Posts Tagged ‘a time of transformation’

Jeane: In this first dream, you and I are trying to get access to a large circular area. This circular area looks just like the windows of the great room in the condo we looked at in Las Vegas – with the sweeping view – except my sense is that this is a much larger space. I seem to be urging you to see if we can figure out a way to gain access into this area again.

Finally we have an insight into to how to do it: We have to get through an alarm system, with lights, which may even cause an electric shock.

Before the imagery of the dream shifts, we gain access to the whole space, though we may have gotten a bit of a shock in doing so.

Then the dream shifts, and I’m with my sister in a room where she and I live.

John: What you’re doing is you’re taking the visual of something that’s light – the panoramic window view from the condo – and you’re using that as a representation of peacefulness, that either you can hold, or that the space itself maintains.

When we go down on the Strip in Las Vegas, you may not notice it, but I can recognize that the two of us – our combination as a unit – are able to hold a space that enables something to be sustained, or maintained, or protected, or even to evolve.

In this imagery, you’re working with light and you’re working with sound, because you have this whole sense where you’re trying to break through to something. It’s a lot like a plane going through the sound barrier – after a lot of noise it pops through into silence.

Such an energetic shift affects things. You’re evaluating this energetic in terms of what it is that we’re doing, looking into an image of light (Las Vegas) that we’re touching, in some capacity, with our energetic, just by the way we carry or hold ourselves. And that’s affecting this overall image, this overall view.

The interesting thing about Las Vegas is that there’s something that has to be sustained and maintained, and you’re suggesting that there’s something about our presence here that helps to do that. It’s almost a challenge to our own beings to open up, and to ground, and to break through.

In other words, Las Vegas is not necessarily “Sin City.” Las Vegas is a state that can confuse a person if they don’t have the focus and attention that allows them to actually get what’s going on. If a person is continually spun into disorientation, then they will get the ill effects of the coarser energies here, and everything else will be missed.

But light is light, and if you’re able to create the epiphanies, the breakthroughs, the shocks, the light bulb moments (that could be both good and bad because they’re jolts of awareness), if that could be supported, then that’s doing something in a way that works with the space in an interactive way. And all we’re doing is using our presence to make that happen, at a certain level of perception.

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Jeane: Even though I had a lot of dreams, I only remember one scene and I probably only remember this scene because it shocked me.

I’m in a room and there are three snakes there. They’re the size of large garter snakes. One of the snakes is predominantly black-and-white with crisscross or diamond shaped stripes on it. The other might be white with a pink, or red, stripe, and I forget what color the third one is.

I look away for a moment and when I look back, one snake is trying to devour another. It’s already swallowed about four or five inches of it.

John: So, there are three snakes and one is black-and-white?

Jeane: Yes.

John: And one has a reddish stripe?

Jeane: Yes, and the other one might be green or blue; I can’t remember.

John: Which snake was it swallowing?

Jeane: I’m not sure about the colors. It might have been the pink/red and white one.

John: But one that was either red or green – one of them?

Jeane: Yes. I’m so shocked and bothered by one snake trying to swallow the other that I take the snake that’s eating and I pull on its skin. However, I end up pulling it inside out. When I have pulled it completely inside out there are just two thin threads that attach it to the muscle. I give it one more yank and “poof,” I can feel the energy as the snake dies.

Then I feel badly because I realize I didn’t mean to kill it, I just wanted to stop it from devouring the other snake.

This was part of a very long dream but that’s the only bit I remember.

John: Symbolically, the black-and-white snake is harmless. It’s a basic snake that just goes about its life in an essentially harmless way. Colored snakes – particularly the really beautiful ones – are usually very poisonous, or very dangerous.

So, this imagery is showing something that is essentially harmless devouring that which is potentially very dangerous. You find yourself trying to stop that process and, in doing so you get under the skin of what is going on there. As a consequence, you cause a shift in the energy. The snake dies, but a type of awareness unfolds.

Snake energy is an energy that you see when there’s something that you need to perceive. When you don’t see the snake energy, it means that the energy has been taken in, you’ve absorbed what that snake energy reflects or represents.

But when it’s awakening in you, it’s something new and it can be something frightening; it can be a bit overwhelming. It’s often depicted as the precursor image to a Kundalini awakening.

In this particular case, you’re taking what is a very benign form of Kundalini energy and also a Kundalini that is really, really dangerous, and you’re using the benign Kundalini to devour the dangerous Kundalini.

I’m not really sure whether that image is a positive one or a negative one. Perhaps you need that which is very dangerous in order to make a step forward, or a transition, and maybe you’re devouring that which is very dangerous, which means you’re assimilating it.

It would seem like you are taking that energetic into yourself, and therefore it is becoming a part of you. There’s something really grounded in your nature that can approach that which is dangerous, or out of the ordinary.

There is more to consider in this interesting dream, so we will continue the discussion tomorrow.

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In a continuation of our two previous discussions (Nuclear Fallout and Full Speed Ahead), John takes us through the process whereby the dreamer, by affecting the images in a dream, can ultimately affect the experience in the outer reality.

John: When you have a dream, and what you see in that dream causes a connection to an energetic, to a feeling state, that state is a glimpse of something in a world of light that is there but not yet found by you in the plane of creation.

So you get a glimpse of it, but if you’re unable to sustain the connection, what you experience is the state where everything is slowed down to the level of appearing separate – the basic duality of good and bad and up and down.

If you are able to take the state of what you’re experiencing on a dream level, and the energy and speed at which it’s coming into you, and make that part of your experience, you are automatically changing – as you go along and exist in life – the images of life by your vibration.

How a thing vibrates is how it actually is. If it’s vibrating as an understanding and belief that it’s separate – if it defines itself as this or that, and it feels awkward – that is what it carries and inflects upon the mind. Everything creates an inflection upon the mind. If one sees everything as a duality, then when something breaks down in the outer reality, then one is left at the old speed. But the new reality is a new speed. And we have to catch up with the images of the new speed because we exist in a world of light.

If there were a nuclear explosion, that nuclear explosion, in the highest sense of its reality – is simply an energetic release of all kinds of images housed in matter. And it’s a big loss because those images would not have the motion and light to naturally unfold into the world. It would cause them all to go back to emptiness in an instant.

If the creator creates creation so that it can be, and creates man so that man can be the eyes and ears of the creator, so that the creator can experience creation, then man becomes the vehicle that can experience something in the physical plane yet also enable a quality of the divine to manifest into itself.

Now how is this done? Well, let’s talk about how it’s done in the mundane sense, as in your dream. You saw the horses, the horses are your senses, and you recognized that the horses could bump into each other and stuff like that but the horses were in a flow – they were in the water, and they could work as a unit in that flow.

You then recognized that there were certain things that you needed to do in relationship to sensing something speeding up. And so your instinct was to find cover and safety, but in reality there was no cover and safety. You still perceived the separateness between things, shown in the image of the wealthy man who had his own safe zone – or at least an illusion of a safe zone through his scheme of power and control. But it doesn’t work that way; there’s no “us” and “them.” In actual reality, we are all in the same plane – there is nothing that isn’t a completeness. Over here, as over there, as above, so below, they are all the same.

So when you have a creation that’s held together by a slower vibration, in which the images are housed in the matter of creation itself, and then you have an aspect of your being that is able to connect to an experience on the other side, that experience on the other side is an experience of light.

Human beings find themselves captured or existing in matter, on the physical plane. In order for human beings to be able to access both planes of reality – the plane in which creation “disappears” because in pure light there cannot be creation, and the being that sits with an aspect of ego that experiences nothing but image after image when they open their eyes – they can close their eyes and can experience this other quality, in the dream sense, that actually sees a world of light.

And in that world of energy they can actually take on the speed of that energy, from within, and because they are speeded up, they can change the images in the outer.  That’s when you’re participating in something in the world in which you can actually change the images of things – you know, it’s not just creating a better this and that if something isn’t right – it’s a more profound change.  This is something new that has never been possible before, and this is the opportunity and wonderfulness of being alive now. Because at a time of transformation when something is being changed over the next 30 or 40 years or however long it will be, you are setting a template for the images coming forward for the next 1000 years.

Because there is an ego, the ego still has to relate to the light by way of images, so when you dream your dream is actually something that is coming through and has an ego center behind it and reflects itself as a dream.

If it did not have the ego center behind it, you would have an experience that you could not relate to – that you could not keep grounded. So a dream comes through the ego inflection effect that is rooted in the outer, that is rooted in matter, yet is connected to a higher experience. The effect is that if you can be at the speed of the higher experience, you can then bring it down into what is going on in matter at a much slower speed and it can change those images.

And what is very, very interesting is that it’s so strange right now in that there are images in the outer that don’t exist – they are still kind of there, simply because the real images that are meant to be have not come across in the same way or capacity that they need to come in. And you closed in on the threshold of that, but did not quite see it.

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