Finding a Way In

Jeane: This next dream actually had a rather fun feeling to it (this dream is connected to the previous dream: see More to Come).

In it, I’m a man. I’m at the top of a really long sand dune that seems almost the length of a mountain. Midway down is a small, dark, round object like a boulder.

At the bottom of the hill is a woman that I’m interested in, but she doesn’t really know me. The way I’m going to get this woman’s attention is to roll a small object I have down the hill.

As the object rolls down the hill, it hits the dark object in the middle, and the dark object in the middle continues down and bumps the woman.

Then it feels like the chase is on, but I know she’s already mine. The dream had a delightful feeling to it – a delightful energy.

John: What you’re describing is that you’re taking a particular spirit energy, which is like a projectile (like the masculine), and it’s coming down. It’s hitting another object and then it’s through that other object that it makes contact, or there’s an impact made, with the feminine.

That’s actually a very deep and amazing dream, because the light, in this case masculine, can’t come all the way down into life directly. It would be too much. Because it can’t come straight down and through, the light has to bounce off of things that act as resistors, or barriers, almost as a type of protection. That gives the space for a person to allow themselves to sense what’s behind the scenes, in a way that they can process it, where they can then reach a really, really deep and meaningful insight.

Where does this insight come from? Well, it comes, somehow, from not identifying too much with one’s surroundings (taking it all too personally), and being able instead to utilize one’s surroundings, and what they portray, to image something important that’s unfolding within.

In other words, what’s important is behind an event. It’s often said that if you’re listening to a teacher, the words themselves are less important than what is behind them. It’s the vibration and frequency that comes with the words that has the more profound effect on a person’s life.

You could say that a vibration always has to manifest in some way. As the vibration comes through, it is moderated by what it comes in contact with, i.e., it bounces off things, causing a variety of effects and corresponding results.

If a human is in tune with that, it enables a type of synchronicity, whereby something can emerge, or be known, or come to pass. That’s a dynamic that requires a person to truly get out of the way, because otherwise such a dynamic can be right in front of us and we still won’t get it.

I mean, we might say, oh, that’s very interesting, and put it into some sort of spiritual context. But are we recognizing and acknowledging that it invokes, and implies, something even more?

Here we are in Egypt, where everything could point us to something more that’s awakening. Yet the way of things here makes it almost impossible to appreciate the subtleties. Everywhere we turn, people are trying to hustle us for money and we’re constantly surrounded. It’s shameless.

In other words, they don’t even get this incredible power of the past they live in the midst of. Everything they do veils this energy, or keeps others from being able to close the gap between where they are in themselves and what’s here at a deeper level.

I’m still in a state of shock over our guide. He knows the script and the words, but in that regard he’s part of the problem, not the solution. He’s part of keeping things dumbed down. What needs to happen on this journey is a kind of new epiphany, but it’s not going to happen in any kind of format that can be laid out in a one, two, or three sense (as shown in your dream yesterday). That’s not the answer, so one ends up just staying confused.

The aliveness of this land has been really hard to sort out. These merchants and kids and everyone running around taking advantage of the delirium of things, in a roundabout way they’re telling us, just by their mannerisms, that the aliveness isn’t there. The idea of people clamoring for this and clamoring for that… it gets to the point where they have absolutely no inner light at all.

So I think your dreams have been a reflection of this situation on our trip through Egypt. There is an aliveness to be discovered and connected to here, but there are too many veils put in the way. Your first dream didn’t quite find the answer, and your second dream showed that the light that wants to come through is too potent to come through directly. The light and energy needs to be moderated into life by people and places, but for this to be possible, everyone needs to let go of their material attachments and their marketplace mentality, and let it come through.

More to Come

Jeane: In the main dream I had, it seems like there are two primary ways to approach getting something done, and they are both represented by a small cloud, which has, I think, four appendages hanging from it.

If you move this cloud, or shake it, in a certain way, the appendages fall in a certain pattern and that represents a situation where something has been completed. I could get this procedure to the point where it was very consistent and well timed (that’s what I was aiming for), but each time the cloud had to be moved a little differently.

I could get it so that the timing between the two different ways, and the results, were very, very close, and either one of those two ways really worked well in the situation.

There was a third way that some people were trying, but that was an option that I didn’t think should be used. I spent a lot of time working the first two ways to see if I could gain more accuracy, or if one way was better than the other.

What I discovered was that the difference between those two was so minute that I really couldn’t tell.

John: You mean between the first and second ways?

Jeane: Yes. The third way, even though some people thought it produced a better result, was too rigid. I’m not sure what exactly was wrong with it, but it really wasn’t the best way to do it, so I just played with the other two for a long time.

John: So it doesn’t sound like you found an answer.

Jeane: Well, either of the first two options seemed okay. The third way wasn’t as useful.

John: Did the third one involve too radical a shift?

Jeane: Yes, it didn’t seem to work in the long run.

John: So, what do you think you’re describing? Are you describing something that’s a precursor, in terms of the outer, in the sense that there’s going to be some sort of backlash? You have this process where two ways seem to keep things in a state of equilibrium, yet there is also the presence of a third way, a bit more radical, which points to the idea that the equilibrium can’t last. The third option points to something more that needs to become awakened into life.

Jeane: Well, I would say that there are several ways it could work, but there’s a third way that seems too rigid to work.

John: If you were to try to relate this image to something in the outer world (that may have triggered it) what to you feels like it’s too rigid? Is it the military rule in this country (Egypt)?

Jeane: Yes, I feel like that’s too controlling.

John: That would be too controlling: it’s the power of the masculine and its ongoing attempts to control the re-awakening of the insights of the past. And where is the heart that exists – on some level – that sits here with no one paying any attention to it, and hardly anyone even recognizing it – not just here but throughout the world?

Jeane: I actually had another dream that I think had more heart in it.

John: So there’s something else yet to come. What’s being said through this first image is that you’re trying to sort something out, which can then be shaped or brought into existence.

Jeane: Yes.

John: And in this first dream, you haven’t really found a good answer. You know more about what shouldn’t happen, rather than how the existing dynamic should play out.

So your next dream is going to zoom in closer, I suspect.

Jeane: Yes…

Back and Forth

Jeane: My dreams kind of plagued me last night. In the first dream I was observing a woman. She has been arrested for something that has happened. Everyone is looking at the scene, trying to figure out what has gone on.

One version of events is that she’s been arrested for something she hasn’t done, but that her husband has somehow set her up to look guilty. Another version could be that she has set it up to make it look like her husband set her up.

It feels like everyone is either trying to figure out how to get her free, or trying to figure out if she really did it. That’s the most I could pull out of that dream. It was very confusing.

John: The energy that is being portrayed in this dream fragment has to do with the mannerisms with which you attempt to shift, or adjust, yourself in relationship to what is happening around you.

There’s a feminine principle, or mannerism, that’s subjective. It tends to accommodate, or go along with, what is happening around it. It takes everything happening into account, and then sees what it needs to do to accommodate itself accordingly.

This is a process that can draw one’s attention outwardly, to the external details. The degree to which it does that can set off a constant need to reassess new information. It sets off a chain of events whereby you continually are noticing how things stand and where you are in relationship to the outward environment or scenario. As you move from your inner self into the external effects, you are more and more subject to being affected by outer events, rather than having your effect on them.

There’s a reason you are being shown this process. It’s depicting this type of jostling back and forth – it’s a certain reflection of an in-between mannerism. You are not quite able to “hear” the intelligence of what is occurring because you are not completely connected to the vibration of the situation.

The concept of moving away from the jostling and weighing of the evidence, toward a kind of knowing state, is often referred to as “traveling toward God.” The dream shows you are not quite there yet – you are still experiencing the back-and-forth process. You still show a need to keep a focus and responsibility toward what is unfolding.

The shift beyond this in-between mannerism is one where you become able to hold the vibration, or hold the connection, and don’t have to ponder the left, the right, and the up and down of the equation.

So, it’s a dream that’s showing that you’re still holding onto this. It is up to you to realize it in order to drop it or get beyond it. In other words, if you don’t notice it, or if you even accept it as being okay, then you will stay there and swirl around with it every which way it goes.

Yet if you note that you are being tossed from side to side and try to travel toward the connection or overall vibration, it can be the precursor to getting to the point where it all just falls away. Then you are connected and hear the single note, or however you want to say that, which pulls you completely into the vibration.

That vibration is the only vibration that one ever needs to connect into. It’s a linkage and a fluidness that we are all designed to experience as our way of going on. But until we reach that point on the path, whatever we come upon in life, we will have to be jostled back and forth and make our accommodations accordingly.