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Posts Tagged ‘listening to our higher self’

finalspiralThis dream image finds Jeane observing a person who is a celebrity in real life sweeping a room with energy. When people we know appear in our dreams, it is not because we are having a dream about that person, whether friend or family member, or anyone else, but it is usually because they represent something and our dreams are using that representation to get across a point. In this case, Jeane’s higher self is showing her the attitude of bringing an energy through into life. (At the end of this post there are instructions and a link to download this recording to your computer.)

Jeane: So last night, the dream I had it’s as though I’m observing a nightclub, and in that nightclub there’s a man who is a lot like Dana White, who runs the UFC, and he’s wearing a yellow shirt. 

He’s on the floor of the nightclub and the impression I have is that he’s overseeing things there, and he’s sweeping the energy, but he’s sweeping the energy of the club in a way that he’s participating in a contest. The best I could figure it out is the contest is like between him and others who may sweep that club, or another club, with a certain energy and you see who did it best, I guess. 

One of the interesting things I note is that with a Dana White-type personality, he’s usually the head of whatever he’s doing. He micromanages and is very dynamic. However, in this dream, I know there’s another man, kind of behind the scenes, the one who is evaluating how everybody’s doing in the contest. That person’s really in charge.

John: Yeah, that’s a higher, higher self, or the secret of the secret part inside, or behind, the scenes of it all.  

But basically what Dana White is, is he’s a person that’s bringing through something as an energetic that he feels and he knows inside of himself and, of course, that seeing and the knowing inside of itself at the very end goes all the way back to something that’s a trickle-down, or lineage effect, or secret of the secrets at a depth even deeper in his heart.

But what he is caught up with is he has this whole sense, he has this whole knowingness in the way something is to unfold, and he’s bringing it through. And he just sees the image, he just sees the way that it needs to be, and then he takes his being and he throws it behind that and then that vibration then follows through as his focus and strength of being carries it across.

And so what you’re depicting is how something is breaking through. In other words, you’re working and you’re playing with this dynamic where there’s a way of being in a state, inside of yourself, that is connected to a natural knowingness that just makes things happen based upon your trust, your feeling.

And it’s almost more than a trust. In other words, it’s almost a sight. With Dana White he can feel so loudly, positively, or however you would say that, inside of himself, as to what he wants to bring about, that there’s never a doubt that this isn’t going to happen.

And yet very few people realize that when he started this whole thing it was like cockfighting and such. It was considered repulsive and he knew that there was a market for it, there was an interest in it, there was a fascination for it, in spite of the mores that existed, in terms of this sort of thing. And he defiantly wouldn’t stop in terms of his understanding of what was kind of needed as an aspect and expression that people tried to pretend, or hide from, as if it was too much and too bloody, or too this or too that.

He realized that this could be brought through, and would have an appeal, and would add something in its way. And he had to hold this belief in the face of the attitude towards this sort of thing, which went out of its way to make it more difficult, even to snuff it out.

And so he had roadblocks thrown in his path that you wouldn’t ordinarily have in a lot of things that are brought into life, because he stood in the way defiantly of that which was deemed acceptable behavior. And so the fact that you used Dana White means that as part of what is breaking through, as part of what is taking place, there is that quality and that note to it that it isn’t something mainstream and yet it’s coming through.

And you feel it, you know it, you recognize it as a type of knowingness, and that that is backed up within a deeper depth of yourself of even more in support of it all. Isn’t that interesting? It is a very deep dream.

To download this file, Right Click (for PCs) or Control Click (for Macs) and Save: Making Things Happen

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Jeane: In another dream, I’ve gone to work and I’m obviously the new person there. It’s an office setting and I have a male boss. A man and woman also work there.

I have two kittens in my apartment that are my responsibility. Sometimes my boss interferes, making it hard for me to take care of the kittens, so I’m usually under pressure to make time to be home for them, too.

Now and then my boss and I have some dialogue about this situation. At one point I have somewhere to go, so I leave the office and I head down a hill. But something is blocking access to the highway.

I then go into a cave that cuts through the mountain. It’s a detour and someone tells me that the cave is blocked at the other end. Then a woman comes and tells me that we can still make it through the cave.

She guides us, telling us exactly what we have to do: further into the cave there will be cones that have been put out and as we go by them we have to keep count until we reach a certain number. If we follow these instructions we’ll be able to get through and head to our destinations.

That’s all I remember.

John: On the surface, there’s a sense of confusion in this dream and yet, bewildering as it is, through this awkwardness a fundamental dilemma is portrayed.

In this image you are affected by an influence that keeps you from taking care of something that you carry as a responsibility. That influence is masculine, appearing in the form of your boss. What you carry as a responsibility has something to do with your home base (where the kittens are), but it’s pointing to a responsibility within yourself.

The theme here is about determining how one can hold an inner space. The problem with holding the space is that you’re divided between having to contend with or work within the requirements of your boss, who’s in one place (the office), and then there’s your responsibility at home (as in Creation), which is another place.

You haven’t figured out how to get the boss to take into account the fact that you have responsibilities at home. In order for this to work, in order for you to be settled in terms of what’s happening, you need to link these two together in terms of your beingness.

Because of this dichotomy, you’re not able to see how to proceed, i.e., the blocked road and the blocked tunnel. This shows that you’re running out of options in how to resolve this. It’s like being at one’s wits’ end.

It’s clear that the approaches you’re taking, which are solutions in the outer, aren’t going to cut it. You have to rely upon some inner help or guidance to make things work out.

And what is that guidance? What’s missing in all this is some vibratory, auric note that’s able to sweep through and pull it all together. You’re disconnected from your ability to resolve this dichotomy.

The only hope you have is for something to come help you. Whatever it is, it has to put you back in touch with a way of feeling the overall – that’s healing, that’s complete. As it is, you’re not able to bring the inner into the outer.

Jeane: But a woman does come with directions on how to navigate it.

John: That’s an inner guidance, or an inner knowingness that can help you. But your dream is portraying the outer dichotomy, in which there’s a gap and you’re unable to pull the two issues together. A tunnel cuts through a mountainside and mountains symbolically represent obstacles. You can’t solve it because you’re not reconciling the vibration.

In the second half of the dream you do get very specific directions and guidance, which comes from an even deeper inner level. And that’s how you’re meant to relate to what’s important. The closest that we can come to being able to hear that is to be able to nurture the sense of balance and knowingness that’s imbedded in our nature.

In other words, to know when something is awry by being able to hear that inside of us. Of course, on an outer level you’re not hearing it very well. You’re not reconciling the difference between your boss and your responsibilities, but on a deep inner level you are. This note, or linkage, or connection to a depth inside, can make the difference.

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John: Yesterday’s post was basically a bridge between Jeane’s series of dreams and my dream of the same night. The intent is to show how the masculine and the feminine handle the same fundamental process of trying to connect the higher self, our inner light, to the light of Creation (as we are all designed to do).

In Jeane’s dreams (see Dream 1, Dream 2, and Dream 3), what separates her from that connection to the wholeness manifests as feelings of shame and then grief.

For me (the masculine) this same type of disconnection is represented by an inability to get the details right no matter how hard I try.

I’m holding two tickets to an upcoming Vegas show. These tickets provide me full access to everything that’s to happen, which includes an act where something rises up through the floor from below.

I don’t remember when I got these tickets. It seems like a long time ago and I don’t remember any effort involved in getting them. The two tickets are for the 05/02 show, like May 2nd or something, although I’m never sure what the 05/02 and all these numbers mean.

However, now I suddenly need three more tickets. I’m trying to acquire these tickets for the show a day earlier because I can no longer get them for the same day.

The best I can do is to get two tickets for the 03/01 show, which I take to be March 1st, but I can’t get the third ticket. Finally I find a third ticket, but it’s for the 02/01 show. I then trade that in for the 04/01 show.

I know this dream had a lot of struggle in it, trying to work things out between these tickets. My original tickets came easily and I was very particular because I wanted to have access to everything, including the mist rising up from below. I don’t think I was able to get that access with the subsequent tickets I bought; I had to settle.

What’s going on, or a sense of the meaning of the dream, is that it reveals that when I want something to happen too badly, compromises are made. You could say it that way. I mean, that’s where a person goes off on a tangent in their mental nature, trying to force an outcome. It also becomes a tangent when it’s not originally meant to be there, or if we’re not quite there (ready) yet. It’s indicating that a part of me is still astray.

When a part of us is still astray, our timing is off. We tend to short circuit, in a way, and it’s a form of disconnection from the vital aspects needed to receive the full effect, or the effect that’s most appropriate in a given moment. We try to make it make sense.

In the dream the best I can do is settle: I rationalize that I do have tickets that provide me with an overall coverage for what I need. I’m telling myself this spiritual illusion, even though I know that some dates are missing. Something isn’t going to work if I’ve had to give up a crucial part of what’s to take place (the mist rising through the floor).

The tickets for 05/02 are a given. They’re going to work. It’s destined and there was no effort in it being established. It’s pretty much ordained. In other words, 05/02 is when everything comes together.

Sure, I would have liked that to be so for the other three tickets, but try as I might it wasn’t meant to be at this time. The most I can do is cover the whole month of March and April with an aspect but it’s not until 05/02 when fate brings it all through effortlessly. Until then, I try. 

The deeper meaning is revealed in the key element that’s missing: the light rising up to touch the light on 05/02, where the tickets give me access to something coming up through the floor and going up. On the other dates, as much as I would like to believe that that’s going to be possible, I have the sense that it’s just not ready to be.

What I’m describing is the responsibility of working toward such a reality. It’s a responsibility with a focus and attention, but I bang my head and everything else and come to know in this dream that things just aren’t quite right except for the two tickets on 05/02 where it’s all possible.

The other tickets can only catch up with the longing for this to be. That’s the best that they can do at this time because the timing for what is destined to be – in an effortless way – is not yet at hand.

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