Posts Tagged ‘i dreamed about jack nicholson’

ELKRIDGE, MD - JUNE 18: Workers are seen sorting as the conveyoAs our systems seek to help us on our journey, we are constantly having to deal with new energies, both from the inside and the outside, that cause our attention to be refocused. And the truth of it is, every energy we generate, or come into contact with, in our life, must be processed and sorted, by either letting it go, or by determining that it is important, or useful, and is worth keeping. This process is affected by what we have told our systems is important – because they operate, for the most part, automatically. That’s why it’s so critical that our systems know what is truly of use to our journey, which they learn by our repetitious attention and interest. Said another way, we get more of what we put our energy toward, not what our brain casually says we want. (At the end of this post there are instructions and a link to download this recording to your computer.)

Jeane: I don’t remember so much, I guess the best way to describe initially, it felt like when I came out of meditation, and I did that after like two hours, and I came over and got into bed, and then as soon as I went to sleep it felt like some energy that I feel like when meditation was kind of on my side, so to speak, had followed me over to the bed, and now I had to contend with it, and it was like it was against me.

When it was on the outer it didn’t work, and I was having to kind of fight it now, and it was even like a person. It was like something that had been on your side before, and now it wasn’t on your side because it was in the outer, and contending against you. Where it was on the inner it felt okay.

I don’t remember that much about it. It was partly red, and there was a man, but I remember thinking this was odd. But it suddenly changed from where it felt like it was on your side, to where it was out here and now it was fighting you.

John: When you meditate you set in motion a contrast world, or a type of effect that can cause you to have realizations and recognitions. That’s why you can have visions, you can have all kinds of little things that can happen that kind of are almost reciprocal, in fashion, to somewhere, somehow, in some way, in which you had been, in terms of an access within, because in the outer your attention is captured by everything that’s in the stimuli world of mind senses.

And so when the empty space of something is impossible in some other capacity of stillness, so when you come out of something that is actually where you’ve gone to some other depth within, you can kind of have a malingering effect of a quickening that’s possible yet, almost as if you don’t have any recollection of how all of that is, yet there still can be the malingering of something like that, thus the sensation when you came to bed that there was kind of some sort of strange effect. You can’t call it a déjà vu to something from within. Instead you have a reaction to having come back into the plane of senses and finding that to be kind of peculiar.

Jeane: And then in the last dream that I remember, I feel like I’ve gone to visit a girlfriend of mine, someone I’ve known since childhood, and then there’s some people that are there, too. One of them is Jack Nicholson, and he starts pursuing me, but he also has this substance with him. It’s a substance that turns things kind of crazy, and it can multiply, and do other things.

Like I remember once I even want to kind of get away from all this, so I go into another room that’s like a bathroom and I’m going to take a bath, and it’s kind of an elaborate bath. But he follows me in there, so I have to leave the bathroom. Plus I’ve noticed that sometimes the water comes from strange places on the wall and splashes, and I’m not sure about this, anyway.

Well, I kind of rebuff him again, even though sometimes I follow him around a little because I find him very attractive, but I always kind of pull away. Then I feel like this is like almost too much temptation, so I’m going to get out of there. And I’ve arranged a plane to leave the island.

So it feels like before I get on the plane for some reason this crazy substance Jack has, he’s put it down on a table, I’ve taken some cooked food in this container and I’ve chopped off some of the substance and I’ve put it in there. I’m going to take a little bit of it with me. He’s like too distracted by what he’s doing to notice what I’ve done, but then I realize like I have to hurry and get on the plane and leave; his friends and my friends have distracted him a little without even noticing. No one seems to have noticed what I’ve done, because they’ve decided they’re going to go to Samoa or something and they have to catch their own plane.

So I figure now I’ve kind of got it, some of this substance in this container, and I can go get on my plane before he notices it’ll be gone.

John: Well this is similar to this condition or energetic you had, when you came out of meditation, where it was like something was peculiar in relationship to how you saw yourself able to function. It’s as if there was something, even though you couldn’t put your finger on it, of an effect that had happened, and so when you were trying to come out and go into sleep or meditation, or from meditation into the quasi awakening back to sleep, you had these strange sensations that you couldn’t put your finger on that seemed to be out of the blue.

Well, in your dream, you continue with this in that it’s like there is an effect that is upon you that is causing your attention to be diverted in some fashion, and it’s some substance you can’t quite put your finger upon, but it is having its effect upon you and is causing your attention to be diverted from how you would ordinarily see yourself as being.

In other words, you’re acting as if there is something that is in the environment, like a Jack Nicholson, that is causing an attention to be generated against your will, as if there is some sort of spellbinding quality that he is perpetrating. And that’s how your mind is portraying, that’s how your mind is trying to explain to you this alteration in the energetic vibration.

And that, in the process of trying to come up with something as a cope-able peculiarized image that portrays what it is that you are experiencing somewhere inside of yourself, the interesting thing is that you are wondering if it’s some sort of secret substance, because you didn’t get a chance to denote it specifically, you know like in a mental, masculine way of pinpointing it. It’s an effect somehow, but you’re not able to aspect it in any degree, and so you are, in a subjective way, pondering it as a secret hidden substance. That’s an odd way of looking at an effect.

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Polar-OppositesHere, two phases of a dream show Jeane an inner dilemma, and the contrasting views that can allow her to weigh and understand where she is in the story of herself. At first she hesitates to intrude in a strange situation, and then she has a rendezvous with Jack Nicholson, the seeming epitome of ease in a social situation. Both sides of the scenario reveal a deeper truth about being in the flow. (At the end of this post there are instructions and a link to download this recording to your computer.)

Jeane: I just remember bits of my dream last night. It’s like I’ve moved to this town. It’s kind of one of those towns with large houses and tree-lined streets. I’m in the midst of a divorce from my husband, who is this Canadian dentist who is rather cold and a little controlling.

We have two children who are like young adults, and I know I go to a meeting that some women in the community have. It’s almost like a club. When I come in, I don’t really know the women yet, and they’re all sitting on these like love seats or couches, that when I come in I realize I’m not certain where I should sit. Like if I sit in a certain place, is that the place of some other woman who has belonged to the club for a long time?

And then after I decided that there’s one place that has two seats that aren’t taken, I’ll sit there because then I know I’m not taking the place of someone who isn’t there yet, at least I don’t think I am. And I’m just kind of trying to get comfortable with the women who are having this social meeting.

Then when I talk with someone and they mention something about their children, and I mention something about my kids, too, and I guess this person mentions they’re from Canada, and I mention that I come from Canada, too, but then I realize that I don’t know whether I should tell them that I’m in the midst of a divorce or not.

I’m not sure how they feel about that. Then I have left there, and Jack Nicholson is one of my neighbors, and I’m fascinated by him, and he loves to seduce everyone in sight. He’s definitely the playboy, and I go over to his house.

I can’t tell if I’ve been with him before and I’ve been resisting him, or if I’ve slept with him once. I don’t know what the scenario is exactly, but I go over to his house because I realize I’ve lost my purse, or I’ve left my purse at his house. And I think that he has this maid who is just going to come to the door so I can get my purse, but I go over and the door is open, so I walk in and he comes down.

He’s only wearing his bathrobe, and I realize I’m only wearing a white bathrobe, too, so he just thinks I’m there to be with him, so he’s delighted with that situation. And he’s kind of laying down on the floor. And I go over to him and I say, well I can be with him, but only if he doesn’t tell anyone because if my husband found out, he’s kind of one of these mean or cold people who then would deny me the divorce, even though the husband is the one who wants the divorce.

And Jack Nicholson kind of lays back and he laughs, and he has this belt he’s kind of cracking in his hands. You know how you crack a belt by putting it together and pulling it apart? He says he’s not going to tell anyone because business is really great the way it is already. Then I think it’s okay to stay and be with him.

John: The theme of the dreaming has to do with adopting a type of, in your particular case, you’re adopting a type of what you consider is diplomacy, in terms of how you approach something.

In other words, you’re not as overt in your nature. You’ve come to recognize that being too forward, and too overt, or just taking and doing something just for the sake of the fact that you feel that you need it, or are entitled, or something like that. In other words, you’re showing good manners, like in the first part of the dream, where you’ve come into a place to take a seat, to a women’s meeting.

It’s as if you’re interested in understanding something, but at the same time you’re still playing some qualm. In other words, you don’t just come in and take a seat. It has to do with all of this consideration as to whether or not it’s appropriate for the space: is there someone else that could be sitting there, and things like that.

The fact that you’re acting like that means you’re carrying a sense of a type of wound, that still exists in your nature, whatever that might be. In other words, it’s an effect that’s rubbing off and coming out in terms of the choices that you see yourself making.

In other words, there’s this underlying characteristic that you have to work with, that you have to experience and feel, that you have to take into account. It’s more obvious in the second dream, in that there’s still the sense of something that you need, which is the underlying theme of the dreaming last night: how do we handle this sense where there’s still something that one kind of needs in some sort of latent context of themselves, and that in order to sneak around, or to get it or something, one has to hide this from another part of you.

Which is what you’re doing in the first dream, too, when you’re pondering whether someone else is coming that could need that seat, or belongs in that seat.

And in the case with Jack Nicholson, it’s like you have to hide what might be happening there from a part of yourself, because there’s another part of you that would, again, hold some sort of qualm against you. Just like in the first dream there’s the qualm of taking somebody’s seat, and then in the second dream there’s the qualm of something else that’s part of you not being able to handle that.

And the carefreeness of the situation, without the qualm, is an easygoing nature in which everything just tends to naturally come, the Jack Nicholson part where everything is just naturally there. He is what he is. It’s obvious what he is. He makes no bones about it, and why should he pussyfoot about or anything like that, because it could affect the overall flow of things? So he just goes along with the overall flow of things because it’s great.

If he had any conditions, or acted as if there was any diplomacy, or whatever, that needed to be taken into account and factored into the situation, then that idea doesn’t go along with the fact that it might in fact affect the fact that business is great, so why does he even need to ponder or contend with that?

You’re contrasting a quality of an energy inside of yourself that has this really wide open nature state, that is possible, that is there as a counter image to look at in a certain kind of airy way, and contrast to a quality in your nature in which there’s something that you’re not sure of, in terms of the unfoldment of things, like the seat and whatnot, if it’s appropriate.

In other words, you have some sort of sense about you, in terms of something else, so whether that’s appropriate or not for you to be able to appreciate the seat that’s there. A Jack Nicholson scenario is he’d never think twice and, even if it did take the seat of someone else it would be like his space would make it okay, his whole spatial orientation.

But in your case, your spatial orientation is as if you’re hurting something, or hurting yourself. And it’s the same way in relationship to, you can’t cut something off. You can’t end something, because you have this quality inside you that feels that if you do that, you’re spiting yourself in some fashion.

The deeper meaning of a dream like this is that there’s something that you’re holding back on, that you feel you have to hold back on, or you feel you have to hide, and as a result it compromises you in various fashions in terms of how you’re able to free flow, and whatever that is it’s not that issue that’s important, it’s the fact that you note that vibration in relationship to the Jack Nicholson vibration.

And it’s not that the Jack Nicholson vibration is correct either. It’s just that you have to notice the two extremes, the part of you that has qualms, versus the part of you that drops it all and can just be any way that it wants to be.

You sit there and you look at those two qualities, and somehow or another, in looking at the two qualities you feel more or less the sense of limitation in one, and perhaps even a type of emptiness in the other, but anyway, at this stage in which you’re dreaming, there is no middle ground. You’re just observant of the fact that you still carry this one particular trait that kind of keeps you pent up in some fashion, and hiding something, and cautious about things because you know that there’s something latent that’s yet to be reached.

And the carrying of that as an energetic then, is in contrast to the state of yourself that is totally free, and precocious, and just is, and has a persona that is completely out in the open, like that and to compromise that one iota could affect that general overall flow.

And so you’re having to reconcile in a sense where one aspect is enslaved to a certain degree, and another aspect is over indulgent, and how you end up with that, or what you end up with is still a type of seeking.

Because if you take and you spend time with Jack Nicholson, and you still carry that other as a type of reservation, then you’re acting in a deprivation mode and you kind of come to see that in relationship to the fact that Jack Nicholson, in his freedom, and in his emptiness, isn’t carrying the deprivation mode.

So how do you function? It’s like it can’t be that state, and at the same time you can’t stay where you are. When you stay where you are, you’re pent up in some fashion, and then the actions you take are still conditioned.

So you’re looking at that odd particular vibration that’s still drifting about in your nature. Isn’t that interesting?

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Jeane: So, in this next dream, my boyfriend has gone out of town, really out of town – to Paris. So I go down to the city with a female friend and I go out with Jack Nicholson. However, when it comes time to go to bed at night, I go into a hotel that has a rickety old elevator. It’s a nice hotel, I think, but it has an old elevator. I go up and the room is on one of the higher floors, but it’s a very plain room; it just has a single mattress on the floor with blankets and sheets. A woman (my shadow?) also seems to be there.

So, of course, I can’t invite Jack Nicholson there. I don’t think I take him to the room. I’m supposed to see him the next day and then I’ll say goodbye, maybe have a little time with him.

The next day I leave the room and I take the elevator up to a large room where Jack will be. There is activity going on and it feels like he’s going to be there. I go over to a long banquet table filled with people, and Jack Nicholson is sitting near the end of it. He’s looking like he has a hangover, in the way that only he can look. He gives a nod toward me.

It seems like he can’t really say anything in front of all the people, and I think it’s a shame that we have to part that way. I would have liked a few minutes for us to talk.

As I turn to go, a woman gets up from a nearby table – she’s very thin and dressed all in turquoise. I recognize her as someone I knew a long time ago. She comes up and hugs me. She is so glad to see me.

There’s another woman at a table nearby who is also glad to see me. Now, one of these two women has a little girl who appears to be two-inches tall, and the other woman has a little baby boy tightly wrapped in a white cloth, and the baby is about an inch tall.

Eventually I leave and take the elevator again, which has become even more rickety. It’s descending very slowly and the door won’t even shut as it goes down. I suddenly discover that the baby and the little girl are perched on the edge of the elevator door near me.

I can tell that their parents are worried about them – they’re panicking, wondering where they are. I pick them both up and I’m holding them. I think they’re okay; I have them in my hand, kind of down by my side, when suddenly the elevator, instead of being inside the building, is invisible and on the outside of the building. It’s in a freefall and then it stops abruptly, a few feet above the ground.

The jolt knocks the little girl and baby boy out of my hand and I can’t even see them. (The shadow woman was also in the elevator with me when it was moving slowly, but disappeared as it became invisible and went into free fall.) Well, I know this would really freak out their parents.

So I get out of the elevator and I basically put my face right on the ground. I can actually feel the embrace of the earth through my cheek. I look around and call out to the little girl. I see her and she is covered with blue dust walking toward me through the grass, which is as tall as she is.

I ask her if she can help me find the baby. I sense that the baby is okay because it’s all wrapped up in a bundle, but I want to get both kids together before their parents come. Once the little girl came to me, I knew we would find the baby boy and that he would be okay.

Then I wake up. That was the whole dream.

Hmm, interesting. Tomorrow we will examine what can be understood from this strange scenario!

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