Posts Tagged ‘catching up with the Wholeness of life’

_dualityThe recent theme continues as John has dream images that bring to the forefront the need to see the interconnectivity between all things. As humans we get caught in the idea that we are separate and that we live in a world of dualities. Yet that is an illusion caused by our egocentric view of life.  (At the end of this post there are instructions and a link to download this recording to your computer.)

John: In my meditation dream, I’m contending with having a sense about things, but I’m not dwelling upon it to such a degree that it brings on a direct catastrophe. In other words, one could feel something in their bones.

What this dream is meant to do, and what this impression is meant to do, is it’s meant to show that I go about, and I’ve kind of known this as a limitation but have never come back to have to face this, in that I absorb things and in the absorbing of things I’m mutable in that regard, and can become overly indulged in what it is that I pick up.

And when I get like that the reverberation inside has a whole catastrophic-ness that I can feel, and the key is, then, whatever that is that’s a catastrophe that’s unfolding, I get swept in with it. And the key is to recognize how to shift from that, because there are other folds in life that are occurring.

And yet this is an aspect of a type of time that is also unfolding, and I can unfold in a different fold. So to do that, I have to recognize that even though the energetic in life, and these energetics bring on a particular disaster as a kind of vibration, the fact that the outer is able to hold up is a bit to my surprise.

Which means I’m catching on to something that is shifting, but the outer is holding up so there’s something more that’s going on. I then make note of where my energy has been lately, and seem to agree I am lucky that I didn’t get absorbed by this because I’m feeling it, and yet I’m recognizing something more is awakening.

And it’s easy to get caught in the dominant effect and then you lose a certain succinctness, in terms of being in tune with the change in the world that operates in its own succinct, straight-away fashion – and you’re able to go with that. In other words, there are all these planes upon planes upon planes, just seeing that of the universe, and we think some little hiccup and we dwell on it – again, it’s just a tiny, tiny variable.

So this evolves into the dream in which there were two long objects, and these objects each had three parts to them. And the degree to which I could intertwine, because normally I can’t intertwine because I look at things too literally and then that creates the catastrophe of things when you look at it too literally because then you mutate to the environment that is around you and you’re affected by it.

In this dream I had developed something that had finally emerged a little bit distinct from all of that and, as a consequence of it being distinct, I have the ability to flow over these two objects and make them in harmony again. 

And because one of them required more of a process than the other, or was dusty or dirtier than the other, in order to do both of them in the same timely fashion, to pull them both together in the same timely fashion, I took the ones that were faster, the parts that were faster, or the component in my energy would be slowed down more by some feature. 

So I took one that was three parts, and then I took one part out of the second object and I could take and go over them in the same time sequence, even though I was covering four parts of one in the third object, and then two-thirds of another object. 

And the amount of dust or debris or dirtiness that existed in the second object slowed me down with the energy, and I was able, though, to bring both of those into a quality at the same time. In other words, this is like a type of musical aliveness quality. So I can handle the same amount that way, and I had to go over the two objects in this way given the auric heart quality I embody for transmission purposes.

So the theme of the dream, the schematic of this thing, is a way of connecting with something in an interconnected way, so that you don’t go along always seeing yourself in a dualistic nature. And as long as you see yourself in a dualistic nature, you don’t see the non-dualistic quality of the interconnection. 

And we each carry a clarity of focus and a naturalness that is in sync with some aspect of life to some degree. And what I was describing was a state and condition in life that I am able to maintain a corresponding vibrational cadence with, in that I am able to touch, and therefore alter, or change, or purify, or however you want to say that, absorb that into a working reflective flow.

In other words, it’s intertwined. It’s no longer separate. And we each carry a heartfelt vibrational note that permeates into creation and this vibration is able to affect life by awakening an intertwined aliveness. 

The sequence, pace, time, and mannerism is what we come to find as a shared essence – when we leave the images of being separate that keep us from seeing the connectivity. What I am describing is an access that is not possible until there is the recognition that things twine together.

And therefore, without that recognition, you also can’t affect things because you always do something in kind of a self-mode way that is separate, as opposed to something that links and flows in relationship to a greater and greater Whole.

And for each of us it is different, in terms of what it is, and how it is that one comes to notice this characteristic or this trait. In my instance, I have been awakened and quickened to a way of being that connects to the heart in a certain way that I seek to resonate with, and to the degree that I am able to catch up with this, I am able to radiate out from what had been an insular awareness.

I’m talking about a quality of the heart that is conscious to an interconnectivity having taken and transformed the focus upon one’s ego-oriented, separate self, to the coinciding sameness hidden in creation seeking to wake up in this natural overall beingness.

To download this file, Right Click (for PCs) or Control Click (for Macs) and Save: A Shared Essence

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SONY DSCIn this dream analysis, Jeane finds herself in a room with two others, a boy and a girl of college age. She is trying to see if there are enough beds for them, and is confronted by the guilt of disapproval that is anticipated to come from the other girl’s mother – because of the sleeping arrangements. But the imagery is really speaking of a connection to, and being right for, the Greater Mother of all of creation. This analysis will be in two parts, continued in our next post. (At the end of this post there are instructions and a link to download this recording to your computer.)

Jeane: I just remember a snippet, and it’s like I’m college age, and I’m going on some kind of… it almost feels like a houseboat type cruise or event with other people my age. And I don’t seem to know them before I get there. 

I find myself sharing this large room with another girl my age, and a boy, a college age boy, and this room just seems to have a lot of stuff piled in it.

John: Are there three of you or four of you?

Jeane: There are three of us, the guy, the girl, and myself. And I seem to have found this almost like little window seat right by the door as you come in. It’s not really a window seat, but you know what I mean, it’s kind of like just… that I’m kind of reclining on a bit.

And then the girl and I are sharing a space and the boy has a bed kind of towards the middle or far side of the room, but there’s other stuff in there, too, and I’m searching around trying to figure out if there’s enough space to make three beds. 

If there are actually three beds in the room in all this other stuff that’s piled up, and meanwhile somebody else has come in to look at our room, and they’re kind of surprised because they think the girl’s mother would be shocked that the three of us are sharing a room. 

We don’t seem to find anything strange in it. In fact, it seems to suit us just fine. And we realize that no, we don’t have another bed in there that would make three beds, but what I thought might unwind into a bed actually is going to unwind either into a ping pong table or a volleyball net, and I think that’s actually kind of a lot more interesting. 

Obviously we’re sleeping in something that can become the game room, that’s why it has so much stuff all over the place.

John: You’re using the traits around you to point out where you stand in relationship to taking things in in a proper way, which means you just have to take them in in terms of what’s there before you. In other words, like a container quality nature.

You are presented with an image that has you having to figure out what it is that needs to be able to be taken in as part of the overall Whole, so that in doing so enables you to be at a state of completion with yourself.

In other words, how do you reside inside of yourself with everything taken into account? And until you do that, you can’t take on the step that is required when you are in creation, which is to have an inclusiveness in your being so that you can automatically play the game of life.

And so your dream is attempting to show you where the components of yourself are lacking. And it indicates that there are three people in the room to begin with, a woman and another guy and you, you’re like a guy.

Jeane: No, no, I’m a female. I’m sharing the bed with the other girl.

John: Oh, with the other girl.

Jeane: Yeah.

John: And yet then there’s the guy that has a bed. He has a bed?

Jeane: Yeah.

John: Okay. So, the imbalance in the dream is when the mother comes in…

Jeane: No, the mother never comes in. It’s just some other kids that know the mother.

John: Some other kid that knows the mother?

Jeane: Yeah, we’re all college age kids on the boat.

John: And she knows the mother?

Jeane: Yeah.

John: And so she knows the mother won’t approve? And yet at the same time the guy in his bed you never place any attention upon him, right?

Jeane: No, he’s just going to be fun to be there. I mean, it’s not a romantic…

John: No, no, but he’s just in the room. So, there’s a part of yourself that isn’t quite in balance with how things need to be in creation, or in a grounded way.

And so you somehow are able to appreciate the masculine, or the clarity quality, in life, but somehow you have to take that into a depth in creation. And you have a level of hiddenness brought close to you. You’re able to share with that, which is that little girl part.

But then there’s the greater depth of your feminine overall being, that you still haven’t won over yet, or still are unsure about, or is still somewhere else – that’s the mother quality, or the priestess quality, or that deeper divine quality of yourself in relationship to the overall.

And that component needs to be there in order to reach a four, which is a level of completion. And you have inklings about it as others come and go, so to speak, or other people can come there and they carry an opinion or a mannerism that points to this part that you are not catching up with, or have not brought into the equation, as it needs to be brought into the equation.

Your dream is trying to portray a setting, a setting upon which you carry yourself in a particular way, or state, and you look at that way that you carry yourself, as portrayed by the image, and you see in that state what is required or missing in order for you to be more all-inclusive in your overall perspective of the Whole, which you have taken for granted or, therefore, it is still foreign to you, although you know and have reports that it exists, this deeper quality that has to do with the greater Wholeness, or the macrocosm of the situation.

And of course we’re talking about a macrocosm of a situation that has a quality of creation, not the quality of the creator, just of creation, that component which carries its reflection of what is, in terms of the creator. In other words, if you can see that, then you somehow or another catch up with what God is all about.

And you need to catch up with that more, the creation component. That’s the setting that isn’t quite there of which there is an uneasiness or a feeling that there’s an imbalance, and you have then no problem appreciating and enjoying and finding fun, the inflections which can then ensue.

But the base of yourself has to be sounder in order to have what is necessary to be there for a completion to occur, by which you then, out of the Whole of it all, find yourself able to play the game of life.

But until then, it’s still kind of confusing because there is the absence of this particular depth of your being in creation that you need to catch up with.

For part II of this analysis, see The Great Mother Quality.

To download this file, Right Click (for PCs) or Control Click (for Macs) and Save: A Level of Completion

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