from the village of the type of Native American that he is, and he’s explaining to me that he’s going to take it back to the city because it’s like, even though there’s a city and it’s populated, there’s not that many people from his tribe left.

And so it’s like if he could go out into this area, this desert where all the snakes were, to these artifacts which look like little carved people, and bring that back, it’s like that will lead to there being more people from his lineage, or his village, or his race, that will be in the city afterwards; they’ll be born there or something.

I wasn’t quite sure how it all worked. I was just studying it out, and that was when I woke up.

John: The dream starts off with having to do with conditions in life being what they are, that have been this way for a long, long time, that reflect or permeate a direness.

In other words, the dream starts off in which it’s like in the city of things there are snakes. Something can be too much, and then when you go into the outer you see that it’s accommodated in some fashion, by nature, but it still reflects an imbalance. Nature is trying to transform, or reform, the condition. And, in nature, even though you can see the reflective remnants of things that are in a process of being transformed, when viewed from the perspective of where it all comes from, in other words going back into like an overall collective, it is an accumulation. It is a conglomerated accumulation that tears things down.

Now if you were to take and dwell upon the way things are being torn down, it then tears you down. So what you have to do is you have to recognize that all of the snakes in the conglomeration of things from which they originated, that go back maybe having been put in place by misconduct, and unconscious nature, that goes back you know lifetimes, that it has gotten to a point where man, in order to redeem himself, has to take back the issue, and he has to take it back in a revelational way.

In other words, you don’t go looking at the overtopism that was created, and yet at the same time you can’t ignore what was done, because you can see it, and you go into the all natural country – it’s there too. It’s infected, or permeated, through everything that exists.

But if you try to just lilt along and put the best spin on it, where you could avoid some of this, it doesn’t change the slant of manifestation that has been overwhelmed, and overpowered, by this collective ignorance. And so much so that it is causing things to be on life support, to break down.

And so deep down you know that there is a thread from somewhere deep, deep that can make a difference. It’s a vibrational thread and, instead of recoiling to what is out of balance, you come to realize that you have to take it into account. You have to accept it in the condition as it is, and thus, if you are able to do that, you bring the vibration back that is going out of life. You bring it back, and, of course, you’re told that if you don’t bring it back, the alternative is your species will die out.

To download this file, Right Click (for PCs) or Control Click (for Macs) and Save: Snakes on a Plane

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aura_luceWhen we begin a spiritual journey, it can be seen as a type of reaching up, a way to rise above the planetary aspects (personal) to the more universal view of things (in service to something higher). But, at a certain level of development, that changes. That’s when we become a conduit for higher energies into this planetary world. And that is a very great service, to give access, because what is given access can then reach everyone else we come in contact with. This is one of the unique possibilities of our human design, and it brings new possibilities to the situation.  (At the end of this post there are instructions and a link to download this recording to your computer.)

Jeane: Well, in this next dream, it’s like I’ve gone into an office where I’m going to see a client. I’m going to be counseling. It feels like I’m kind of new to the office.

I have like a cubical, where there’s a lot of light, where I’ll be taking someone in and counseling. and then over to my left there’s a couch there, that’s just in the office area, where people can come and sit. And there’s a rather graceful looking woman reclining on that.

Behind there are three desks where various clerical, or secretarial staff, will keep things organized are sitting. And I’m walking around at this point in time, I don’t have a client yet, looking for paperwork, and looking for the paperwork history on the client I’m going to be seeing in a while, and just trying to get myself organized because it feels like I’m new to this office.

And then one of the gals tells me that my client’s here, but, just as I go to get my client and bring her in the room, I suddenly notice again, but more markedly now, this rather gracious lady that’s reclining on the couch. And I’m suddenly wondering: was she a client that had come, that I was supposed to see before this lady, and no one announced her? Or was someone supposed to be seeing her, and no one noticed she was there?

I can’t counsel one person with another person right there in the room that hasn’t been taken care of. And I suddenly look at one of the secretaries, who’s looking like, well, maybe they did forget to do something like tell me a client was there, or find whoever was supposed to see her.

The lady herself is very quiet and gracious and doesn’t seem to be worried about anything, but I’m suddenly kind of thrown off a bit because how did we all not, you know, take this into account or something? I’m kind of suddenly in a little bit of Limbo. I’m hoping I didn’t forget, you know, and if the secretary forgot I guess she’ll handle it, but it’s just kind of a feeling of being a little thrown off by that.

John: The thing about this woman is she’s completely relaxed and composed; you don’t see anything wrong with her. That’s the dilemma, all right. That pulls it together in relationship to my dreams. That’s why I was about to say, and said at the very beginning, that the nature of this kind of dreaming is that you almost wonder if you’re losing your mind because you start to perceive things in a slightly different context.

Previously our dreaming has been such in which we have to always denote where we come from, meaning, you know, that we’re grounded in a particular way and have to go through issues in life. And that we need to work off our edges, and everything else, in terms of the conditions in our environment.

And that, as we do that, we become more and more conscious in a functional way, having worked with As Above, So Below kind of a way, in which there is that balance and contrast, in that one is like Yin Yang, one supports the other.

But, in your first image, you took and you extricated yourself into a station in which you were able to relate, or project, across to others. You’ve gathered up all of your belongings, as best you can, in order to do that, and you’ve opened up a whole new can of worms in that process because you’re no longer working things out in terms of having to scramble in terms of the complexities of pressure in the outer.

You’re, instead, sitting in a position that has an effect that projects out, and that’s why it had the image. As you were telling it I was just looking at this image of a spiral going laterally. I couldn’t believe that that you’d be telling this, and I was just staring at this thing going laterally, like a spiral notebook going laterally. So then when you talk about the snakes and the snakes, and the image of a snake is part of the Kundalini going up, and the snakes are eating themselves; they’re crawling on the floor. So they’re being held by their tails and their heads are down on the ground.

But it’s a reversal, isn’t it? In other words, the snake climbs and goes up, and this is off the ground, held by the tail. In other words, the whole idea is the struggle in life is a little different now, in that you have something that you have to convey or relate. Can you bring it through? Can you bring it down?

It’s not a question of sorting things out anymore. It’s a question of causing; it’s a question of relating in a way that effectuates others who are still seeking and searching to figure something out. In other words, you’re in the band. You’re pulled into the band, and you had to gather up your belongings, and you’re spiraling sideways which means that whatever you do it effectuates something in a downward way.

Your change, and how you have to take something into account, is in relationship to that kind of flow now, or effect. In other words, you’re affected by how it is that others are able to relate in terms of how you are able to be.

So this is further accentuated with the client that sits in the office, that’s the sum total of an aspect of yourself. In other words, when a psychologist is working with the client they’re actually working with parts of themselves, and yet the client sitting in your office is complete and content and whole in and of herself. And yet you still have the sense that you have to bring something down into others, but you’re shown that the quality of yourself is meant to hold a particular space.

In other words, you don’t have the Kundalini energy with the snake going up. You have the energy of the snake coming down, and you are sitting in a position with the spirals going laterally with the snake coming down. In terms of your setting, your setting is something in which the client that is sitting there is complete and whole, the client is yourself. Because it is said that, as a general rule, psychologists are psychologists because they’re on a path to discover something about themselves.

I mean that’s like an outer change. I think we shift and we change as we go about living in different environments. I think you shift and you change when you go to a program, and that for awhile things can be haywire, in terms of what you’re doing just before you go to a program, because there’s a sense in the ethers that a change is afoot. It’s almost like one’s shifting. Around here you may have a sense of responsibilities and this, that, and the other that’s quite contractive, and now all of a sudden you’re seeing yourself as having to hold a particular kind of position, or presence, or a way of being, and relate from there – as opposed to struggling to sort things out, climbing properly with the Kundalini energy you’re dealing with the depths of yourself in terms of the heights of something.

Instead it’s like you’re in an expanse that’s somewhere else, and now having to take and function from that expanse, in a more whole way, in relationship to an environment. You don’t go down into such an environment and try to sort yourself out in relationship to that environment. You instead go down into that environment as an effect.

In other words, your being is that of having a particular kind of effect upon life. And how that effect resonates back, is now what you contend with in terms of your way of being – as opposed to getting into the predicaments and having to sort out the complexities, and then contending with that from kind of like above/below, below/above kind of condition. Now you’re more in a level, or station, or something, a kind of quality station able to relate downward. That’s a lot like a teacher does.

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