Posts Tagged ‘on a train in a dream’

crashWe may have learned how to pack for travel in light of the new airline fees and regulations, but do we understand the baggage limitations of our spiritual journey? If we were to fly away tomorrow, and we could only take a few things with us, what would those things be? Our need for safety? Our fears of the unknown? Our hesitations to trust in what we can’t see and touch? It’s an interesting consideration, because those precious things are the ones that will hold us back at the last moment, and keep us from making our next elevation and development. (At the end of this post there are instructions and a link to download this recording to your computer.)

Jeane: Initially, I’m with a group of people, men and women. We’re young; we’re like college age or something. And we seem to be trying to make decisions about where we’re going to live, like whether we’re going to live more in a group setting, or get our own apartments. It’s as though whenever someone talks to one, you know, they’re trying to sway one, one way or the other.

And then we’re all going to get on a train that goes a little more into the country, I think. Now, as we leave for the train station, I have this sense that I’m not sure that I trust the whole system around our bags, but we’re supposed to leave them all behind and then they’re going to be loading them and they’ll catch them up with us.

And we seem to be taking these empty carts, like a grocery store cart almost, up to where we’re getting on the train. And I see that some people had grabbed some of their stuff, and I do have this sense that I’m not sure I like, or trust, the system, but it feels too late to go back and try to grab bags – so I just have to let it go.

I don’t remember the train ride, because it suddenly seems like we’re just in this house in the country, and different people are arriving earlier, and some are coming later. So there’s kind of a mix of who one’s talking to that might be different than before, and I feel like that there would be some pressure from some people when they arrive because maybe they’re interested in a relationship, so they would be pressing me to get my own place. And other people I’m there with are just fine with us all living more communally.

I’m standing over near a window at one point, and it feels like the young people I’m around are kind of having this conversation of having some confusion with their sexuality, because they feel like as they talk, and they get close to people, even if it’s someone that’s the same sex, they may feel more attracted – but that’s not normally how they identify themselves.

And then I go over from there, because I think someone arrived that I feel a little crowded by, and I want more space. And so I’ve left there and I’ve gone over and I’m standing on this stairway where there’s a bathroom above. And there’s a woman waiting for the bathroom, so I start talking to her. It’s like I’m waiting my turn for the bathroom or something; she feels like someone that I can talk to about what I’m noticing going on around me, and I think that was when the phone rang.

John: Your dream, if you follow it energetically, seems to be a progression towards more a complete breath. To begin with, before you get on the train, you’re kind of in the world, or in the city of things, and those indulgences just kind of have a way with you that kind of keep you in their trance.

Then when you get on the train, it’s like traveling towards God, or trying to travel towards God. You’re caught in kind of this period of time that yo-yos back and forth: do you have everything with you from the city? And yet are you traveling in the right way? And then you have the illusion kind of hitting a type of destination.

In other words, you make a distinction with it, in that you point out that one arrives at a place that seems okay, but isn’t actually really quite okay, either, because you’re still trying to sort out. You’re now able to look at things a little differently, and able to sort out what has a magnetic pull, or attraction to you, and what doesn’t.

When you’re initially just in the dumb outer, the natural physical world of things, you don’t have any sense of anything more going on, you can seemingly enjoy that because you don’t know any different or any better. And in a way that can even seem like that’s all that there is. But once you start on a path of looking for something more, and trying to see what you can take with you in terms of that something more, that’s when you start playing in this in-between zone of trying to sort things out.

And in that sorting out, you’re making a distinction that there really is something more, that there is a quality of a home, and in that quality of a home you reach a point, where, on a magnetic level, you’re looking then at what you feel you need, which is still a type of indulgence. In other words, instead you’re even subtler with this in terms of what you’re looking to sustain, or maintain, in terms of the outer in your home, or as an innerness. And that is the realm of the spirit.

In other words, it’s able to reduce things into a really, really fine sort of state, but it’s still caught in that, and so you can have a certain sense of balance, and completeness, but it’s still not the original breath. The key is a recognition that goes to a letting go of any kind of buying and selling, even on a subtle level like the spiritual illusion level, or when you’re yo-yoing.

And the key is to let go of all of that, in order to hit the magnetized breath, that encompasses the wholeness of everything that there is in all of life. And the way this develops, or the way this helps a human being, is that the original breath kind of becomes a sort of magnetized naturalness that is charged with a more all-encompassing, inclusive energetic, and that the indulgences, that had been in the city, you really do see as nauseous now, when before you didn’t necessarily see them as nauseous.

And thus you were still sorting things out, in terms of what bags to take as you were attempting to do something anew. And you were still trying to then take those bags, reduce them to something of a subtler need, and still keep this subtler need in a place that was more like home, which is a spiritual illusion, because those bags had now turned into a type of spiritual essence quality, brought with you to a home.

But you make headway against this middle area, the subtler second breath, you make headway against it only by holding the original breath and thus you see the nausea of experiencing in the outer.

When you’re able to see the nausea of experiences that are just strictly in the outer, meaning with the mind senses only, it becomes more and more difficult to try to take some sort of mind sense orientation with you, or baggage as you would call it. And then from baggage to something of a subtler essence spirituality, into your home, which again is just a finer substance of the baggage, and the baggage being what you are reserving your right to hold onto, that is quasi-personal, still personal, but an aspect that is not totally indulged, that you are attempting to travel with.

By letting go of that, you are put in a position to where the yo-yoing and the spiritual illusion aspect of things is something that you’re able to make headway with, even though they’re subtler, and harder, to work with, because they still have as a foundation of a substance the shell orientation, not the essence orientation, not the orientation that’s one of light.

It’s easier to come to grips with the yo-yoing where you’re taking baggage back and forth, trying to take baggage with you from the city to some place that you’re going, and it’s harder when you get to what you think is a home and you still are holding to your spiritual ideals, or images, and that is a subtle personal aspect. It’s harder to let go of that, but it is made easier, the recognition is made easier, when you have taken and died, so to speak, to the idea that there is something in the outer that can be utilized, or experienced, in some edification way.

So the more grounded you can be, towards the density of that outer breath, and not caught in any of that, the more you’re able to truly adhere, or in that more holding on to the original breath, that is the only means by which you’re able to see the limitations of the other quality.

When you go into the original breath, which is magnetized, you sort out the two. In other words, as things get subtler, and you’re carrying your spiritual illusion up, and things are brighter, they cannot get to the total stillness of where the in-breath turns to the out-breath because you’re still holding on to spiritual illusions. It can have a real angelic quality to it in terms of how you can convince yourself that this is meaningful.

On the flip side of that, is where that energetic that can’t be lived in a stillness, is trying to come down into manifestation. And so it is only the holding onto the original breath at the top that you pull those two together.

When you let go of it, when you hit the heart breath, or just let go of the mind sense orientation, then that is when you have the deeper realization of something in terms of what you really are all about, in terms of this complete stillness, or in other words devoid of spiritual illusion, and devoid of the need to try to steer something in some capacity.

When you are like that, then, this other vibration, which is the only aliveness that there is, the magnetized vibration is the only aliveness that it is, it then is able to play in a way through the human being that is really quite magical. And change then can happen, and shifts can then happen. And to the degree that the human being is still functioning in life just like everybody else, no one notices, because their mind is caught up in having to sort out and make sense of things.

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Gillian Rogers

Our dream images can be looked at from the point of view of flow. And here is a great example: a train ride through India, a setting where no experienced traveler would expect things to run perfectly. And our main character is having difficulty trying to find something, yet as soon as she tells another person to, basically, go with the flow, her problem is solved and the scene shifts to looking at pearls, which can be considered wisdom, or the gems of higher energy. Said another way, the pearls are available to us when we accept the universal flow. (At the end of this post there are instructions and a link to download this recording to your computer.)

Jeane: What I remember of my dream is I seem to be on a train going through India, and there’s an old friend of mine, a guy I know that’s kind of very suave, that’s on the train and other people I’m dialoguing with.

Everything is very colorful, but it’s like when I get up to go to find a bathroom, trying to find a bathroom that actually works is really difficult. You even find, even though it’s a train, it’s like you find one room that’s more like a locker room, and then you find stalls that maybe the toilet’s going to work or it’s not going to work, or the toilet’s outside the stall instead of inside the stall.

It’s just India. It’s like colorful and you just have to kind of make do. And I run into some woman that’s asking about it, and she wants to know if trains run on time, and if things worked smoothly on our trip, because she’s going to be going on a trip. And I’m like making some reply, well, that’s not India, you know.

And then it feels like having found a bathroom and gotten back to where I guess the carriage place, whatever you would call those rooms on your train. Then the dream switches and it feels like I’m dreaming about all these seed pearls, and seed pearls are kind of like a little rougher pearl. In my dream they’re a little longer, rougher pearl, almost like a pink shade, and maybe some in white, and it’s like I’m just doing something with all these pearls like I maybe want to make something out of them. That’s all I remember.

John: So your dream was heavily influenced by the energetic from last night in which the theme got set by the fact that there is a dormancy that needs to come out of its dormancy because behind it is an awareness and an acuity that is meant to be ushered into life. 

However, a lot of spirituality and such has gotten in the way, and so as a consequence it has gotten turned on its ear, but only for purposes of smashing that so that what’s behind that can come through. Your dream portrays that, too.

In other words, you’re on a train, you can’t find a bathroom that works. In other words, you’re struggling to get something to come into cohesion, in terms of how you maintain, or sustain, or hold onto what is important, that needs to be within grasp, that needs to come up from within. It’s blocked, but that doesn’t mean you’re not on the process. You’re on the process, you’re on the train, it’s just that you can’t quite… you’re being affected or infected by the vibration of what is going on.

And so you are finding out for yourself what it feels like to try to be succinctly within a flow, as you know is meant to be, and is possible. And the quality of it being like this actually means that you’re getting close to it, or you wouldn’t be seeing it. And different from the dreams that were presented last night, you pop through. You saw the string of pearls that just needed to be connected, or intertwined, that you could see the alignment of that.

And so you discovered, and recognized, what it was about. In other words, the other was awkward and clumsy as you were struggling to get that to come into cohesion and, all of a sudden, you shift through and what there is, like the pearls or whatever that is, that needs to be brought into cohesion, is brought there – and then put into balance.

And so what one has to look at is that we’re all affected by what rubs off in terms of what’s going on in our environment around us, and so to a certain degree that was put into the ethers and so that set in motion something that shook you in terms of what that energetic and vibration is like. You did a review. You realized that you recognize the quality of a likeness inside of yourself, and then you also realized that you have a sense of something that is coming into a cohesion.

So, the question is why is that asunder yet, when it’s meant to go to a depth of something or bring something through? Why is that asunder, and why do you have a dream that actually shows that something can come into an alignment? 

You have a means by which you can tell that sort of thing as part of the way that your balance and container energy works. And that’s what your dream did. It comes out the other side of that. So I think the dream is important from the standpoint it takes the situation at hand, examines or reviews the situation at hand as it applies to you, and then gives you the information as to where you stand. And when you have the differences to have to contend with, then it’s important to recognize what is it?, in terms of how you’re able to be that makes the difference

I think it has a lot to do with letting go of things, and that somehow or another you can naturally do that. You are able to hear, and to see, and to recognize, and to accept and to acknowledge, little things that make the difference that keep one from getting caught in around and around, thus you subtly are able to shift and start stringing the pearls together.

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Your-Goal-Is-Spiritual-PerfectionThere, he said it. In response to Jeane’s dream images, what emerges is a very great truth about a spiritual journey: it requires the all of you. And this is the point where many journey’s stop progressing, or fade altogether, because this bridge must eventually be crossed. Because it’s not about being more conscious in certain ways, or at certain times, or with certain people. It’s about having greater consciousness about everything we say and do. And that’s not easy. But we do have our whole lives to figure it out. (At the end of this post there are instructions and a link to download this recording to your computer.)

Jeane: My first dream, which seemed to go on for a long time, felt more like an energetic experience. And it was as though I was in this large building, like a hotel, owned by Elaine Wynn or by the Wynn’s, and I would go through the different rooms.

And it’s almost like at night, or at least it was kind of obscure light. It was like I was touching some of the pillars and things, or just experiencing the energy of the different rooms. And then sometimes I would come through and maybe she was in the room, or somebody else was in a room, but mostly I was just going around experiencing the energy of the space.

John: That’s a quality that is natural to the feminine nature in regards to how it is she takes in, or relates to, an outer environment. Because the feminine nature in and of herself, meaning pretending that it is separate from the whole, the feminine nature can tell and can feel whether she is in balance or not in balance, in terms of how she perceives herself, in terms of the fact that she can subtly access the qualities of something deep within that are kind of unconscious but flicker a bit in terms of her as she opens up to her greater dimension of self.

Simultaneously or similarly speaking, because she is also matter and she has an orientation to everything in creation, she can tell whether something is satisfactory, or suitable, energetically as an inanimate object, or as inanimate places and spaces, simply by the way the energy is in its embedded form.

So, in other words, she can tell whether certain locales, certain places, certain environments, have a feel to them that is correspondingly conducive to how it is that she sees and feels herself.

Which means that as the feminine gets more in touch with how it is that she is able to realize and recognize herself as a developed energetic, that has unconscious qualities that are able to come to the surface as a quality of flickered knowingness, she then correspondingly applies that to everything that comes within her scope of attention, or awareness, or perception in terms of her outer orientation.

Jeane: So in my second dream, I’m on a train in some place like Italy with a group of people. Because it’s a train ride that’s going on for a while, we’ve left where we were staying, this town in Italy, to visit another town for a day or so, and I’ve gone ahead in the train.

I’m walking in some of the forward train cars, one even seems to be a little lower than the others, and as I’ve done that I found a train car where I actually could buy some vegetables. So I’ve got a paper sack with some vegetables.

And the train stops somewhere for a little while and I start to go back to the car where I was with the other people that I knew on the trip, but I realize I left my paper bag next to a counter where I was talking to somebody. So I go back to get my vegetables and then I go back, and when I go back to get on the train had started moving again.

I go back to go to the compartment where I was, which is several cars back, and I open up the door and it’s not there anymore. Apparently when we stopped that car had unhitched and gone a different direction. So now I have to go forward with the cars we’re in to the town where they go.

Well when I get off it seems like I walk around the town and I run into some people at least that are known to the people back where they were, but now I’m dithering a bit. Do I try to find the train station and go back and get to the other town later because they may just be there a night? Or do I stay where I am?

I don’t seem to have a cellphone number to call anybody so, because of that, it feels like I just start relating more to, and getting comfortable with, the people where I am in this little town, figuring that if I stay overnight or wait another day or so, then the train will kind of go back naturally to our base.

And meanwhile I’ve kind of gotten to know the son in the home and a few other people, so it feels like I feel like I can be comfortable just staying where I am.

John: Of course that part isn’t true, you can’t.

Because what the first dream indicated is that you have a connection, a linkage, and a correspondence to how it is that you’re able to perceive and pull things out, in relationship to the outer, that corresponds to how it is that you carry and you feel yourself from within that is opened up as an awareness, a consciousness, in terms of your physical nature.

Now you’re able to put it into a corresponding application into the outer. So if there is a part of yourself, in other words that you’ve rounded up as groceries as you call it, or as an aspect of what you need, and you’re on a journey, which means you’re on the train, and something happens in which a part of yourself gets disentangled, or lost, or left behind, and it is a part of yourself that is important to the composite wholeness of your being – you can’t just take and bandage over that as if it’s going to be a-okay, or try to compensate in some fashion saying, okay, life goes on and I make new associations and, little by little, let this be ignored as if it is a wound that can be resolved over a course of time.

And what you’re describing is the idea of trying to do that that way is what creates veils, in terms of the feminine, in terms of her orientation in the outer, because the feminine has a perception of the wholeness as it exists as a wholeness of herself in life. So if she loses some part or component of that, or makes accommodations that aren’t in keeping with her honoring her own wholeness, the result is that she suppresses, or therefore makes further unconscious, a part of herself that she needs to have quickened, or bring from unconscious into a conscious way of living.

And you can do that, and it is done all the time, and what this does is it creates complexes for people because they then are not able to then live the power and energy of who they really are. And in doing this this takes a sight or a clarity of one’s energy – or one could say kundalini energy because kundalini energy is the raw energy that takes into account everything – it takes that and it pacifies it in such a way so that it is no longer in flow.

And when it is no longer in flow then that part that is needed in order to take into account the wholeness, because that’s all components of one’s self, it gets lost. And when it gets lost it gets suppressed, and regressed, and when it’s like that then that pulls one’s energy down.

And when one’s energy is pulled down, then the scope of how a person is able to appreciate and enjoy life gets compromised. And the compromising can seem subtle, in other words it can seem like, okay, I could ignore this, or I could let that go – as you were doing in the dream – and you know you can’t because you’re not allowed to be anything but the whole. And you can’t take time out from that without doing damage to yourself.

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