Posts Tagged ‘car in a dream’

09eewIn our dreams, we are always trying to find a balance between the masculine and feminine natures that we all have inside of us. The outplay of this dream shows three generations of female – child, young adult, and older woman – trying to bring the masculine into a “healthy” relationship.  As we are all the characters in our dreams, this is an inner struggle that needs to be resolved, yet the female dreamer understands that the feminine aspects cannot become like the masculine aspects to appease them, or make them feel comfortable. The relationship needs to be built with respect to the inherent nature of each characteristic for it to be a healthy one. (At the end of this post there are instructions and a link to download this recording to your computer.)

Jeane: I just pulled out my last dream. In my last dream it’s like I’m maybe young, just around teenager somewhere. I’m living in a house with a young girl, a little girl, and an older woman, and then there’s a man that comes in, periodically.

And he seems to be trying to do something for all of us to help raise the little girl, but he doesn’t always know how to interact with her, yet, and he’s getting older. I can tell there’s something kind of off, or wrong, about him right now, so I want to do something for him, or we all do.

So we look around, and he does have kind of a strange vehicle that’s parked in one room of the house. I don’t even know how to describe it. So I realize it might help him if we could take him out for a ride in this, but we could never drive that. And then I feel like anything we could drive we couldn’t drive fast enough, anyway.

I wouldn’t know how to drive a motorcycle, which might perk him up. So I’m racking my brain trying to figure out what I can do, you know what kind of a ride I can take him on that will kind of perk up his energy. And I’m going over in my mind things like horse and buggy ride, a Ferris wheel ride, I think. Maybe a ride in a convertible is what I finally come up with. I’m just racking my brain trying to come up with something because we don’t know how to drive his vehicle and we wouldn’t drive that fast enough, anyway. And that’s when I wake up, as I’m just trying to figure this out.

John: So what you’re talking about is the feminine nature to be able to take something that is in a masculine outer context, that is overly spacious in its nature, and bring it into a cohesion so that it can see itself, and so that everything can come to a cohesion.

What you know is that you don’t try to keep up with that, because if you try to keep up with that. And so that might even be a big aspect of a correction here, is the idea that you have to try to keep up with that. No, it’s not your role to try to keep up with that. It’s your role to try to cause something to occur, so that the effect of what is overly spacious, and zooming out, is able to find a cohesion based upon the way you hold a presence about things, based upon the way you allow something to be able to be felt, or experienced, which means you have to pull it back to some degree.

But you cannot pull it back in a way that restricts that. You have to pull it back in a way that comports with that, without trying to race out that way yourself, because you’re not allowed to race out that way because that is not what is meant to be, in terms of who you are. And so you are seeing that, in terms of who you are, you are connected to a sight on this particular level in terms of a higher self part, the grandmother part or whatever, and your regular, natural nature. You have proper cohesion training, or understanding, in this motif to be able to take and make a difference in this kind of atmosphere.

That’s very interesting. Which is the same thing as saying that you are bothered by, for example, a certain aspect of something in the outer, and it probably relates to me, and it has to do with how something is out of twang, in some regard or another. And that you’re not going to do yourself any favors by trying to catch up with that which is out of twang, or going in some pace that it’s going in. Instead you have to hold a quality of a presence of nature and being that enables it to be able to let go of maybe the way that it is driving itself. You don’t try to drive that way yourself. You, instead, hold onto a cohesion, and in that holding onto that cohesion you are actually giving something to that aspect of unfoldment.

And what you’re evaluating to do is to figure out what it is that you have to give to it? Is it a convertible approach, or is it this, or is that? In other words, you’re still working within the context of the car, meaning something that drives itself in a pace, and at a point, that you’re not going to be trying to catch up, or keep up, with.

Now that’s interesting that this is pointed out to you to have to recognize that you need to be like that because, from my perspective, I keep trying to get you to speed up. And that is not right. I act as if that you are missing something if you don’t learn to go catatonic, and then let go of the catatonic. That’s me, in my dementia, trying to turn your world into a dementia or something.

You know the approach that upholds a state that is conducive to a greater beingness, and you function in a way that tries to hold that together, and not try to keep up with that. And this is an interesting inner lesson of a quality of depth of a feminine beingness, because you often see, in terms of feminine nature, you often see the opposite occurring where they attempt to race out. They attempt to join that kind of world in some capacity. You know, women take and are all concerned about this, and all concerned about that, all as an idea that it has to do with imagery or something. And so she is not able to let go and actually settle back into herself.

But at what price is that in terms of her catching up with a deeper depth of herself? Having to maintain an image, and a persona, that is in keeping with having to conduct, in this kind of environment a certain way of coming across – and you see a lot of that – and how you are is you’re being shown that the exact opposite, or contrast, is what is important.

There is a way of letting go having to go around like that because that is a debilitating state to have to sit in.

To download this file, Right Click (for PCs) or Control Click (for Macs) and Save: A Cohesion

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vanishing-point_01Often, when someone, or something, is in need, we are at our best. We overcome the obstacles that are in the way because we understand what is at stake, and the importance of rising to the occasion. In the outer world, these situations can be easy to see. On an inner level we may only feel them very subtly but, as this dream image shows, the consequences can be just as dire. So our dreams can help us by showing us the importance of a connection. Here, a man drives a car across country to reach his family in need; what seeks to derail his journey is less important than reaching the goal. (At the end of this post there are instructions and a link to download this recording to your computer.)

Jeane: When I first woke up last night it was because I was coughing a lot, and it felt like rather than remember a dream I was just remembering a few minutes of a movie I’d watched before going to bed.

And the movie was about a man who was driving a classic car, a Dodge Charger, across the desert trying to get to his wife and daughter who were in the hospital. And he keeps having to evade policemen and others who chase him because they’re assuming if he’s going fast he must be… well, he’s either running into a speed trap, or he must be running drugs, he must be doing something else, you know, so everybody keeps getting after him from one state to another.

One person even chases him in a car that’s a black version of the white car that he’s driving, so it’s kind of a symbolic movie. And that movie just seemed to be on my mind a lot about the chase, plus my nephew has just gotten the same kind of a car, a Dodge Charger, which is kind of a muscle car, to restore, so I must have been associating it in some way.

And it just seemed to be this sensation of being in the desert because he was driving across Monument Valley and, you know, all the different colors like Monument Valley, you have a white car versus a black car, and the speed of it trying to chase. So, initially, it was like I was just trying to work with the cough and feeling sick, and then that movie was on my mind a lot. And then I had a dream.

John: So what you’re talking about, what you’re describing, what the energetic is, what you’re seeking to figure out, what you’re trying to close in on is a format, a methodology, a mannerism, a schematic upon which to proceed from A to B, between two points.

And so you’re still trying to sort that out in a way that comes across, so that it’s non-combative for one thing, meaning there is no chase or anything like that involved. 2) It’s not too fast for the situation, which means that you’re not creating a vacuum, or a desert kind of vibratoriness in which there’s nothing able to be denoted because your approach to yourself is out of twang with what is in the environment, is out of twine with connecting to what you need to connect to, that is in an environment.

In other words, the environment that you’re having to connect with is something that is needed, and there needs to be a relating in terms of that which is needed, which is in a hospital. And so what’s happening in terms of catching up with the, we’ll call it, hospitalized side of yourself is you have to find the right tone, space, mannerism, speed or however you want to say it.

Basically the overreaching schematic of the dream was that of, how do you come up with the means of communication that is able to make something, bring something clearly through, in a knowable way?

And so what you’re doing with this energetic of the dream is you’re looking at the characteristics, or mannerisms, in which your listening center is adhering through a process, or a flow, that needs to be aligned, that needs to be in sync more with bringing something from A to B. That’s what you’re doing is you’re playing with this A to B, and the way you’re playing with it yet is more of a kind of mystery.

In other words, the dream is there to cause something to sort, or streamline, in a way that facilitates a going from A to B. And to facilitate that, you have to contend with whatever there is that’s a discombobulation in bringing that clearly through. And so you’re working on sorting that out in your dream.

To download this file, Right Click (for PCs) or Control Click (for Macs) and Save: Something Needed

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stairway-to-heaven-australia-1How often do we reflect back on our life and see the logic and usefulness for what, at the time, seemed like a detour from our personal view of things? Because we think we are in charge of our lives, yet if we believe there is a purpose to our lives, are we sure that we know what that purpose is? Sometimes we need to learn things now so that we are prepared and able to handle something on the road ahead, and those things will be put in our path – even if we don’t understand it at the time. (At the end of this post there are instructions and a link to download this recording to your computer.)

Jeane: I only remember one dream from last night, and it seemed to go on for a long time. Somewhere near the beginning of the dream, I think I had come across a friend of mine that taught me to kayak, a man.

And then I had gone on from there, and I had gone into a hotel, a fairly large hotel. And I had gone in, and then it felt like I came out of the hotel and I was near the back of the hotel, and there were some people in a yellow car, sports car, like a little Porsche or something, and they wanted to find their way into the hotel.

So I’m trying to show them how to go into the hotel, but they just start driving their car through a back, almost like a workman’s entrance, and I’m trying to get them and their car the right way into the hotel through this strange kind of workman’s entrance. And we go around some corners, and I don’t see how they’re going to make it to the front desk this way, but we run in, you know, we go through some back passageways and make some odd turns, and then a workman shows us, points us a certain way. And somebody there is able to lift almost like a rubber door that the car can drive through, or my guess is this is a way you can get to where we’re going after all, and after that I can kind of point them to a direction to the front desk.

But then I continue on looking through the hotel, kind of almost like trying to get back to the front of the hotel. I walk through a room, then I realize that somebody that I know is taking a shower, you know, in the bathroom of that room, so I kind of get out the front door before they see me because I don’t want to disturb them. But then I hear them come out behind me, and then I’m walking along a passageway that seems almost like hidden, and I’m aware that one of the girls is suddenly complaining about this man that I knew that I used to kayak with, like they’re not trusting him or something.

As I’m walking along, there’s a man on my left that I can barely see, that’s someone that I knew from childhood that’s died, you know, in outer reality, and he’s talking about how he knew him and he liked him just like I did. And so I’m hearing that comment, but I just keep continuing moving along and looking for like the front of the hotel. And it just seems to kind of go through a lot of passageways to get there.

John: So do you have any guesses in terms of what is in common between the kayak energy and the energy of something being able to be brought into the hotel of your being?

The theme of the dreaming is looking at the energetic that facilitates, it enhances and facilitates, a presence for an inner and outer. In other words, it’s like if you didn’t have a certain, we’ll say, dexterity, you having related with something that was, and can be considered, a dense energy, this guy was kind of a rough character, but he did cause you to understand how to ground yourself in a certain way, how to kayak, right?

And that developed a kind of confidence, or rootedness, in your nature, so that you could then take that as a foundation and facilitate something else, bring in something else, in this case into the house of your beingness, which is a huge hotel.

You’re able to travel in that. You’re able to bring something through, because the greater general thing is the inner being able to come into the outer. But the little tweaked dynamic is the charisma, or the precedence, or the confidence, or the magnetism is also important.

Most people don’t understand that because they correlate it so much with an outer image, and so you often run into people who are weighed down by all of this, that, and the other, that they think they need in order to be effective or to hold a statement in life. Instead, you can do this with just a certain zest, a certain zeal, a certain quality of something that can sparkle through, like for example the idea of going to India added a certain element to things. It helps in terms of making a point, or presenting something. It holds a charisma. It establishes and sustains a key.

And so this was kind of what the dreamworld was trying to point out, that there are things that one can do in life that don’t necessarily work against the inner process, that can help to facilitate it in some regard, especially when it works towards a groundedness, or a key, or an auric overall quality. It is enhanced in some fashion so that something more can happen.

And that something more that was shown that was happening was you carried something as a consequence of a confidence, or dynamic, from kayaking, that you would have the audacity to attempt to tell someone else how to take their fancy car into the hotel – when normally you would have just ignored that because you wouldn’t have had the presence to even begin to think that you could hold their attention in that regard.

So, just that alone gives you a platform from which you can work, in terms of relatability, in terms of being able to bring across a certain quality of expression and mannerism.

To download this file, Right Click (for PCs) or Control Click (for Macs) and Save: A New Platform

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