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Posts Tagged ‘cars in a dream’

dmttrIt seems to make us happy, and give us settlement, to put things in their place; to categorize them, or to label them. But a spiritual journey is not like that. We can’t say that only this is the path, and that is not the path. The only path is within us. And, if we are on that path, it hardly matters where we are or what we are doing. It’s an important point: the only thing that matters is that we are doing it, that we are living our spirituality when we make tea, do the laundry, or cook dinner. Every moment is the right time for us to be with it. (At the end of this post there are instructions and a link to download this recording to your computer.)

Jeane: Well, in my dream, I seem to be somewhere in the mountains, almost like at some kind of a camp, because there are a whole bunch of us in the mountains and we all have our own cabins, or we share some cabins with other people. They have kind of like screen doors, or screened-in porches.

Anyway, at whatever we’re all there for, there’s a man who I usually feel is a little too complex to want to get very involved with, but I seem really pulled to him this time. So he and I are trying to find some place to be alone, and make love, and it’s like I think we try his cabin, I think it’s his cabin, first.

We go there and suddenly a whole bunch of people come in, just kind of fill the room. And it’s like I’m doing my best to get rid of them, even being rude. While I’m doing this, he suddenly also seems somewhat preoccupied with things that I’ve drawn, from the past, so that he’s looking at pieces of like art paper on which there’s drawings or scenes from things that may even go way back in the past. And he’s interested in that, something that I’m showing him.

Then I feel like we maybe have finally gotten rid of everybody, but there’s a young woman there, someone I’ve known from high school, that I can’t seem to get rid of. She just won’t leave the room.

So we kind of give up on having any privacy there, and I guess then we’re going to go over either to his place or my place, but we end up outside. And, as we’re walking somewhere, then he starts to want to make love on the sidewalk, which I consider too out in the open. Plus he keeps talking about something, which I find kind of a distraction because it seems to me like we’re just not really finding the right place to be together.

And then I wake up. And then when it feels like I fall back into the dream, and I look around, I’m looking around for him or something and then a woman comes up and gets out of this Bentley and so she says that she had found that the Bentley is a place where you can be. There’s maybe a whole row of Bentleys or something. Instead of trying to be in a cabin, or a house, the place to be was in one of these Bentleys if you wanted to get together. That’s all I remember.

John: Well you did this dream a little different than how I was looking at it, because I was looking at the theme as being something that is not limited to something that is transcendent, or in another loci or, in other words, outside of this plane of existence, on high, or however you want to say it. I was looking at the theme as being the recognition that there is that, but there’s also the importance of creation.

And the way you approached the subject matter is you indicated that, whether it was your house, or his house, there’s too much that was still going on. And even if you were to eliminate all of the activity, which would be the case if it was more his house, then it would be more like your house and there would be the young girl, or the quality of manifestation vibration, that’s there. And that no matter what you did, you wouldn’t be able to quite capture what was necessary, or needed, in terms of what you’re trying to do in either area.

And so you ended up finding out that it happened on the path. In other words, you go outside and it was on the sidewalk, it’s on the path, it’s not in one place or the other. The energetic comes together on the path. And what’s the path? The path is where things go up and down, or like the breath, up and down, between the two places.

In other words, it’s outside. The image is you’re trying to make it your place, you’re trying to make it happen in his place, you can’t tell which is what. Outside on the path it seems to be something that is able to occur. You kind of wake up from that.

When you go back into it you realize that it’s in the journey, it’s in the Bentleys, it’s in something that travels. So what you’re kind of saying is, where I’m sitting in the theme of this dreaming looking at the importance of manifestation almost as a reactive counterbalance to the schematic of going to heaven, or some other place within, as if I’m doing a pro and con or something.

What you’re basically doing is, rather than getting into the details, or the conundrums, you’re indicating that what is working in your dream, or seems to be the only availability that will make sense – because you can’t be in your place, which is in manifestation, or in his house which is on high – it has to be in the unfoldment, which is the path, and when you come back to take another look it’s in the transmission process, the Bentleys, the vehicles that go back and forth. Interesting.

To download this file, Right Click (for PCs) or Control Click (for Macs) and Save: Your Place or Mine?

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mex8There is the universe, and there is us. The whole of our life and development journey could be viewed as learning how we, as beings born separately into the whole, regain our access to the whole. We are designed to do exactly that, so it’s not a matter of being special, it’s a matter of letting go of the inner aspects that keep us separate, like personal ego. As we do that, we gain the keys to the kingdom, and are allowed entry. (At the end of this post there are instructions and a link to download this recording to your computer.)

Jeane: In the second dream it’s like I have this car. The car is going to have to be repaired, or something like that. So I have to take it to a car dealer on the edge of town, and I live further out of town. And I remember I have to think like, do I even roll it down the hill to get it there? Because there’s something a little wrong with it.

But first I have to get the key for it. Now in order to get the key, this car dealer has something set up where I had to actually swing across a road, like from one structure to another, and what I had to swing on it was almost like a sheet had been tied to something that had some green bands on it. You got your heel in that green band almost like a stirrup.

And so I’m up on something that’s elevated and I have to reach across to another thing that’s elevated, almost like leap across actually, get my foot in a stirrup that’s kind of a little green stirrup inside what looks almost like a sheet that’s tied to something.

Once I have done that and I’m over there I can reach wherever the key is. Once I’ve done that then I can get back and start my car and get it to the car dealer, although initially it feels like I push it down the road a little and get it rolling so I am sure…

John: So how come you have a car with no key?

Jeane: I don’t know. That’s just how it is in the dream. You know, it was one of those dreams that didn’t make a lot of sense because it had a lot of strange elements.

John: The dream makes sense; everything in the dream makes sense. And there you are with the car, and you don’t have a key.

Jeane: Yeah, right. There’s some key that I have to get before the car repair guy will repair it.

John: And so you have to then swing to some place or another to get the key?

Jeane: Yeah, I have to swing. I have to fit my foot in a stirrup and kind of climb up and get the key. Yeah, and then I can get my car repaired.

In the dream it’s almost like there are two cars, plus I have a friend that one of us is getting our car repaired, and the other car seems to work kind of okay. I remember at one point I was starting to roll the car, but then I realized I could run it, so once I get the car where it needs to be, and it’s being repaired, and I even have the sense the car has been repaired and I want to go home, I’m suddenly confused about whether the car is at the car dealer or home.

Part of this has to do with because I feel like there’s almost a shadow figure that’s getting their car repaired, too, or maybe just one of us is getting a car repaired, but it needs a ride with the other.

John: The whole shadow figure thing is just this additional element of an energetic, that sits off to one side, that hasn’t fully flushed itself through. The key just is the means by which you access the whole thing on an inner level.

In other words, yes, the key represents something that has to do with a car, per se, in a physical level as well, but that isn’t the kind of key we’re talking about. We’re talking about a key which means a means of access that you have to have established first in order to address, or deal, with something that is awry in the physical level.

That access is an access to something on an inner level that is able to come down through you, because you’re also the car, come through you, and this whole idea of how you’ve been working with the car before is a little bit bizarre because those conditions are doofus. You’ve got this car that rolls and this, that, and the other, and in order for it to be repaired – which means in order for something to deal with the state of illusion that it’s in – you have to have an access to something that goes beyond those conditions of manifestation of the physical.

And that turns out, as you’re told in the dream, to be a key. And until you have access to that then something cannot then happen to the vehicle to get it repaired. And this whole idea of swinging and whatnot is like going between the two worlds to pull them together, to bring it back into a wholeness. And the idea of there being a shadow vehicle has to do with the shadow now that is a shadow in terms of the dimensionality of the inner. That is like the shadow, or the waverings of something that still has the physical flicker of manifestation.

That little deceptive notionality is like the shadow. It’s not a shadow anymore of how it is that you are in relationship to some neurosis or part of yourself that you’re not completely able to fully own and whatnot, that has to do with going to a depth inside of yourself and working on yourself and getting yourself aligned and whatnot. Now it is dealing with the real McCoy of things, the inner and the outer, and you are carrying on a subject that has to do with that. You’re dealing with the only two components that there really is in the universe of things, and it’s that inner and that outer, and what separates them and how that works in terms of the key, as if there is a key or is a means of access or, in other words, to say that there is a veil that falls that you’re able to cross the chasm of ignorance and then bring about something that can take and make this happen. And then what did the car do?

Jeane: Well, the guy is getting the car fixed. I know the car at some point has been fixed, but then when I go out into the car yard all I see is a sea of cars that all look like mine stretching for who knows how far, maybe even all the way back to my house. So I’m trying to figure out how do I figure out which one’s my car now, so I have a key, but I press the key and I can hear a sound but I don’t know how far that key reaches so I’m not sure where the sound is coming from. I think just before I wake up I figure that maybe the guy that repaired the car would know where my car is because right now my problem is maybe I can use the sound to locate the car. I don’t know. It’s too many cars, as far as you can see, and they all look alike.

John: Yeah, yeah. It’s that way, I guess, when you have to identify. In other words, that last aspect is going back into the veil, because technically speaking when you’re working with all inner and all outer, and the key accesses and brings all of this through, and the car is you, which is everything. It’s the means that goes backwards and forwards.

You’ve gotten to the point where there’s the similitude, or the likeness, of every car looking the same and being the same, but somehow or another you’re still stuck in fully acknowledging and recognizing it in its full literacy as all pervasive, because that key that you have should open the doors to all of the cars – because there’s only one car.

And yet somehow there still is something that is affecting you, whereby you tend to still think that there is some sort of missing piece somewhere, a singular thing or something somewhere, even though you have an inner eye that tends to see and is closing in on the fact that all the cars look the same. Yet you’re somehow not quite catching up with the fact that your key, if it is a key of access between the inner and the outer, goes through all that exists, affects all of the cars.

A deeper meaning of this dream is that understanding of the vehicle itself, and the appearance of the vehicle itself, your ability to see this vehicle all being the same, indicates that you’re catching up with the understanding of some aspect of overall essence that permeates through all things.

And when it is like that any kind of change that occurs affects everything in the environment. In other words, things that are done on one level affect things on all levels. And so all of those cars are affected, but so far it isn’t completely through. There is a gap, because the appearance now of likeness is there, but the key seems to still have a particularity in relationship to some vehicle that is identical with all of the other vehicles, somewhere in this malaise of vehicles that stretches as far as the eye can see, that are all the same. That part is where the confusion yet lies, because that cannot be.

You can see where that does not make sense in relationship to the inner coming all the way into the outer, although you have a component of it, and you dreamt it in a big fall swoop. But then when you get to the living of it, which is the dealership of it, there is still some component that’s missing.

To download this file, Right Click (for PCs) or Control Click (for Macs) and Save: Chasm of Ignorance

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AsWithinSoWithoutHere, Jeane continues her dream from yesterday (see Back to Essentials). It’s interesting to note that the imagery has literally shifted from inside an office building, to being outside on a bus. This speaks of the human process of bringing energetics through into life – a process of the inner manifesting in the outer. Processing energy in this way is part of the human design, and part of our role and responsibility in creation.

(At the end of this post there are instructions and a link to download this recording to your computer.)

Jeane: Now it feels like, as I am trying to suddenly work out in my mind how to accommodate these people, because there are so many of them, it feels like we’ve shifted to where we’re on a bus. 

And there’s one gal outside the bus yet, and when she starts to walk up the street, there are some kind of rough-and-tumble people on the street, so it’s like I kind of get her to come back on the bus because the action out there was a little rough. 

And then it just seems like there’s a shift as I’m finally working out how I can maybe give a little bit of time to each person, even though it seems impossible because more people keep coming. But I do seem to feel like I’m starting to sort it out, but then it’s like there’s a shift and it feels like I’m walking across a field with you or someone that’s like a combination of you.

I’m walking across a field with them at night, and they need to go on ahead because I still have some more people to see. And I go on up to a house, but I realize the dilemma I have is that we’re walking together and they’re going to go on up to this cabin, or house or something, which is across this field like a football field.

But I suddenly realize we both came in the same car, or we’re both there without our cars, so that we have to meet up and get back together because we can’t just one of us leave and then the other leave, because we have to go find the vehicle or something like that.

And so he’s going to have to wait at the house until I finish the work, and I know he kind of goes up to this A-frame, and it’s night, and I’m not even sure it’s our house he’s going to go wait at. It does seem to be someplace he can go in, but then I have to try to find him again at night, after the work is finished. I barely remember that part.

John: Well, this other part is a little different than what I was expecting in that what you’re doing in the last part of the dream is you’re measuring the capacity, the capability and capacity of yourself, to take someplace within and go into the outer with it.

In other words, bring it through. And you go out onto the bus, but it’s still kind of almost an interim bus. It is a bus. It is in the outer. You have taken it out, but as far as going out and walking down and around the street, that can be a bit rugged.

And so you still have your carefulness that you have to do in terms of taking something that is enmeshed and hidden inside of you and taking it into the outer, living it, so to speak, in the outer capacity.

The rest of the dream continues in terms of trying to get you to realize that because you’re still going through the motions of trying to figure out how to bring it into the outer, that it’s easy to see this to be separate over there, and that to be a bit separate over there, and still have that kind of distinction mannerism in your nature.

And the dream is trying to say there is no distinction mannerism in your nature. Everything comes together. It all drives in the same car. It all loses the car, and it all finds the car, so to speak. It all is in this together.

And that you don’t go making distinctions with parts of yourself. When you bring it through you bring it all the way through. You don’t say, okay, this over here doesn’t get the smattering in that over there.

You don’t have any conditions. It either all comes through, and it’s not all coming through is what this part is portraying. And then so you have a bit of a bewilderment in that because you had the directness and the loudness of the other part that kind of came through, but now the carrying it across into the outer is still your Rubik’s Cube. I mean, you still have those peculiarities to sort out.

That’s a pretty interesting dream. You have to establish the overall space because that’s what’s important, it’s the dynamic from which you then are able to function and work and extend and reach out and come down into life – inner into outer.

To download this file, Right Click (for PCs) or Control Click (for Macs) and Save: Into the Outer

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