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Posts Tagged ‘dream interpretation’

m222ultThe ways of this world tend to make us lose our natural connections, because we are born with everything we need already in us. So to reunite with a long lost cousin, in a dream image, is to reconnect with a part of ourselves that had been set aside and forgotten – a higher part of ourselves. In our development journey, we reawaken the connections that we’ve always had in us – that’s why it’s called “awakening,” rather than “finding” or “creating.” So we awaken what we have left behind in our early life processes, and we bring those aspects of ourselves back together – because we need all of our higher parts to be able to make the journey that lies ahead. (At the end of this post there are instructions and a link to download this recording to your computer.)

Jeane: What I remember of the first dream is, it feels like I’m at home where I live with relatives. And it’s like I become aware that a cousin, a male cousin, that I was really close to when I was younger and I thought had died, that actually the family had just separated us because they felt we were too close – and he’s still alive, has been living in Canada or somewhere.

So, he’s going to come and visit. And he comes, and it’s like I just feel in this kind of odd space with him because he was important to me, but I had thought he was gone, and so now it’s like trying to get acquainted, or let someone know where your life is at. And, at the same time, you have an idea of who they were, but you don’t know quite who they are now, or what they think of who you are now.

So there was a certain awkwardness that had been caused by the separation, and trying to kind of find: how do we relate now, compared to how we related then? That’s what I remember of the first dream.

John: What you’re doing is you’re portraying something that has shifted, or changed. And the way your portraying it, is you’re portraying it as if it is something new, that was part of yourself, that you kind of held in an out of sight and out of mind capacity, while you were being and going through life in a particular way.

And now that you have shifted, this is now present as a way of being that you’re now able to relate to, or factor in to, how it is that you see life – which you had stopped doing before. Now it has opened up to you again.

And the thing about the image is that it is still an image of a beingness. In other words, it may be another level of yourself, but it still represents an existence. In other words, it’s not yet a state of non-beingness in which you have totally died before you die. You are, instead, taking on another level, or quality, in an unfolding and an awakening emergence of yourself as a wholeness.

And this part, that had been veiled out, as if it was foreign to you, is now able to be taken in. And what that effect will mean has to be taken into account in some manner, or another. And if what this means is taken into account in some manner or another, that some manner or another will be the new burden upon a heart that is striving to be free of everything, and in nothing but a soul essence of the whole.

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silence-and-the-spiritual-journey-sideHouses in dreams often speak of the internal life of the dreamer, and here we have the image of trying to leave one inner space to get to another. And, just like in waking life, it always requires that we let something go as we move toward something new. Yet we’re usually not completely conscious that this is happening, so we can be unsure, or hesitate, as the transition occurs. In times such as these, our dreams can ease the way because they can show us in one image what otherwise might take us weeks or months to sort out in our waking life. (At the end of this post there are instructions and a link to download this recording to your computer.)

Jeane: My dreams from last night were hard to pull out. I just have a fragment that I recall clearly, and in that fragment it was like at one point I must have been living with a couple that I knew from New York, except in the dream we’re someplace where we’re living almost like in a hut. He had left. The woman is still in the hut, his wife, and I had left the hut and I had gone a ways, about a block or so, to another hut. And it feels like this is a hut through which I can leave.

I want to leave. I wanted to be away from these people, and I didn’t really want them aware that I was going to be away from them, by making a payment to this other person, and the payment I’m making to this other person sitting in her hut it’s like I’ve whittled a stake of some kind and then painted it.

It was like a long stick and I’ve painted some design on it. It was about the shape of like a thing you make fences out of; slat? But it was smaller.

But the man there, either the man or the woman of the couple, I forget which, it feels like they suddenly come by unexpectedly, so it’s like I try to slide what I’ve painted kind of across to this woman so that they don’t even see it. But I feel like they did get a glance at it because whatever I painted, that design I put on there, was kind of my way out. The woman seems to be the one that can give me the passageway out of the village.

And I like her, but I mean I’m giving her whatever I made; that’ll give me my passageway out of the village. But it’s almost like I don’t want the other people to know that I’ve done this, or see what I’ve done. That’s all I really remember.

John: There was no sadness there, was there? Because it sounds like it’s a type of shift, or a transitioning, and you’re shutting down something, or ending something, that had been, which means that that is shriveled to a small hut. And then you’re starting with another small hut but you’re having to take and bring your energy across to that. You’re having to pick up the momentum of that – and the first thing you’re doing is adding color to the situation.

And none of that backfires on you. So it sounds like an image of a transitioning. The reason why one would wonder if there was any sadness would be to see if one was actually running away from a part of themselves, or shutting a part of themselves off, that they shouldn’t be shutting off and trying to make some sort of glorified aspect illusion or something – in which case, if that’s what one was doing, the process would, in spite of appearances, would have a sadness to it, but it doesn’t have a sadness to it. You don’t denote that. Instead it has the whole sensation of making a transition, so you’re shifting.

And they’re both small huts. And it all starts small, whatever you’re shifting to, it’s going to take awhile to get that into something as a greater beingness. And to start off with you’re establishing your space. You take and you’ve got your picket fence, and you’re painting it, and more or less announcing your new presence.

I guess it’s a kind of dream that one would have when one feels that there is some sort of transitioning, when you sense that there’s some sort of transitioning, that you’re having to contend with.

And, of course, the shift you’re trying to make is, you still have the old, and what you’re trying to do is you can’t fully go from the old to the new. You’re trying to hide that, and so whenever you try to suppress or hide something, it still has a quality that drags on you. But to jerk yourself forward, you’re painting and decorating up the new yard of things.

The key is, I guess, the reason for a dream like that, would be to bring yourself to an attention in which you can notice the vibrational changes. To begin with one makes a change and you’re not quite sure what the vibration feels like. And a part of you has a good sense that it makes sense to do this, but you’re not quite convinced, and so you do things to try to make it clearer.

So basically the importance of this dream is it’s a type of dream in which you are going about a process to try to tune in your listening center better. In other words, in manifestation everything vies for the heart. And on the level of listening to how things vie for the heart, in other words, as an aspect of shifting to the world soul where you actually develop the keen true listening, you have to yo-yo back and forth to try to get this clarity that’s outside of yourself to come through.

So until that comes through, in some way, in which you have invisibilized yourself, you’re going through certain motions, energetic motions. And so in terms of your personality and your being you feel a certain thing as an identity, as a differentiation, in terms of something that you need to shift or feel you need to shift away from. It has a hold of you in some fashion that isn’t acceptable in terms of you just evaluating this, in terms of the heart now, which is a type of personal.

So you then make the shift, and then you have to do some things to try to see how it resonates, how it really feels. You’re still playing in a realm of duality as you’re doing this, because you’re working with the heart vibration, but it’s a precursor step to learning how to listen. And the listening that you need to key into is a listening that becomes really amazing. It becomes that way when you are able to take away the dynamic that has to do with an orientation of this, or that, as experienced in the heart, because when you take that quality out so that you are able to then recognize the flow and the vibrations as they exist in the soul level of all of life, you being a part of everything that exists.

If you take yourself out of the equation of seeing yourself in some particular way or another, then your listening center becomes acute and is more acute in an unfolding wholeness. But there are stages. You might say that there are stages of the heart, which is having things vie for it in terms of a sorting out way, that’s important to trying to find, you know, from a perception of manifestation orientation, it’s important in terms of trying to find what the proper cadence needs to be in that way of being.

It becomes important that you start to notice that you’re torn back and forth, that you’re suppressing things in order to exemplify something else. As you do this at some particular point whatever it is that you reach for, you have to let go of, too, because you realize that you’re still playing with the dynamics of a kind of possessiveness or physical orientation.

So you’re dreaming this whole kind of energetic mannerism like this, only in your case the dream is like a precursor step. Your last stages of a quality of vying back and forth and reorienting yourself and juggernauting between this hut and that hut, are kind of like steps on the way into accepting a greater wholeness. And you’re trying to get it so that you can hear it better by decorating the picket fence and everything, but it’s still being heard in a peripheral way. That’s an interesting dream, huh?

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im33If we have ever been around a leader, or someone who is very accomplished in what they do, it is easy to understand the effect they have on a room full of people. They can do that because what they have become, through their work and life, has given them a certain radiation. Of course, there are also people who have negative radiations, or people who bring stress into an otherwise calm situation. Through development we learn to be able to hold the best of a situation to allow it to unfold in the best possible way. (At the end of this post there are instructions and a link to download this recording to your computer.)

Jeane: Well the only dream I remember, I had brought this object that looked like a sphere of some kind, it’s like three dimensional, and I brought it down to a foot or so above the ground. It was large and I was trying to get it to a certain size, especially the bottom of it a certain size, but for some reason, wherever I was, I just couldn’t do it. I had it for a second, but it didn’t quite work in that dimension or something.

I couldn’t quite figure out why, and so I just kept trying to get this object to form and hold that form and that space, but I couldn’t do it yet. And so it was so frustrating. You felt it should be able to. You know, in this world it looked like an object you have in this world, but wherever I was it didn’t hold its form quite that way there, at the size I wanted it or whatever.

And so it was a long dream because I just kept trying to get it to do that, and it didn’t do it there.

John: Well the theme of the dreaming last night had to do with being in a way in which something is able to be effectuated. In other words, using the dream group scenario, when the perspective is based upon outer appearances, nothing is able to change. And it is very hard to drop the outer appearances and hear something that is coming into, that is part of life, in a whole other way, in other words outside of the outer ramifications and appearances.

The dream you had, had to do with establishing a presence in terms of the greater inner overallness, in relationship to the outer. In other words, the prevailing pattern is the outer, and the outer is always reacting and is always conducting itself in such a way as to keep everything disoriented, or destabilized.

And you went to sleep sensitized that this is the predominant condition that one has to contend with, and so you spent the night contending with that in terms of trying to access, or to reach, or to bring from some inner depth within, what it takes to cause something to be stabilized, in other words, to not go this way or that way, to not blow the energy or to diffuse the potentiality.

That’s what you seem to have drilled down on, as a consequence of being in a dream group, in which what occurred was a catching up, an understanding that peeked its head through, and for that to happen, you held the space properly in terms of your dream so that everyone could see the deeper flow of what it was that was happening in terms of your dream.

It worked because you held your demeanor in check in such a way so that you held the space, so that what could unfold could unfold without you challenging it in some way, or interfering with it in some way.

Basically what you did was you enabled them to find themselves inside of yourself, and to the degree to which they may not have wanted that sort of thing to be, that they were still in rebellion, then there would be some sort of exception to the situation, or conceptualization, or defense mechanism that would come out, but when you held the space and told the dream, little by little everyone was able to catch up bit by bit with what that dream was about.

That effect of all of that caused you to realize and recognize, as an energetic within, that the importance of the way one lives or conducts themselves in the outer is to be able to be in a place, and in a space, and in a depth within that holds a continuity together, which is what you did in the dream.

A quality of the sincerity of your makeup was such that you took all of this for a spin to see how can you use a key or auric quality of your beingness to hold a continuity together – so it doesn’t shatter.

To download this file, Right Click (for PCs) or Control Click (for Macs) and Save: Holding a Continuity

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