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Posts Tagged ‘chase dream analysis’

Logo-ColorThe image of giving birth in a dream is a powerful one, because not only has something new been made possible – in the dreamer – but, like any new life, the babies are vulnerable and need to be protected. So what has awakened, i.e., been born, needs to be nurtured by the dreamer so that the new aspect becomes part of the dreamer’s life and ongoing processes. But, of course, different parts of us want a say in the matter, and that resistance can appear as being hunted, or chased, in a dream. The new is always at risk until it has grown strong enough to stand on its own. (At the end of this post there are instructions and a link to download this recording to your computer.)

Jeane: So, in my dream, I seem to be around some family, but I’m almost like in a foreign country, at least some place that seems not like home. And I’m pregnant, and I’ve given birth to a daughter and then, after a delay, I give birth to a smaller baby that’s a son. You know, pretty much all in the same time frame.

And right after giving birth to the son, it’s like I’ve left the place where I am and I’ve gone with a man and a woman that are with me to another home, just a short walk away, because people are hunting me. They seem to want me and the babies.

And then I can hear they’re coming to that house, so I walk back through the woods with my friends to where I gave birth, to the original house, because they’d already searched that. And there’s a convertible there, which is not ideal, but that’s what I feel like we can all make our getaway in. It’s just I have to go into the room first and very quickly sort through what I’ll take with us and the babies.

And then I think I get in the backseat with the babies because they’re taking me somewhere else. Well, where they take me, it feels like I must put the babies down somewhere, and then I’ve gone into this large dining hall, and I almost have the sense I’m in an embassy or something, but it does have this huge dining hall with a lot of people in it.

And once I’m at this embassy-type situation, you have been around, but you’ve gone out to check out a living situation. It feels like you’ve gone to check out a hotel or something, that’s in the city, about whether or not that’s where we can go next. And I don’t seem to want anybody to know what’s happened, or what we’re doing next, so I’m in the dining hall acting normal.

And like somebody comes up to me and mentions that there’s all this speculation that something rough must have happened, because I think they found the room where I’d been with the babies and it was all roughed up or something, and I say, no, it was just an easy birth and the babies are resting now.

I’m just not like giving anything away to anybody because it’s almost like I want to just create this kind of normal façade until we can get to where it is that we’re going next. That’s pretty much the whole dream.

John: So the theme of the dreaming, last night, was that there comes a time, after the catching up with something on an inner level as images, or as qualities, of beingness that this somehow has to inflect into everything else in life.

And so, the masculine way of dreaming it would be to look at it as if there is a systemology, or ten-point plan or something, aspects, you know, levels or something.

The feminine way of dreaming it is that she sees in her nature that she carries something, or holds something, or sustains something, that she feels as an atmosphere, in the atmosphere. Well, she feels it, but then there’s more than just being able to just note it and feel it, so the dream starts off in which you’re in a house in which the atmosphere is conducive to catching up with this quality within.

And so you give birth to something that has a wholeness, both a masculine and a feminine quality. But you can’t stay in this house, so, when you go out of this house, are you able to take this quality, and the atmosphere, are you able to take that with you into the outer, into physical manifestation, so to speak?

And what you’re finding is that, to the degree to which you aren’t doing so, you’re haunted by parts of yourself that can have the understanding, so to speak, of what this inner depth is, can have the understanding in some sort of, we’ll say, subconscious level or something. But in terms of in the outer still it comes across as if something is still affecting you, or haunting you, or throwing you around. But because you have the effect, in a kind of subconscious level, it is almost like you have the inflections of how to go back to how it is that you are able and meant to be. In other words, it’s like you’ve got the masculine and feminine invisible sides of yourself that are kind of like hinting, or causing, you to function inflectively, even though you have issues that you’re not able to quite live and contend with. You’re not able to live this, so you’re still contending with something as if it is still haunting you.

What you’re talking about, in the end, is a realization that what is happening, from the sense that you have from deep within, that if you brought that through totally into the outer that would be a letting go. It would have the sensation of a letting go, as opposed to reacting to this, or that, yet, as if something is still haunting you.

And so, in the dream, the way you’re understanding it, is that you’re not going to be making any big deal out of anything in particular, you know, everybody likes the racket, and the doingness, and the carrying on, the so-to-speak news report of things, and you’re not buying into that because to buy into that serves no useful purpose.

So you’re almost catching up with what it really means to just let go, and that such a letting go then becomes a taking of that which is latent in your nature into a livability in the outer. That’s pretty interesting.

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imag324esIn a chase dream, who is the pursuer and who is the pursued? The simple answer is: you are. Because we are all of the characters in our dreams. But what’s interesting is that a chase dream shows us how one part of the inner life is resisting making a connection with another part of the inner life. But that connection wants to be made for the good of the whole. In this image, the pursuit is in a mine dug into a mountain, so it is happening at a great depth inside, where letting go of fundamental defense mechanisms can be a scary thing. Yet the unconscious is saying: trust us, it’s okay. (At the end of this post there are instructions and a link to download this recording to your computer.)

Jeane: I remember my earliest dream, it felt like I was almost inside a mountain. Do you remember how when you see those movies when people are traveling around in carts inside mountains, like using the old miner’s carts? It almost felt like that.

There was a young man, or older boy, with me, and I had him on one of those carts, but maybe a little lower cart, and other things piled in the cart with him. And it felt like that was one of the ways that I was, in a sense, helping him get away longer, in a game, or last longer if we were being chased.

I had a feeling like something was happening where eventually everyone would be caught, but whatever I was doing with having him sit like lower in that cart with some things piled around him would maybe let him last longer in the game. That’s about the only impression I had of that dream.

John: So the typical image is, you scale a mountain in order to overcome it. You don’t go to the point where you’re overwhelmed, or immersed. Or at least that’s the question: can you do it that way?

Because the theme of the dreaming has to do with a quality of the vibration being such that you need to recognize and understand it as saying “no.” In other words, images and vibrations that tell you that something isn’t meant to be done that way, or isn’t meant to be done at this time that way, in other words, because it can change.

But you don’t eliminate something of a karmic flow that’s off by trying to do something that’s not intended. That only causes you to become more veiled, and it causes you to lose the acuity of your listening center. In other words, it’s like this: you have in the higher self, or the inner of the inner, you have light. And then in the outer and outer, or the smaller than smaller, you have sound and in the sound there is information – just like in the light there is information. But in the sound it works towards giving you guidance. From that you can come to know what is to be, or isn’t to be, in the smaller of small of which you don’t have a full recognition connectively because your senses are limited to a type of perception that is inclined to keep you viewing things as being in a multiplicity and, as such, then you have to learn how to, or think you have to learn how to, navigate within that, as opposed to accepting it as an aliveness, and a oneness, and a wholeness that permeates all of your being.

Now since the theme of the dreaming had to do with knowing how to recognize when something is not meant to be so, I’m wondering if your image of being inside a mine, or a mountain rather, if being inside is an overindulgence, or is something in which you are on a tangent and have gotten to a point where you aren’t able to recognize how something is able to be sorted out because of the overindulgence.

Now ordinarily, all things being the same when you have a dream in which you go into the depths of something it’s like going into the depths of yourself in order to work on the karma, or the waywardness, of one’s nature. Ordinarily you do that, you go into the depths like that in order to burn off the dross of karma, in order to come to grips with how it is that you are, or to see yourself more fully, to recognize within all of that is the greater wholeness of your being that you have not met before.

So you go into the depths of yourself to gain an access to this other. So the question I would have is, and the only way that you can know whether this is true or not is whether when you were inside the mountain, if the vibration of being inside of the mountain had the sense of a constriction that kept you from free flowing in a way that you needed to free flow? In other words, a mountain symbolically in and of itself represents an obstacle, so you’re inside the obstacle, maybe to up close and personal to the obstacle to be able to untangle it. Maybe you need to recognize, maybe by going into the mountain, like you’re doing, maybe you’re acting like the obstacle somehow or another is real – as opposed to it just being a defense mechanism or a quirk in the overallness vibration of your makeup. I don’t know. You’d have to denote that.

If it’s a sense of pursuit, then it is a type of defense mechanism. It’s a type of refusing to yield and let go, because when you let go you can become empty, and when you become empty you can have an access to something more that can flow through you. So if you have the sense that it has this whole other context that’s pressured against you, and you’re fighting that, then what you’re doing is you are not allowing yourself to be in a space of letting go. Like an example is, if you’re meditating and in the meditation your thoughts run, and then you try to stop your thoughts to meditate and the thoughts keep running, you’re being pursued, that’s like a pursuing. And it’s a defense mechanism and good luck going anywhere. If you’re haunted like that. And is this that kind of a haunting?

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The-Flux-Capacitor_art

Ivan Terzic

We likely all know that moment when we are doing something really well, doing it naturally and with just-as-needed effort and timing, and then we become conscious of that state of our process and the whole moment is lost – along with our great skill. Well, this dream points out that we can do exactly that same thing in our spiritual journey: as we seek to be in the flow of energies, with our natural grace, it is that moment of the personal thought or idea that will completely disconnect us. But we can learn to separate ourselves less and less. (At the end of this post there are instructions and a link to download this recording to your computer.)

Jeane: So it feels like I work in some kind of a medical center, and you work there, too. But the problem I have is that everything in this medical center is always shifting, and people, and everything you have around you, is represented by these little dots, or little globs, round globs.

Well, the problem is, these globs keep shifting randomly and if three of them are lined up, then everything is fine, you can be working fine, but if a fourth one lines up it wipes out all the others and whatever you’re doing has to start over. It’s very hard to get any work done.

Well, I finally decide that one of the ways around this is I’ve gone and I’ve started studying some Qi Gong with a Qi Gong master who lives down the street. And then I figure out what’s going to help all this is if I can get you to come and take the Qi Gong classes, too. If you’re there, and you’re taking the classes, then for some reason this is going to help fix this alignment problem.

And I take you down to meet with him, but I know this is going to be a real challenge because, while you’re very athletic, learning Qi Gong, or any kind of martial art, is a lot like following dance moves and that’s not your strong suit. So I mention this to him because I don’t want you to get clobbered by any of his students that are over enthusiastic. So we kind of decide what time you can go down there and start learning, and it’s probably better to be in the back row while you’re learning. I think that was when the alarm went off.

John: The first three parts, were something aligned, or something is kind of coming into cohesion, that is the phase in which you are catching up with, instantaneously, as an in-the-moment part of the whole quality of your nature, what it is that is meant to come through you, or meant to be experienced, or you’re meant to feel as a flow in the whole. The fourth part…

Jeane: I just remembered it. In the middle was this dream where it’s like people are trying to capture, or shoot me, and I kind of run away from them by climbing up in these great big huge trees and flying around the tree, or trying to do something where I can stop them, or get them wrapped, or tied up.

John: What you’re doing in that dream, with that part that you call the middle, is what you do as the fourth step in the first dream, and that is you have your understanding, or idea, about what it’s about, and that idea, in terms of what it’s about, is taking what you’re experiencing in a overall way. It’s taking it into some sort of relative context.

In other words, the way that you’re having to go up a tree or whatever the heck it is to escape something, that’s your idea of what is going on, how to relate to that. That’s making it relative. The fourth thing that you come up with, in terms of something that is just hitting you in the present, it’s a kind of completion, but it’s a completion in a relative sense. You don’t want that kind of completion. Where it might have been important at one point in time to understand what was relative in the situation, now that gets in the way because you’re in the absolute of something that is in a moment flux, felt in the bones, that’s flowing through you. You’re not into what that is about.

The fourth is an indulgence. The three are a flow that comes in. The three things are a flow that’s coming in that’s like a guidance, or inner awakening. You’re receptive to those three coming in. The fourth is where you’re trying to pay attention, now, as if you have a right to know what’s going on – and you’re never going to get that to align. In other words, the three are a naturalness, that’s part of what’s meant to be, in terms of yourself, as part of the whole. And the fourth, the fourth is your conclusion about all of that.

Now, ordinarily, in one phase of dreaming, you have the one, two, and three and then the four, which is the completion. This is not a completion, anymore. This is something that has to be dropped as a completion. You just need to keep the in-the-moment stuff in a surrendered, accepting, empty way, not have to contend, not have to take and act like you have a responsibility to have to come to some sort of accord.

And the same thing is true in the other middle dream, where something is coming at you, something is being experienced as coming into your nature, or is affecting your nature, and you are seeing yourself yet in a separateness there and so you’re trying to elude, or escape, that from happening.

And, instead, what you’re to do is to go with what is unfolding there. It is not something that is harmful. It is part of your overall makeup. If you go with that, if you’re okay with that, if you can accept that, if you can surrender to that then you’re not trying to establish some sort of reflective, relative condition.

That reflective relative condition is your idea of how you cope with this other, as if you have to cope with this other. If you’re in the whole all of that’s going to be there. It’s going to be like that. It’s not for you to go deciphering it, and distinguishing it, in some sort of separate capacity because when you do that, then you shut yourself down. You’re not able to be part of the whole.

That’s a good dream. It’s also a dream showing you what you’re struggling with in order to just let something flow. The nature that a human being has to try to find an end result there, or conclusion, a completion or something, when you attempt to do that, that’s when you make it relative. They key is to leave it in the flux of the moment, unfolding and intangible.

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