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Posts Tagged ‘masculine and feminine in dreams’

77ddeegIt is a measure of how lost we have been to realize that there is nothing in the universe that operates without the mutual, but different, roles of the masculine and feminine energies. Both are needed for a triggering, and both are needed for a completion. To see the world today is to realize that we don’t understand, or live, with this fundamental truth. We will never reach the future without a realignment of these two universal principles. (At the end of this post there are instructions and a link to download this recording to your computer.)

John: I should probably present the very last dream, which corresponds to what you were doing. In the very last dream, first I dreamt the masculine part, and then I dreamt the feminine part. So, in dreaming the masculine part, the vibrational magnetic energetic, when it’s able to come into manifestation, comes into outer life and it systematically affects the unfoldment.

By systematically, meaning, as things are touched and corresponded, and touched and corresponded, and touched and corresponded, it’s all playing within a oneness. But, initially, you kind of see it as having to find its succinctness, in its presence, or place, specifically as an aspect of beingness in the outer, which is another way of saying of touching something in manifestation in a particular point.

If it’s touching something in manifestation, and it’s touching it only in a specific spot – we aren’t yet talking about the correspondence of the feminine that still veils – and so you have the touching. And what I saw in the energetic could come out and touch again. In other words, still the masculine, first it had to touch, and then it could touch again in another spot, again with a certain kind of succinct effort under defined parameters.

We don’t discuss the defined parameters, yet, because that’s the feminine again. Thus it can go to another area, and another area. And when it’s just a seeing thing, without the feminine thing, it seems innocuous, with ease, as a kind of natural inner vibrational flow. We haven’t talked about the feminine, yet. See, this is just seeing just the masculine.

In other words, what I was seeing was the masculine energy coming down into life in a way that has transcended the limitations – and we don’t know what the limitations are. Again, that’s the feminine. In other words, it is taking itself into account, in an unfoldment, one step at a time. To do so, the energetic would need to be grounded wherever it touches.

Okay, so then you go to the feminine principle, and it is in life affected by the masculine magnetic energetic touching manifestation. So, if you were to raise the question: which came first the chicken or the egg, or the seed or the egg, what comes first is the inner coming into the outer.

First has to be the looking down, and then something is awakened. That’s what this is pointing out, as well. So then the feminine component is affected by the masculine magnetized energetic touching it, and this vibration rises up – as a result of being receptive to the masculine presence – or something that looks down into it, inner into outer.

So, in the dream, the feminine energy you could say kind of gives itself up, much like a maiden vibration. I mean that’s almost a benign masculine way of saying it, because the feminine energy all I’m really trying to say is it has various looks to it that correspond to where something is at in terms of the place that is being touched.

To begin with, it might be kind of meek, and passive, and so not much can happen because it is beaten down or something. And then it can be over the top, in which the image can be such that it comes out with so much flair, and opens up so widely to begin with, that that’s not quite right either. That is something that is preening too much, or something, or just is too innocent, or something, and this is going on each time the masculine touches in a particular way to create a cycle of time in the universe.

You need to have the correspondence, and it’s a cycle of time as a completeness. And you can have various ages that are formed by that, where you could have one age in which something is this way in terms of the way the rapport of the masculine and feminine is. In order to truly go home, you have to be able to take into account it all. Initially it’s just like you have the one-to-one correspondence, so to speak, as if you’re touching the time clock of the universe. And, eventually, because there is no time and space, you eventually touch through it all – and then there’s just the nothingness.

So what is going on in terms of just describing the other is, I am dreaming how the magnetized vibration behind the breath, which is the heart breath, touches manifestation, that is, so to speak, a masculine image now, and the result causes a shift in consciousness and this affects the unfoldment of the time and space of manifestation – which is the feminine.

The theme of the dreaming has, as its underlined core, it has to do with what happens when there’s the original breath. So, when there’s the original breath, you can do it in kind of an A and B and A and B way of saying it. A, inner comes into outer. B, the seed into the eggs. One and the same. A, the above into the below. B, light comes down to touch manifestation. Same/same again.

Or, saying it another way, masculine comes down into the completeness of manifestation, and the result is that the feminine principle of a light imbedded in matter rises up to touch light. Or another way of pulling it together, and saying it in a more complete way, or a more full statement is, you have a result or cycle in creation, or a cycle in creation could be ages, depending on how you want to look at each aspected spot. And, in those ages, you move through them, and you move through them in a way that is said to be light coming down to touch light, as effectuated, and light rising up to touch light – thus light upon light.

To download this file, Right Click (for PCs) or Control Click (for Macs) and Save: Light Upon Light

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Crawford, Hugh Adam, 1898-1982; Orpheus: The Wooing of Eurydice

Hugh Adam Crawford

For things to come together, certain criteria need to be established. A bee won’t visit a flower before it reaches a certain stage of development, birds won’t come to an area before their favorite food arrives, and humans can’t make a connection if certain requirements aren’t met. That’s why, in the natural world, everything is always trying to make itself right for what it is trying to attract. This same process applies to our inner lives, with the masculine and feminine aspects seeking a connection, but one that can only be made when the terms of acceptance are reached. (At the end of this post there are instructions and a link to download this recording to your computer.)

Jeane: Then I had a series of dreams I don’t recall. In the last dream, I recall it’s like my sister and I are going to visit the house where my dad lives, and, in this house, there’s now a room that has, it’s almost like a rotunda-type room, where it’s got a round ceiling and walls.

And what my dad’s been doing, in that room, is he’s been putting plaster of Paris designs, like a fleur-de-lis for something, big ones, around the rotunda, and then gilding them gold.

Now my sister feels, and I kind of feel, this is, you know, kind of way too ornate, so my sister’s upset about this. But I’m telling her just to chill, because if my mother comes back, or whatever, you know, and it is probably too ornate, you know, it can just be painted over – so it’s no big deal.

It’s like my dad’s enjoying doing it, and, you know, even if it’s not quite our style, he’s having a good time doing it – and it doesn’t matter. It’s like if mom came back and wanted to change it, then she’d change it.

John: So that’s repeating the first dream, basically, except presenting the energetic in a slightly different motif, where the masculine, which represents the gold, is coming down, and it’s gilding the building, or the beingness, of it all.

And, the feminine principle, the part that’s represented as your mother, is asleep, is not being touched, or affected. The part that’s representing you and your sister, which is trying to awaken, and trying to take into account and keep up with a quality of honoring, that is important in the equation, which is like the prayer quality, it’s got its divided opinion as to what is taking place.

You have the sense towards a stillness, towards a letting go, that is a sense that is the right sense to have because that, then, can result in something that can be woken up. But, as long as there is the commotion, and reaction, in-between, in terms of whether it’s right this way, or right that way, prevents something from being able to find its correspondence.

In other words, your dad’s doing something with the gilding gold vibration of a building, of a beingness, coming through into life. He’s doing this in a particular place. And that’s what it looks like in terms of a sight. The touching of something in manifestation looks to touch at a particular spot.

And then what rises up, the maiden energy, or the feminine energy, that rises up at that particular point, well, it’s not rising up in an acceptable way. It’s leaving something off the ground; in other words, your dad’s a little off the ground.

The deeper feminine mother principle is still asleep, and the other is sitting there, and looking at it, in a kind of in-between capacity yet, with the advice being to sit, to wait, to accept. That if there’s something that has to be taken into account, or handled, in relationship to that coming down as the seed of things, the mother, the feminine, it will, when there is the coming together, then, it will respond as need be.

Do you see how that was the same dream?

To download this file, Right Click (for PCs) or Control Click (for Macs) and Save: The Correspondence

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09eewIn our dreams, we are always trying to find a balance between the masculine and feminine natures that we all have inside of us. The outplay of this dream shows three generations of female – child, young adult, and older woman – trying to bring the masculine into a “healthy” relationship.  As we are all the characters in our dreams, this is an inner struggle that needs to be resolved, yet the female dreamer understands that the feminine aspects cannot become like the masculine aspects to appease them, or make them feel comfortable. The relationship needs to be built with respect to the inherent nature of each characteristic for it to be a healthy one. (At the end of this post there are instructions and a link to download this recording to your computer.)

Jeane: I just pulled out my last dream. In my last dream it’s like I’m maybe young, just around teenager somewhere. I’m living in a house with a young girl, a little girl, and an older woman, and then there’s a man that comes in, periodically.

And he seems to be trying to do something for all of us to help raise the little girl, but he doesn’t always know how to interact with her, yet, and he’s getting older. I can tell there’s something kind of off, or wrong, about him right now, so I want to do something for him, or we all do.

So we look around, and he does have kind of a strange vehicle that’s parked in one room of the house. I don’t even know how to describe it. So I realize it might help him if we could take him out for a ride in this, but we could never drive that. And then I feel like anything we could drive we couldn’t drive fast enough, anyway.

I wouldn’t know how to drive a motorcycle, which might perk him up. So I’m racking my brain trying to figure out what I can do, you know what kind of a ride I can take him on that will kind of perk up his energy. And I’m going over in my mind things like horse and buggy ride, a Ferris wheel ride, I think. Maybe a ride in a convertible is what I finally come up with. I’m just racking my brain trying to come up with something because we don’t know how to drive his vehicle and we wouldn’t drive that fast enough, anyway. And that’s when I wake up, as I’m just trying to figure this out.

John: So what you’re talking about is the feminine nature to be able to take something that is in a masculine outer context, that is overly spacious in its nature, and bring it into a cohesion so that it can see itself, and so that everything can come to a cohesion.

What you know is that you don’t try to keep up with that, because if you try to keep up with that. And so that might even be a big aspect of a correction here, is the idea that you have to try to keep up with that. No, it’s not your role to try to keep up with that. It’s your role to try to cause something to occur, so that the effect of what is overly spacious, and zooming out, is able to find a cohesion based upon the way you hold a presence about things, based upon the way you allow something to be able to be felt, or experienced, which means you have to pull it back to some degree.

But you cannot pull it back in a way that restricts that. You have to pull it back in a way that comports with that, without trying to race out that way yourself, because you’re not allowed to race out that way because that is not what is meant to be, in terms of who you are. And so you are seeing that, in terms of who you are, you are connected to a sight on this particular level in terms of a higher self part, the grandmother part or whatever, and your regular, natural nature. You have proper cohesion training, or understanding, in this motif to be able to take and make a difference in this kind of atmosphere.

That’s very interesting. Which is the same thing as saying that you are bothered by, for example, a certain aspect of something in the outer, and it probably relates to me, and it has to do with how something is out of twang, in some regard or another. And that you’re not going to do yourself any favors by trying to catch up with that which is out of twang, or going in some pace that it’s going in. Instead you have to hold a quality of a presence of nature and being that enables it to be able to let go of maybe the way that it is driving itself. You don’t try to drive that way yourself. You, instead, hold onto a cohesion, and in that holding onto that cohesion you are actually giving something to that aspect of unfoldment.

And what you’re evaluating to do is to figure out what it is that you have to give to it? Is it a convertible approach, or is it this, or is that? In other words, you’re still working within the context of the car, meaning something that drives itself in a pace, and at a point, that you’re not going to be trying to catch up, or keep up, with.

Now that’s interesting that this is pointed out to you to have to recognize that you need to be like that because, from my perspective, I keep trying to get you to speed up. And that is not right. I act as if that you are missing something if you don’t learn to go catatonic, and then let go of the catatonic. That’s me, in my dementia, trying to turn your world into a dementia or something.

You know the approach that upholds a state that is conducive to a greater beingness, and you function in a way that tries to hold that together, and not try to keep up with that. And this is an interesting inner lesson of a quality of depth of a feminine beingness, because you often see, in terms of feminine nature, you often see the opposite occurring where they attempt to race out. They attempt to join that kind of world in some capacity. You know, women take and are all concerned about this, and all concerned about that, all as an idea that it has to do with imagery or something. And so she is not able to let go and actually settle back into herself.

But at what price is that in terms of her catching up with a deeper depth of herself? Having to maintain an image, and a persona, that is in keeping with having to conduct, in this kind of environment a certain way of coming across – and you see a lot of that – and how you are is you’re being shown that the exact opposite, or contrast, is what is important.

There is a way of letting go having to go around like that because that is a debilitating state to have to sit in.

To download this file, Right Click (for PCs) or Control Click (for Macs) and Save: A Cohesion

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