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Posts Tagged ‘dreams and spirituality’

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Susan Kinsella

How often have we been upset by something, or stressed out by something, and then, at a certain point, have just said, the heck with it, and let it go? In that letting go we always feel a wave of relief, as we release the energetic vibrations that we were holding onto. Vibrations all have their signature, and when we hold onto them, that vibration is dictating what we experience. It is better to let the vibration go; we are designed to process energies, not contain them. We want to always be available for the next vibrational experience, as life unfolds.  (At the end of this post there are instructions and a link to download this recording to your computer.)

Jeane: My dreams were so mellow last night, there wasn’t much to them. It felt like I was dreaming about Seattle winning the Super Bowl, except in my dream, it was more like they had won some kind of basketball championship.

And I was following Wilson around to kind of see what was changing when he was with his family. And one of the things that had changed it felt was like they practiced in a special stadium – and that was part of what contributed to them winning. And the stadium was more like a basketball court of some kind, but it had a very mellow energy to it.

And I felt like, as a result of winning, they’d be able to practice in that more, now, or have one of their own that they practiced in. And I was observing that, and then it shifted a little.

And a friend of mine had come in, that I knew from high school. She’s older now and she’s sitting in the bleachers of the stadium, and she’s explaining to someone why she can retire now. And it’s like she can retire because now she can get Social Security, along with some other pension that she had. Or slight disability, or something, because someone’s questioning why she’s retiring now when she hadn’t retired earlier. And it felt like things have finally come together so she can do that.

But all the dreams were just like really mellow, like I was just following around and observing how they were doing things a little differently that it contributed to their winning, and it had to do with a certain kind of smooth energy. Because it was so mellow, it was hard to pull out.

John: It’s a dream in which, yes, the intensity of something is taken out of the equation, the heavy vibratoriness that one imposes. Like when you’re looking at the four archetypes, each of those has a heavy, imposed vibration.

And so the key to letting go, and thus the ability to experience something in a more rhythmic, or balanced, or whole way, is to not be indulgent in the vibratoriness as the end all, be all, but to be able to take that into a stillness.

And when you take that into a stillness, then there is a natural cadence, a natural flow, a natural rhythm. And you, as the person in the dream indicates, that then you’re able to retire yourself from the anxieties and the stresses of having to go back and forth, and up and down, in the intensity of things.

Like I said, it’s an intensity to have to contend with, no matter what door you’re looking at, whether it’s the Thief vibration, Gambler’s vibration, or the Prostitute’s vibration, whatever door it is there’s an intensity of vibration in each of those doors.

And so what you did is you took a quality of focus where there is typically an element of passion, like people who are heavily involved in the Seahawks, and such, epitomize a type of passion that really presses and pushes them. In other words, there’s a heavy vibratoriness that you could get caught up in there. And you saw yourself as being able to bring that to a stillness.

So the theming of the dreaming has been, for some time, this idea of there being a stillness. This has been octaved into another way of portraying it, too, in that that is the only way that you ever reach forgiveness. Because as long as you’re in a vibratoriness you’re still acting out in some fashion and not really forgiving, or letting go, of something. That’s kind of like another higher octave that I had to look at.

But you were looking at it in terms of the release, or letting go, and finding the ease and peace that exists, in terms of not having to be swallowed up with relating to a vibratoriness as a kind of outer contanglement hold.

The heavy vibratoriness is an outer thing, and the inner quality is the letting go. And the letting go is a way of taking and putting that vibratoriness like it’s a type of dust, or something, it’s like being able to put it back into a peace, or quiet, or a stillness in the heart, which is the image of being able to sweep everything, or put everything, into the heart. And when that is done, then there isn’t the acting up, or the diversity of things, in the outer. I mean, it can be there, but that diversity, and that outer, isn’t where your attention is being misconstrued.

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r4G3We could say that any understanding of the universe, and its greater purposes, is on a need-to-know basis. First, we can see clearly that flora and fauna are not trying to solve the meaning of life – they live life. But we humans are different, and we are designed and coded to seek to understand our purpose. That is the journey we are meant to make. And, if we make that journey as a service to what created us, rather than an ego boost, we will attract and connect to the intelligences that will show us the way forward. In this way, the universe is a system that rewards those who choose to be part of its plan and unfolding. (At the end of this post there are instructions and a link to download this recording to your computer.)

John: Now I tell a long story. I have this really long story about this. It’s a nice little dream story.

In this dream, I am the new guy in town. My reputation of what I am supposed to be, or represent, seems to proceed me. And so, in this town, there’s the town folk and hidden in the woodwork of things are all kinds of bugs, animal-like bugs that almost have a human quality aliveness to them.

And they’re all dormant. They’re all hanging back. They’re not being bugs, in other words. Let’s put it this way: not only are they acting real good, but you don’t even notice them. And the locals in this town are having an election, and, because somehow or another there’s some expectation about me, part of this election has to do with being able to stand up in the front and sing.

So everyone is there. And their expectations in regards to me are way out there, as I am now supposed to, so to speak, sing. And however it is I sing, supposedly indicates something. And so before going out there, it’s like I go through, inside of myself, what it is that I could possibly sing. There’s all kinds of possibilities, but I’m not really sure, so I just kind of leave it be. And I figure, okay, I’ll do it spontaneously.

So when it’s my turn to sing, I can’t think of a single one. And so I fall back onto some little simple, trite, ditty. And I sing: “This little light of mine, I’m going to let it shine.” Kind of an old, old song.

It is a song that I was compelled to sing long ago. This is a flashback now. I was compelled to sing this song, long ago, when I was coming to the process, and I came before a teacher, and the teacher, because he excelled in this particular area himself of being able to feel the vibrations through music and sound in the airwaves, he made everybody sing a song.

And so when it came to be my turn, that was the song I sang. And, when I was through, I looked at the teacher and he had tears in his eyes. And, of course, when I sang I closed my eyes and did the best I could, which wasn’t my thing. And so I see the tears in his eyes, and I go: how did I do? Then I said, “Was it that bad?” And he said, “Yes.”

But he saw what he saw that caused him to have tears in his eyes. And if that were a qualification for anything, in terms of how it needed to be, it certainly didn’t seem to affect what he did because I was selected, and initiated, by him, into the secretive techniques of Raj yoga.

So now it’s as if everything has come full circle. I’m up there and can feel the expectation – only this time it’s reversed. There’s the expectation placed upon me that is so loud that my mind goes blank. So I sing this little song, and I even forget the words. It’s kind of like in the design that it’s hidden like that.

And when I am done, chaos goes rampant. All the bugs and wood cutters come out and start acting up. Up until that point in time they were staying in their shells, and they’re hidden. So, as I’m walking along and all of this is going on, I see the sneer of one of these bugs – who sees no reason to not be just outright brazen, because obviously there was an apprehension of what I was about, and now they have seen that I’m not a threat to them.

You might say that we’re in a situation, in the world there, in this town, in which everything is flushed out into the open. I go up to this guy, kind of grab hold of him, and say, “Are you sure you know what you are doing? You expected me to be able to sing, or to come across in a particular way. What was the upside for me to come across that way? Do you really think that is the only song I knew? A trite, simple song, sung in a simpleton way?”

Meaning: I knew Leela long ago, that’s the divine play. And one of the outer conduct practices, that I came to ponder and look at, had to do with how you handle things as they were occurring in the outer.

It is said that there are three ways to deal with a problem in manifestation. The first way is you see the problem before it affects things and you take steps to deal in advance with the problem, so that it never really becomes that big of an issue.

The second is you deal with the problem while it is happening, and that’s where half of the people can see it, and half of the people can’t.

And the third is you wait to where everybody can see it. Other words, you notice the problem, you could do something about it, but no, you go stupid. You step back. You do nothing. You wait. Eventually the problem gets so bad that even those that are the most unsophisticated and immature, everyone, sees the problem. It stinks up the whole place.

When the rot is so great, and so widespread, that everyone gets it, you act, and you act with precision. No one questions whether your actions are right or wrong, because everyone knows what the problem is. And so when something is, then, effectuating itself upon whatever the issue is, they don’t sit and throw arrows and barbs at you because they are disgusted already in terms of the fact that this is such a problem.

They all can now see it because it’s as if the veils, that we’ve put in place in relationship to things, have been lifted. And then the consciousness comes into life as it is needed. That is a consciousness of awakening that is hidden, so to speak, by the Creator, purposely. The quality opens up from the top down, not from the bottom up. Meaning when it’s from the top down there are veils in place that kind of keep things that way.

We do not know how to see beyond the obvious. Everything that is rubbed in our faces is taken to be real. So, as a humanity, we have forgotten what divine revelation is about. The one being, of which we are all part, is an essence embedded within each of us.

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19 - Open DoorSometimes one gets that feeling of being welcomed in, or welcomed home. There is something very natural about the way it feels; effortless, easy, warm. It is no different with the energy worlds, where certain frequencies open up new vistas for us. Our energetic signal is the key that opens the door, and, as we elevate in our journey, new levels can become our home. It is the way of the universe that energies always find a home where they belong. The question then becomes: with what do we want to be at home? (At the end of this post there are instructions and a link to download this recording to your computer.)

John: In this dream I have been participating, with my attention, where others aren’t paying proper attention to yet; they still have not gone through that yet, meaning they haven’t paid proper attention to. I have been shaking and waking this sort of thing up.

The Chistis have their practices and, in their practices, they’re supposed to be getting themselves closer to the stillness, but they haven’t yet somehow or another awoken that properly, so when they delve into the outer, which they know is their calling to do, they don’t know how to delve into the outer from a proper stillness standpoint. Or, as I say it, so when it is time to delve into the outer from the inner, this being where everyone is destined to go, the journey isn’t able to be natural from the above.

The above is the stillness. It’s not able to be natural to the stillness, that I have seen, and I have done the outer and have a direct connection to that stillness that I have awoken. I spent the night going over this. In one image I tell everyone I have had enough, from what I have already gone through. In other words, they are just now getting into what I had gone through, and I am announcing that I have had enough from what I have already gone through. I’m exhausted, I’m worn out is my story. And so I’m not engaging in an unfoldment in the outer like everyone else is drawn to do. That’s my story so to speak.

But, in the next image, I go to the door of the outer energetic, knock on it from a stillness space that I’m holding, it opens, and I am recognized immediately. I have been here and done this before, apparently, because I am recognized as being right at home. I am greeted in the modality of life as follows: a comment is made about how soft the cotton is this time, and I don’t remember this being so soft before. So, in other words, recognizing the stillness.

The meaning is… before remember the stillness could only come to the door. That was in the meditation, and this time the door can open and it can go into life – but it’s not going into life with the weaponization projections of having to contend with something in the outer as having a meaningfulness.

So the meaning is, this dream is indicating that I use stillness to touch the outer, and do not change the world, or try, even, by any form of direct involvement. This is an approach that brings the inner into the outer, and comes from and into the outer, after having visited that interval at home, or the in-breath to the out-breath.

What I do that others can’t see, because they have to have some sort of outer appearance involvement, is on my own unbeknownst to those who are visible in this way, because what I do proceeds within a stillness, which is an emptiness, which is a nothingness. The stillness opens the door and does not disturb or disrupt anything. It is the epitome of soft, and gentle, and kind and gracious, as it is intertwined with the essence of oneness. It’s not fighting anything, is basically what I’m saying, and therefore there’s no visibility. It’s not a thought, per se.

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