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Posts Tagged ‘connecting to your inner guidance’

It’s very easy for us to consider ourselves human, although there are many actions in this world that should be understood as sub-human. Yet do we often wonder what it means to fulfill the human possibility? When a flower blooms it has realized its perfection. What is that fulfillment for a human? There is not a single bloom, perhaps, because we are multiple in our design and each unique in our way. Still, our physical incarnation combined with our spiritual power are a design, and within every design is the path to its fulfillment. (At the end of this post there are instructions and a link to download this recording to your computer.)

John: In my dreaming last night, I even was hearing the word inferred, like, say, Dean saying, that such a person is a realized person. And I kept thinking, what’s a realized person? Because he refers to himself as not having become a realized person, or not having quite made it. 

And yet he goes round and can say that something is a realized person. In my dream, I’m even seeing him say that. And so I keep saying, well, that’s very positive for him to use that flippantly about whatever it was that he was referring to in the dream. 

And then I realized that it’s the essence that’s always realized. And that we bifurcate that, all the way to the point where we make all of this substance around us to contend with. And then we go around trying to solve and play with that. 

The danger that we face is that we have some degree of success at evolving, as if we’re evolving consciously, evolving in terms of vibrations, able to take the vibrations into different iterations. And have no idea that we, as a vibration of all vibrations, are language, the vibrations actually can speak. In other words, I can see the vibrations get to a point where if you can accept all vibration, if you can accept the vibration, if you can truly, truly accept the vibration, and you can accept the vibrations within the vibration, you end up with something that has language, sound. Has sound, has language, and then can act like electricity, can spark, can flicker like light.

Quite an interesting thing in terms of wondering what one really is. And so when we go through, and we dream in all of our different ways of dreaming of things, we are still struggling with, we’re still contending with, aspects of ourselves in a bifurcated way. We’re still doing some sort of fortification, or re-fortification of identity, instead of letting it go completely still. 

So stillness gets to a letting go of all of that. Samadhi, another way of saying it, because sometimes the words that are put to the condition of what one experiences when they’re in Samadhi can sometimes be a little different informationally, is where you’re at a point in which nothing touches you. But in such a Samadhi state, and you’re walking around, you don’t necessarily usually get it and so you find yourself falling back into things.

Meaning that when you’re in a Samadhi and walking around, or Satori, a Satori that is a reflection, a state reflection, out of a condition of having hit a Samadhi, and the Satori, you kind of walk around in a nurtured way. In other words, you’re not really touched or afflicted by things, but you don’t stay that way because you eventually get consumed by the common denominators of vibrations instead of being able to keep going back, and back, and back until you are just the essence of nothingness. Who can do that?

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What if we were to categorize energies the way we do drugs? We might say a particular relationship or type of experience is like ecstasy. And another set of people or experiences were more of a downer. Or, I’m not at my best when I take that medicine/act that way. But with any drug or medication, we understand that it will eventually wear off and we’ll be back to our everyday status quo. The point here is that all our emotional upheavals are just like this – but knowing that they will be naturally processed out of us can add to the speed, and efficiency, of the process itself. (At the end of this post there are instructions and a link to download this recording to your computer.)

Jeane: I only had a few images from dreams I had. I remember, in one image, going into my dad’s department store at night, and looking around and seeing people milling around in there and thinking that people had just come in, and were like shopping, but that nobody was running the store. 

And then I finally spot some women that do appear to be manning the counters – so that makes me feel a little better. And I even find some people in the store I know, that I talk to, that are shopping. And that was one scene.

And then another scene, I remember, is I was observing this house, and in this house, which was fairly elaborate, there was a woman guest that had come to stay, a young woman. And she had a very nice bedroom. But there was almost like a saloon door that went into the wall of her bedroom, and up a half a flight. And that was where the teenage son of the household was staying. And I think I did something which locked the doors between the room, but since it’s like a saloon door, you couldn’t lock it all the way. 

As I travel somewhere else in the house, I talk to a daughter in the family and explain to her that that particular room arrangement is kind of a recipe for disaster with this kind of wild woman next door, and this confused teenage boy – with not a good door between the two rooms. And then I know I just kept having more elaborate dreams like that, but I didn’t remember the details.

John: So what you’re doing is, you’re caught in the reverb of projection. If you could just let go of the projection, and let it all be absorbed, it would cause something different to occur. 

Your dream just reports where you’re at in relationship to how it is that you’re able to take something in. For example, as it starts off with you being in your dad’s department store, and it’s night, and that there are things going on in this depth of the department store which has an unfathomable quality to it, in order for you to handle this, you have to make those things that are there recognizable in some fashion. And that then makes it palpable for your consciousness that needs to have identification – that makes it palpable. 

In the other dream in which there is this wild-woman quality that has a connection to something so much more, that it is like a son. But the son is also in a kind of identifiable haywire mode, but the two seem to be even cut off from each other, so there’s no way of sorting that out. That, too, is an image in which there is a perception that is in play, and in place. And such perceptions always carry a delirium, because those are perceptions that have to do with a projective imagery. 

So you’re having to take this sort of thing into account, as exaggerated almost kind of nightmarish images, as a continuation from a pattern that was first introduced the night before. And, in this pattern, there was a dilemma in figuring out how to work with intensity. Intensity in terms of a spaciality.

You’re having to understand how to scope with the spaciality. And you can’t scope with the spaciality because everything has to have a Kundalini vibratory loudness to it as part of how you seek to perceive things around you. In other words, this is the news that you find important yet, in terms of your way of functioning in a projective, projected, modality. You’re not able to let it all go, which means that you have to somehow hold on to an aspect for visibility purposes. 

And this sort of doingness keeps you from just scoping into the depth of something that absorbs it all. You don’t have a proper access. You have to take all this deranged action, the woman in her way creates the son that you don’t even have proper access to, it’s on the other side of a door, causes it to have its deranged mode. 

But if you can let go of all of that, it’ll just go and go and go and go, it’ll all just absorb and get sucked right up as if it was never really real. Not really there. But you aren’t letting go of it, so you’re sitting caught in the scoped-out projection, the telescoped projection of it all, in kind of a outer sense. And even your access to something that’s a little on the inner is still contaminated with a kind of outer demeanor. 

This is a nightmare thing. This is the kind of way of dreaming of someone who does hallucinogenics or something that intoxicates them to the point where there is a deliriousness instead of a letting-go quality that goes into a stillness and a oneness.

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Dreamstate-1When we don’t quite get the realization of our dreams, in other words, complete the connection that the images are trying to encourage, we tend to dream the scenario over and over again. Here John finds himself coming upon beautiful ripe berries unexpectedly, yet as he begins to enjoy them, they seem to suddenly not be ripe anymore. This discovery takes the energy out of the initial exuberance. This is the third dream in a row where an abundance has been denied him, and it has something to do with the balance between his inner masculine and feminine energies. Has the understanding been reached? (At the end of this post there are instructions and a link to download this recording to your computer.)

John: First of all, what’s the meaning of something on the left? What’s the meaning where things are just on the left?

Jeane: It’s receptive, feminine.

John: Is it feminine? Is that what it means? Because I keep dreaming left and right, but I don’t really understand left or right.

So in this dream I take a walk from where I’m at with friends, and I don’t recall anything on the walking out. All I could say is that I probably needed to shake something off or something like that, and maybe was in my own daze, or mood, or something.

So there’s nothing memorable as I proceed out on the walk, but on the return something changes. And it changes with me suddenly noticing on the left these huckleberries. The bush is bigger than normal, and the huckleberries are perfectly ripe. And it’s rare to find huckleberries; it just was a shock and surprise. They’re usually in kind of a more isolated setting and whatnot.

And it also seemed that there was nothing to look at on the right, everything was on the left. And then from the huckleberries I went to some other berry that was black, and these berries were almost as big as an avocado or something. They were oversized, really oversized.

Well, when I saw those huckleberries they were all perfectly ripe, and I took and I stopped and had some and they were tremendous, and I was excited and exuberant and couldn’t wait to get back to be able to tell, and show, and share with others what there was to be noted. Who would have guessed?

Now the berries were all berries that turned black and they were all different kind of berries. I mean, whatever it is that you could think of that turns black when it’s ripe, whether they’re olives, or blackberries, or huckleberries or whatever. And, to begin with, the bush would be bigger, the berries would be plentiful, all black, then the berries would be bigger. It went through the phase where the berries would be bigger like almost the size of an avocado or something, elongated – but no flavor, no flavor, which is amazing.

The huckleberries were fabulous, now all of a sudden the flavor was gone. I felt like I needed to not only pay attention as I was walking along seeing all of these different kinds of berries that have supposedly turned back, and now I’m saying “supposedly” because as I’m paying attention the berries aren’t necessarily all black anymore. They’re getting ripe, and there are not as many of them and so I can’t readily sample like I had been sampling. And, like I say, it was all to the left and there was kind of a perception that maybe there was a waterway or something that helped support that being lush over there as opposed to the right side.

So a little bit of what I wrote about it is: when I sampled them I have to wonder did that have an effect in terms of the berries, that I indulged in some fashion? Was there something to that? Actually, I think there may be something to that conceptually, but overall, no, it’s looking at it too narrowly.

What about the excitement to show others an exuberance? Well, yeah, that leads to a fulfillment, that causes something to break through. You get to the bottom and you get something out there and the aliveness then magnifies that kind of condition. But then as I progress back, having indulged a bit and then getting closer to coming back, the urgency and the excitement goes away, the aliveness goes away. In other words, what had been ripe is not ripe, they’re still ripening. You have to look hard to find any that might be edible or ripe. And so you tend to realize that there’s further to go, almost as if something has shifted from that exuberance to something that is a little more stifled.

The meaning is there is so much wonder, pent up exuberance, and energetic excitedness about life when I am not in an imbalanced way with how I feel myself. There is a lot of that. In other words, it’s like when I started the walk out I may have been in my own space a little bit, affected, or in a trance or something, and it’s only when I got turned around and started to come back having gone out there that I realized something different on the left. But when I got back it was like I come back to a different set of conditions.

The dream is also indicating that this tends to go away, in other words, this thing that I experienced, or take a step back when I indulge. Now how does one indulge? You can indulge just by being affected by something that is not quickened, that’s in a stupor or something, and you are affected or infected by it. Now, if I try to rationalize what took place this only takes me backwards.

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