Posts Tagged ‘colors in a dream’

R984We’ve seen many sci-fi movie scenarios where an Earthling finds themselves on another planet – and what do they do? They observe, they study, they try to figure out the meanings of things. But, as a rule, they don’t get personally involved, or think that it is about them. So how is that different to our situation? We find ourselves born on a planet hurtling through space, and we are meant to study, observe, and learn what we can, but we are not meant to get personally involved. Why? Because in a 1000 years, everything we know will be proven wrong, and everything that seemed to matter won’t matter at all. That’s why the spiritual path is important: it offers a way to become part of the things that will still matter in a million years. (At the end of this post there are instructions and a link to download this recording to your computer.)

Jeane: The last dream I remember I ran into an old friend of mine who kayaks a lot and I want to go out kayaking with him, at night, and he wants to spend the night with me. Usually we’ve just been friends, but it feels like in the dreamworld maybe we’ve had a relationship where occasionally we’d spend the night together.

Well, we go out kayaking, and then we seem to come to an area where I run into a woman I know and she’s been learning some dance, a rather complicated dance, from an aboriginal of some kind. And so I’m studying the dance because it requires her to kind of squat down, and get flipped over, real primitive dance, but she seems to be able to do it. And I’m interested in it, and maybe meeting the person that was showing her the dance – although I’m not sure I can do the dance.

And while I’m doing all this and the three of us are together, I realize that I think he makes love with her, and I realize that when he makes love with her there’s this thin stripe of color. It might be like a thin stripe of green, with maybe a pale white that goes down the middle, that would represent that. But if he were to make love with me it would be a different color, and maybe with other people there’s a different color yet that each thing represents.

So I’m kind of interested in that. And we’ve gone to her house. It feels like they’ve gone to bed. I’ve gone to explore the dancing, or I’ve come back to her bedroom. I think her stepmom, who has a room next door, comes into the room, so meanwhile our friend is hidden under the blanket, but the stepmother discovers him but she doesn’t seem to mind. She’s explaining why she doesn’t mind.  And that’s all I remember of the dream. It was just an odd little dream where I was studying trying to see these different colors and the dance.

John: The theme behind the dreaming, as a general subject matter, is that of atmosphere. Now what I mean by atmosphere is you’re having to feel what it’s like under different scenarios, and so you’re not actually contending with things anymore. You’re more recognizing the characteristics, and mannerisms, in the environment that you’re in, which means that a part of you is free.

In other words, you’re able to travel, or to move about, as opposed to being overwhelmed or contending with something specific that you have to burn off as a dross. Now, it’s not entirely true, because in the watching you’re still pondering these different colors of which the effect of a particular mannerism upon you would have a certain way in which you would correlate, and relate, and be brought into having to contend with life. But this is more your way, actually, of understanding a freedom.

And you could take all of these traits and you could say, okay, on one hand is the trait of something that is looking for something, that feels that it’s missing something, and so it doesn’t know what it’s looking for and so it settles. It finds itself ending up going from this to that, settling for this or that, always looking but never really finding the pure light, or what it is that it really needs.

And then there’s another part that takes and conducts itself with a certain free flow, and in this whole thing, you know, you’re kayaking which means you’re on a path, or on a journey, and to you these are things that are perceivable along the journey. In other words, there’s another friend that you run into that has a free flow, that dance. It has a throwback memory in terms of how it is to just let things flow, or hang out.

And so you have these two extremes in yourself and, technically, you’re somewhere in-between – and you’re not sure if you should be in-between. In other words, you’re able to watch and see that something which is free tends to sometimes then get caught up by something that is needy, and what that tends to look like in terms of the effect that rubs off, and you’re starting to see that there is this kind of vibrational world, or reality, and it’s a reality in which one’s relatability is color-oriented.

You have the lower chakra colors and the higher chakra colors, and they all contain information, and within the information is a certain way of functioning, and relating. And you’re able to denote that if you were to appease yourself of that particular need of this other, that it would have another particular aspect effect, definitional quality of light effect, upon you.

And so you’re coming to know, and you’re coming to recognize, being kind of as a traveler, rather than taking on specific identifications, you’re coming to know that it is in the traveling that everything is important, what is important is important. In other words, a beingness in any particular way has its limitations. Sure, there’s the part that can do the sophisticated dance that hearkens back to the aboriginal and an ancient memory and whatnot, but that still is trying to hold onto something – but it’s freer.

And this relates to the part of what you see in life, the part of one’s self that has a deeper, inner knowingness, but still leans on that knowingness as if it’s a somethingness. And because it still leans on that, it is still subject to the effects of another part of one’s self, or extreme, in life, in which people don’t know any better that they’re just going about looking for this, that, or the other for satisfaction purposes – thinking that’s the end all be all, and find momentary satisfaction, but don’t realize that what they settle for in that momentary satisfaction, or coming together, is another kind of limited spectrum of being, or trance, and that one can go from one mode to another mode.

And yet as a traveler watching everything going on in life you’re able to see how it’s like this, or it’s like that, and so you fortunately have a freedom to be able to travel, to kayak, to basically bicycle about things because you have a sense that there is something more. Now you have this sense of something more because you can tell this by being a good watcher, by being able to see that if it’s like this, it’s like this, if it’s like that, it’s like that, and you’re able to denote what that actually signifies vibrationally, or as a color.

And so you’re coming to know it in the feminine way of a quality of how it is that you notice, in terms of how you are able to be, or carry, yourself. It is a type of seeing, but it’s a subjective type of seeing. In other words, you’re not taking and making clearcut black-and-white distinctions. You’re just noting it, and in noting it you’re letting go of it. In noting it you’re seeing to be something, recognizing it to be something, and some part of you as a traveler quality knows that anything that is denotable like that has its limits.

You don’t need to know what that is, how to octave that. You don’t need to play a good, better, or best. You’re just drawing a general assessment of that, and you notice that no matter what you do to shift this way, or that way, it is always something that has a particular effect, or quality, and what you’re looking for as a traveler is something that has no effect and no quality upon you.

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m3efaulsThe universe is in an endless process of creation, and for humans to find themselves in a world of anger and hatred means that those qualities have come to exist in creation itself. Yet it is not for humans to drop their anger and hatred and embrace only love; more importantly, it is for humans, with their innate ability to change energies from one state to another (i.e., we can see a sunset and capture it in a song), to transform lower energies into higher energies. Thus we provide the service to the universe of elevating everything we come in contact with. (At the end of this post there are instructions and a link to download this recording to your computer.)

Jeane: I seemed to be having one dream repetitively, and what I remember about it is it felt like I was with at least two other people, but it might have been a line of people, but I only remember two.

We seem to be wearing some kind of robes. I didn’t see what color my robe was. One of the people had kind of an orange robe, and the other person that I could see occasionally that was right in front of me was wearing a robe that had kind of an interesting shade to it, somewhere between yellow and green.

And we were walking along almost like marble ruins in a way because it’s like there’s kind of a wall to your right, and then the steps are bigger than a normal step, so you can almost lose your balance when you go down to a level. And when you do, there’s a darkness off to the left. It’s kind of a brown/black darkness, and that was when I would notice the robe of the person that had just done that in front of me, and maybe a glance of the robes of someone who was off to this direction.

And that’s all I seemed to be doing in the dream is going along whatever pathway it was, or the ruins or whatever they were we, were just going along there and sometimes you have to go down all them. And that just seemed to repeat; even if I kind of woke up and went back to sleep, the dream would start over.

John: So what you’re dreaming is a vibrational quality to orange and yellow as it touches the heart. In other words, there’s orange, and then there’s yellow, and then there’s something that touches the heart. And that repeats over and over again as a process that you’re going through.

Now what seems to be interesting, that’s evolving, that I notice from my dreams, is that the process works outside of the more expansive quality trait of higher self, which is the colors of the higher self above green, that works just like the lower self qualities. It works with orange and yellow. Perhaps it does that for an interesting reason, so that within that is still the human characteristic.

The issue is, is do you get rid of the human characteristic? Because the human characteristic in and of itself has created all kinds of a mess in terms of the outer density of things, yet the spiritual practices seem to work with, and start with, and everything sorts itself out from the human condition, per se.

And it wasn’t until the end of my dreaming that I was able to see why that’s so important, because it is the substance of the human condition, in which a rising up from the self limitations, not the obliteration of it, but the transmutation of it. It’s still there in a lower-self way. The fact that that is still there, but able to be transmuted, creates the quality that touches as love.

But if it’s removed completely, and you’re not exactly a human being anymore, then you come across a quality, a vibratory quality, which the manifestation of something doesn’t actually exist. You are something outside of that, and that is a quality and trait that a human being, and all of its frailties and mannerisms, does not stand in front of, and does not dare stand in front of, because it’s too great a mirror.

And so there seems to be a need for the process to include both, both the waverings, and meanderings, and mannerisms of a manneristic side that is considered human in all of its trappings and faults, along with the other that is able to be recognized, and carried, and embodied simultaneously. Something that the mere stating of something like this is hard to make sense, but it makes sense within the parameters of the principle of love, love being something in which there is a compassion and understanding that flows as a result of something coming into a greater completeness, not a pure essence only. In a pure essence only there is no room for the human condition – and thus manifestation per se falls away. It is held together by the trappings of things.

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feWe can say that an aspect of development is to bring things from the unconscious into the conscious realms. But, of course, direct routes are rarely found: we move forward, we take a step back, we test the waters and try to adjust to the change ahead. In this dream example, an aspect of the dreamer is going from visible to hidden, from the conscious back into the unconscious. It shows another type of inner resistance that must, ultimately, be overcome. (At the end of this post there are instructions and a link to download this recording to your computer.)

Jeane: My initial dreams felt like they were really restless and populated with a lot of people and I didn’t really hold onto them.

My last dream it’s like I’m this woman, and I think I’m wanted or needed in this village, almost like a witch doctor. And initially to go to this village they want me to be hidden, initially. They take me into like an inner room that’s like this wooden, almost like a tearoom. I go in there and I’m having tea.

And then I can sense that there’s this woman, a blonde woman, who’s coming and peaking into the room through the boards or something. She’s wearing a blue dress. It’s like she wants to know what’s going on. So I think we kind of capture her, because they just don’t want people to know what’s happening. Then I left the tearoom.

I have the woman that had peaked into the room with me, and some other people, and it feels like we ride a train up to the village. We ride on the outside of the train, almost like in a coal cart or something, but we get up there. We get to the village and, as I go in the village square and I’m looking around for what I’m going to need, and it feels like I want this bright colored cloth that has a lot of orange and yellow in it.

John: Whatever the color of that is, whatever the tone, because it has a particular color appearance, that appearance would also have to, then, find its correspondence in you getting in whatever you’re looking to do. This is energetically speaking, too, but also it becomes something in an outward sense that would have to have its correspondence. And you don’t have that going on, so somehow something has gotten lost.

In other words, it’s like if the train stops, and if it’s on one side, and not the other, you can’t find, but if you got off on the other side and it was meant to be a red chair, for example, on the right side, then you have to get off on the right side. So, in other words, you have to include all of this. So, you’ve gotten off and now what happened?

Jeane: When I got off I’ve gone to the village square and there are some huts around, and there’s people, and I’m trying to figure out what I need. I see a cloth that I feel like I need that I’m going to wrap around me. It’s in oranges and reds.

John: Yeah, I knew it was going to be reddish, and the thing of it is you’re not going to make that need work because you’re not including in this process this other part that got on the train with you, that you captured, or however it was, that got on the train with you. You’re not including that in this finding of something – unless you’re addressing that aspect that’s subrogated inside of yourself but, you know, that then has collateral damage.

Jeane: So, what I’m actually looking for in the village square, before I go to do whatever needs to be done there, is I feel like I need a staff. So I’m looking for the right piece of wood to use for a staff. And I also come upon an older woman who has a son, who apparently does have staff or cloth or things, and so I’m interested in meeting him. But I can tell that that kind of concerns her, so I’m looking at myself and then I realize that maybe I need to civilize myself a little bit, you know like go take a shower, or dress a little differently. It’s like I suddenly need to maybe shift my appearance because I’m a little bit of a wild woman out there looking for my staff and my cloth in the village square for whatever needs to be done next. Then I feel like I need to civilize a bit, but that was about the point in which I woke up.

John: Well you have a sense, but you haven’t flushed the sense through. You have a sense. The sense would be through and everything would be fluid and you would know what you were doing and you would cover the whole spatiality.

The key to the whole dream is what occurred at the very beginning and how it suddenly just disappears. That’s an important beginning because what’s involved there is, first of all, you have the energy of something that can stand up against the collective force. A witch doctor is someone who can take and, no matter what the direness or the vibe of the tribe is, or whatever, the witch doctor has to hold onto a resolution or focus.

It’s why he’s a witch doctor. In that sense he can do magic. In that sense he can take and shift things. In that sense he can kind of not be caught in the malaise of what’s going on. He can find that alternative, that other answer.

Well, in your particular case, you have taken in that. You know, in order for a witchdoctor to be effective it’s not like they are impervious to their surroundings. They absorb their surroundings. They take in what’s going on in their surroundings. It’s just that they don’t get caught or lost in that.

In your particular case, you took in that which was imbalanced, on the energetic level, and it disappeared. You know, it didn’t get integrated, it just disappeared. And so, once it disappeared, or had its effect, that just kind of went into you, you disappeared it into kind of an unconsciousness, or subconsciousness, because what you were then trying to find, as a need, or as an answer, or as a solution like a type of potion or something, now all of a sudden comes from an echo of out of the subconscious.

You’ve taken that and you’ve made it unconscious, or subconscious, and so you’re probing for the need of what you need to find having gone into the village, or the town square, or gotten off the train or however all of that was, and you’re looking for what is needed, but you no longer have the kind of remembrance because you have subrogated and made something subconscious.

When you describe the woman, the woman changed to me to being something like a chair, or like something that you can rest in, and did, and subrogated inside of you. And then when the train stopped the train stopped and what was visibly seen was reddish, like red chairs. But the tendency that you had was, because you were acting in a subconscious state, the tendency was in terms of how this dream played out inside of me in its own hallucinogenic way, your tendency would have been to get off on the left-hand side of the train instead of the right-hand side of the train where you had the same kind of chairs that would coincide with the chair that you were holding and residing in inside of yourself.

So that was like an amnesia. Well, it was like a subconscious thing. And so then you would be trying to somehow sort this out from something that you could no longer see or put your attention upon.

So the motif of the dreaming has to do with, like what I was even talking about before we started doing the dreams, it involves having to know how to bring everything out into the open, into the fore, not have something repressed or held back. There are parts of yourself that prefer it repressed and held back. That’s why it happens, that’s why it’s going on like that, but this is where you’re still lying to yourself. This is where you’re still maintaining yourself in some sort of misalignment.

And it’s like the dilemma is, not only do you maintain yourself misaligned, but you have the energetic of that misalignment. You are embodying the energetic of that misalignment. In other words, you changed the note, only in a denser way, when you’ve made something from conscious to subconscious. Like the witch doctor, per se, has a certain clarity that can function in a magical way. He’s not able to take that clarity, however, outside of himself very well because if the magic is spilled out there for all to see, then somehow or another, he loses key, or meaning, or value, or virtue or something. In other words, it’s like the idea of scattering pearl before swine is the term in the Bible means, in other words, it’s like, you know, you let your treasure out there in such a way so that it gets shot and undermined by the collective.

Well, in this particular case, there was the peekaboo, there was the seeing of something, or the indulgence in this case type thing, to which then it was repressed. It was then hidden again. Well, it can’t be hidden once the genie is out of the box. It has to be included.

That’s why you have a certain kind of level of consciousness that can unfold invisibly in a hidden capacity, and not be noticed. And yet in order for it to have its effect in the world it has to permeate into the outer. It has to find a way of coming out into the outer in a visible way.

Now there’s all kinds of different ways of being visible. It can take into account the denseness and then speak and function in a reflective way, and be visible in a reflective way, outside of the time and space of maybe something that is so dense that it can’t grasp it in one fell swoop. That’s a very subtle refined development to be able to do that, but it has to bring this through. If it doesn’t bring this through, then it is denying a kind of closeness and proximity that’s necessary in terms of finding the God mind of its own being, you know the creator, the inner essence of all that there is.

So, you know, the conundrum, in terms of what’s going on out there, is nothing is intertwined. Everything is more bizarre than ever before. There’s all kinds of malarky going on. People talk of all kinds of conspiracies, all kinds of manipulations, all this, all that. Well, it all looks like that when you take and you have this modality versus that modality, and you carry these things on to an extreme.

Well, you’re exploring and probing this quality, or this trait, when you start off with the witch doctor that takes then and gets too caught up in an exposure that it cannot handle in terms of the collective, and then finds itself going stupid again as a result of that, and then is trying to work in kind of an amnesic way to find what is needed inflectively. And now you’re kind of caught in a problem that the mind has created.

In other words, the mind is cycling around. It has the sense of something, but it can’t shift energetically. You have to shift energetically, and the mind will just keep going and going and going. You can’t pop through a veil with the mind. You can develop an understanding and whatnot, but you can’t change the vibration with the mind. As the vibration changes, the mind/God vibration changes of the mind quality nature, which means you get a higher mind, instead of the lower mind or something.

But you don’t reach that process through working with the mind through the senses. You reach that process by working through with the vibration that has to do with an interconnectiveness, which has to do with the breath, and the wholeness, and an acceptance of all of the components in life, acceptance of everything as being intertwined.

And it is a horrible dilemma to suddenly be in a position where, somehow or another, you have opened a door towards where you need to have a particular kind of insight, and you’re not following through, you don’t know how to follow through. You’re too weak, in some regards, to follow through, but your sensitivity somehow screwed up and got you into taking a peek, and then that then disturbed the synapses of your being. It’s not making an energetic shift.

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