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Posts Tagged ‘letting god and creation through’

baHere John has an image of the soul leaving the body, and what he realizes is that the soul doesn’t hold the karma of physical life in itself, but that we are instead only limited by the veils of our personal experience. What this seems to say is, that whatever we think is us, as an identity, is an illusion of the physical plane. The burdens we carry here can be let go of, and the lessons of karma will go with them. (At the end of this post there are instructions and a link to download this recording to your computer.)

John: When I sat down to meditate, it was like I was feeling pretty good. I mean, most of yesterday felt pretty good by and large in terms of things. However, when you’re kind of floating like that, there can be the sensation that maybe that’s hard to meditate, or at least that’s not the time when you tend to meditate because I guess I still incorporate other things conceptually in the meditation, like a way of trying to feel the heart or something.

Anyway, when I sat down it didn’t seem like I sat there that long, and all of a sudden it felt like I needed to lay down on my side for a bit, almost to catch up with something. And, as I did that, this whole thing came over me, immediately.

And what came over me is, I was suddenly able to observe what happens when the soul leaves the body – because all of a sudden the soul left the body. And I seem to notice it. The first thing is, I notice that there’s this huge sense of relief. And the soul just suddenly leaves the density of the body and it’s kind of like it’s just like that, and it’s just suddenly relieved. 

The second, the physical pressure that I had been carrying is just left behind, and this surprised me because I guess I must have carried another conceptual belief about it. I expected that somehow or another when something like this happens that there’s your condition in the outer, and then there’s some condition when the soul leaves, and that somehow or another they have to split this condition up in some fashion.

By that I mean that some sense of the heaviness that I carry here doesn’t just all get left here, and that some portion of that has to be taken into the inner world because it’s like I guess that’s just somehow a belief I have, but that is not how it works.

In the dream, where I am of the opinion that in the plane of physical manifestation, I have as a weight the fact that I’m $28 million in debt, so when the soul leaves the body I simply leave this whole vibratory sensation of that problem behind completely.

So then there’s a side image that puts it in this way. Even if I was a super heavyweight fighter, all of that means nothing when the soul leaves the body. By that I mean, there is no malingering presence that carries on with the soul, in terms of this level, when it leaves the body. 

And of course the object where you can get kind of confused and draw conceptions, is you know the way the breath works is the in-breath the soul technically is going home, and in the out-breath it’s coming back in the body, and it’s going back and forth and back and forth like that. So I guess I’m recognizing the completeness of the in-breath in this thing, and maybe this is like a dream of the in-breath.

Then when the soul does return, it comes back as if everything is anew. The mental conditioning, which has the heaviness of how things are in manifestation, well, it takes a split second or so for it to suck all of that back in, to take that on. Or to say this another way, with the second aspect I had expected that the soul would return and know straightaway in manifestation it had to contend with this untenable bet, in other words the mood, the vibration, whatever it is of that energy – and money is power.

I was surprised to denote that the vibration of this had been left behind. In other words, it’s like when the soul comes back, it comes back anew. Yet when the soul came back there was a split second… it did come back anew and there was that split second when none of that other existed, and then the conditioning kicked in as a consequences of the senses and the mind reemerging, and that’s when you are veiled all over again in creation.

So the importance of this experience is I can now see how it is possible for a person to have a conscious moment, or conscious moments, of a dream experience which, so to speak, takes away years of karma in manifestation. If a person is able to truly delve to the inner depths of themselves, they can die before they die.

By that I mean the person can take the essence of the soul, and the place it swims in, and work over the burdens of physical manifestation, and work through or, in other words, just let go of the burdens of physical manifestation. You’re left in that vibe. You don’t necessarily have to pick up that vibe and go back into that world. It’s like a forgiveness or emptiness or something, a complete letting go, anyway.

Or to say it in the usual way that it is expressed, a point is reached where the mind gets hammered into the heart, in other words you don’t continue to hold on and stay in a particular vibration and reverb with it, and reverb with it, in the outer because somehow you know better.

So in summation, my experience of the freedom of the soul took me by surprise. I didn’t realize that the nightmare we know in manifestation totally goes, or is totally left behind, when the soul goes home.

Or to say this another way, the soul on the other side is not privy to the concerns of this world, and when the soul is having to contend with the plane of manifestation, this shocks it, it’s a shock. But the shock, or delirium, that is created when the denser mind/senses grab center stage – when that happens the veils between inner and outer are put into place, or prevail. 

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Brimblecombe-Fox_K_Stillness Within_2010In John’s dream imagery, which faces the same issue as Jeane did in her dreams (see Flow and Reaction), the struggle is to maintain an inner quiet that is connected to the Wholeness of life, rather than succumb to personal reactions and mannerisms. Our patterns of personal reaction to events, in our outer life, close us off from the grace of creation. And in our dreams, those same types of reactions veil us from the guidance of our higher self, which is trying to awaken us. (At the end of this post there are instructions and a link to download this recording to your computer.)

John: I don’t approach it quite that way. I’m coming more from a predilection of dwelling on things, and needing to pick up a greater Wholeness of what’s going on all around me – as if that’s what’s missing. I’m having to take what is specific, and recognize that there’s a greater answer in the overallness. 

Are either of them right? No, they’re just dimensions and levels that are quickened in our being, which occurs when one takes into account these aspects, both at an objective, and as a subjective, overallness, when you take them into account as what the whole equation needs to be.

In other words, you can’t be just one way or the other. You have to be both. It’s an unusual way of dreaming, but I think my dreaming might make it clearer because I go at it from a specific standpoint.

In the dream I start off with looking for an easy solution, as I probe an inner depth. And the easy solution is to deal with the situation in a particular way, which is fairly obvious on the surface. In other words, this is what you see. 

Once you’ve felt something for a while, and you do go to a certain depth inside, there’s the first obvious response that you experience. However, I am shown that this is inadequate, just settling there is now inadequate: I need to take on subtler and deeper depths of myself.

So as I go deeper into this feminine principle of accounting for a greater overallness, I actually stop a certain kind of doingness, or reaction action, because I find that doing what was obvious and apparent as a solution is not what you naturally reach to all the time.  

There’s a greater depth that doesn’t do that, because when I look at the overall, more expansive, levels within my approach, the opposite is what becomes apparent. The opposite is a quietness where you don’t respond or react to reactions or mannerisms, because at these levels I’m shown that I need to simply let go. 

That is the gracious answer to everything that is bothering me. It occurs when I touch a depth within, where having to do something has reverberations. This occurs when I reach the state where silence is the golden elixir. 

Until I do that, I’m inclined to still reach to an answer, in terms of how to deal with what is disturbing to me. In other words, until I reach that depth. In other words, I still have these feedbacks and responses that synaptically come up, and these responses are still in the realm of reactions.

And such reactions are not taking into account the greater overall depth of myself. The greater overall depth of myself takes in other inner levels where there is a Wholeness, and in doing so becomes quieter and quieter in terms of, then, reaction and response becomes more and more peculiar, because that interferes and disturbs the quieter and quieter mannerism. 

This dream where I see myself as having to take into account a situation in life where there is an obvious response that comes up where I notice how that is. In this dream I also notice that there is this other person, and that person is like a side of me that exists on more levels of beingness, who sees all of this from an opposite approach mannerism.

That this is an approach that goes beyond the obvious. And so in this dream, the obvious reaction response, which is seen as coming from a particular depth of myself, can be even quieter to which then reaction response goes silent or empty.

Seeing this greater overallness, with expansive other levels taken into account, stops me in my tracks. My action reaction has consequences for an awareness that takes into account this dimensionality. In other words, you maintain some actions and responses, feed on each other, and continue whatever motif you go off on as a tangent. It’s a spiraling.

So when I am experiencing this greater beingness inside myself, I sensate with an auric key, which adheres to a quietness. Upon this quietness every reaction response is seen as a karmic loudness. The inner depth of overallness that I am talking about is a beingness that is able to find the empty space within every situation.

The deeper meaning of this is, in a dream there is typically a response to that which is in movement from within, which is seeking to wake up. The movement is reflecting from an inner depth and a higher consciousness. The inflection carries a vibration that reaches a depth, and reaches a deeper note, which goes beyond what is readily apparent.

What is readily apparent is the inflection that has this motion action reaction upon it, or to it, as one’s inner depth level of one’s self. This tends to throw one around because the effect is noticeable. What isn’t noticeable is that this effect response is also able to be absorbed by a greater beingness that has an overallness that is rooted into and from an emptiness or quietness.

Each state we experience in a dream needs to be placed into such an emptiness, and that emptiness is the real station. To begin with we are swept up by the loudness of the state. Our reactions tend to be in the way, they get in the way, of a quietness. 

When we are able to take on an expansive station where the levels of our beingness do not need a doingness reaction response, that is when a greater auric sensation starts taking everything into account.

And that is when everything naturally bounces off of this greater auric field, that is, in effect, able to accept everything as being a flicker from out of a Wholeness, which is, in and of itself, empty and silent.

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Jeane’s dreams explore the territory of an inner space, which we can connect to, that offers guidance and knowings. So often we are too noisy in ourselves to connect to this deep reservoir. We have to let go of our patterns of reactivity with which we try to manage the outer world, and begin to listen to the inner voice that knows much more than we do. (At the end of this post there are instructions and a link to download this recording to your computer.)

Jeane: I think I remember my last two dreams best. In one of them I remember part of it because it was like several of us, and we seem like we’re older kids, are going out and playing in a swimming pool – but nobody’s watching.

This girl I know, and I, we tend to be doing these really high acrobatics, almost like off first or second stories or something, into the swimming pool; kind of learning how to jump down from great heights, or swimming down from great heights, or float down from great heights.

It’s like we can do some unusual things, and go into the water, but we only do them maybe when we’re around, when the kids are around, or one or two of us are around. I just remember that we were doing these unusual things around the water and so the water was important to us.

But then it’s like I’m going to have to move neighborhoods.

John: But you’re only doing those things when no one was watching you?

Jeane: No, maybe just when the other kids were around, not when adults or anybody else was around.

John: There’s an effect that is happening inside one’s self that has qualities, and characteristics, and mannerisms, in terms of its dexterity and what it’s about and what it can do, which isn’t something that is done collectively. It’s a dexterity, it’s a quality, it’s a trait that you can catch up with inside of you, but it doesn’t readily show or make itself apparent in the outer.

In other words, this is kind of an inner into outer thing, or something that exists from being able to hold a space inside one’s self, and the dreaming is about this space, this interval, qualities and characteristics of what becomes possible when one is able to stay and come from this interval of where the inner turns to the outer.

The consequences and result of what can happen there, is not readily apparent to others. And they have no cognition, or recognition, of it because it’s coming from somewhere that isn’t visible. You hold that space, and you act from that, and you take on a consequence that, as it occurs in life, it’s not necessarily understood, it’s not necessarily recognized, it can be somewhat apparent to you in terms of a recognition and realization in an after-the-fact manner.

But at the time that it happens it’s only amongst those that are of like nature, just like that which comes through from within can have a particular tremendous value in terms of its overallness and that that is now getting extended so it can now run its whole motif in an even longer consequence way, from within.

However, when it’s turned over to that which is in the outer, the effect gets blurred way, way down to something that’s pretty minuscule in terms of its effect and importance, in terms of changing or doing anything of any real consequence.

But the whole nighttime effect of the other, that goes beyond what you can put your finger on in terms of understanding, is likened to how the inner is able to function compared to how the outer is able to function in its much reduced capacity.

It’s like everything is from inner into outer and it really comes from that depths of the space, of the secret of secret spots, that is located where the in-breath turns to the out-breath, and then that which you can really look at and visualize and play with and try to make sense out of reflectively has this real minimal effect, and you don’t have much to do with that, very, very little to do with that.

Jeane: Then I think the dream shifts and it feels like I have to go with my family. They moved to another city. This city is on the water, so instead of just a swimming pool now I’m going to be moving to a place on the shore of what seems like a pretty big body of water.

I go to play with the other kids there, and there’s this wonderful water to dive into and play in, but they also have deep underwater sunken houses. One of the games, kind of almost like an initiation, they play is that maybe you’re supposed to swim into some of those houses and even go see what’s at the bottom of the stairway and stuff, but I feel like I’m probably going to be too claustrophobic or chicken to do that.

John: When you take and you’re going out and you’re playing with the other kids there’s not much meaning, there’s not much interest, other than probing the depths of yourself, which is like going to who you – are as a house underwater.

That’s kind of like the effect that you sort out in terms of how you are in the outer, and if you sort that out in the outer, that can slingshot you to catching up with who you are on the inner. And who you are in the outer is just a reflective thing – it’s not who you are on the inner. But by going to the depths inside of you, you’re able to pull down the recognition of where it really is coming from, as it’s streaming in from the inner.

Jeane: Then it feels like I’ve moved into a house with the dad in my dreams, because I’m a younger person, and I discover this house is haunted. And it’s haunted by a woman who sings. Sometimes if I peek around the corner I can see her floating up in the air and she’s like an opera singer.

There are other times when she comes around and there are certain things she wants. It’s almost like she wants me to dress a little more femininely. When I go out to the department store I find myself looking at this shelf with different kinds of bedroom slippers which are all kind of feminine and different colors.

But it’s a sale table so I’m having trouble finding something I really like. I’m wondering which ones even she would approve of, and there’s several scenes in the house where I kind of peek around a corner, or I find certain things happening, just because there is a ghost. And she likes to sing and she’s kind of feminine and it’s kind of interesting for me.

John: It’s showing that you have this connection on an inner level. What pulls this out is the recognition, as the teacher would describe, he can feel or get a sense of something. He does this through the heart, and the quality where the heart resonates a breakthrough. It’s like a tap on the head or something, so he’s able to see and help recognize and come from a knowingness inside of himself that way – and that incorporates a type of listening center.

What that means to you is, you have kind of an access to some sense that you have inside of you that is of a sensitivity nature. In other words, it’s not just that which goes on in the dense outer. And so the closest that you can come to realizing that, is that you can let go of a certain self image that you might have by being able to access this quality that you can feel as a sense inside of you.

And when you do that it supports pulling you together in terms of the inner connection. It knows how you are able to become and be more feminine in your nature. Actually, being more feminine in one’s nature is to actually be able to touch the beauty that lies within, that sparkles within, which is the spirit energy that is trapped within matter.

And of course rather than say it that way, you’re saying that you’re subtle senses are such that you’re able to recognize a listening center that some consider as haunting, but you I guess could call it like that because you create the image of that, but it’s really something that you know how to reach and that you can access that is helping giving you information. Just like a person can take and find a power animal in the shamanistic tradition, and that too can take and have some constructive purpose, up to some degree, in terms of working with earth energy.

And the ability to recognize something that is still floating around, that is opening up in terms of a spirit energy that is trapped, just like it is trapped in you in terms of within the matter of your being, and has within it an understanding and a sight that takes in what it is that you can have access to – if you allow yourself, or if something about your nature is such that you can come to pick this up.

It is kind of saying that you have that type of insight. You have the sensitivity to have that type of insight, and you’re doing it in what seems to be the smooth way. A lot of people when they have that sort of thing affecting them they’re not sure if they aren’t a little crazy as a consequence of it, because it doesn’t seem part of ordinary experience. But in your particular case you’re able to recognize that it’s okay and it can be a little haunting or something, but it is helping you to understand something. It is showing you something.

Another thing that can influence something like that is pondering the effect of archetypal influence upon one’s nature, and I guess you could say that this is akin to something like that in that the archetypal influences can either completely distort and control you, or they can become something that causes you to have a recognition in a subtler way.

 

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