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Posts Tagged ‘color green in a dream’

aur20Energy appears in many forms in dreams, but money is one form, and in this case it’s a lottery ticket. And we can see from the description that that is the important thing to follow or pay attention to. But the other people, young and old, are not able to focus on the energy and its importance, so there is a sense of struggle or frustration. But the energy itself is like a flow that every one should get in sync with. (At the end of this post there are instructions and a link to download this recording to your computer.)

Jeane: Well, I just remember some vignettes almost, or glimpses, of last night’s dreams. The strongest one I remember is that it feels like there’s a man, he almost feels like I might be related, I’m making up some kind of almost like a lottery ticket to sell him.

I’m almost hoping about which one he chooses, but then he chooses this one ticket that I think I put at least $20 in. But then he goes off, but he doesn’t open it because I remember coming across him later and I wondered if he’s opened it yet to see what he’s won, but he still hasn’t.

And then there’s some younger people in the family I’m trying to sell lottery tickets to in a sense, they’re like great nephews or something. They’re at a movie theater and they’re too distracted by some of the girls, and how they’re dressed, and I’m trying to get them to focus more on what they should be selecting.

And you come by at some point and you tell me that I’m going to be green, you know, and then it seems like I go back. I’m kind of concerned about one of the relatives and whether they’re actually going to open up their ticket at some point. And it feels like a lot of little scenes like that. I couldn’t really kind of glimpse a flow in the dream.

John: The sense is that you’re catching up with a mannerism upon which you’re able to unfold, or conduct, yourself in terms of bringing through, and holding onto, an importance in life.

First, the dream has three distinct parts. It has the part to which you’re trying to expand. Then it has the part to which you’re trying to bring something back, or through, that has a specific effect to it, meaning it’s something that’s visible in a dense, defined way. And you could consider it dense and defined, even, because it’s an expression, in other words, it’s a lottery ticket now that has something added to it, instead of it just being in general.

And then the third aspect of the dream, that all gets put together with this, is that the appearance is all in keeping with something that is natural as a presence in life. Those are the three parts, and the three parts get put together.

Usually you cannot lose something in life until you’ve made a journey, and that is the green. And the journey you have to make is the journey into the expanse of things. To it’s like a journey in Russian roulette, all the variables are out there. What are you going to do with them? Yeah, you’re tossed around a little this way, and you’re tossed around a little that way, and somehow or another you’ve got to take in everything that is affecting you, to reach a point where you have acquired a kind of general overallness of your nature.

But before you can get to the general overallness of your nature, as you take and you look at all of that it’s like one great big lottery, and it’s undefined. But then, at some particular point, that becomes defined, or starts to seal, and that there is this, that, or the other that’s involved with the expression, or mannerisms, that come in your direction, that you’re able to catch up with, that you’re able to bring down, and conduct, and handle.

In other words, those expressions, those mannerisms, they’re like lottery tickets, too, except you can work with how that definition and that mannerism is. And the reason why you can work with it is because you’re able to stay natural. You’re able to stay in the green. You’re not lost yourself in the whole mirage and malaise of things.

Now there’s a fourth step that you didn’t bring up, and the fourth step is that once you’re able to hold a particular presence, or quality, as you’re working in life, you then take that green or that light, you can take the things that have the $20 and that stuff that is a mannerism, that’s in the environment around you, the peculiarities and uniquenesses of things, you can then take and you can flow in a packaged way, in which the $20 and all of that is used, and in which the green of your presence is there. And then subordinate, or coordinate, or orchestrate yourself in keeping with what you have awoken around you. You can orchestrate and coordinate your life in relationship to their mannerism.

Now ordinarily you cannot do this if you’re just in the first step, the first step which is the step in which you’re becoming expansive in trying to take in the grasp from the top down of everything. But once you have brought it through, and have established a presence, and can take whatever is brought down and go back with the in-breath with it freely, into the whole, and be okay with that and have a sight somehow of the bliss of that, then you can take that and you can work with things in life.

This is an interesting thing. I don’t know what words to put on what that does, other than to say that it’s interesting why teachers have students, and a teacher has to hand off as much as he can to the student, and the student then can take and be the arms and the legs of things, in a more advanced way – in terms of consciousness.

To download this file, Right Click (for PCs) or Control Click (for Macs) and Save: In the Green

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M.C. Escher

These dreams really portray the idea that we are truly the only thing in our way. As we develop, we let go. At first we let go of the belief that the culture and society we are born into is the aim or point of life. Then we begin to let go of the personal loadings and psychologies that prevent us from connecting to the higher processes and purposes we are aiming ourselves toward. Yet it is just that struggle that builds in us the assembly that we need to fully let go and put ourselves into the way of the universe.  (At the end of this post there are instructions and a link to download this recording to your computer.)

Jeane: The very first dream I had I seem to be totally focused on a certain shade of green, people that wore that shade and were dressed in it, and whether or not a certain shade had to do with when wars were started.

And people would go by a doorway and they might be wearing different shades of green, like army green, or this green, or that green, but the only shade I was interested in was something that was like a Kelly green, whatever that meant. That would be the only shade of green I would focus in on. That was the earliest dream.

John: Well, green’s the essence and the highest color in terms of it being the one associated with life, and life that is in the plane of manifestation in which a quickening is possible. 

And so you’re working with a type of greenness, or a type of access. The greenness portrays the aliveness. How you get that light, as an aliveness, to touch that which is inanimate? Well there are various levels of this green, and there are levels of this green in which the aliveness that’s in an inanimate way remains in that condition.

In other words, it’s veiled, still with a greenness, but is veiled. And you’re learning to access what is necessary to take that which is inanimate, apply the essence, which in this case is portrayed as a color or light and, of course, we’ve come to know that light carries the information, or the quality to penetrate illusion, you are able to take and find that level of awakened aliveness, or essence. You’re able to touch things in manifestation.

Prior to this it was a matter of degree. In other words, things were still separate, but then there are some things that are alive, and somewhat alive, and somethings that are lesser alive, and other things that are on a level that appear to be completely dense like a rock. And so you’re learning the levels that are necessary to bring all of it into a oneness. I mean just like a rock is one level, but a rock is also soil, and soil with a flow of water attached and applied to it can quicken an aliveness to something that is a seed, that appears dense and inanimate like a rock. It can awaken that and cause it to breakdown and open up and come back into a oneness.

And you’re using as the elixir to all of this is the levels of light, and you have accessed a quality of the light, Kelly green. You’ve accessed a level of light upon which something more can be quickened. Quite a symbolism.

Jeane: Then I had a dream in which it feels like I’m out almost like in an area where there’s a plain way down below, but I’m climbing, and I’m climbing almost like on something that’s like a combination of tree and land. There’s a sense maybe that someone’s pursuing me, or they’re watching closely from behind.

And suddenly, as I’m trying to get where I’m getting, I realize I’ve gotten very way high and it doesn’t look like there’s anywhere to go. There’s these rocks that come out towards me, but then this young lady that’s with me goes up behind me and she finds a place where there’s been some like little pinions or whatever you call them the climbers use have been put into the rock and she swung over there, and she’s in an odd position but she’s found that by that position she’s finding a little trail behind the rock.

And I realize I can’t quite do what she did, but because I saw her get over on that rock I’m able to find some handholds and get over there, too, and then I can see some places almost inside the rock where we can kind of continue, and get to where we’re going, whereas the people that were behind us before, chasing us, or observing us, whatever they were doing, I think they thought that we would get to where we were and we wouldn’t be able to go any further, but because she’d kind of found this, you know, and then I joined her, we’re able to kind of cross over and continue.

John: So now you’ve taken it kind of more into a dream scenario of applicability. It’s almost like you’ve taken this light in the first dream, and now you’ve used that as kind of a seed thought to something that is subtle, as an awareness, that has come about.

And now, setting that aside for the moment, you now jump into manifestation in which you have dense things all around, which is like how the senses are, the senses perceive things in a separation, and you have an access to being able to work with the denseness in a newfound way. Now that which is still haunting you, and that which is still keeping you veiled and confused, and that which still has the element of tearing you down, or being too much for you, that which can destroy or cause you to crack up, is at a denser octave. And you now have access to something, that is on an inner level, more as an ability to work with the denseness to try to bring about a greater aliveness.

Now you’re still veiled in some regard from being able to pull it together as a oneness. That’s why you have this other part that is more dense, coming after a part of you that is separate, or seems to be separate. You see yourself in danger, so you have to see that as something that is separate from you.

And then you have the plane or the world in which all of this is acting out, in which everything is also a denseness, or inanimate fixated plane, only you are slowly developing a dexterity to know how to move about, and so there is a level inside of yourself, perhaps you might say even associated with the lime green awareness, that is able to take that which is considered super dense, which is rock, and be able to find footholds and handholds and a means by which to be able to move, or progress, or awaken.

Now it’s a subtle awakening in that you’re not yet at this point catching up with the fact that you, and some aspect that is part of, and identified with, and is made out of rock, too, you haven’t yet in this dream caught up with the fact that there is a correspondence, that there’s a oneness there. In other words, you’re still maybe 80%, 90% concerned with that which is haunting you, or is tearing at your fabric of balance. Your attention is still caught up in that, and so the degree to which you can affect the overall has limitations because that other conditionality of denseness yet prevails.

So, it’s kind of like you have a way of an awakening, from some part of yourself that has an insight to a degree, to which it can maneuver in the denseness, it can maneuver with the denseness, a denseness that is really you, and a oneness simultaneously, that you can do this to offset something more that seems yet too much.

What has to occur is you have to reach the point where all of it is able to be accepted and recognized as part of you, and the idea that these different parts act up and terrorize you is all part of the illusion in terms of you catching up with the essence to it all.

To download this file, Right Click (for PCs) or Control Click (for Macs) and Save: Part of the Illusion

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63341One of the first things that can be considered about dream images is how they leave you feeling. Another important aspect is, are things happening in a flow, i.e., does what you need to have arrive at the crucial moment? Or, are unfolding events a constant struggle: do you meet resistance at every turn? Then there is the higher-self observer, who doesn’t add personal feelings to the events. It is often our personalized viewpoints that create the resistance found in so many dreams, because it is us talking to us in the images. (At the end of this post there are instructions and a link to download this recording to your computer.)

Jeane: Well I remember a scene from one dream in which I seem to be, like I’m going to be moving where I sleep that night. Now I’ve gone to check out my sleeping space and it actually seems to be a large bed that another couple, I’ll be sleeping with this couple and they’re gone right now, they have this large bed. But it seems to be a bed that’s sitting in like the middle of a lawn surrounded by kind of invisible plastic walls, or see-through walls, because I can see a neighbor from where I am when I go check out the room.

And so I’m going and I’m just walking around the bed, which is a pretty big bed, and it’s like I go and walk around it and check it out because I want to see where I’m going to be sleeping that night. That’s one scene I remember.

John: That’s an interesting way of breaking up, or seeing something being broken up or changed, anyway, perhaps shifted even. What was your sense of it? Was it good or bad?

Jeane: Sometimes in my dreams I’m kind of neutral, you know, I was just interested, and I noticed that there was a neighbor that could kind of watch. I just found it kind of interesting that you had this bed that was sitting on this green lawn and it was so big. It was several feet high, and it’s more like I was kind of neutral to curious.

John: Well, being able to be that way is probably the challenge. Most people can’t handle change, and to be able to have your life, or to be able to see your life go through changes, to lose certain securities even, and to be able to do that and just look at that in wonderment: that’s an amazing trait to be able to have.

What’s interesting is the bed’s out on the green lawn – and green is symbolic of life – and it’s out in the open. It doesn’t have anything protecting it. It reminds me of the idea of finding your spot, and most people will take and find a spot next to the wall, or try to find a corner or something. 

And the superior spot to find, to be able to hold, the one that takes in the most, is right in the center. If you can sit and take in and be comfortable in that spot, right in the center, that’s the superior location. But who can do that? Not many people can do that. The reason why there aren’t many people that can do that is because they have their defense mechanisms, their self images of who and how they are. And so they need to have some conceptualization in order to feel anchored in, to feel protected.

And so you’ve taken your bed from a place that is comfortable, and you see this bed out in the open, protected by some see-through walls. In other words, it’s like the security of the overall space of things.

What triggers a dream like this, I would suspect, is a sense of your world from a higher-self perspective being subject to some change that’s impending, or some shift inside of you that’s approaching, that you are catching up with.

And when you have this, and when you come to grips with it, there are I guess a number of ways that you could react. One is that you could go through a depression, or a despair, or something about it as if you’re lost and confused, or you can just accept whatever it is, knowing it’s all for the better. And, in this particular case, the image is one that – as viewed from a deeper, inner perspective – is better than a place that’s secure and protected with one’s own conceptualizations.

This is a better place, but not in accordance with the way you would be inclined to think, from a defense orientation, where you have to have things according to some sort of standard or whole.

It’s kind of a tell-all type dream from the standpoint that it shows that you have the wherewithal inside to be subjected to a complete reorientation, and that you can sit back and take it in, you could sit back and observe it and, as far as the dream is saying, be okay about it, or at least neutral towards it. In other words not having a bias one way or another.

So that means you can handle the ups and you can handle the downs. Most people stay within the veil of things because they get caught in either an idea of how they need to be, and when they get caught in an idea of how they need to be then any change has to be viewed in relationship to up or down. And if you don’t have that kind of blanket or jacket that you put on yourself, as an image or demeanor, you’re freer.

To download this file, Right Click (for PCs) or Control Click (for Macs) and Save: A Superior Location

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