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Posts Tagged ‘hiding something in a dream’

screen-closeupAre we ever truly ourselves? This dream looks at the subtlety of the mechanisms we use in dealing with life, in the sense that we’ll filter the way we are to accommodate the feelings of others, or speak differently because of the expectations of others, or even change our opinions because we’re hoping for a certain outcome. All these subtle maneuvers take us away from our natural state, and our natural ability to respond. And we can’t really be in the flow of things, if we are not being natural to ourselves. (At the end of this post there are instructions and a link to download this recording to your computer.)

Jeane: So I just remember one dream that kept repeating, in a way. It’s like I was observing life in North Korea. Because the dictator wanted to control everything, it felt like there was this woman that kind of wanted to… I don’t know if she became a chicken, or she was cooking chicken, but it was like you didn’t want the dictator to know if you got a chicken that was like a certain weight, or anything.

And I was kind of showing them how to hide that by chopping apricots up when you cooked the thighs of the chicken, or something, that you could kind of hide it in there. It was almost like she was the chicken and, you know, when she was cooked you could hide the apricots in the legs and not show that you had gotten a chicken that was as fat as maybe what the dictator would have. Because if he thought anyone had something that was better than what he had, then he would kind of come down on them. So I was trying to show them how to conceal that. But then the dream just kept repeating.

John: So what’s going on in this dream, that’s repeating, is you’re trying to get beyond this aspect of what’s called a frustration, or it’s a tension, or a reactive anxiety.

And you’re trying to look at a particular quality of this frustration, tension, or anxiety, a particular way in which it inflects, as an effect, that is your particular dilemma, or mannerism, by which you prevent, or keep, a certain quality of the secret substance that permeates through everything in the outer – or the inner coming into the outer – that keeps that from happening.

And when you feel a little tension, or a little frustration, in this case it’s like a chicken, or it’s like a type of fear. In other words, it’s a qualm. It’s a qualm of some sort that keeps this from being brought directly through.

In other words, this is all in keeping with the subject matter of: how do you work with things that are subtler, and subtler? And what you have is you have, for example, in the outer you just have the outer as a kind of density. And you relate to that outer density in terms of how you see things with the five senses. And the way you see things with the five senses is caught in this motif of seeing matter as matter – and staying strictly on that level.

But there is matter in sound, and there’s matter in light, and that the level of bringing inner into outer involves having to incorporate a bringing together of the sight of light into matter.

Now that sounds very, very strange. Well, because it’s a different kind of sight that we’re talking about. In other words, when you feel a vibration, something is going on in the outer and there is a way that it is. And then, on a vibrational level, you denote something more, you can denote whether something is a little this way, or a little that way.

Well, you denote it by a type of sight, but it’s not a type of sight, per se, of the senses. It’s a type of sight of a higher-self light of sight. So, in other words, if you’re in a room and you see something in the environment, in terms of the way something is, that causes you to hold back, or to measure what you say, or however that is, because you can sense something more than what’s apparent on the surface, and you can see the degree to which somebody can hear something, or recognize something, or you see what’s going on in a deeper way of something moving around in the nature, or the atmosphere – that’s a type of sight.

It’s a vibratory type of sight. Now what keeps this vibratory type of sight from becoming a substance, per se, in other words going into matter, making it manifest, is whenever you have any kind of friction, and we’re talking about a kind of friction that has to do with fear, that has to do with anger, that has to do with frustration, that has to do with things that have a denser mannerism about them.

So what your dream was doing, is your dream is reverbing back and forth, and back and forth, to try to see how it was possible to have a condition in the overall. And you were setting it up in a scenario in which, if you were to have this condition in the overall, you would have to have this condition in a way so that it didn’t cause a disturbance – because you were in North Korea. And whatever it is that you were able to have in that density had to be done in such a way so that it wouldn’t draw a type of attention that would cause it to appear that you were usurping the powers that be.

So what’s the powers that be, when you’re talking about the outer? It’s the density of things. And so the powers that be in the density of things is the idea, and the understanding, of what’s going on. What brings the inner into the outer is that you have to have that spatiality inside of yourself in order for it to occur in the outer. And, as you embody that and carry that inside yourself, that becomes the atmosphere all around you, as well. But, to the degree to which you’re responding, or reacting, to some heebie-jeebie, or frustration, or mannerism like that, some qualm, is the degree to which you blot that out.

Now why is it that that blots it out? Well, it blots it out because it slows it down. It slows it down in keeping with the density of things, and when something is slowed down in keeping with the density of things, it then goes back to the modality of the physical, and the senses, and the lower-self senses. And so you lose the secret substance that goes at a faster speed, that actually is a type of substance. In other words, all aspects of density have a terminal nature to them. They exist, for only so long, before they crumble back to dust.

Everything is that way in the outer. And on levels of light there’s a terminality, too, but it’s a long, long, long one because that’s such a subtle substance that it’s not like you actually see it, but yes, you kind of do by being able to experience it from within, vibrationally enough, that it’s like a type of seeing because it just permeates through.

Your complexity in the dream was, as something is coming through, to what degree does it need to be kept, held, or maintained, or protected in a particular way, in terms of yourself? And you’re using, as your screening mechanism, a type of fear, a type of chicken, a type of presentation, orientation that reverbs. The reason why it reverbed and reverbed is, by bringing that into the equation, you brought in something that kept it from just naturally being.

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feWe can say that an aspect of development is to bring things from the unconscious into the conscious realms. But, of course, direct routes are rarely found: we move forward, we take a step back, we test the waters and try to adjust to the change ahead. In this dream example, an aspect of the dreamer is going from visible to hidden, from the conscious back into the unconscious. It shows another type of inner resistance that must, ultimately, be overcome. (At the end of this post there are instructions and a link to download this recording to your computer.)

Jeane: My initial dreams felt like they were really restless and populated with a lot of people and I didn’t really hold onto them.

My last dream it’s like I’m this woman, and I think I’m wanted or needed in this village, almost like a witch doctor. And initially to go to this village they want me to be hidden, initially. They take me into like an inner room that’s like this wooden, almost like a tearoom. I go in there and I’m having tea.

And then I can sense that there’s this woman, a blonde woman, who’s coming and peaking into the room through the boards or something. She’s wearing a blue dress. It’s like she wants to know what’s going on. So I think we kind of capture her, because they just don’t want people to know what’s happening. Then I left the tearoom.

I have the woman that had peaked into the room with me, and some other people, and it feels like we ride a train up to the village. We ride on the outside of the train, almost like in a coal cart or something, but we get up there. We get to the village and, as I go in the village square and I’m looking around for what I’m going to need, and it feels like I want this bright colored cloth that has a lot of orange and yellow in it.

John: Whatever the color of that is, whatever the tone, because it has a particular color appearance, that appearance would also have to, then, find its correspondence in you getting in whatever you’re looking to do. This is energetically speaking, too, but also it becomes something in an outward sense that would have to have its correspondence. And you don’t have that going on, so somehow something has gotten lost.

In other words, it’s like if the train stops, and if it’s on one side, and not the other, you can’t find, but if you got off on the other side and it was meant to be a red chair, for example, on the right side, then you have to get off on the right side. So, in other words, you have to include all of this. So, you’ve gotten off and now what happened?

Jeane: When I got off I’ve gone to the village square and there are some huts around, and there’s people, and I’m trying to figure out what I need. I see a cloth that I feel like I need that I’m going to wrap around me. It’s in oranges and reds.

John: Yeah, I knew it was going to be reddish, and the thing of it is you’re not going to make that need work because you’re not including in this process this other part that got on the train with you, that you captured, or however it was, that got on the train with you. You’re not including that in this finding of something – unless you’re addressing that aspect that’s subrogated inside of yourself but, you know, that then has collateral damage.

Jeane: So, what I’m actually looking for in the village square, before I go to do whatever needs to be done there, is I feel like I need a staff. So I’m looking for the right piece of wood to use for a staff. And I also come upon an older woman who has a son, who apparently does have staff or cloth or things, and so I’m interested in meeting him. But I can tell that that kind of concerns her, so I’m looking at myself and then I realize that maybe I need to civilize myself a little bit, you know like go take a shower, or dress a little differently. It’s like I suddenly need to maybe shift my appearance because I’m a little bit of a wild woman out there looking for my staff and my cloth in the village square for whatever needs to be done next. Then I feel like I need to civilize a bit, but that was about the point in which I woke up.

John: Well you have a sense, but you haven’t flushed the sense through. You have a sense. The sense would be through and everything would be fluid and you would know what you were doing and you would cover the whole spatiality.

The key to the whole dream is what occurred at the very beginning and how it suddenly just disappears. That’s an important beginning because what’s involved there is, first of all, you have the energy of something that can stand up against the collective force. A witch doctor is someone who can take and, no matter what the direness or the vibe of the tribe is, or whatever, the witch doctor has to hold onto a resolution or focus.

It’s why he’s a witch doctor. In that sense he can do magic. In that sense he can take and shift things. In that sense he can kind of not be caught in the malaise of what’s going on. He can find that alternative, that other answer.

Well, in your particular case, you have taken in that. You know, in order for a witchdoctor to be effective it’s not like they are impervious to their surroundings. They absorb their surroundings. They take in what’s going on in their surroundings. It’s just that they don’t get caught or lost in that.

In your particular case, you took in that which was imbalanced, on the energetic level, and it disappeared. You know, it didn’t get integrated, it just disappeared. And so, once it disappeared, or had its effect, that just kind of went into you, you disappeared it into kind of an unconsciousness, or subconsciousness, because what you were then trying to find, as a need, or as an answer, or as a solution like a type of potion or something, now all of a sudden comes from an echo of out of the subconscious.

You’ve taken that and you’ve made it unconscious, or subconscious, and so you’re probing for the need of what you need to find having gone into the village, or the town square, or gotten off the train or however all of that was, and you’re looking for what is needed, but you no longer have the kind of remembrance because you have subrogated and made something subconscious.

When you describe the woman, the woman changed to me to being something like a chair, or like something that you can rest in, and did, and subrogated inside of you. And then when the train stopped the train stopped and what was visibly seen was reddish, like red chairs. But the tendency that you had was, because you were acting in a subconscious state, the tendency was in terms of how this dream played out inside of me in its own hallucinogenic way, your tendency would have been to get off on the left-hand side of the train instead of the right-hand side of the train where you had the same kind of chairs that would coincide with the chair that you were holding and residing in inside of yourself.

So that was like an amnesia. Well, it was like a subconscious thing. And so then you would be trying to somehow sort this out from something that you could no longer see or put your attention upon.

So the motif of the dreaming has to do with, like what I was even talking about before we started doing the dreams, it involves having to know how to bring everything out into the open, into the fore, not have something repressed or held back. There are parts of yourself that prefer it repressed and held back. That’s why it happens, that’s why it’s going on like that, but this is where you’re still lying to yourself. This is where you’re still maintaining yourself in some sort of misalignment.

And it’s like the dilemma is, not only do you maintain yourself misaligned, but you have the energetic of that misalignment. You are embodying the energetic of that misalignment. In other words, you changed the note, only in a denser way, when you’ve made something from conscious to subconscious. Like the witch doctor, per se, has a certain clarity that can function in a magical way. He’s not able to take that clarity, however, outside of himself very well because if the magic is spilled out there for all to see, then somehow or another, he loses key, or meaning, or value, or virtue or something. In other words, it’s like the idea of scattering pearl before swine is the term in the Bible means, in other words, it’s like, you know, you let your treasure out there in such a way so that it gets shot and undermined by the collective.

Well, in this particular case, there was the peekaboo, there was the seeing of something, or the indulgence in this case type thing, to which then it was repressed. It was then hidden again. Well, it can’t be hidden once the genie is out of the box. It has to be included.

That’s why you have a certain kind of level of consciousness that can unfold invisibly in a hidden capacity, and not be noticed. And yet in order for it to have its effect in the world it has to permeate into the outer. It has to find a way of coming out into the outer in a visible way.

Now there’s all kinds of different ways of being visible. It can take into account the denseness and then speak and function in a reflective way, and be visible in a reflective way, outside of the time and space of maybe something that is so dense that it can’t grasp it in one fell swoop. That’s a very subtle refined development to be able to do that, but it has to bring this through. If it doesn’t bring this through, then it is denying a kind of closeness and proximity that’s necessary in terms of finding the God mind of its own being, you know the creator, the inner essence of all that there is.

So, you know, the conundrum, in terms of what’s going on out there, is nothing is intertwined. Everything is more bizarre than ever before. There’s all kinds of malarky going on. People talk of all kinds of conspiracies, all kinds of manipulations, all this, all that. Well, it all looks like that when you take and you have this modality versus that modality, and you carry these things on to an extreme.

Well, you’re exploring and probing this quality, or this trait, when you start off with the witch doctor that takes then and gets too caught up in an exposure that it cannot handle in terms of the collective, and then finds itself going stupid again as a result of that, and then is trying to work in kind of an amnesic way to find what is needed inflectively. And now you’re kind of caught in a problem that the mind has created.

In other words, the mind is cycling around. It has the sense of something, but it can’t shift energetically. You have to shift energetically, and the mind will just keep going and going and going. You can’t pop through a veil with the mind. You can develop an understanding and whatnot, but you can’t change the vibration with the mind. As the vibration changes, the mind/God vibration changes of the mind quality nature, which means you get a higher mind, instead of the lower mind or something.

But you don’t reach that process through working with the mind through the senses. You reach that process by working through with the vibration that has to do with an interconnectiveness, which has to do with the breath, and the wholeness, and an acceptance of all of the components in life, acceptance of everything as being intertwined.

And it is a horrible dilemma to suddenly be in a position where, somehow or another, you have opened a door towards where you need to have a particular kind of insight, and you’re not following through, you don’t know how to follow through. You’re too weak, in some regards, to follow through, but your sensitivity somehow screwed up and got you into taking a peek, and then that then disturbed the synapses of your being. It’s not making an energetic shift.

To download this file, Right Click (for PCs) or Control Click (for Macs) and Save: Taking a Peek

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