Posts Tagged ‘naked in a dream’

25262976 - yin yang humanWe are all the characters in our dreams, males, females, the young and the old. Or, in this case, the naked and the clothed. And these interactions speak of the relationships between different aspects of our inner life, always with the goal in mind to find a connection and a flow. Yet here, what is expressed in an unvarnished way by the masculine, proves too much for the feminine to handle. So there is work to be done on both sides to bring them together in a workable way. (At the end of this post there are instructions and a link to download this recording to your computer.)

John: It starts off, in the meditation dream, where I have a lot of frustration and struggle to contend with. That’s my way of saying that I reverbed, and I reverbed, and I reverbed in terms of trying to cause something very simple to be obviously known.

Because, in the dream, I have the assignment of revealing an inner invisible substance to an outer that requires proof in a tangible way; in other words with the ordinary senses. And there is a lot of frustration because there is nothing I can do to make this as visible, to those in the outer, as it is to me as an inner vibrational presence.

So what is going on is, I have caught up with a subtle vibration that I am able to tell affects the outer in a profound way. I notice this so much, vibrationally, that for me this is like a seeing. For others, that I am trying to make this known to, because they aren’t experiencing the vibration resonating within themselves, like I do, their visibility is kind of in a dense, or black-and-white way, and, as a result, this leaves me at a loss in revealing to them this ever-present way. In other words, it’s a flow, its ever-present way.

So then, when I come to bed, I come out of where I am staying. In my dream now, it’s like there’s a place next to something that’s like a quaint café. And in this quaint café there’s a proprietor, a woman proprietor. And when I come out of the house I just walk 40, 50 feet or something, along the sidewalk, and then there’s something in the middle of the fence area, along the sidewalk, before I walk up. And there’s actually a little outer area there where, you know, you have tables where you can eat outside on a deck, and stuff like cafés have, and she’s out there doing something with the tables to get them ready, and she hasn’t yet opened for the day.

So I come up along the side near the bottom, about the middle area of the fence area, and suddenly I realize I’m naked, which is the case that happens when I’m carrying an energy that is out of place in the ordinary sense of reality. The naked condition is over and over again. I see it as okay, and I act as if it’s okay, but once in a while I realize, you know, I’ve got to quit acting like everybody has to accept this.

So, as I come around the corner to where she’s at, kind of crept right up on her, and then I shield myself against a wall there because, all of sudden, I realize I’m naked and I’ve got to be careful how I come across, I ask if it is too early. She is mumbling to herself, and the inference has to do with something somewhere else bothering her.

As she sees me, she says, “I am so upset.” I say, “Did I do something to make you upset?” Deep down I know it is something else, but that’s just being polite. And then there is a sudden jump up energetic pulsation through my body, because I actually know that this has to do with her not being able to take in a certain flow that’s meant to come through, in an inner way. But I can’t tell her that. And, in this particular case, it has to do with somewhere, or something else, or however. And all the time know that her upsetness has to do with something she’s identifying somewhere else, yet I find it to be a curiosity, in a revealing sort of way, which requires me to be a support.

She says, “I will be right back,” as she has to contend with something bothering her inside, and has to go somewhere else to deal with it, because she was actually kind of going a little catatonic mumbling away to herself as she was cleaning the tables up.

So what is going on is, in this dream, although I am acting nonchalant, even though this doesn’t make sense to others, I am moving about in sync with an energetic, that is afoot in life, affecting others who are not able to sort it out. To me it is more visible. To them it is a frustration and discombobulation.

Until it is processed through, I just need to hold an empty space as this is the only way I know to support those who are going through things in the outer – unaware of a vibrational effect that is an inner unfoldment process affecting them from within.

Until there is a stop to let go; in other words, you have to quit the doingness. You have to kind of find that you have nothing that you absolutely have to do, because we fill every second in the outer with things that we have to do, and that prevents us from catching up with this flow, which comes from an emptiness. So until there is a stop, to let a flush-through to a shift in beingness occur, I and others who act this way are running from an inner awakening.

In other words, you’re acting on your frustration as a blockage, as a denial, as a veil that keeps you too busy to notice within. The answer is to let it flow, and accept the effect. And, when you do that, that’s when something intangible can happen. That’s when it’s a type of stillness in which there is a light substance now, that works, or help from wherever at a depth with wherever.

That’s just how it is until there is a full stop to face the energetic. Or, in other words, are you really facing the energetic? To a large degree, we face energetics by trying to understand that; that’s what psychology’s all about, to try to go back to where maybe it came from. But a higher octave of that is you just let the inner come into the outer, and the transitional shift is no longer kept at bay then.

So, what I’m describing is the way the inner higher-self vibratoriness makes its secret substance noticeable to our outerness of self. We must stop our doing in order to accept the vibrational impact; in order for the vibrational effect to make itself known from the greater emptiness space of our overall beingness. Only when we are still can our overall vibrational aliveness and beingness settle, as an insightfulness from within, into the manifestedness of a self in the outer.

So, as an observation, whenever you come across someone who’s acting really, really busy and all of that stuff, and doesn’t have time to pause for a split second, is constantly a go, go, go, go, that is a type of person who is keeping the inner from touching the outer.

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44000.jpgWe are constantly faced with situations that are new to us, situations that have no defined roadmap on how to proceed. What do we do? We reflect on our principles: our principles of what type of person we want to be. Are we honest? Do we want to have integrity? They will guide us and help us to proceed. At a higher level, we can turn to the principles of the universe to guide us: Is the world here for me, or am I here for the world? Should I just take what I think is mine, or is there some way I could help? Am I acting like an animal, or am I acting like a human being? In the face of the unknown, all we have is the principles we uphold. (At the end of this post there are instructions and a link to download this recording to your computer.)

John: So now I go into ways of dealing with this blindsidedness, and I have three different ways that I’m shown that I am to deal with this. In other words, what I just went through, the meditation dream, provided the big, big, big picture, and then this sets the scenario in terms of where I’m at. And now are the adabs, in terms of how to handle that condition. In other words, you just don’t flip flop about. You have to have some principles to work with.

And so the first one is the image in which I am being shown over, and over, and over again that my blindside is I just run down a street into a building – and I’m always naked when I do this. I’ve had dream after dream where I seem to come to grips with trying to break through something, and then glance at myself and I’m running around naked.

Everything I do has a part of me that is naked, which means I am reflecting back on all these dreams night after night. I actually have this part, which is very strange, and I keep throwing that out. I keep ignoring that. I don’t talk about that. I don’t look at that. I mean I just don’t know what to make out of it – but now I do.

The point of each image is, I need to pause, and then go forward. In that way I am shielded and have my kundalini energy under control. I can’t keep doing the other, meaning just up and doing something and then blanking it out as if that’s okay, because even though I may think it is okay it is not. Those who can look will eventually see. I need to be more attentive to my whereabouts between each part, and each point, of unfoldment.

Another reason this is deemed important is I am not able to hear the real sound succinctly, or see the inner light of realness in its entirety, so I need to watch my step. I need to use the clothes of the outer, which are there for a reason, as I move about. So, anyway, that’s point number one.

Point number two, that kind of keeps things unfolding properly, is you have to switch this inner into outer to an outer rising up to touch the inner. Or, you might say, light rising up to touch light. You have to switch that. People can grasp that in the following way with the principle of just the facts, which is something of an outerness coming out; instead of it staying in its density it rises up with just the facts, or an inner revelationalism.

It’s a kind of revealing, and it has a directional unfoldment, where there is a hiddenness that remains invisible, or, to the degree that it doesn’t remain invisible and people see more into it, it’s for those with the need to know to be able to see more into it. In other words, if it’s coming down from above, and you’re just pointing it out, that goes over the top. But if it’s just the facts, then that causes something to be ascertained in a way that is copacetic to how things are in a density.

And you could say, okay, it has to be that way because I’m not in a position to see the full picture so I have to leave that to the greater intertwinement process that lies beyond my current consciousness.

And then to further elucidate the point that I need to take note of the catatonic out of control conditions of things, of myself, again an aspect of kundalini because when you have the inner coming into the outer you tend to be set off in ways that are a bit awkward to handle, because you don’t have the usual principles of a groundedness.

And so I have this image in which there’s a car, and the car has this family, and there’s probably six or seven or eight of them in the family. In other words, they’re in the front seat and they’re in the back seat, and they’re of all ages. And one of the teenaged boys that’s a little prankish, and not quite right in the head, is apparently playing with matches in the car and has a little fire going there that actually, he thinks is all okay and controlled, and there tends to be a bit of a deniability or a frozen amnesia to the whole scenario. But, from this image, I know that what is going on you do not play around as if everything is okay.

So instead of waiting to see what is going to happen next, which is what the teenager is kind of like thinking it’s all under control and that he can get away with this, and everyone should just ignore it, I go out of my way to get everyone out of the car as a precaution.

So the three adabs of the three images, in terms of how to work with something in which you have to contend with not being able to see everything straightaway, because you don’t hear all of the sound, and you don’t see all of the light and, therefore, you can’t just flaunt about.

So you have three principles, you know, to account for inner into outer kundalini imbalance.

  1. You pause. In other words, you don’t need to race out. You see this often in the dream group, for example, where all of a sudden the inflection gets it going, and it gets out of control, and it doesn’t hold the energy; so you have to pause.
  2. You gather the facts and only the facts, which means that you’re causing the outer to proceed to the inner that way, or, in other words, the light to rise up to touch light after having been invoked by a vibration. But you don’t take and try to noodle the vibration in. You just try to portray, through a revelation, by showing the facts.
  3. You act proactively, as appearances dictate, rather than assume it will all work out – if the circumstances appear reckless.

Those are three adabs to work with. The reason why this kind of came up was because what I was feeling and sensing is that I’m a bit out of control, in terms of what I see, and that is actually something that needs to be put back into its genie box.

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Salvador Dali

In this dream and analysis we can really get the sense of how our systems are working for us, because the imagery tells the story of being knocked off balance and trying to regain that balance and flow. But it begs the question: why are our systems and our unconscious making such an effort to keep us in balance and in flow during the night? It tells us about how important those states are to the optimal functioning of our design. (At the end of this post there are instructions and a link to download this recording to your computer.)

Jeane: In the second dream, what I remember is I seem to be working in a medical setting. I seem to work in the basement of the building, in some kind of a lab almost, I have my little office.

And I know at one point, some people in there—probably early 20s, like I feel like I’m maybe in my later 20s, I’m not very old in this—come by my office to visit. It’s almost like they don’t work there, but they’re in some program that’s going on there. And I talk to the guy and the girl and after they left, I realize that she’s had hepatitis at some point. So there’s almost this feeling that I might have been exposed, so I make an appointment with one of the staff people to just have that assessed. I don’t think I was, but I think you have to be safe, so I make an appointment for about 6:00 or quarter to 6:00 to have that checked.

And then I’ve gone back down to my room, or office, and a man comes in. And it feels like we take off our clothes and then we’re sitting side-by-side almost, like in this large sink, and maybe initially we’re going to make love, but I don’t feel like we can or something. We’re just sitting there side-by-side.

Then we get up, and it feels like when we get up I realize that I’ve missed by 6 o’clock, or quarter to 6:00, appointment. The only thing I seem to have to put on is a dress that’s just like this long dress that goes down to the ankles. I’m just saying that because it feels like I don’t feel like I’ve seen the dress before, but it’s just there suddenly, and I put that on. And then I’m kind of asking him, since we’re leaving there, is one direction I’ll go and it’ll be kind of out of there and uphill in the direction of where my parents live. And he says it feels like he’s met this woman, but she lives kind of wild in the woods, so he’s going to go down and be there at night.

And I go out in the corridor thinking I’m going to walk home, and it feels like my parents, who are pretty young, and they don’t look like my parents in real life at all, but they’re my parents in the dream, and they’re kind of dressed in blue and they look very young. And they suddenly come in the hallway and it’s like they wanted to surprise me and go out to dinner with me, but at the same time, they’re kind of looking a little apprehensive, like maybe they won’t be welcome because maybe I’m at that age where you don’t want to do things with your parents. But they want to take me out to dinner with them, because maybe they haven’t seen me for a while.

John: So what this dream is about is, something’s affected you that has caused a loss of your usual sensibilities or awareness. We have this kind of loss whenever we’re blunted or shocked by something, where we have to suppress something, and it causes us to do a huge slam down or impact on our nature that normally is inclined to want to be able to free flow.

In your case, you create this huge, contractive, scary thing that causes you to go through a traumatic, reactive mannerism. And in going through this, it’s as if you tear synaptic functions of your own being. You tear a connectivity of your own being. You traumatize yourself in some fashion, or you do something that’s like a type of traumatization, but the way it affects you is it affects you on an internal connectivity mannerism. In other words, you don’t see the way things click or come together, like you intend to do before, because you’ve reacted to something and it’s caused you to develop an amnesia or shorting out.

So that when you then go into a place or a room, you can’t remember how it is, or what it is, in terms of what is meant to transpire, or how all of that is meant to be. But when you do get up from that, you’re able to put on a dress, but again it’s a dress that’s something that you’re surprised that you have, that you don’t really remember, but it is part of you. In other words, again denoting that there is a short-out in some fashion in terms of your energetic fluidity.

And so, when it’s like that, it’s like you have to kind of fall back into something inside of yourself so that it can be reached or awakened again. The hint that you have, that something that has stunted you, or affected you, is the fact that you can’t remember how it was that you came to be in this room in terms of whatever supposedly could have or was perhaps designed to go on there, but didn’t go on. And nor can you remember how you rose or pulled yourself up above all of that sort of thing in terms of putting on something, or taking on an attire that you have no memory or anything about.

Yet, as you’re doing that, the process of doing that is the journey back. It’s the process by which you’re starting to come back to your sensibilities. And in your sensibilities, you haven’t quite caught up yet. You could still be shocked or surprised by your higher self, you know, in terms of catching your continuity again.

Both of your dreams are strange dreams from the standpoint that you have affected—it’s as if you’ve encouraged some sort of blow, some sort of energetic thing that has shorted you out and caused you to lose a cognition or continuity.

And so the question is what could have caused that? In other words, what sort of thing could function as a contaminant, that is able to damage you in ways that cause you to lose a whole sense of self that you would ordinarily have, but have somehow lost track of, and are finding yourself having to come back to it. What sort of thing could have caused that?

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