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Posts Tagged ‘masculine and feminine in dreams’

imaxxgesWe have noted that intelligence comes from our higher connections, and, when we feel we have an insight, it is quite easy for us to take that insight and run with it – all the way to being disconnected again. So it is important, in our processes, to continually check-in with the higher reasoning of what we are trying to do, the intentions behind our efforts. That is how we can stay in the connections while we are actively doing in the outer. (At the end of this post there are instructions and a link to download this recording to your computer.)

John: Similarly, in my dreaming, something was stifling. In other words, in the dream it starts off in which I’m in an atmosphere, a workplace kind of atmosphere, in which there is something obvious that I know that should be done, but even though it’s obvious there are constraints, or protocol, in terms of how something is able to come out, and, no matter how obvious it looks, I need to go through the protocol or it won’t come out properly.

So this is a place with a lot of different departments in it, like a manufacturing place, and I’m kind of a person that free flows, you know maybe not just complete manual-labor type, but a type that has another kind of freedom to do things. But I do have my parameters, in that I just can’t willy-nilly do whatever I darn well please. I have to get permission.

So to get permission I go looking for the boss, the big boss. And normally if I feel something properly and passionately, and I can feel it in a free flow way with inside of myself, I’ll find the boss. In other words, I will find what I need to hear in order to be able to do what needs to be done.

But, in this particular instance, I cannot find the boss no matter where I look, and I look and I look, and then I conclude he must be in another division of this company, in another area, because he’s not where I would’ve expected to find him.

Now I know that if I find him I will get the permission I need, but it’s inappropriate for me to act out on my own. No matter how good of an idea it is, and no matter how much it makes sense in terms of helping the situation, it’s not something I am allowed to do.

Now what this is talking about is a type of seeing from a listening center way. One of the main reasons why we can’t catch up with the hearing that is a seeing is, we really don’t want to know. And it is often said that this is a bigger feminine problem than it is a masculine problem.

The masculine will go along and will really stab its heart trying to solve something, because it’s just got that kind of nature where it’s always trying to bring down an energy – as if it has the solution at hand to solve something. And so in doing that when it’s out of balance, because it doesn’t have the connective flow, it is stabbing itself.

But the feminine energy can feel the same stifling, but rather than necessarily reaching for all kinds of solution ideas, will try to put herself into a trance where everything is deemed to somehow be okay.

Well it’s not okay. It’s a mood then or it’s an emotional mannerism, and when it’s like that you can even say, for example, that the person would even prefer to be lied to, even them knowing that they’re lied to, because it’s a sense of relief that they’re looking for. And so when it’s like that they’re not ready to bring together components. They choose to maintain some sort of trance.

This is molecular again. It’s a thought-upon-thought, a dilemma, and then you don’t get outside of that. You’re still caught in the mood of some aspected vibrational thought-upon-thought. And that’s monotonous, that’s stifling, and then you can actually adopt the idea of kind of a controlled waiting, that there is something that’s going to break the spell someday, somehow, as if there’s some latent promise that things are in the works that are changing, that are becoming more conscious. And you could sit in that modality, and maybe if you face it directly you realize that you’re carrying an imagination, a boil, which you’re not popping – and how long does one keep that up?

Well the masculine, by comparison, goes around and acts as if it can try to find its relief, instead of trying to sit and make the atmosphere sensate better, the masculine will go along and try to get the permission, or find a means by which it can act, but it will never find the means, or the permission, by which it can act and effectuate a change for as long as its feeling the heaviness about something, or is stressed out in some strange fashion, manneristically.

And so when it’s like that it can’t open itself up, and so the atmosphere aspect of the dream shifts, in which I am there, and I have this whole place.

This is my place, and even though it’s my place, I still have to function like everybody else, or so it seems. But everyone else is functioning in a way that is silly, you know, that doesn’t really flow. Because I carry a tone or a mood that feels reactive about the fact that something isn’t properly flowing, I’m not effective, so I kind of sit off to one side. I slink away.

I look at this and look at that, and finally someone who is kind of in charge kind of complains and says, “The problem is that someone won’t check in.”

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77ddeegIt is a measure of how lost we have been to realize that there is nothing in the universe that operates without the mutual, but different, roles of the masculine and feminine energies. Both are needed for a triggering, and both are needed for a completion. To see the world today is to realize that we don’t understand, or live, with this fundamental truth. We will never reach the future without a realignment of these two universal principles. (At the end of this post there are instructions and a link to download this recording to your computer.)

John: I should probably present the very last dream, which corresponds to what you were doing. In the very last dream, first I dreamt the masculine part, and then I dreamt the feminine part. So, in dreaming the masculine part, the vibrational magnetic energetic, when it’s able to come into manifestation, comes into outer life and it systematically affects the unfoldment.

By systematically, meaning, as things are touched and corresponded, and touched and corresponded, and touched and corresponded, it’s all playing within a oneness. But, initially, you kind of see it as having to find its succinctness, in its presence, or place, specifically as an aspect of beingness in the outer, which is another way of saying of touching something in manifestation in a particular point.

If it’s touching something in manifestation, and it’s touching it only in a specific spot – we aren’t yet talking about the correspondence of the feminine that still veils – and so you have the touching. And what I saw in the energetic could come out and touch again. In other words, still the masculine, first it had to touch, and then it could touch again in another spot, again with a certain kind of succinct effort under defined parameters.

We don’t discuss the defined parameters, yet, because that’s the feminine again. Thus it can go to another area, and another area. And when it’s just a seeing thing, without the feminine thing, it seems innocuous, with ease, as a kind of natural inner vibrational flow. We haven’t talked about the feminine, yet. See, this is just seeing just the masculine.

In other words, what I was seeing was the masculine energy coming down into life in a way that has transcended the limitations – and we don’t know what the limitations are. Again, that’s the feminine. In other words, it is taking itself into account, in an unfoldment, one step at a time. To do so, the energetic would need to be grounded wherever it touches.

Okay, so then you go to the feminine principle, and it is in life affected by the masculine magnetic energetic touching manifestation. So, if you were to raise the question: which came first the chicken or the egg, or the seed or the egg, what comes first is the inner coming into the outer.

First has to be the looking down, and then something is awakened. That’s what this is pointing out, as well. So then the feminine component is affected by the masculine magnetized energetic touching it, and this vibration rises up – as a result of being receptive to the masculine presence – or something that looks down into it, inner into outer.

So, in the dream, the feminine energy you could say kind of gives itself up, much like a maiden vibration. I mean that’s almost a benign masculine way of saying it, because the feminine energy all I’m really trying to say is it has various looks to it that correspond to where something is at in terms of the place that is being touched.

To begin with, it might be kind of meek, and passive, and so not much can happen because it is beaten down or something. And then it can be over the top, in which the image can be such that it comes out with so much flair, and opens up so widely to begin with, that that’s not quite right either. That is something that is preening too much, or something, or just is too innocent, or something, and this is going on each time the masculine touches in a particular way to create a cycle of time in the universe.

You need to have the correspondence, and it’s a cycle of time as a completeness. And you can have various ages that are formed by that, where you could have one age in which something is this way in terms of the way the rapport of the masculine and feminine is. In order to truly go home, you have to be able to take into account it all. Initially it’s just like you have the one-to-one correspondence, so to speak, as if you’re touching the time clock of the universe. And, eventually, because there is no time and space, you eventually touch through it all – and then there’s just the nothingness.

So what is going on in terms of just describing the other is, I am dreaming how the magnetized vibration behind the breath, which is the heart breath, touches manifestation, that is, so to speak, a masculine image now, and the result causes a shift in consciousness and this affects the unfoldment of the time and space of manifestation – which is the feminine.

The theme of the dreaming has, as its underlined core, it has to do with what happens when there’s the original breath. So, when there’s the original breath, you can do it in kind of an A and B and A and B way of saying it. A, inner comes into outer. B, the seed into the eggs. One and the same. A, the above into the below. B, light comes down to touch manifestation. Same/same again.

Or, saying it another way, masculine comes down into the completeness of manifestation, and the result is that the feminine principle of a light imbedded in matter rises up to touch light. Or another way of pulling it together, and saying it in a more complete way, or a more full statement is, you have a result or cycle in creation, or a cycle in creation could be ages, depending on how you want to look at each aspected spot. And, in those ages, you move through them, and you move through them in a way that is said to be light coming down to touch light, as effectuated, and light rising up to touch light – thus light upon light.

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Crawford, Hugh Adam, 1898-1982; Orpheus: The Wooing of Eurydice

Hugh Adam Crawford

For things to come together, certain criteria need to be established. A bee won’t visit a flower before it reaches a certain stage of development, birds won’t come to an area before their favorite food arrives, and humans can’t make a connection if certain requirements aren’t met. That’s why, in the natural world, everything is always trying to make itself right for what it is trying to attract. This same process applies to our inner lives, with the masculine and feminine aspects seeking a connection, but one that can only be made when the terms of acceptance are reached. (At the end of this post there are instructions and a link to download this recording to your computer.)

Jeane: Then I had a series of dreams I don’t recall. In the last dream, I recall it’s like my sister and I are going to visit the house where my dad lives, and, in this house, there’s now a room that has, it’s almost like a rotunda-type room, where it’s got a round ceiling and walls.

And what my dad’s been doing, in that room, is he’s been putting plaster of Paris designs, like a fleur-de-lis for something, big ones, around the rotunda, and then gilding them gold.

Now my sister feels, and I kind of feel, this is, you know, kind of way too ornate, so my sister’s upset about this. But I’m telling her just to chill, because if my mother comes back, or whatever, you know, and it is probably too ornate, you know, it can just be painted over – so it’s no big deal.

It’s like my dad’s enjoying doing it, and, you know, even if it’s not quite our style, he’s having a good time doing it – and it doesn’t matter. It’s like if mom came back and wanted to change it, then she’d change it.

John: So that’s repeating the first dream, basically, except presenting the energetic in a slightly different motif, where the masculine, which represents the gold, is coming down, and it’s gilding the building, or the beingness, of it all.

And, the feminine principle, the part that’s represented as your mother, is asleep, is not being touched, or affected. The part that’s representing you and your sister, which is trying to awaken, and trying to take into account and keep up with a quality of honoring, that is important in the equation, which is like the prayer quality, it’s got its divided opinion as to what is taking place.

You have the sense towards a stillness, towards a letting go, that is a sense that is the right sense to have because that, then, can result in something that can be woken up. But, as long as there is the commotion, and reaction, in-between, in terms of whether it’s right this way, or right that way, prevents something from being able to find its correspondence.

In other words, your dad’s doing something with the gilding gold vibration of a building, of a beingness, coming through into life. He’s doing this in a particular place. And that’s what it looks like in terms of a sight. The touching of something in manifestation looks to touch at a particular spot.

And then what rises up, the maiden energy, or the feminine energy, that rises up at that particular point, well, it’s not rising up in an acceptable way. It’s leaving something off the ground; in other words, your dad’s a little off the ground.

The deeper feminine mother principle is still asleep, and the other is sitting there, and looking at it, in a kind of in-between capacity yet, with the advice being to sit, to wait, to accept. That if there’s something that has to be taken into account, or handled, in relationship to that coming down as the seed of things, the mother, the feminine, it will, when there is the coming together, then, it will respond as need be.

Do you see how that was the same dream?

To download this file, Right Click (for PCs) or Control Click (for Macs) and Save: The Correspondence

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