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Posts Tagged ‘inner into outer in a dream’

ChaosThe dream yesterday began with an inner perspective, but then it shifted to dealing with events in the outer world (see A Visionary Effect). And, just as in waking life, when we are faced with what is unfolding in the outer, things begin to get chaotic. Nothing works quite right, and more and more detours are required to handle everything. It’s interesting to see our dreams in this light: are things unraveling, or are things working out? This can tell us where we are in our struggle. (At the end of this post there are instructions and a link to download this recording to your computer.)

Jeane: So when I go to the outside again there’s a lot of people, and some of the first people that you run into, of course, are the people that you wouldn’t let into the inside before. But I just seem to kind of ignore them. And I’m walking around the lawn and exploring the area, and there’s a woman who wears white, an older woman who wears white, that I see as owns the area, or it’s her area anyway. And at one point, then, you’re there, and then I think of her as your mother.

You and I decide to go on a hike up the side of the hill and, as we go up the hill, it’s very muddy and there’s kind of like a stream beside it that has pooled up in different places. And as we’re about some distance up there, then you notice a place where it’s almost like a pool with some steam coming off of it has pooled among the rocks. And you want to go in the water.

I don’t really want you to go in the water because I feel like we can’t tell how hot it is. It might be quite volcanic, or it might just be like a hot pool. I just don’t know, but you just jump in. But when you do that, it’s like part of the side breaks down and it sweeps you down the mountain a little ways and you get all muddy.

So you kind of holler at me and I have to come and pull you out and back up onto the trail. And then we have to go down to the house because you have to go change clothes or whatever, get the mud off you.

When we’re down there, it’s like your mother really wants me to leave. There’s also been an Indian man that I feel like was wanting to be in a relationship with her, or someone there, and he’s left.

Before I can leave, I’m looking around for some things that need to be done, and then a little spider lands on my glasses. You know, I don’t like spiders near my hair or anything, so I kind of take off the glasses and ask you to help get the spider out, shake my head. That’s just kind of disturbing.

And then she seems to have left for a few minutes and you’ve gone to clean up and, because she wants me to leave and it’s her house, I feel like I’m going to have to – but I make a phone call. It must be about a cab or something. And when I make that phone call, somehow I get hooked up to the house of the Indian man and I find out he has a wife, even though he’d been there trying to maybe have a relationship with your mother or someone else.

So that was kind of like information that we didn’t know that I know it might even upset her, but at least I’ve got the information. Also, before I leave I see these white clothes all around, and I’m picking them up, and I feel like they need to be washed before I go. And as she comes and she’s gathering up some of the white clothes, too, I’m trying to sort them out a little bit more from colored clothes or other clothes that are with them, and get them in a washing machine that’s outside with everything else. I think that’s when the dream ended.

John: So when you put all of that that goes on in the inner in which you can have a certain knowingness, when you put this into the outer, you repeat over and over and over and over and over again all of the various variances.

And, to begin with, things just keep becoming more abstract, meaning separating from this overallness and this wholeness in which there is a sense, an acuity to every little nuance that is able to take place in terms of the effect as something changes in an inner way of something coming through.

But in the outer, you start off in which, fresh off of the inner, you have the sense of the various relationships, or parts. In other words, you have a sense of the effect of the mother, you have the sense of the effect of this, and the sense of the effect of that, and it’s still kind of within the metrics of an overallness, but with separate distinctions.

And then as the dream progresses, the vagaries get more and more askew. You know, you get the white clothes, and the colored clothes, and you’ve got the this and you’ve got the that, and you’ve got to handle this a little differently than you handle that. And it becomes more and more askew, meaning more and more like in a separateness.

And the more and more it goes like that in the outer, the further and further and further away you get from a higher-self acuity that you had on the inner. And yet that is how it is played in the outer, because in the outer you have your senses, and your senses are only able to pick up what is in your immediate environment around you.

And so you have to conduct and act off of that. And as you conduct and act off of that, can you hold onto, can you be in this innerness, at the same time you’re in the multiplicity? Because the multiplicity isn’t really a multiplicity. To begin with, you know that it’s kind of a part of you this way, and a part of your environment in this way, and a part of your environment in that way.

But in the end the images and the variances and all of the stuff that you’re going through sound estranged, sound like you know just things that you have to contend with, and you tend to lose more and more and more in the separation. You lose more and more and more of the union, or the oneness of things.

So when you dream on the inner, you pull more and more into a huge oneness, and world soul of yourself, in which that which goes on you can be in rhythm with. And when you go outward, there is an amnesia that sets in, in which the parts all to begin with have a relationship, but in the end that relationship can break down and you can become completely bewildered by the duality of things – as if they are things that you have to contend with, as if they really are separate.

And, as your dream progressed, these things kept having a semblance of greater and greater separation in terms of the imagery.

To download this file, Right Click (for PCs) or Control Click (for Macs) and Save: Lost in Separation

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crossing-my-spiritual-bridge1It has been said that, what we are seeking is also seeking us. And that’s the fundamental premise of making higher connections through our intentions and our acts, because universal energies can only find us when we radiate universal frequencies, i.e., we’re invisible to them when we are caught up in our personal mannerisms and processes. Part of what we are trying to do is become visible to them, through our constancy and repetition. (At the end of this post there are instructions and a link to download this recording to your computer.)

Jeane: The main dream I have it’s like I’m sitting somewhere near where you are, and it almost feels like an outdoor area. And it’s like you have something that looks almost like the rebar that holds a bridge up, and it’s a shorter span, and it’s golden, and it threads through. And, of course, then it creates a span that you can create a bridge with, and you’re like threading it so it’ll go across something.

Well, to me it’s alright when you have this shorter span of, let’s say, five or six feet or something that you have to thread across an area, because maybe it’s come undone and you’re having to redo it. That’s okay if you’re doing that on your own, but you’ve been left on your own suddenly to thread something that’s turned from this golden color into this blue rebar. And now it’s over 20 feet long, and so I’m kind of staying nearby because I don’t think it’s quite fair you’ve been given that long a piece of rebar, that you have to do on your own, that you have to make fit through whatever it would fit through to go across the space.

And it’s like no one else is really helping, and I don’t even know whether I can help, but it seems like I stay nearby. And I’m a little miffed because it seems to me like they’ve given you, it almost feels like, a bit much for anyone to have to do that. But what I can do is stay by while you’re working on it. And that dream just seems to repeat a lot.

John: Well what’s interesting about this is what you’ve done is you’ve taken the other half… In other words, in the outer world you have two parts, you have time and you have space. And that seems to be something that you have to contend with, timing in manifestation and the spatiality in which everything has come together as something that is dense.

Well, in my dreaming, I was looking at, how do I reconcile the timing that exists in the outer with this place inside in which I have a sense of things consciously unfolding, but that comes as an innerness into an outer? But on the inner level there is no timing, but in the outer it manifests and sets itself up as a timing.

And what you did was, because the feminine is manifestation, you looked at it from the standpoint of space – meaning that it is something that has this manifested mannerism to it. When something is intertwined in manifestation it is designed, shaped from the inner. Well, also on the inner, just like there is no timing, there is no space, using the word space to indicate something that has a physicality to it.

And it’s caused me to reflect that, yes, that makes sense if the feminine would look at the presence, the grounding of things, or the manifestation of things, because that is her area and her realm. And I guess it would make sense that the masculine would have to look at the timing of things from an inner in which there’s no timing, the timing of things in the outer in manifestation.

So when you put the two dreams together – of which I haven’t related mine, but just looking at yours that is just addressing this one half of the variable – it causes one to realize that even though we walk around with our five senses and such in the outer, that what we’re really trying to do is we’re trying to bring the inner into the outer, and to bring the inner into the outer we’re bringing the timing and spatiality into this domain, Or, in other words, we’re bringing in something in which there’s a total stillness, in which there is no timing, in which there is nothing concretized as a set physicality.

When we bring it through into this realm it has that. I mean, that’s what our senses are able to perceive, and we are caught and lost in that, and we are relating to the reflections then of that. When that stillness, that emptiness, that place in which there is no time and space is what is real, and we are figuring out how to take, and shape, and design with that in terms of manifestation.

And you were looking at it from the standpoint of the spatiality, and I was compelled to look at it from the standpoint of timing. And putting the two together leaves me kind of in awe of the fact that that is what is real. That which is not timing and space being brought forth and worked in a way so that it is visible and recognizable in all regards, as a quality that we know as manifestation, which is here based upon timing and space becoming timing and space.

And this kind of goes along with the dream I had a few weeks ago in which I was looking at all of the things that were unfolding around me, when I was deep in meditation, and I just couldn’t buy into it. I just couldn’t get caught up in that. In fact, it actually tended to be easily forgettable, but what I found that held my attention as real was the way I carried myself while being in such a reflective way, or domain.

And I hadn’t been putting my attention upon how it was that I felt myself or carried myself inside, I had been putting my attention upon what was happening around me. And so in this meditation dream I was shown that what is happening around me is easily forgettable, but how it is that I am feeling myself is everything, and how that is the bridge, or the link, to the connectivity of the inner into the outer.

So what our dreams have done last night is progress this to the part where you’re now working literally with the physicality of something being shaped and designed from an inner, where there is no space, to an outer where there is a type of space. And I’m working with a timing from an inner in which there is no timing, to an outer in which timing comes in its due course as something then gets constellated.

To download this file, Right Click (for PCs) or Control Click (for Macs) and Save: Building the Bridge

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