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Posts Tagged ‘chased in a dream’

_ag_DreamingOur dreams can be so full of drama that it sometimes seems as if we could wake up and write a screenplay from them. Why are they so dramatic and over-the-top? Well, on a certain level they are showing the struggle for you, the struggle for your life, that goes on between you and the world around you, and you and your true purpose. And that is just about the most dramatic and important thing we can think of. (At the end of this post there are instructions and a link to download this recording to your computer.)

Jeane: So, in this next dream, I seem to have this boyfriend and we’re walking along a mountain trail, and he has a little black dog that’s really bright; a little fluffy black dog. And we run into another man who has a dog that looks exactly like that.

And maybe because this other man is interested in me, and he has a dog exactly like my boyfriend’s dog, they feel like they have to go fight a duel. They’re going to go down to the forest below to fight a duel, and they leave me holding both of the dogs.

And I think this is the stupidest thing I’ve ever heard of, so I take off with the dogs. I’m not going to have anything to do with them fighting a duel. And I think the dogs are actually implanted with a little artificial intelligence, and when I take off we get into an area where we’re settling and trying to climb.

I end up going through a canal, and I have to try to climb up onto a ledge and go over, and I see some people coming from the left that are trying to escape from something and go the same way we’re going. And they’re being pursued, and when the dogs and I manage to kind of get up over what seemed like a barrier and proceed, and then I eventually go into a building, I find that there’s actually some men there that are developing an artificial intelligence. And it’s like they want to keep it for themselves.

And they realize my dogs have been implanted with it, so it’s like they want to kill me, or capture the dogs, and know where that came from because they thought they were the only ones that had it. So I’m trying to stay ahead of them, or keep the dogs out of their grasp, or not get us shot, maybe even try to get back to the guys if one of them hasn’t hurt the other.

But there’s a lot of overpowering force in this, they’re almost like either criminal or government types that have a lot of power behind them that are trying to implant and control this artificial intelligence.

John: So, what you’re describing is you’re describing an unconscious condition that exists, in terms of life, in which people go out and get caught up in things and, in their deviation, in their separation, they go off into trances that are away from the essence of their own true being – thus they’re away from the oneness that pervades through all of life.

And yet that doesn’t mean that life itself is devoid of that oneness. It just means that they have lost the sight of that, and that this oneness extends into everything, and it includes the animals for example, the dogs that they have, which are their friends, of which there’s a closeness that the dogs have, and that the dogs reflect. And it’s not just the dogs, it’s everything.

And so, similar to the previous dreams, you’re being challenged to take and contend with something that’s at a deeper depth inside of yourself, and bring that deeper depth out. And in the face of the collective, or the ordinary, out there, that isn’t recognized – yet it is in the overall atmosphere, but who can see it, and who can know it? And thus it sits kind of in an amnesic denial.

And you are recognizing that there is this quality in life, even though there is this other dance that is all very, very strange and peculiar, that underneath everything that is going, on including these guys that are off into this strange dance, that have done things to help train the dogs and stuff like that, too, that carry an embeddedness that goes far beyond the delusionality that they’ve gone off into in their trance, is this whole quality, that is so close, and yet so far that they don’t get it.

And that’s not much different than your campfire thing, in which you access something and then comes the delusional to kind of haunt that, and then that sends you off into having to sort or figure all that out because the collective influence has such an overriding effect in its illusion upon you, that there you are going down a road that’s bounded by lines that are yellow and probably orange. And the reason why the line has probable orange in it because yellow only represents one part of the breath. Orange represents the other part of the breath.

There is a way of looking at life in which, wherever you see the word God you substitute breath and you’re not that far off. And then, of course, this whole thing has its repeat cycle that’s very similar, which is your great niece, and the fact that she is considered a deeper essence because she’s a great niece than something that’s louder, which is the vibration of your sister. And so that aspect that is more to the outer, the sister energy can smother out the meaningfulness of the deeper depth of the great niece vibration.

What you’ve done there is you’ve kind of done a bit of a role reversal, in that you’ve gone down the tree of life as opposed to within the tree of life. The typical way of looking at it would be in the order of looking at your grandparents, and your great grandparents, and all of that as kind of a deeper inner lineage. And in this particular case you’re working with the other aspect or part of the breath that penetrates into an insightfulness that is in the outer, in a deeper way, and the reason why you’re doing this on a psychological level inside of yourself, is the underlying theme is one of oneness that is pervasive in everything.

It’s easier, for example, to recognize a closeness to a relationship level that is really close to you, like say your sister which would be closer than your niece. And yet you’re meant to be able to start taking this from your sister, to your niece, to the strangers, to the objects. I mean the oneness keeps going out. And initially you’re closer to it, in terms of the bloodlines, and usually because of the way human beings have been so caught in the collective of things with the senses, and then the mind orientation going off of the sense orientation, thus there being a kind of heretical ego that we have to contend with, the closest means in which to sort that sort of thing out has been for humanity, for the longest time, through bloodlines. That there’s been a certain level of awareness that’s been able to come across through bloodlines, as we are able to hold a better closeness that way than we can amongst strangers.

But eventually it has to get, as it says in The Bible, to the point where you love thy neighbor as thyself, where it has to extend as a oneness that goes into everything, and all things.

To download this file, Right Click (for PCs) or Control Click (for Macs) and Save: Into Everything

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GeneralIf we look at a tree, we can see that it has, generally, a singular trunk from which it branches out in many directions. And that is a great image for us because, on a spiritual journey, we have to be just as solidly decided, and allow that certainty to guide all our branching out. Because, for the most part, we may think we have decided something, but another part of us may not agree – and can even sabotage our better intentions. So we must let our systems know that we are on this path together, as a oneness, all of us growing toward the same light. (At the end of this post there are instructions and a link to download this recording to your computer.)

Jeane: I have to say that, in last night’s dreaming, I know that somewhere that I don’t quite remember, there was a tree that was really strong, and that was the nice part of the dreaming very, very early in the evening. There was some tree that gave me a lot of strength, I think, but the rest of the dreaming was exhausting, and I remember it more in little pieces.

And, in one dream, it’s like I go into a house, and in this house they’re putting things together, almost like they’re selling campfire candy, and I’ve gone in to buy some boxes of it. But I get in there, and I start to put some boxes together, and there’s one young guy that takes me aside for a minute or so and we share that we’ve both done Qigong or martial arts, Qigong I think.

And then I’ve gone back, and I’m getting everything wrapped up in two packets, and I realize that the other people there are planning on killing those of us who are taking the candy. But I’m lucky because this guy that’s done martial arts has identified with me, in some way, so he grabs me aside and kind of pushes me out the door with my bundles.

But I feel like I’m on the run a bit, and I go over to a street and now I seem to have someone else with me, but I don’t see who that is real clearly, and I’m trying to get away on this street. But the problem is it’s a city street, and it has a big curve in it that goes up and around a corner and to a stoplight, and the street lines are painted such that you feel like you’re supposed to… I seem to be on a bike of some kind now, like motor scooter or something, I’m supposed to be over to the left. In other words, like I’m supposed to be way over to the left where traffic is.

But there’s a yellow line right against the wall on the right. I don’t trust the people behind me enough to go drive where it feels like you’re supposed to drive traffic, so I’m staying way over on the right because I feel like there’s something behind me that would come up. So I’m staying on the right where it feels like you’re really not supposed to drive, but I don’t feel like it’s safe to drive over in the middle because of big things that might come up behind you because I’m already being chased. And then there’s a little shift in the dream.

John: So the tree that you see is like a seed precursor to show you that the process of accessing that which is hidden within is where your strength is at, but you just see this tree out of context as a firm, solid tree that reflects something balanced and more complete.

And then you have to untwine that to see what is the essence that makes such a tree the tree that it is. And so you find yourself going close to the flame of things, or the campfire, you know putting together these treats that you find, or these qualities, contending with these qualities that you find inside of yourself.

You’ve developed a certain balance, or a key, to be able to do that, because most people their neurosis keeps them from doing that. But, all around you, that is not considered a collective accepted way to approach life, and so those forces around you in the outer, that do not do that for themselves, seek to beat that out of you, or to keep you from proceeding in this particular way.

And so you proceed into life as if you’re pursued, or affected, by the outer aspects – which is yourself, too, but in a more unconscious state – and that creates the image of a thread, or a road, that you have to follow. And you have the caution lines, or the yellow lines, and if you look more closely there are probably orange lines, too.

In other words, both of those denote ways in which you are guided, so to speak, in terms of this process of waking up, which is a step and a path that you have gotten yourself to a certain degree intertwined with, to have gotten to a point where you could sit near the campfire and access this sort of thing, which is alarming to the collective.

But you have to bring all of that ultimately into a oneness, and the oneness includes the other parts of yourself that do not necessarily support such a process. And, as a consequence, that haunts, and chases, and affects you. It’s all part of you getting to be a whole oneness there, the wholeness, or whatever, which is that solid tree.

To download this file, Right Click (for PCs) or Control Click (for Macs) and Save: A Solid Tree

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journey in a dreamEven in this day and age, the image of being chased by a prince through his castle in a dream seems to have a romance to it. Yet that is how the dreamer is managing a situation that is overwhelming to her on an inner level. And things only get worse when she succeeds in getting away. Yet what is happening is an escape from the higher back into the lower, because the higher is always challenging to the status quo. Ultimately, the dreamer knows she needs to go back. (At the end of this post there are instructions and a link to download this recording to your computer.)

Jeane: In my first dream, which takes place mostly at night, I’ve gone into a building that’s almost like a small castle. And at first I’m observing the people there. There’s like a man that’s like a prince that seems to be in charge. There’s a woman that he’s with at some points, and I seem to be looking through the rooms.

But when he spots me, he wants to be with me. So then I’m trying to keep away from him. I don’t want him to recognize me, like at first he doesn’t recognize me, but then he seems to be in pursuit of me. And so I’m trying to stay ahead of him and, in that trying to stay ahead of him, at one point I even jump and things change to color for a moment and I’m on the back of some kind of horse that seems to be able to fly.

And then I get out of the castle, because he’s grabbed me at one point, but I’ve gotten away. He did touch me though. I would try to disguise myself so he wouldn’t recognize it was me, but now I’m running.

I go out of the castle at night, and I’ve gone down because the castle seems like it’s more up, and I’ve come across this unusual building, and I go into this building again and I go up in the building. And this building is almost like a building where they manufacture parts of people, like there might be little babies, or there might just be a foot, or there might be just a sock, not a main piece of clothing. It wasn’t even a person.

On different levels it’s like they’ve kind of taken things apart as opposed to putting them together and, of course, you have the sense that if they catch you they’d do the same, they just take you apart, or use parts of you.

Then I’m kind of running from the people in the building, and they think they’ve got me at one point, but I seem to slide down and go right through this glass window into a room and through another glass window – without harming myself – and I get out of the building.

But somewhere in this whole process I was touched by something, and it feels like there’s something changing in me now where I’m turning into gold, but it’s a process that takes a certain amount of time. There’s even some little being near me that talks to me a little bit about what’s happening, but over this process I’m turning into gold. The only thing that I notice about this process is that it seems to make me want to go back and be with the prince more.

John: What this dream is about is, it is using both expansive and contractive qualities, because those are the only two things going on, and it’s using those as an energy that vies more or less for your consciousness, which means it’s vying for your heart.

You use the theme that repeats over and over again of it being kind of a physical thing like one of the four doors, they create a delusional quality. You use the one over and over again because it seems to be the one that, as you overcome, you get close to the understanding of a wholeness, I mean the four doors are like the prostitute archetype, the drunkard, the [thief], and the gambler.

Now each of those… whatever and however you experience those four doors, which are like archetypal energies in one’s nature, when they have a hold of you they’re like that, and they dictate images and mannerisms in which your attention has to take and filter its flow in life. And the difference that you’re doing now however, is you’re taking that energy… I don’t know why they call it the prostitute energy because I mean they all have this, in a sense, they all take and create their delusions except maybe this one works within the realm of the quality of the vibration that’s in the magnetic connectivity realm. They all connect you to some illusion though, too, so it’s hard to say it that way too but the thing that you’re doing different is you’re looking at it in terms of both an expanse and a contraction. You’re looking at the polarities.

And so you’re realizing that when something is trying to get a hold of you, and that’s an illusion that you have when you’re high up, in other words, when you raise your energy and you have the sense of a type of freedom, like higher up in the castle or something, have a sense of freedom. In that sense of freedom your imagination, the way your thoughts will run in terms of fantasy and whatnot, is you seek to curry favor of something. In other words, you’ll manufacture a prince in shining armor attraction, or something like that, that draws your attention when you’re feeling a lot of lightness and energy.

And then when you get into the density of things, and so that effect is actually a dense effect,  that pulls you from a proper flying and lightness when you’re in the castle up above. And then when you go down below and something is trying to grab you, it’s hitting you in a dense way. And to the degree to which you free yourself from that it’s like busting it into a million pieces. It’s chopping things up. That’s like them trying to expand. In other words, no one likes feeling contracted, so they fight to try to get out of the contraction, and yet you’re caught in the vibe of something that’s contracting, so when you expand then things get broken into a whole bunch of pieces.

So you’re dealing with the expansive and the contractive. The object of where you’re going with this thrashing that comes to an end in terms of doing that, is you learn that neither direction, neither one of those things that you put into the heart, into yourself, will take you anywhere, and you will eventually make a shift. And the shift is that instead of putting the energetic into a quality of an imaginative heart-like nature, where you have to struggle to get away from something to trying to get a hold of you, and then you’re fighting to free yourself of that contraction and, you know, that busts you into a million pieces again.

The significant thing about this is that what you’re doing is tearing away an attention that could have been, and is meant to be, the life force on the soul. And when the life force is on the soul then you so to speak lose yourself, and then you have a presence in all things. When the life force is on the soul you actually are connected in a way that you take something with you, as the expression goes.

Well what do you take with you? In other words, you’re connected. You’ve brought the levels together, so to speak. You’ve gotten rid of the other illusion delusion that keeps you from recognizing your greater wholeness, and that you’re intertwined with everything. And when you have it on the levels of the soul, then you actually do not die. You have a means of connecting. You connect to the vibrational parts of yourself, whether you’re beyond time and space. Whether you’re in this body or not, you can connect that way to everything.

That’s an amazing kind of aliveness to have. Now it’s generally spoken of from the standpoint that there are the spiritual elders and there’s this, that, and the other that you can be like a foot soldier to that, and you can catch up to that, and you can hear something and know something. No, you can do all of this yourself, and that’s what you’re meant to do when you take and put the life force energy into the soul, as opposed to into the heart.

Into the heart you’re going to have the vying around, and you’re going to have those four primary archetypal, or four door, natures to have to contend with going back and forth between one and the other. And, of course, in most instances each person has one usually that is louder and more predominant that is still a byproduct of having the delusional trance, the illusional trance yet, having the identification then, or duality, as the consequence of that that’s standing in the way.

To download this file, Right Click (for PCs) or Control Click (for Macs) and Save: Damsel in Distress

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