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Posts Tagged ‘being attacked in a dream’

Little Nightmares_20170707234528Okay, we can admit it: it is absolutely a battleground going on in us as we seek to let go of the personal and embrace the universal. It is the known trying to let go into the unknown. This is fundamental to our journey, and the resistance comes because we learned the truth later in life (as a rule), because if we were taught properly as children this process would be much more natural – because it is natural to our design. That’s why it has to be a conscious journey; we won’t get anywhere by luck, or accident. (At the end of this post there are instructions and a link to download this recording to your computer.)

Jeane: In this next dream I seem to be in a building. There’s a man in Middle Eastern robes to one side in the room that we’re in, and he has a daughter about 7 or 8. And I’m in another part of the room and I’m interacting with her sometimes, and I can tell that he disapproves of this, and it’s like I want to get her to come and play, or interact, with us, but I can feel his disapproval because it’s like he doesn’t particularly want her mixing with what’s modern.

And it feels like I’ve also been playing with magic – in this dream, and with the girl. As I go out from the room, however, I discover that we’re under attack by other people and we have to fight them off sometimes using magic and martial arts.

When I go back to the room, because we’re now under assault, it’s like this Middle Eastern man wants to show that he’s resolved with me so it’s like he suddenly drops his robe and he starts dancing with me doing a little Irish jig to show his daughter, I think, that we’re all together now. But, meanwhile, we have to flee a bit because we are being assaulted by all these people from elsewhere.

At first I try to hide myself. I even like run across a rooftop, and I run into a building that’s hidden by a skylight on the rooftop, but one of these invaders who look kind of Mongol-like, you know, sees me and comes up and busts into that room. So all of us eventually end up in a ground-room floor.

And when the invaders come in and surround us, initially we start moving around the room as though we’re harmless. You know, I have a fan and I might use that fan to just fan myself, or dance, or twirl, but in a way, on another level, we’re kind of consolidating ourselves all together, and we’re drawing all the invaders into one room, and giving them a chance to see if they will just back off.

But, you know, they just think they’ve kind of got an easy slaughter here now. So when we see that they haven’t changed their minds we lock the doors of the room, and then we kind of bring out our magic, like what was my fan becomes like a fan with swords on it. And then we proceed to really fight where we had just been dancing around before, you know, to use our magic, then, as well as our fighting ability.

John: So what you’re describing is kind of a whiplash scenario. How you develop a whiplash scenario is if you’re contending with energetics, in terms of inner and outer, and outer and inner, in which there’s kind of a battle between those forces, in which there has been the contractive forces that seem to dominate in the big picture of things.

It seems, however, that you have been observing how to go and contend with this in kind of a simpler way inside of yourself. That’s what I mean by a whiplash scenario, in that you go up to a particular point, then you fall back. And so, initially, it’s like you can expand, and then contract back, then expand even more and then contract even more, things like that, until you can finally break the bubble of the effect.

So, in the first aspect of the dream, you have the part, the little girl, that is something that can open up in a particular way. And that opening up is contradictory to the environmental influence that is upon her, that’s placed upon her. And so you’re working more naturally because you’re working with the feminine principle and with a daughter. You’re working with something that runs almost counter then, to a misguided, or misaligned masculine aspect of the father of this girl, as the dream portrays, that has other ideas in how it is that she’s to be brought up.

So, as that opens up, what that opens up to is that then causes you to confront something even bigger in the collective. When you confront that even bigger in the collective, those domineering forces come out at you in a way that are inclined to try to crush you back even further.

In other words, the initial scenario you kind of energetically zip through, so now you’re hit with a bigger kahuna to kind of try to push you back again. And this time when you’re pushed back into the room, or the inside of yourself, something has taken place in which because there’s a connectivity of things something has taken place in which the guy, the father, has seen something, has got something, has recognized something. Apparently he’s come to appreciate something in terms of how he has observed the daughter, or however you’d say that, because he is no longer opposing you.

And so that gives you an infusion of energy, as a base, that was needed. You know, in other words, you can’t operate in a vacuum or otherwise you’re just whiplashing back and forth. So then when the intruders come into the building, the hope is that they will see, or recognize, or get it in terms of the quality of the energetic being in a state of submissive innocence. Total innocence is total power.

Total innocence creates the mirroring by which something that is out of balance in a denseness is able to see it. It actually absorbs that which is out of balance. It won’t absorb it if it’s all reactive, but it will absorb it if one goes into a certain depth, or heart, of themselves, and is able to hold a quietness, or an innocence. And so that’s what you do, and then that enables you, then, as that other gets weakened, then to rise up and effectuate a change.

So, the schematic of the dreaming, is inner into outer, except what you did is you made a little bit of a battleground out of it all. In other words, first of all you had a part of yourself make a transitioning. In other words, it was the part of yourself in the first dream in which you were looking to expect to see something that would be sitting in a reflective zone, and it was no longer in the reflective zone. It had recognized something and had moved on, and had reached a deeper state – in terms of having realized something more than just the outer. It also had married, or found the inner.

And that is repeated, in the second dream, with regards to the daughter and the father. The father then makes the transition to where he is no longer an obstacle, or a force, that counters something. He becomes somehow, where he had been devil advocating what was happening and questioning and challenging it and being resistant, he becomes something that supports it.

Now, in both dreams, it’s not apparent that he supports it overtly, but he supports it energetically. And in the first dream this is a matter of opening something up as a portrayal of inner into the outer. In the second dream the opening up is by way of the letting go again; and what are you letting go? You’re letting go of the sense identification that is normally associated with reacting to things as they happen in the outer.

And when you react to things that happen in the outer, you empower the outer and you weaken yourself. And when you do that, you get personal, and you shrink. But what you did in the second dream is you didn’t empower the outer, you went innocent, subjective in your nature, so that you didn’t portend any barriers for that which is a misaligned and overly-directed force of outer mannerism. You pulled the plug so that you weren’t conducive to that outer mannerism. In other words, you weren’t letting that outer mannerism dominate, and throw you around, and cause you to react and, as a consequence, you disempowered that as that kind of illusion from working.

So the magic that you did was actually the real use of energy, and not the wrongful use of energy that occurs when what is purported is reflection. In other words, the personal, the degree to which one reacts in a personal way, is a reaction that involves the use of the outer senses in a personal way. And you have to transcend the outer senses, or the noodling around in the outer, which leads to those defense mechanisms, and adhere to something of an inner depth. When you adhere to something as an inner depth that’s the natural transformation, that’s the way that things actually naturally always work.

And I suppose, to the outer, that is used to gauging everything based upon reflection, that would appear to be magic. But the idea of magic would be the goofy concocted notion that you can actually take a reflection of something and make it dance into something that is real. It never has. It’s not an outer speaking to the inner. It’s an inner coming through and flowing through the outer, and the outer always responds reflectively.

And that a human being gets lost in the outer because they relate to the outer through their five senses – as opposed to a type of depth inside of themselves that can come to know the inner flow – because it’s that inner flow that is what is real. And because you identify with that inner, which is real, and are able to absorb, or absolve, or diminish the effect of the outer projection as it comes to try to usurp the inner.

If the outer comes and it dominates in terms of its appearance, and its ways, and its mannerisms, it will dominate only because you give it credence by acting reflectively, and defensively, and in a personal motif; that is what perpetuates the illusion. But when you are subjective and know how to hold the space of an overallness, in terms of a vibration that is coming through life in a destined, or preordained, way, and that it’s not of a reflective collective conditioning of the senses, when you relate to that, that, then supplants or shifts you outside of the realm of a limited, personal, physical existence.

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energy34This dream has the image of being under siege, and that can reflect a relationship between a person and the outside world as well as the inner struggle of different forces, often between the masculine and feminine aspects of a person. One element of this is caused by a person’s reactions to events, both inner and outer, which begin to cause rejection, resistance, and internal rifts. These all serve to separate a person from the wholeness of things and to disconnect them from the flow. (At the end of this post there are instructions and a link to download this recording to your computer.)

Jeane: So, in the next dream I’m kind of like the leader of a group of people; we’ve gone into this building. It almost looks like an old schoolhouse and, again, it’s olden times because I’m dressed like almost in a court dress.

As I look through the building, I’ve gotten people to leave the front part of the building, which looks out onto a courtyard. And I’m having them go to the back of the building almost to what looks like a basketball court area, but it feels secure. It’s on a lower floor.

And then I’ve gone back upstairs on my own because I understand we’re being besieged. And I’ve gone up to make sure that the blinds are drawn and the doors are locked. And as I draw the blinds, I can see the people that are besieging us riding up on horseback, and I realize just drawing a blind down across the window doesn’t do much, but at least it means they can’t see us that clearly.

And then I want to make sure one of the doors is locked, but I realize as I turn the key that I unlock it and at the same time it’s so dark, I’m suddenly having trouble locking it again and I think someone comes and helps me and I get the door locked. I mean, I know the windows are going to break through anyway, but it gives us at least some effort to protect everybody. And I go back down.

And then I’m just one level, or just on a shelf kind of like, where my people are gathered, when the invaders enter in. And the leader of them has like a peace treaty or something he wants me to sign, or a surrender treaty, who knows what it is.

I’m about to sign it and then he remarks to somebody that he knows our lineage well. I ask how can that be and he says because he knows my sister and at that I stop signing because I have a twin sister, but as far as I knew she was dead. I look to my right and there is a brunette woman there, but that’s not my sister, but she seems to know what he’s talking about, too. But now at this point I think he’s lying. I’m not signing anything. And that’s when I wake up.

John: That is complicated. Because from the first dream, there’s a suggestion that you can take more action from a depth inside of yourself because you’ve developed a general overall knowingness that you can come from.

And in the second dream, it’s acting as if everything is okay from the standpoint that there is more being taken into account than what you are able to perceive or draw as general conclusions. And that where it is that you sense a type of futility, it doesn’t really exist, because of the fact that you have this greater, inner quality that pervades through everything.

So, your dream is like taking and doing a twist on action. Because at the depth of this connectivity and everything, it takes what is normally a siege and danger and assault or whatever, and it transforms it into something that is part of what needs to be based upon the fact that there is the intertwining. And so it’s as if appearances aren’t appearances.

This really puts a different wrinkle in the first dream. This is complicated to figure out what it is that this dream is trying to say or suggest. The first dream is like a template that lays down the fact that when inside of yourself, you’re able to have a sense of something that you can springboard and act out on.

And in the second dream, it is suggesting that an even greater sense exists inside, in which the action and the things that you see or perceive in terms of steps that you can take, are not taking into account how everything exists, is intertwined, and isn’t a kind of action, or isn’t a kind of issue that you’re inclined to make it into being.

The dream is working at correcting something in your nature. What is it looking to correct?

It’s almost as if this dream is working on a stability quality. In other words, it’s almost as if the real meaning of the dream has to do with catching up with a quality of a vibration, in which a knowingness of what needs to be can be there. But at the same time, this has to be rooted enough so that you are able to appreciate a greater intertwining that is also at hand simultaneously. And in order to do that, you have to watch your reactionariness that your limitation in terms of something coming up and functioning in a quality that takes on more of a masculine nature is that you have to be attentive to not reacting in a way that fails to take into account that everything is always on some level destined and intertwined, and that you need as you act to be taking that into account simultaneously.

Which leads into the kind of energy—as one is playing with the subjective side versus the objective side, and the subjective side being kind of an innerness, and the objective side being a flow that acts out of the impulses of the innerness—what this is tending to suggest as an even bigger blueprint image is that there is a total letting go, and total surrender, and total annihilation, and total quietness, and total stillness that exists, that is like the ocean.

And then there’s the action that happens, where the thoughts, the manners, and whatnot, the masculine energy that takes and initiates something that breaks out of that stillness. And then there is the having to take into account that you don’t just abandon the stillness, that you hold that quality inside of yourself. One foot in the heavens or something, even though you’ve got your foot going you’re in existence in manifestation. You have to hold that other, or otherwise your actions won’t see the bigger picture of what is unfolding in front of you, that is part of a greater design and plan, that you’re meant to be able to shift and adjust to and keep up with at the same time.

So, that’s the big motif that exists now in terms of a bigger subject that has to do with catching up with the saintly nature of being able to let everything flow, or everything be as it is in life around you. And then to try to spring from that into something that is able to act out in it, which is a type of mastery. But that isn’t possible unless you, at the same time, always recognize that the emptiness is everything, because everything is interconnected. It’s not like this is that and it’s opposed to you completely. It’s not opposed to you completely. It’s a factor of something coming together in its own way that also includes you. And you need to recognize how that is intended and meant to be.

That’s the quality in the dream that recognizes how the lineage or intertwining works. In other words, you don’t just take a black and white. Things are never black and white. What looks like it is an issue that’s perturbing you or causing you to have to take steps of action, is also a stillness and at the depth of itself, it is an acting out that is still looking to try to find where it can have its cadence or alignment. It doesn’t know it. And so it’s acting out. It doesn’t know that it’s not aligned. And yet some part of you can know that all of that, even though there is an action and something can be seeable and feelable and hearable, that there is a way of also recognizing in every action the stillness that still exists.

So your dream is pushing you out on this level. This is a zone. This is an area that where the human being actually shapes things in life, if they can do this.

Or otherwise you just keep experimenting with parts of yourself. A negative way of looking at it would be to say on one hand, you’re being pressed to take some steps outside of your wholeness and start to recognize that you’re not as reticent or laid-back as you’re inclined to see yourself as being in terms of the mannerism and how the feminine is that you have to catch up with more of the masculine quality flow you’re being compelled to do that.

And then on the other hand, it’s showing that, as you do that, you’re missing all kinds of things. That is meaning that you’re being compelled to do that only to find out that what you’re doing, it doesn’t have a chance. It’s not taking something properly into account and that it is going overboard.

Well, even the negative way of looking at it is interesting because it shows that just the negative quality is the reaction that could have kept you from seeing that intertwining. You act out because you do that, but at the same time, you recognize the quietness and the silence of something that’s emerging. That’s intertwined. And then when you do that, when you take all of that into account, you pull things together. You pull the imbalances together. If you continue to be reactive, then the other oppositional thing would continue to act up and you’d have a mess. But when you suddenly see the semblance, then that is recognized.

Now, in this dream it seemed like the semblance was recognized by the other side first, wasn’t it or not, or was it just a…?

Jeane: Yeah, it by the other side first.

John: They recognized it first. So it’s as if the forces of life that are coming down and affecting you, are bringing you in information, if you’re able to settle back and look at it properly and correctly, from which you can see that there’s more going on than just the general mannerism that you could be inclined to buy into. That there’s actually more going on there.

And from that recognition, as if the outer is the greater teacher in this regard, you can come to see how, you know, the humor of something that’s unfolding, that not seeing it would have you reacting in ways that keep you tangential. It’s an interesting cycling around of energy that I suppose you’ll be getting more information about.

To download this file, Right Click (for PCs) or Control Click (for Macs) and Save: The Forces of Life

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