Posts Tagged ‘nuclear fallout’

In a continuation of our two previous discussions (Nuclear Fallout and Full Speed Ahead), John takes us through the process whereby the dreamer, by affecting the images in a dream, can ultimately affect the experience in the outer reality.

John: When you have a dream, and what you see in that dream causes a connection to an energetic, to a feeling state, that state is a glimpse of something in a world of light that is there but not yet found by you in the plane of creation.

So you get a glimpse of it, but if you’re unable to sustain the connection, what you experience is the state where everything is slowed down to the level of appearing separate – the basic duality of good and bad and up and down.

If you are able to take the state of what you’re experiencing on a dream level, and the energy and speed at which it’s coming into you, and make that part of your experience, you are automatically changing – as you go along and exist in life – the images of life by your vibration.

How a thing vibrates is how it actually is. If it’s vibrating as an understanding and belief that it’s separate – if it defines itself as this or that, and it feels awkward – that is what it carries and inflects upon the mind. Everything creates an inflection upon the mind. If one sees everything as a duality, then when something breaks down in the outer reality, then one is left at the old speed. But the new reality is a new speed. And we have to catch up with the images of the new speed because we exist in a world of light.

If there were a nuclear explosion, that nuclear explosion, in the highest sense of its reality – is simply an energetic release of all kinds of images housed in matter. And it’s a big loss because those images would not have the motion and light to naturally unfold into the world. It would cause them all to go back to emptiness in an instant.

If the creator creates creation so that it can be, and creates man so that man can be the eyes and ears of the creator, so that the creator can experience creation, then man becomes the vehicle that can experience something in the physical plane yet also enable a quality of the divine to manifest into itself.

Now how is this done? Well, let’s talk about how it’s done in the mundane sense, as in your dream. You saw the horses, the horses are your senses, and you recognized that the horses could bump into each other and stuff like that but the horses were in a flow – they were in the water, and they could work as a unit in that flow.

You then recognized that there were certain things that you needed to do in relationship to sensing something speeding up. And so your instinct was to find cover and safety, but in reality there was no cover and safety. You still perceived the separateness between things, shown in the image of the wealthy man who had his own safe zone – or at least an illusion of a safe zone through his scheme of power and control. But it doesn’t work that way; there’s no “us” and “them.” In actual reality, we are all in the same plane – there is nothing that isn’t a completeness. Over here, as over there, as above, so below, they are all the same.

So when you have a creation that’s held together by a slower vibration, in which the images are housed in the matter of creation itself, and then you have an aspect of your being that is able to connect to an experience on the other side, that experience on the other side is an experience of light.

Human beings find themselves captured or existing in matter, on the physical plane. In order for human beings to be able to access both planes of reality – the plane in which creation “disappears” because in pure light there cannot be creation, and the being that sits with an aspect of ego that experiences nothing but image after image when they open their eyes – they can close their eyes and can experience this other quality, in the dream sense, that actually sees a world of light.

And in that world of energy they can actually take on the speed of that energy, from within, and because they are speeded up, they can change the images in the outer.  That’s when you’re participating in something in the world in which you can actually change the images of things – you know, it’s not just creating a better this and that if something isn’t right – it’s a more profound change.  This is something new that has never been possible before, and this is the opportunity and wonderfulness of being alive now. Because at a time of transformation when something is being changed over the next 30 or 40 years or however long it will be, you are setting a template for the images coming forward for the next 1000 years.

Because there is an ego, the ego still has to relate to the light by way of images, so when you dream your dream is actually something that is coming through and has an ego center behind it and reflects itself as a dream.

If it did not have the ego center behind it, you would have an experience that you could not relate to – that you could not keep grounded. So a dream comes through the ego inflection effect that is rooted in the outer, that is rooted in matter, yet is connected to a higher experience. The effect is that if you can be at the speed of the higher experience, you can then bring it down into what is going on in matter at a much slower speed and it can change those images.

And what is very, very interesting is that it’s so strange right now in that there are images in the outer that don’t exist – they are still kind of there, simply because the real images that are meant to be have not come across in the same way or capacity that they need to come in. And you closed in on the threshold of that, but did not quite see it.

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Jeane: I am with a man and it seems we have traveled away from a house. We are going out to see things and, however we travel, we seem to move along really fast. I feel as though we’re skimming above the ground, and I don’t know if we’re in a vehicle or not. I go by an orchard and see some very pretty dappled gray Arabian horses.

Then it seems like we’ve turned and gone over to a new orchard where I see a herd of horses running or, perhaps, swimming as part of a race. It’s just the horses, no riders. They go through a swimming pool and they are racing. The swimming pool is out in the general landscape.

The man I am with is communicating to me about how hard it would be to ride the horses while they bump against each other in the swimming pool. He wants to know if I can ride and I even have the sensation that I am riding a horse that jumps the fence. I don’t really know if I did, but we are moving really fast over the landscape observing a lot of things like this.

Then we come to an area where I think we’re more in the city and we have stopped for a moment to visit a friend of his who lives in a house that goes straight up. We go up to the penthouse – he has a key to his friend’s house. He runs into his friend who is very wealthy and has built a bit of a fortress. His friend picked up a foreign girl the night before and he is very preoccupied with her and they disappear together. I am looking around the house and then we go out.

The landscape has changed to canyon-type country with city-like structures. I become aware that there is going to be some kind of nuclear event, with the explosion and the fallout coming. We only have a limited amount of time. I think there is no place to go, but I end up in an area where men are building with concrete.

We find a group of people who are aware of what’s going to happen. Rather than being fatalistic about it, they have begun to put together some sandwiches. I start talking to them about finding a refrigerator that people could be near. There may be enough shelter here. I go over and help them make the last of the sandwiches and then talk with them about where we put the water – asking if they are conserving it or not. I’m also telling them not to stand next to the windows, but now and then I look out.

At some point someone says it’s coming because there is stuff falling in the air, something that looks like ash. Later I go to a front window and I see that it’s really starting to fall. I urge people to go to the center of the building where there is some protection and to stay away from the windows and to keep the kids nearby.

It doesn’t seem as though there was a big blast that would have blown out the windows. I have the sense that everybody will get radiation, but maybe not. We do the best we can. I go out to see if there were any workers who made it through.

Then I’m back at the building where the rich man lives and we’ve taken the rest of the people there also. The building has been fortified. There is even a fallout room where the friend might still be with the girl.

I go up to the roof so I can look out over the valley. I can see that there is a layer of radioactive dirt over everything. As I’m standing there, a small drone comes through the sky. It’s about one-foot across and it has little wings and an eye painted on it. It sees me and keeps circling around my head. It won’t do anything except follow me no matter how I try to push it away. Finally my friend comes over with a woven bag and I put the drone in the bag.

I keep the bag with me because I’m not sure if I want the drone flying back to the government or whoever sent it. I’m not sure what it means, but since it won’t do anything but follow me at least I have it in a bag where I have covered up its eye.

Right near the end of the dream I run into this big brown dog that somehow made it through everything. I stop, lean down, and scratch the dog.
For the follow-up discussion of this dream, see Full Speed Ahead.

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