Breaking the Spell

Hypnotic-spiralJohn has a dream where he is the new kid joining a softball team, which is in a malaise in terms of its performance. A team in a dream can be understood as a “collective,” or the prevailing way things are going on. John’s presence is meant to shake up the collective, and break them out of their malaise. Tomorrow, we’ll take an in-depth look at this imagery. (At the end of this post there are instructions and a link to download this recording to your computer.)

John: The first part of it was just a sensation in which I can feel in the scenario of an overall, that there’s a little bit too much heaviness that exists. So even though a bounce or a temporary relief is needed, and it’s going to be a temporary relief, just to take a certain pressure off, I can sense that. 

The problem is this is not my strong suit or area, because this borders awful close to what you do, but I can sense and I can feel that what is pressure upon it all, needs to ease up just for the time frame, again, to allow more sight of a certain overall quality to permeate out and see the situation.

And then it will continue to break down, but it can’t just break down and everyone go into an abyss. It has to break down in a way so that people have a sense of what has happened. There’s no change in other words in this image.

This image is just an image in which the unfoldment of something that’s destined to unfold continues, but there are reposes, and then there’s a step back in that there’s a way of letting things kind of adjust or catch up, as I indicated, a type of temporary bounce from what would normally be a straight down plunge, in order to allow people to see, and watch, and note, or as I indicated, kind of catch up so that it doesn’t catch them completely in a mysterium or something.

So, that’s the first scenario, which is just something to set the stage that this is the kind of existence that is out there right now. And then from this being the scene, as the existence, the following dream occurs to point out how you effectuate it, or work with it, from the standpoint of the masculine.

Of course the feminine is in charge of how it all permeates out, in terms of it integrates through, in terms of dealing with all of the vibrational contracts of life or, essentially, is able to be accepted. But this watching part and this whole business where everyone has to catch up and take note of what’s going on has to kind of come first.

It’s part of the overall in terms of a feminine losing the general confusion in terms of what is going on, but the feminine does not have the answer. The answer comes from this other aspect and use of energy, that is the feminine that is there in place, that is the nature that can allow the contracts to all be taken into account simultaneously, and for everything then to find a cadence, and then for the will from even the higher self to be able to permeate and come down like an inner into outer.

But that shooting through of that inner into outer is a masculine use of energy – and that’s what this dream addresses. 

In the dream, I’m like a new kid that’s moved into this place, into this area. This area has a baseball team, and I join the baseball team, and the game that they play is softball. It’s like a softball… or anyway the game is such that you pitch underhanded. So the ball tends to be at a speed that you can kind of see it as a general rule; it’s slowed down. It’s kind of like a woman plays the game. 

It’s the guys who play overhand fastball as a general rule, where speed is involved, but the speed without control, without a certain focus and attention, is out of balance, doesn’t mean anything at all. So as the new kid in the area, I go to the team and check into the team to play on the team. 

And at the time I step into the team, nobody knows anything about me. As far as I could tell no one says where I need to play, and it’s kind of like I could just grab a position – all except for one. And the position that is very specialized is the pitcher’s position, but because no one says what I can or can’t do, and all of a sudden there is a gap that exists because the pitching position is haywire on this team. 

And it’s haywire at this particular moment in time, something is breaking down even, and a change needs to be made, I step over and take this play and grab the ball. It’s kind of like this team doesn’t see itself that way, with somebody new coming in straightaway like that, so two other people step up that are offering to pitch and the whole team knows how they pitch, and so it’s like a shock if they step forward because what I’m doing is kind of out of oblivion or something.

But I know that the tone needs to change, and I can feel the problem. And so I ask the question, “Are there any restrictions in terms of how fast I can pitch?” and the answer is, “No.” When I ask that question, and bring that up, it’s kind of like they want to see. They pause. Ordinarily you know I’d have been pushed out of the way because the collective would have predominated. 

I take the first pitch underhand and I whisk it straight out there. I’m not sure because I haven’t done this for a while, and it goes right across the strike zone with a speed I can feel and see inside. In other words, I’m touched with that vibration. 

The question I even had is, would this be under control? And it wasn’t, and I’m kind of surprised too, because you’re never sure what is able to happen or not. But what I felt inside, what I had leaped out with inside of myself translated across into the game.

And this is just the first warm up pitch, and the catcher says, “Nice.” I could see myself blowing the fastballs right by a batter. It was just right in that space. I could feel the vibration of that because it would be faster than anything that the batters would be used to contending with, and it would take a while for them to adjust. 

And so I knew that I didn’t even know how to finesse. At this point, coming into a game like this, the idea of finessing and whatnot, throwing off-speeds or curve balls, or trying to do anything any different just wasn’t there. It had to be just fast and powerful, straight and consistent, and basically as fast as my focus would let me pitch them. 

I could see inside that as long as I carried this demeanor and was able to permeate it from within over the team, and over the game, and over the collective, that I could affect the situation. But the question always remained and, until you did it, you couldn’t know the answer to this, if I had the intention, consistent intention, that could match the focus over an entire game? 

If so, then I could permeate and break through the spell that existed over the team, as a tone, as a mood, as a jinx, as kind of a way of them seeing themselves that would then lift something to a new level. 

The challenge then, the bigger challenge, was holding onto the quality I had inside, to the point where it could prevail over the mystique of a team that had reached a point of believing that nothing could work forever, or for long, because the team was just in this state where it would settle for just improving upon the embarrassment that existed. In other words, it didn’t see itself as able to break through. 

The idea of transforming the scene into something new, in other words, had fallen out of consideration. But it wasn’t something that I was allowing myself to be affected by. In other words, I was just stepping into the scene and able to take it on.

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A Ring of Light

eclipse-Dreams of being on another planet, with other species of aliens? What can this mean? Well, it often points to a need to integrate something new into one’s life. The aliens represent the new or different energy, and the struggle is to see how to incorporate this new energy. It is the feminine quality that makes this possible, by creating a containment for what is new to be integrated into the Whole. (At the end of this post there are instructions and a link to download this recording to your computer.)

Jeane: My series of dreams take place on another planet. It actually feels like a pretty well integrated series, because first I’m kind of male on another planet and I’m in a jungle kind of learning how to interact in some competitive games with other guys who are there.

So it’s almost like we’re trying to see, if you come together in a circle in the jungle, and you’re kind of competing at certain games, how we can compete with each other in a way where you don’t have unfair advantages, where you can actually kind of compete and play these games, and when do you have an advantage or disadvantage, or what?  

So I’m trying to figure that out initially. Then I kind of take that concept one step removed, and on this same planet there are people that visit from another planet, and they’re always isolated from anyone other than their own species, even though they’re all humanoid. 

And so I expand that with the way that you can kind of let two species mix a little bit in some games, or in some interactions, so that one doesn’t overwhelm the other and you can just bring in a few people in a certain setting and see how that works initially because some of these people are built differently physically, or they’re more heavier set. 

They’re a different race, so you want to see how that works. And initially you do it in a very controlled way, and then you see if you can push that and do it in a little less controlled way because that’s people’s nature that they have some of this mixing and they want a little bit more.

And so that seems to be what the whole series of dreams is about, about how to kind of allow these different races to mix and in a way where one doesn’t overwhelm the other, and yet where you can continue to find different combinations that allow for an interaction.

John: This is continuing the same sort of thing energetically, as far as the way something is effectuated or permeated into life, as occurred yesterday in which you had to take into account the contracts of everything. And now to that same schematic correlated, is a dream in which you are looking at how things are integrated in terms of the Whole.

First you start off with the raw energy in which everything is just quite ordinary in the outer and basic, in which there’s nothing at all sophisticated in that image because it’s like a scene that is set back in the jungle days of things, or in the horse and buggy aspect of development, or in just, if you’d like, more of a lower-self nature of it all.

And are you able to take and accommodate that, so that a kind of equanimity is able to exist? This is very much the situation and the big question that’s always raised and that’s why you have various parties going at it, like the Democrats and Republicans or whatever, trying to determine what is best for society so that things aren’t out of hand, because otherwise there’s apt to be unfair competition, or someone is going to have to suffer for the benefit of someone else to step ahead.

On the lower-self level you’re looking at how you’re able to take and accommodate, using a word from yesterday, all the contracts that exist out there in terms of energetic uses of energy that have a different motif, different intents, different mannerisms, a lot of them more personal than others, just at various stages in other words.

How is all of that accommodated in terms of working with the outer conditions of life? In the second half of the dream, it’s like now how is it possible to introduce new energy into the equation? In other words to shift it, to speed it up, but you speed it up in terms of a vibrational Whole. In other words, you usher in something that you can link or connect to inside yourself -like aliens from another planet or whatever vibration.

And how do you bring the inner into the outer?

Jeane: A little bit at first and then more as you see different possibilities.

John: Yeah, which is all again a responsibility and a role of the feminine, being the container energy, and having domain over creation to see something like this through. The feminine use of energy carries the responsibility of permeating the vibration over the Whole.

The teacher’s way of saying it is creating a ring of light around the planet, so that through that can be a light from beyond that can come through. In other words, without that, then only a certain kind of burden and weight and malaise is inclined to exist, and in order to bring inner into outer you have to kind of set the stage for this more to happen. And the stage is set with a quality of the heart.

The heart has to get to a point where it is able to provide an access or a means to the inner that it can experience, to come into the outer, or in other words, to be able to integrate the aliens. Of course you’re looking at all of this outer means upon which that can happen, how they can be introduced into the outer society.

So your dream had two octaves. The first octave was the lower self of it all, and the second was the higher self of it all. And you might say that it all backs up to a central understanding that this is the feminine’s responsibility over the Whole.

The masculine brings forth the spark, the energy that can try to set in motion something so that the sweeping over of the feminine, as an energy holding a space and a place in the outer, this being the feminine’s nature and way, so that that can happen.

The masculine has to bring something through. It’s the protector. It’s the guardian of very specifically used energies. But without the permission, or without the overall quality there, being sustained in some capacity, to be able to accommodate, the change will fall flat. In other words, it has no permission or right to do that without this overall quality being there for it to be okay

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Can You Relate?

Intuitive Readings, Radiant Meditation www.shaevere.caIn this dream imagery, Jeane has a feeling of not wanting to be seen in a certain way – not wanting to be labeled as part of a group. In the dream, she is both the person resisting, and the group of people she resists. In this way, she is letting go of the aspects within her that are based in outward appearances, and embracing the inner aspects that are free from such mannerisms. (At the end of this post there are instructions and a link to download this recording to your computer.)

Jeane: In my first dream, I’m someplace, it feels almost like London. It feels like one of those kind of older cities, and I seem to have run into somebody I know, and we’re trying to decide where to go, and we’re in a strange kind of corridor almost outside. 

It’s just an outside area that’s slightly defined, because you have some things you can walk down, or lean against, and there’s a pathway that is broad, which goes down more into the city where there are large structures, old structures.

I’m talking with a gal, and other women come up, and it’s almost like all of them at certain times have gone down into the city to a building to listen to somebody talk, who is maybe almost like a psychic. 

And I knew this gal from long ago, and the one that I’m with right now is trying to find the other girl to maybe listen to her, and then these two women come up that know her, and they know where she is, and where the meeting is, or where the lecture talk is, and that’s when I find out this person is channeling. 

I just used to know her when she was exploring, learning about different things. So they start questioning me, and I mention that I actually came from the Episcopal church, even though I’m not going there anymore, just to kind of indicate that I’m not that much into what they’re doing, in a subtle way.

But I did want to go see this friend, and see what she was up to. I just was kind of curious about what she was doing. But I don’t particularly want to be seen as someone that wants to get caught up in listening to channeling, and I feel like it depends on whether the other two women, who kind of know how to get to the meeting, whether they decide to tell us where to go or not.

John: So you can’t figure out where it’s going to be unless you somehow or another relate to them. But did you relate to them enough to know how to get to the meeting?

Jeane: Yes, yes, I did.

John: So the idea is that when you go to meet her, you’re not getting into that motif, even though she would be inclined, when she saw you, to think that you were coming because you were in that motif.

Jeane: Right.

John: And so you are trying to maintain, or hold, another kind of position because you do not want to relate to her just along those levels.

Jeane: Yeah.

John: So, you seem to know that if you were to relate to her directly, in terms of how it is that she’s indulging in a particular way, that that wouldn’t be as heart-to-heart, or as open a communication as you want to have.

Somehow or another that would be inhibiting, and it would create the wrong appearance. So, you seem to be saying to yourself, that there is an identity that you need to not indulge in as much as you may be inclined to indulge, and get lost in the indulging, if you hope to have a greater, more natural rapport.

Otherwise, if you keep indulging in this particular way, to the degree to which you’re indulging, you then define how it is that everything relates to you, or you’re able to relate to everything else.

It seems to be a bit of a dream about establishing an orientation that has a letting go, greater space, about it, so that there isn’t some sort of defined mannerism that’s dictating the unfoldment. That way everything can be fresh, original, exciting. In other words, there won’t be this motif that overhangs, because if there’s a motif that overhangs, then the degree to which you can properly relate is going to be defined according to the motif.

And so the relatability is going to be quite limited, as a consequence, because it’s going to be under that tone, or that mood, or that mannerism. You may need to look at it enough, however, to be able to see where it’s at, but only to get an orientation.

Then you have to let go of that. You can’t go in with that, carrying a particular mannerism about it, because then that mannerism is like a judgment, and that judgment is like a spell, when that spell is like putting a tone, or a mood, or a mannerism over something. And therefore the relatability leaves something to be desired.

If you have to relate to that according to how it is, in that mannerism, then nothing benefits. No one else there benefits, they all are drinking the same water, so to speak, of the issue that they are all carrying, or aspiring to, and so there isn’t the ability to take on a whole other shifted, greater aspect of relatability.

So it’s almost like a dream in which, like the theme of the dreaming last night seemed to have something to do with contrasting what it’s like to drop all sense of appearances in a part of you, knowing that that’s what you want to do, versus other parts of you that have all of those appearances, all of those mannerisms, and that they shut you down in some capacity, as a consequence of that, in terms of how you’re able to relate, how you’re able to be oriented, the way that you’re oriented.

And so you’re looking at the contrast of these two states, which means that this ability to channel – there’s no black-and-white here. The ability to channel, and whatnot, is something that is opened up, that you can actually connect and relate and bring something through. That is opened up.

However, that isn’t where the relationship is. That isn’t where the deeper relatability is. That’s just the way something is, and if you indulge in that, then everything around you gets caught up and lost in that, as well. It’s an interesting dreaming.

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