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Posts Tagged ‘a dog in a dream’

Data Flow XXL SeriesHave you ever noticed how perfectly situated humans are between the expanse of the universe and the tiniest atom? Or pondered how they say the space between the molecules in our bodies is like the light-years of outer space? Well, it’s not a coincidence, humans are designed to bring the worlds of energy and matter together, through their processes, and over the billions of years that will contribute to the evolution of the universe itself and the merging together of above and below. We play the most important role in what will unfold. (At the end of this post there are instructions and a link to download this recording to your computer.)

Jeane: So, in my first dream, I’m going with a whole bunch of people on some kind of a journey and we get into these… they almost look like little space-age cars. It’s almost like a little plastic car that’s put right around you. It’s mostly a bubble on the top like you see in the science fiction movies.

But there’s like so many of them; they’re all crowded, and they all go in this line zigzagging back and forth trying to get where we are, and you only move a few inches or a few feet at a time. In fact we kind of get bopped from one little vehicle into another. There’s about three of us, or three car fulls of us trying to get to where we’re going on our journey.

And it gets so crowded and dense at one point that it feels like it’s only by being kind of pushed from one car into another that you make some progress. I even wonder if we’re ever going to get there.

But we finally seem to cross some kind of a bridge area, just when you think you’re going to be stuck and not move at all, we arrived, and we’re there. So that was that.

John: Just when you think you’re going to get stuck, you arrive. What you’re doing is, my dream dreams the Brahma side of the theme last night. Your dream dreams the Vishnu side, the sustainer side.

The sustainer side has to do with how you’re working with it. In other words, the theme of the dreaming has to do with: how does the essence of stillness function? And it functions differently from the standpoint of Brahma, the creator, than it does from Vishnu, the sustainer.

As a Vishnu energy, it comes across in terms of how you bounce around and work with things in the outer. And so what you’re doing is you’re visualizing the energy that is coming from inner into outer. The way you’re sustaining it, of course, is because you’re in a condensed microcosm.

What you’re doing is you are contending with it, as if you’re having to deal with every bit of density that there is because things have been created, and so it’s kind of like being in a bumper car. That’s right, it’s like being in a bumper car. You bounce off of this, and bounce off of that. For any given thing that you look at in the outer there’s going to be the opposite correlation or corollary.

And so the dilemma that you have in terms of this ends positively in that you eventually work your way through that. That’s the Vishnu thing.

If you were to now dream the Shiva side of things, you would be taking and looking at what it’s like to reform, as a reformation now, to what’s important.

Jeane: My second dream was pretty violent. Okay, in my second dream, I wish I could remember more about the beginning of it, but I remember I’m going somewhere with some people, and I remember driving there. I come to a place where the road is suddenly sectioned off a little so that there’s cars coming from the left into the lane, and then on the right it’s divided into two because there’s a Santa Claus, a female Santa Claus for some reason, in the far right lane. And in the other lane it’s a little iffy. You can’t really see if you can go down it or not.

So I decide to actually go around the barrier a little bit and exit onto my street by going further to the right because it was vacant.

John: And your significance to the term Santa Claus is something you have to contend with. It’s creating a divide in other words.

Jeane: And so I go around to give the Santa Claus room, and then I get stopped by a traffic cop. He gives me a minor ticket, like $10, because I did that even though it was the considerate or wiser thing to do, so I’m really annoyed initially. I mean there was no other cars anywhere, so I was just annoyed.

Then I go on and I arrive at a house. There’s someone that feels like a sister energy as well as some other woman that seemed to be giving her a hard time, and suddenly the scene shifts and it feels like people are trying to shoot at me. And there’s one man who’s like an assassin, and he even has a dog, and the dog is pretty violent, and you feel like you can never get away from him because if he shoots at people he gets them.

But then I suddenly discover that the people that I thought were friendly in the house, even the woman who owns it, they’re trying to shoot me, too. And then, as they try to shoot me and I go out on the lawn, he suddenly comes to my defense and there’s like a helicopter that some people had landed on the roof and he shoots the helicopter and it breaks into a lot of pieces and falls down.

And I’m kind of relieved to suddenly realize that he or his dog weren’t going to get me because suddenly they’re killing the other people that are trying to kill me instead of my getting shot by everybody in existence. But I was kind of shocked that everybody was trying to kill me and then relieved when I realized this man I thought was the assassin rescues me, you know, and his dog doesn’t try to attack me, either, but it was a pretty violent dream. There was a lot of trying to get away and not feeling like anything was safe.

John: So, what you’re doing is, the thing that causes you to switch and divide, you’re turned around if you go down the one road, which means a direction that you shouldn’t be going down. But they both go the same way, but one way gets you in trouble in some fashion, you get stopped.

And then the other way leads to some violent episodes and things happening, helicopters getting shot down, and what is the end result of that?

So that’s the reformation. That’s the Shiva. The Shiva is often called the destroyer, but a lot of people like to use the word reformer. I kind of like to use the word destroyer, yet it’s a destroying of something for the benefit of something. And so, apparently, what’s being questioned in your dream, your higher self has a sense of a perspective that’s different than the way your functioning in the outer.

And so in the outer you’re taking and you’re considering certain things to be bothering you or, you know, dangerous or however you want to call that. Only the reformation comes when you find that that sort of thing’s your friend. I mean a dog represents the friendship, and you considered the dog to be violent, and the guy that you considered something that was coming after you, or attempting to harm you in some fashion, that guy is seen as the solution because you’re not going to get away from the helicopter.

So the helicopter is up above, and the problem is down below, so that which you see as a problem becomes the solution. It’s a strange solution, because the shooting down of a helicopter that protects you, what this does is it’s pulling the two forces together, an expansive and a contractive.

So, the helicopter represents the expansive. The forces that are bothering you and disturbing you and upsetting you on the ground represent the contractive, and you sit there and when you properly balance the essence of the two together you’re going to find a stillness.

In other words, the guy on the ground that had you all reactive in some sense is a contractive force, and you find out that that’s fine, that that’s okay, you can handle that. But you don’t find that out until it shoots down the helicopter, and the helicopter, an expansive force now, is trying to shoot you. Those two things happening with you standing in between, you represent the stillness in between and you have these two vibrations around you, and so when this sort of thing happens the resolution of that is a stillness – and that’s the reformer.

So the question you have of a dream like that is, in what capacity, how are you to carry this, how are you going to do this? So you have the symbolic images. How do you do this?

Jeane: I just started a third dream and I got woke up, but the essence of the third dream that I remember is I’ve gone into an office and there’s a judge there who calls me aside to talk to him, and there’s secretaries and people that work in the office also.

And it seems like he’s consulting on something and then I leave, and it has to do with me and my family. And then I come back and I can notice some people looking at me strangely, the secretaries, and I realize that what they want to ask is, they want to ask whether or not his being involved in the situation is going to create a conflict of interest in whatever the case is, because he’s involved in some kind of support of myself and my family.

But they’re kind of intimidated to ask it, and it’s like I’m just starting to go over to them and say something to them about how it would or would not be a conflict of interest – when the knock came on the door and I woke up.

John: A conflict of interest. Well, I think I have the first dream, you know if you’re doing a counting. I have the first dream, you have the second dream, you have the third dream, and most people don’t believe that there’s a fourth step. The fourth step has to do with – it’s new information, or it’s a new way.

And the new way is one of recusing one’s self because of a conflict of interest. So how do you have a conflict of interest? You have a conflict of interest in the outer, and you have a conflict of interest in the inner. How is your conflict of interest on the outer?

Well, that’s kind of self explanatory, right, because there’s a tie-in in some fashion that means that you can’t be impartial. How do you have a conflict of interest on the inner? Well, when you come to understand how all of this goes in a circle beginning and end are one and the same, you have a conflict of interest on the inner because you understand the expansive and contractive force.

And so, on the inner, you’re a stillness. You can’t choose between one and the other, and so the reason why this is new information, and the reason why this is another step is, even though we came into manifestation and took the choice of contraction, you know, we didn’t have to come into manifestation in the physical body. We could have taken the choice of expansion, more freedom and such out there in that sense, maybe even more levels to juggle, you know, without the density of the contraction – but that also takes away from the stillness because the stillness rides in between the two vibrations.

So for you to have a conflict of interest means that you have a conflict of interest in terms of the expansive energy, something from up above with a greater perspective is more expansive. In other words, you didn’t have a chance with the helicopter. I mean that was an energy that was going to blow out your contractive little space there on planet Earth.

And so it was one thing to worry about the contractive, and now you have to worry about the expansive. And so in giving you choice as to which to choose , the expansive or contractive, you can’t choose either, you have a conflict of interest and thus you stay where you need to stay, in the stillness. You don’t buy into the to and fro. That actually is what is called a fourth. You know, I remember the discussion being one, two, and three and I was having this the other day with someone and saying, yes, people say that there’s not a four, and using the Hindu system of Brahma, Vishnu, and Shiva, that’s just three. Is there a fourth? There doesn’t seem to be when it’s presented that way, but I feel that there’s a fourth because once in a great while we dream new information.

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1fa19fHere’s a dream that sets a scene straight out of a romance novel, and yet it is pointing to some of the great fundamentals in dreams and in spiritual journeys. The scene: a woman on horseback, eluding a pursuer, trying to find her way in the fog. And it speaks of the need to trust an inner power when dealing the the trials and tribulations of outer life. When we finally do trust that inner power, we are well on our way out of the fog of life. It is also a good example of how all the elements in a dream are aspects of our inner lives. (At the end of this post there are instructions and a link to download this recording to your computer.)

Jeane: In this next dream it’s like I’m trying to get back home, or get somewhere. I’ve got a horse. I think the horse is white, and the dogs seem like they are white, too, and I’m being pursued by someone that’s trying to stop me – that even shoots at me sometimes, and so we have to get off the normal trail.

Sometimes we end up in somebody’s house and we don’t know if they’re going to treat us like an intruder, or help us and show us where we can cut across their lawn. And I finally, after several days, get to the last stretch of road and it’s foggy out. The horse is tired and its head is kind of droopy, and the dog is tired, too, so I pick it up and get on the horse.

I’m going to carry the dog for awhile, and we have to go through the fog, and we don’t know where the man that shoots at us is. I just feel like I’m talking to the horse now, and I just feel like the horse knows its way home. So we’re just going to have to trust it as we go this last little bit because it’s so foggy out you really can’t see.

John: What an interesting dream of taking and intertwining. You’re using the characteristics and traits in which things in manifestation, to which you’re connected, to help to facilitate the unfoldment. The dog is your friend, and the horse is a power that attempts to know what is going on, and attempts to then coordinate itself accordingly.

A horse is something that seems to, you might say, because it’s always trying to figure out what man wants, seems to have somehow gotten the memo that man’s kind of like the crown of creation, and so a horse is exalted if it figures out how to accommodate that, to conduct itself accordingly.

And the trouble that a horse has is because it represents the power and it is being compelled and pressed to do something, that it can get twisted and then react – and that’s when you have the bucking horse and all of that business that goes on. But once the horse has figured out how to flow with what it is that the human being wants, the horse then is in seventh heaven doing that, and the more it can figure it out the more the horse preens in terms of its natural being.

It’s amazing when you can come across a horse that will open gates, instead of the man having to get off of the horse to open the gate, and the horse is trained to open gates. And it’s also amazing for a horse that knows how to feel a human being to such a degree that it will help them in a time of distress. And an owner of a horse, those who are really, really good with horses, know that the final training is to get the horse to the point where when you really need the horse to take over, and know naturally what it is that’s required, and you’re in no condition for whatever reasons, you’re injured or something has happened, that the horse will take over and naturally know what you require to get yourself out of a situation.

Well, in your dream, you’re working with this quality. In other words, you have conditions in the outer in which you’re affected in ways that you have to contend with, and you have a way that you need to intertwine. And these conditions in the outer are keeping you from intertwining. So, at your disposal, you have access to a friend, the dog, and a horse, a power that serves, and the combination of those two you’re using to try to work yourself through the veils of things – which is the fog – in order to go somewhere.

So the theme of the dreaming, of course, at the very beginning when you look at your very first dream, is that you’re trying to find that which is natural for yourself. And what you’re adding in this dream is that you use the faculties in creation around you, the energetics that are naturally provided in life for a human being to connect with and to use. You’re using those qualities and those traits. You are forming a relationship and a bonded connection so that you accentuate how it is that you’re able to be by using those qualities and traits to further the natural understanding of things that you’re meant to find.

And those natural understandings of things are something that has to be sorted out and, I came to find out that it’s going to be energetically the same, so to speak, in terms of a general overall, but it will be, in terms of the intertwining, in terms of the relatability that we each have, that might be slightly different. It will have a different way of tweaking the outer from the natural intertwiningness, that is energetic, that one can come to find and identify with as a similitude. Did you like that dream? That was pretty good.

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Burning BowlIn thinking about letting go in a development journey, we could also think about the idea of removing blockages, because we are designed to be in the flow of life, but we have become blocked from it by our egos and personalized identities. Developing means dropping the things that prevent, just like removing a clog lets the water flow smoothly. So we’re really talking about a kind of mindful consciousness about what we are doing and why. (At the end of this post there are instructions and a link to download this recording to your computer.)

Jeane: I only remembered a few of my dreams from last night. The first dream it seemed to be these images of there’s a rock star, like Steven Tyler, and I’m looking at the energy behind something that he did and I notice that it kind of scatters, or pushes things out, in the room because it has a little too much force to it. That was the first dream.

John: The only thing I can denote about this is the theme of the dreaming has to do with things that bother, or perturb, or get in the way of a process where you let go to a flow, that you’re able to catch up and hear, that you’re not able to do when there is something in one’s nature that is creating or getting in the way, by maintaining or holding onto something that stifles the flow.

So you’re observing something and how you observe it often times has to do with where you’re at. And if you’re seeing something like Steven Tyler in a way that bothers you, then in that same way you’re bothered to some degree in the outer, accordingly.

Jeane: Then I think I lost some middle dreams and there are a couple last dreams. One dream you and I are going over to visit a friend of mine who, he’s done writing, consulting, that sort of thing, and I haven’t seen him for a while. Anyway, we go over to his house and he’s in the other room when I first get there, but he has this little dog that’s on the floor so it’s like I have gotten down on the floor and I’m playing with the dog, ruffling it and you know how you kind of rub its belly and scratch its back. It’s a cute little thing.

And he comes in when I’m still on the floor. You’re kind of behind me yet, and it seems like his mother has died recently. And he has his sister, but you feel like there’s a little estrangement there. But he has this necklace of his mother’s and he’s put it around my neck – and it’s a very long amethyst necklace. He’s talking to me about the necklace, and I don’t know if he’s just having me wear it, or if he’s giving it to me. It almost feels like he’s giving it to me instead of to his sister. That’s that dream.

John: Not only is the theme about having things that one imposes in terms of how they see themselves, or how they carry themselves, that stifles something from coming through as a flow. But once you quit doing that, or if you stop doing that, you’re able to access a consciousness that is all around you. In this case you’re able to catch up with a necklace, or something that’s given to you, that just naturally then is something that you can wear, in which the quality of that can become you. Now how did the dream start?

Jeane: Well we’re just going over to his house to visit him, haven’t seen him for a long time. He’s kind of sitting behind me and I play with the dog when I get there. His mother has died.

John: Yeah, all of those are scenes of releasing. In other words, something has passed away, which means something has been removed or has gotten let go of, something that might be stifling even, that precludes one from having an access that you’re able to recognize and appreciate the dog, which is the friend. You’re able to play with that, so that it keeps you in a free flow.

And then he comes out and gives you a necklace?

Jeane: Yes, he’s actually kneeling on the floor with me, talking to me while he has put the necklace around my neck.

John: Yes, which shows a rite of passage even, too, because an energetic that normally would be in the way, goes away, and the rite of passage is so that can open up, or so that you can receive the necklace.

Jeane: So in the last dream it’s like I’m in bed with you and it’s like we’re going to make love or something, but then suddenly I notice that you’re actually on the right of me and it’s the doctor that’s on top of me, this woman doctor. And then she gets up and she makes a comment to me because she actually did a little surgery, like removed a polyp or something that she just was tired of it being there, and I’m just a little shocked. I didn’t feel any pain, but she did something almost without telling me about it, I mean ahead of time, but she was just tired of it so she removed it.

John: There’s something in there again as a nuance or mannerism, that way that you’re seeing yourself, or carrying yourself. In other words there’s a vibration in there that was keeping you disoriented or distracted from going into things quite the way the flow needs to be. So there is a concern or something that’s plaguing you. Whenever you get something that plagues you, you have to kind of try to pay attention to why it keeps plaguing you because not only does it affect an intended flow, but it could also be spawning a mannerism that is off – by the way or nature in which the body is meant to hold things, that would then go into the body and be held.

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